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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29F0B4 it is the complementary color #D60F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29F0B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29F0B4 shade: #2EF0AF, #3FFFC2, #50FFD5, #61FFE8 and #72FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29F0B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29F0B4 shade: #29F0B4, #18DEA1, #07CC8E, #00BA7B and #00A868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29F0B4 shade: #28F0B3, #28F07E, #28F048, #3EF028 and #74F028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29F0B4 shade: #28F0B3, #28F0E9, #28C0F0, #288AF0 and #2854F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29F0B4 shade matches the following richer shades: #28F0B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29F0B4 shade: #28F0B3, #3ADDAC, #4DCAA5, #60B89D and #72A596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29F0B4 shade: #28F046, #28F07B, #28F0B0, #28F0E6 and #28C4F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29F0B4 shade: #0CB985, #0FDFA0, #28F0B3, #4EF2C1 and #75F5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29F0B4 shade: #29F0B4, #283FF0 and #F06028

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29F0B4 shade: #29F0B4, #B028F0 and #F0B028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29F0B4 shade: #29F0B4, #283FF0, #F02867 and #F0D828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29F0B4 shade: #29F0B4, #4D28F0, #F02867 and #CBF028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

Complementary color

CMYK 0 / 93 / 65 / 16

HEX #D60F4B

RGB 214 15 75

HSL 341.91, 0.87%, 0.45%

LAB 45.83, 70.75, 22.69

 

CMYK 81 / 0 / 27 / 6

HEX #2EF0AF

RGB 46 240 175

HSL 159.9, 0.87%, 0.56%

LAB 84.99, -60.55, 18.62

 

CMYK 75 / 0 / 24 / 0

HEX #3FFFC2

RGB 63 255 194

HSL 160.94, 1%, 0.62%

LAB 90.08, -60.32, 15.98

 

CMYK 69 / 0 / 16 / 0

HEX #50FFD5

RGB 80 255 213

HSL 165.6, 1%, 0.66%

LAB 90.79, -53.81, 7.25

 

CMYK 62 / 0 / 9 / 0

HEX #61FFE8

RGB 97 255 232

HSL 171.27, 1%, 0.69%

LAB 91.63, -46.64, -1.32

 

CMYK 55 / 0 / 2 / 0

HEX #72FFFB

RGB 114 255 251

HSL 178.3, 1%, 0.72%

LAB 92.6, -38.93, -9.68

 

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

CMYK 89 / 0 / 27 / 13

HEX #18DEA1

RGB 24 222 161

HSL 161.52, 0.8%, 0.48%

LAB 79.05, -58.51, 17.6

 

CMYK 97 / 0 / 30 / 20

HEX #07CC8E

RGB 7 204 142

HSL 161.12, 0.93%, 0.41%

LAB 73.01, -56.78, 19.25

 

CMYK 100 / 0 / 34 / 27

HEX #00BA7B

RGB 0 186 123

HSL 159.68, 1%, 0.36%

LAB 66.94, -54.57, 21.05

 

CMYK 100 / 0 / 38 / 34

HEX #00A868

RGB 0 168 104

HSL 157.14, 1%, 0.33%

LAB 60.79, -52.04, 22.98

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B3

RGB 40 240 179

HSL 161.7, 0.87%, 0.55%

LAB 85.01, -60.16, 16.56

 

CMYK 83 / 0 / 48 / 6

HEX #28F07E

RGB 40 240 126

HSL 145.8, 0.87%, 0.55%

LAB 84.11, -70.41, 42.09

 

CMYK 83 / 0 / 70 / 6

HEX #28F048

RGB 40 240 72

HSL 129.6, 0.87%, 0.55%

LAB 83.57, -77.03, 64.85

 

CMYK 74 / 0 / 83 / 6

HEX #3EF028

RGB 62 240 40

HSL 113.4, 0.87%, 0.55%

LAB 83.7, -76.46, 74.71

 

CMYK 52 / 0 / 83 / 6

HEX #74F028

RGB 116 240 40

HSL 97.2, 0.87%, 0.55%

LAB 85.09, -65, 76.47

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B3

RGB 40 240 179

HSL 161.7, 0.87%, 0.55%

LAB 85.01, -60.16, 16.56

 

CMYK 83 / 0 / 3 / 6

HEX #28F0E9

RGB 40 240 233

HSL 177.9, 0.87%, 0.55%

LAB 86.33, -46.42, -9.78

 

CMYK 83 / 20 / 0 / 6

HEX #28C0F0

RGB 40 192 240

HSL 194.4, 0.87%, 0.55%

LAB 72.52, -21.64, -34.48

 

CMYK 83 / 43 / 0 / 6

HEX #288AF0

RGB 40 138 240

HSL 210.6, 0.87%, 0.55%

LAB 57, 8.65, -58.94

 

CMYK 83 / 65 / 0 / 6

HEX #2854F0

RGB 40 84 240

HSL 226.8, 0.87%, 0.55%

LAB 42.89, 42.44, -81.84

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B3

RGB 40 240 179

HSL 161.7, 0.87%, 0.55%

LAB 85.01, -60.16, 16.56

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B3

RGB 40 240 179

HSL 161.7, 0.87%, 0.55%

LAB 85.01, -60.16, 16.56

 

