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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29FFBB it is the complementary color #D60044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29FFBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29FFBB shade: #2EFFB6, #3FFFC9, #50FFDC, #61FFEF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29FFBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29FFBB shade: #29FFBB, #18EDA8, #07DB95, #00C982 and #00B76F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29FFBB shade: #28FFBA, #28FF81, #28FF47, #43FF28 and #7DFF28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29FFBB shade: #28FFBA, #28FFF4, #28CFFF, #2895FF and #285CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29FFBB shade matches the following richer shades: #28FFBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29FFBB shade: #28FFBA, #3AEDB4, #4BDCAE, #5CCBA7 and #6EB9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29FFBB shade: #28FF45, #28FF7E, #28FFB7, #28FFF0 and #28D4FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29FFBB shade: #00D591, #00FEAD, #28FFBA, #52FFC8 and #7BFFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29FFBB shade: #29FFBB, #2845FF and #FF6128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29FFBB shade: #29FFBB, #B728FF and #FFB728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29FFBB shade: #29FFBB, #2845FF, #FF2870 and #FFE228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29FFBB shade: #29FFBB, #4C28FF, #FF2870 and #DBFF28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

Complementary color

CMYK 0 / 100 / 68 / 16

HEX #D60044

RGB 214 0 68

HSL 340.93, 1%, 0.42%

LAB 45.24, 71.77, 26.27

 

CMYK 82 / 0 / 29 / 0

HEX #2EFFB6

RGB 46 255 182

HSL 159.04, 1%, 0.59%

LAB 89.62, -64.59, 21.44

 

CMYK 75 / 0 / 21 / 0

HEX #3FFFC9

RGB 63 255 201

HSL 163.13, 1%, 0.62%

LAB 90.23, -58.73, 12.59

 

CMYK 69 / 0 / 14 / 0

HEX #50FFDC

RGB 80 255 220

HSL 168, 1%, 0.66%

LAB 90.96, -52.13, 3.86

 

CMYK 62 / 0 / 6 / 0

HEX #61FFEF

RGB 97 255 239

HSL 173.92, 1%, 0.69%

LAB 91.82, -44.89, -4.68

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

CMYK 90 / 0 / 29 / 7

HEX #18EDA8

RGB 24 237 168

HSL 160.56, 0.86%, 0.51%

LAB 83.75, -62.5, 20.48

 

CMYK 97 / 0 / 32 / 14

HEX #07DB95

RGB 7 219 149

HSL 160.19, 0.94%, 0.44%

LAB 77.8, -60.73, 22.15

 

CMYK 100 / 0 / 35 / 21

HEX #00C982

RGB 0 201 130

HSL 158.81, 1%, 0.39%

LAB 71.82, -58.52, 23.95

 

CMYK 100 / 0 / 39 / 28

HEX #00B76F

RGB 0 183 111

HSL 156.39, 1%, 0.36%

LAB 65.76, -56, 25.87

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBA

RGB 40 255 186

HSL 160.74, 1%, 0.58%

LAB 89.63, -64.19, 19.41

 

CMYK 84 / 0 / 49 / 0

HEX #28FF81

RGB 40 255 129

HSL 144.84, 1%, 0.58%

LAB 88.71, -74.8, 46.43

 

CMYK 84 / 0 / 72 / 0

HEX #28FF47

RGB 40 255 71

HSL 128.65, 1%, 0.58%

LAB 88.17, -81.42, 69.94

 

CMYK 74 / 0 / 84 / 0

HEX #43FF28

RGB 67 255 40

HSL 112.47, 1%, 0.58%

LAB 88.38, -80.12, 78.92

 

CMYK 51 / 0 / 84 / 0

HEX #7DFF28

RGB 125 255 40

HSL 96.28, 1%, 0.58%

LAB 89.87, -67.82, 80.8

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBA

RGB 40 255 186

HSL 160.74, 1%, 0.58%

LAB 89.63, -64.19, 19.41

 

CMYK 84 / 0 / 4 / 0

HEX #28FFF4

RGB 40 255 244

HSL 176.93, 1%, 0.58%

LAB 91.01, -49.79, -8.57

 

CMYK 84 / 19 / 0 / 0

HEX #28CFFF

RGB 40 207 255

HSL 193.4, 1%, 0.58%

LAB 77.46, -24.32, -34.9

 

CMYK 84 / 42 / 0 / 0

HEX #2895FF

RGB 40 149 255

HSL 209.58, 1%, 0.58%

LAB 60.93, 7.6, -60.91

 

CMYK 84 / 64 / 0 / 0

HEX #285CFF

RGB 40 92 255

HSL 225.49, 1%, 0.58%

LAB 46.08, 42.88, -84.99

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBA

RGB 40 255 186

HSL 160.74, 1%, 0.58%

LAB 89.63, -64.19, 19.41

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBA

RGB 40 255 186

HSL 160.74, 1%, 0.58%

LAB 89.63, -64.19, 19.41

 

