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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29E9D0 it is the complementary color #D6162F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29E9D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29E9D0 shade: #2EE9CB, #3FFBDE, #50FFF1, #61FFFF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29E9D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29E9D0 shade: #29E9D0, #18D7BD, #07C5AA, #00B397 and #00A184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29E9D0 shade: #2AE8CF, #2AE89C, #2AE869, #2AE836 and #52E82A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29E9D0 shade: #2AE8CF, #2ACEE8, #2A9AE8, #2A67E8 and #2A34E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29E9D0 shade matches the following richer shades: #2AE8CF and #17FBDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29E9D0 shade: #2AE8CF, #3DD5C1, #50C2B3, #63AFA5 and #769C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29E9D0 shade: #2AE86A, #2AE89C, #2AE8CF, #2ACFE8 and #2A9CE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29E9D0 shade: #12AE9A, #16D3BB, #2AE8CF, #50ECD8 and #75F0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29E9D0 shade: #29E9D0, #372AE8 and #E8832A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29E9D0 shade: #29E9D0, #CF2AE8 and #E8CF2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29E9D0 shade: #29E9D0, #372AE8, #E82A44 and #DCE82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29E9D0 shade: #29E9D0, #702AE8, #E82A44 and #A3E82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

Complementary color

CMYK 0 / 90 / 78 / 16

HEX #D6162F

RGB 214 22 47

HSL 352.19, 0.81%, 0.46%

LAB 45.74, 68.68, 39.43

 

CMYK 80 / 0 / 13 / 9

HEX #2EE9CB

RGB 46 233 203

HSL 170.37, 0.81%, 0.55%

LAB 83.53, -51.09, 1.89

 

CMYK 75 / 0 / 12 / 2

HEX #3FFBDE

RGB 63 251 222

HSL 170.74, 0.96%, 0.62%

LAB 89.55, -52.03, 0.74

 

CMYK 69 / 0 / 5 / 0

HEX #50FFF1

RGB 80 255 241

HSL 175.2, 1%, 0.66%

LAB 91.49, -46.82, -6.23

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

CMYK 89 / 0 / 12 / 16

HEX #18D7BD

RGB 24 215 189

HSL 171.83, 0.8%, 0.47%

LAB 77.56, -48.82, 0.61

 

CMYK 96 / 0 / 14 / 23

HEX #07C5AA

RGB 7 197 170

HSL 171.47, 0.93%, 0.4%

LAB 71.47, -47.11, 1.99

 

CMYK 100 / 0 / 16 / 30

HEX #00B397

RGB 0 179 151

HSL 170.61, 1%, 0.35%

LAB 65.34, -44.97, 3.51

 

CMYK 100 / 0 / 18 / 37

HEX #00A184

RGB 0 161 132

HSL 169.19, 1%, 0.32%

LAB 59.12, -42.57, 5.15

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 82 / 0 / 33 / 9

HEX #2AE89C

RGB 42 232 156

HSL 156, 0.81%, 0.54%

LAB 82.17, -62, 24.52

 

CMYK 82 / 0 / 55 / 9

HEX #2AE869

RGB 42 232 105

HSL 139.89, 0.81%, 0.54%

LAB 81.42, -70.75, 48.69

 

CMYK 82 / 0 / 77 / 9

HEX #2AE836

RGB 42 232 54

HSL 123.79, 0.81%, 0.54%

LAB 81, -75.88, 68.33

 

CMYK 65 / 0 / 82 / 9

HEX #52E82A

RGB 82 232 42

HSL 107.37, 0.81%, 0.54%

LAB 81.66, -70.4, 72.54

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 82 / 11 / 0 / 9

HEX #2ACEE8

RGB 42 206 232

HSL 188.21, 0.81%, 0.54%

LAB 76.35, -31.05, -24.28

 

CMYK 82 / 34 / 0 / 9

HEX #2A9AE8

RGB 42 154 232

HSL 204.63, 0.81%, 0.54%

LAB 61.16, -3.59, -47.89

 

CMYK 82 / 56 / 0 / 9

HEX #2A67E8

RGB 42 103 232

HSL 220.74, 0.81%, 0.54%

LAB 47, 27.67, -70.61

 

CMYK 82 / 78 / 0 / 9

HEX #2A34E8

RGB 42 52 232

HSL 236.84, 0.81%, 0.54%

LAB 35.55, 58.13, -89.43

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 91 / 0 / 12 / 2

HEX #17FBDE

RGB 23 251 222

HSL 172.37, 0.97%, 0.54%

LAB 89.13, -54.9, 0.09

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 71 / 0 / 9 / 16

HEX #3DD5C1

RGB 61 213 193

HSL 172.11, 0.64%, 0.54%

LAB 77.54, -43.63, -1.51

 