CMYK 74 / 0 / 22 / 13

HEX #3ADDAC

RGB 58 221 172

HSL 161.96, 0.71%, 0.55%

LAB 79.38, -52.58, 12.33

 

CMYK 62 / 0 / 18 / 21

HEX #4DCAA5

RGB 77 202 165

HSL 162.24, 0.54%, 0.55%

LAB 73.89, -43.39, 8.31

 

CMYK 48 / 0 / 15 / 28

HEX #60B89D

RGB 96 184 157

HSL 161.59, 0.38%, 0.55%

LAB 68.9, -33.05, 5.58

 

CMYK 31 / 0 / 9 / 35

HEX #72A596

RGB 114 165 150

HSL 162.35, 0.22%, 0.55%

LAB 63.91, -20.28, 2.36

 

CMYK 83 / 0 / 71 / 6

HEX #28F046

RGB 40 240 70

HSL 129, 0.87%, 0.55%

LAB 83.55, -77.19, 65.56

 

CMYK 83 / 0 / 49 / 6

HEX #28F07B

RGB 40 240 123

HSL 144.9, 0.87%, 0.55%

LAB 84.07, -70.88, 43.48

 

CMYK 83 / 0 / 27 / 6

HEX #28F0B0

RGB 40 240 176

HSL 160.8, 0.87%, 0.55%

LAB 84.95, -60.83, 18.03

 

CMYK 83 / 0 / 4 / 6

HEX #28F0E6

RGB 40 240 230

HSL 177, 0.87%, 0.55%

LAB 86.25, -47.26, -8.33

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

CMYK 94 / 0 / 28 / 27

HEX #0CB985

RGB 12 185 133

HSL 161.97, 0.88%, 0.39%

LAB 66.88, -51.48, 15.58

 

CMYK 93 / 0 / 28 / 13

HEX #0FDFA0

RGB 15 223 160

HSL 161.83, 0.87%, 0.47%

LAB 79.28, -59.52, 18.44

 

CMYK 83 / 0 / 25 / 6

HEX #28F0B3

RGB 40 240 179

HSL 161.7, 0.87%, 0.55%

LAB 85.01, -60.16, 16.56

 

CMYK 68 / 0 / 20 / 5

HEX #4EF2C1

RGB 78 242 193

HSL 162.07, 0.86%, 0.63%

LAB 86.49, -53.47, 11.46

 

CMYK 52 / 0 / 16 / 4

HEX #75F5CE

RGB 117 245 206

HSL 161.72, 0.86%, 0.71%

LAB 88.71, -44.68, 8

 

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

CMYK 83 / 74 / 0 / 6

HEX #283FF0

RGB 40 63 240

HSL 233.1, 0.87%, 0.55%

LAB 38.37, 54.78, -89.29

 

CMYK 0 / 60 / 83 / 6

HEX #F06028

RGB 240 96 40

HSL 16.8, 0.87%, 0.55%

LAB 59.02, 52.91, 57.28

 

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

CMYK 27 / 83 / 0 / 6

HEX #B028F0

RGB 176 40 240

HSL 280.8, 0.87%, 0.55%

LAB 48.31, 79.1, -72.49

 

CMYK 0 / 27 / 83 / 6

HEX #F0B028

RGB 240 176 40

HSL 40.8, 0.87%, 0.55%

LAB 75.9, 12.4, 71.74

 

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

CMYK 83 / 74 / 0 / 6

HEX #283FF0

RGB 40 63 240

HSL 233.1, 0.87%, 0.55%

LAB 38.37, 54.78, -89.29

 

CMYK 0 / 83 / 57 / 6

HEX #F02867

RGB 240 40 103

HSL 341.1, 0.87%, 0.55%

LAB 52.97, 74.7, 16.03

 

CMYK 0 / 10 / 83 / 6

HEX #F0D828

RGB 240 216 40

HSL 52.8, 0.87%, 0.55%

LAB 85.9, -8.24, 80.11

 

CMYK 83 / 0 / 25 / 6

HEX #29F0B4

RGB 41 240 180

HSL 161.91, 0.87%, 0.55%

LAB 85.04, -59.85, 16.08

 

CMYK 68 / 83 / 0 / 6

HEX #4D28F0

RGB 77 40 240

HSL 251.1, 0.87%, 0.55%

LAB 36.72, 67.9, -91.97

 

CMYK 0 / 83 / 57 / 6

HEX #F02867

RGB 240 40 103

HSL 341.1, 0.87%, 0.55%

LAB 52.97, 74.7, 16.03

 

CMYK 15 / 0 / 83 / 6

HEX #CBF028

RGB 203 240 40

HSL 71.1, 0.87%, 0.55%

LAB 89.47, -35.03, 81.98

 

Description

Color code: HEX #29F0B4 | qconv.com Color code: HEX #29F0B4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 240 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 240 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 25 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 25% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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