CMYK 76 / 0 / 24 / 7

HEX #3AEDB4

RGB 58 237 180

HSL 160.89, 0.83%, 0.58%

LAB 84.36, -57.07, 15.16

 

CMYK 66 / 0 / 21 / 14

HEX #4BDCAE

RGB 75 220 174

HSL 160.97, 0.67%, 0.58%

LAB 79.46, -49.27, 11.44

 

CMYK 55 / 0 / 18 / 20

HEX #5CCBA7

RGB 92 203 167

HSL 160.54, 0.52%, 0.58%

LAB 74.68, -40.37, 8.43

 

CMYK 41 / 0 / 13 / 27

HEX #6EB9A1

RGB 110 185 161

HSL 160.8, 0.35%, 0.58%

LAB 69.88, -28.96, 4.89

 

CMYK 84 / 0 / 73 / 0

HEX #28FF45

RGB 40 255 69

HSL 128.09, 1%, 0.58%

LAB 88.16, -81.57, 70.61

 

CMYK 84 / 0 / 51 / 0

HEX #28FF7E

RGB 40 255 126

HSL 144, 1%, 0.58%

LAB 88.67, -75.24, 47.79

 

CMYK 84 / 0 / 28 / 0

HEX #28FFB7

RGB 40 255 183

HSL 159.91, 1%, 0.58%

LAB 89.58, -64.84, 20.87

 

CMYK 84 / 0 / 6 / 0

HEX #28FFF0

RGB 40 255 240

HSL 175.81, 1%, 0.58%

LAB 90.9, -50.88, -6.66

 

CMYK 84 / 17 / 0 / 0

HEX #28D4FF

RGB 40 212 255

HSL 192, 1%, 0.58%

LAB 78.9, -26.81, -32.67

 

CMYK 100 / 0 / 32 / 16

HEX #00D591

RGB 0 213 145

HSL 160.85, 1%, 0.42%

LAB 75.84, -59.64, 21.55

 

CMYK 100 / 0 / 32 / 0

HEX #00FEAD

RGB 0 254 173

HSL 160.87, 1%, 0.5%

LAB 88.88, -68.26, 24.96

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBA

RGB 40 255 186

HSL 160.74, 1%, 0.58%

LAB 89.63, -64.19, 19.41

 

CMYK 68 / 0 / 22 / 0

HEX #52FFC8

RGB 82 255 200

HSL 160.92, 1%, 0.66%

LAB 90.54, -56.52, 13.6

 

CMYK 52 / 0 / 16 / 0

HEX #7BFFD5

RGB 123 255 213

HSL 160.91, 1%, 0.74%

LAB 91.92, -46.18, 9.02

 

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

CMYK 84 / 73 / 0 / 0

HEX #2845FF

RGB 40 69 255

HSL 231.91, 1%, 0.58%

LAB 41.1, 56.4, -93.2

 

CMYK 0 / 62 / 84 / 0

HEX #FF6128

RGB 255 97 40

HSL 15.91, 1%, 0.58%

LAB 61.62, 57.69, 60.48

 

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

CMYK 28 / 84 / 0 / 0

HEX #B728FF

RGB 183 40 255

HSL 279.91, 1%, 0.58%

LAB 50.46, 82.97, -77.34

 

CMYK 0 / 28 / 84 / 0

HEX #FFB728

RGB 255 183 40

HSL 39.91, 1%, 0.58%

LAB 79.2, 15.1, 75.15

 

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

CMYK 84 / 73 / 0 / 0

HEX #2845FF

RGB 40 69 255

HSL 231.91, 1%, 0.58%

LAB 41.1, 56.4, -93.2

 

CMYK 0 / 84 / 56 / 0

HEX #FF2870

RGB 255 40 112

HSL 339.91, 1%, 0.58%

LAB 56.04, 78.98, 15.29

 

CMYK 0 / 11 / 84 / 0

HEX #FFE228

RGB 255 226 40

HSL 51.91, 1%, 0.58%

LAB 89.77, -6.92, 83.85

 

CMYK 84 / 0 / 27 / 0

HEX #29FFBB

RGB 41 255 187

HSL 160.93, 1%, 0.58%

LAB 89.66, -63.9, 18.95

 

CMYK 70 / 84 / 0 / 0

HEX #4C28FF

RGB 76 40 255

HSL 250.05, 1%, 0.58%

LAB 38.33, 71.83, -97.73

 

CMYK 0 / 84 / 56 / 0

HEX #FF2870

RGB 255 40 112

HSL 339.91, 1%, 0.58%

LAB 56.04, 78.98, 15.29

 

CMYK 14 / 0 / 84 / 0

HEX #DBFF28

RGB 219 255 40

HSL 70.05, 1%, 0.58%

LAB 94.62, -35.51, 86.75

 

Description

Color code: HEX #29FFBB | qconv.com Color code: HEX #29FFBB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 255 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 255 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 27 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 27% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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