CMYK 59 / 0 / 8 / 24

HEX #50C2B3

RGB 80 194 179

HSL 172.11, 0.48%, 0.54%

LAB 71.92, -35.78, -2.12

 

CMYK 43 / 0 / 6 / 31

HEX #63AFA5

RGB 99 175 165

HSL 172.11, 0.32%, 0.54%

LAB 66.54, -26.02, -2.24

 

CMYK 24 / 0 / 3 / 39

HEX #769C97

RGB 118 156 151

HSL 172.11, 0.16%, 0.54%

LAB 61.54, -14.08, -1.64

 

CMYK 82 / 0 / 54 / 9

HEX #2AE86A

RGB 42 232 106

HSL 140.21, 0.81%, 0.54%

LAB 81.43, -70.62, 48.24

 

CMYK 82 / 0 / 33 / 9

HEX #2AE89C

RGB 42 232 156

HSL 156, 0.81%, 0.54%

LAB 82.17, -62, 24.52

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 82 / 11 / 0 / 9

HEX #2ACFE8

RGB 42 207 232

HSL 187.89, 0.81%, 0.54%

LAB 76.65, -31.53, -23.83

 

CMYK 82 / 33 / 0 / 9

HEX #2A9CE8

RGB 42 156 232

HSL 204, 0.81%, 0.54%

LAB 61.74, -4.74, -46.97

 

CMYK 90 / 0 / 11 / 32

HEX #12AE9A

RGB 18 174 154

HSL 172.31, 0.81%, 0.38%

LAB 63.94, -41.27, -0.17

 

CMYK 90 / 0 / 11 / 17

HEX #16D3BB

RGB 22 211 187

HSL 172.38, 0.81%, 0.46%

LAB 76.28, -47.79, -0.19

 

CMYK 82 / 0 / 11 / 9

HEX #2AE8CF

RGB 42 232 207

HSL 172.11, 0.81%, 0.54%

LAB 83.29, -49.96, -0.57

 

CMYK 66 / 0 / 8 / 7

HEX #50ECD8

RGB 80 236 216

HSL 172.31, 0.8%, 0.62%

LAB 85.33, -45.06, -2.26

 

CMYK 51 / 0 / 7 / 6

HEX #75F0E0

RGB 117 240 224

HSL 172.2, 0.8%, 0.7%

LAB 87.72, -38.26, -2.82

 

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

CMYK 76 / 82 / 0 / 9

HEX #372AE8

RGB 55 42 232

HSL 244.11, 0.81%, 0.54%

LAB 34.59, 63.49, -91

 

CMYK 0 / 44 / 82 / 9

HEX #E8832A

RGB 232 131 42

HSL 28.11, 0.81%, 0.54%

LAB 64.61, 32.82, 60.96

 

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

CMYK 11 / 82 / 0 / 9

HEX #CF2AE8

RGB 207 42 232

HSL 292.11, 0.81%, 0.54%

LAB 52.67, 82.18, -60.69

 

CMYK 0 / 11 / 82 / 9

HEX #E8CF2A

RGB 232 207 42

HSL 52.11, 0.81%, 0.54%

LAB 82.89, -7.04, 76.8

 

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

CMYK 76 / 82 / 0 / 9

HEX #372AE8

RGB 55 42 232

HSL 244.11, 0.81%, 0.54%

LAB 34.59, 63.49, -91

 

CMYK 0 / 82 / 71 / 9

HEX #E82A44

RGB 232 42 68

HSL 351.79, 0.81%, 0.54%

LAB 50.95, 70.3, 34.09

 

CMYK 5 / 0 / 82 / 9

HEX #DCE82A

RGB 220 232 42

HSL 63.79, 0.81%, 0.54%

LAB 88.49, -24.39, 81.17

 

CMYK 82 / 0 / 11 / 9

HEX #29E9D0

RGB 41 233 208

HSL 172.19, 0.81%, 0.54%

LAB 83.6, -50.18, -0.65

 

CMYK 52 / 82 / 0 / 9

HEX #702AE8

RGB 112 42 232

HSL 262.11, 0.81%, 0.54%

LAB 39.46, 68.31, -82.79

 

CMYK 0 / 82 / 71 / 9

HEX #E82A44

RGB 232 42 68

HSL 351.79, 0.81%, 0.54%

LAB 50.95, 70.3, 34.09

 

CMYK 30 / 0 / 82 / 9

HEX #A3E82A

RGB 163 232 42

HSL 81.79, 0.81%, 0.54%

LAB 84.83, -46.7, 76.57

 

Description

Color code: HEX #29E9D0 | qconv.com Color code: HEX #29E9D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 233 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 233 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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