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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DD5B it is the complementary color #D622A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DD5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DD5B shade: #2EDD56, #3FEF69, #50FF7C, #61FF8F and #72FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DD5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DD5B shade: #29DD5B, #18CB48, #07B935, #00A722 and #00950F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DD5B shade: #26DD59, #26DD28, #56DD26, #87DD26 and #B8DD26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DD5B shade: #26DD59, #26DD8A, #26DDBB, #26CDDD and #269CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DD5B shade matches the following richer shades: #26DD59 and #12F150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DD5B shade: #26DD59, #3BC962, #4FB46B, #63A074 and #778C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DD5B shade: #57DD26, #26DD26, #26DD57, #26DD88 and #26DDB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DD5B shade: #17993B, #1DBD49, #26DD59, #4AE274 and #6EE890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DD5B shade: #29DD5B, #2688DD and #DD263F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DD5B shade: #29DD5B, #5726DD and #DD5726

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DD5B shade: #29DD5B, #2688DD, #DD26AC and #DD7B26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DD5B shade: #29DD5B, #2651DD, #DD26AC and #DDB226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

Complementary color

CMYK 0 / 84 / 23 / 16

HEX #D622A4

RGB 214 34 164

HSL 316.67, 0.73%, 0.49%

LAB 49.64, 75.46, -26.11

 

CMYK 79 / 0 / 61 / 13

HEX #2EDD56

RGB 46 221 86

HSL 133.71, 0.72%, 0.52%

LAB 77.85, -69.25, 53.04

 

CMYK 74 / 0 / 56 / 6

HEX #3FEF69

RGB 63 239 105

HSL 134.32, 0.85%, 0.59%

LAB 83.87, -70.49, 51.69

 

CMYK 69 / 0 / 51 / 0

HEX #50FF7C

RGB 80 255 124

HSL 135.09, 1%, 0.66%

LAB 89.24, -70.67, 49.55

 

CMYK 62 / 0 / 44 / 0

HEX #61FF8F

RGB 97 255 143

HSL 137.47, 1%, 0.69%

LAB 89.88, -64.82, 41.42

 

CMYK 55 / 0 / 36 / 0

HEX #72FFA2

RGB 114 255 162

HSL 140.43, 1%, 0.72%

LAB 90.65, -58.16, 33.17

 

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

CMYK 88 / 0 / 65 / 20

HEX #18CB48

RGB 24 203 72

HSL 136.09, 0.79%, 0.45%

LAB 71.81, -67.35, 52.17

 

CMYK 96 / 0 / 71 / 27

HEX #07B935

RGB 7 185 53

HSL 135.51, 0.93%, 0.38%

LAB 65.75, -64.81, 53.28

 

CMYK 100 / 0 / 80 / 35

HEX #00A722

RGB 0 167 34

HSL 132.22, 1%, 0.33%

LAB 59.66, -61.41, 53.82

 

CMYK 100 / 0 / 90 / 42

HEX #00950F

RGB 0 149 15

HSL 126.04, 1%, 0.29%

LAB 53.52, -57.24, 53.18

 

CMYK 83 / 0 / 60 / 13

HEX #26DD59

RGB 38 221 89

HSL 136.72, 0.73%, 0.51%

LAB 77.78, -69.74, 51.62

 

CMYK 83 / 0 / 82 / 13

HEX #26DD28

RGB 38 221 40

HSL 120.66, 0.73%, 0.51%

LAB 77.45, -73.95, 68.9

 

CMYK 61 / 0 / 83 / 13

HEX #56DD26

RGB 86 221 38

HSL 104.26, 0.73%, 0.51%

LAB 78.36, -66.14, 70.57

 

CMYK 39 / 0 / 83 / 13

HEX #87DD26

RGB 135 221 38

HSL 88.2, 0.73%, 0.51%

LAB 80.18, -52.15, 72.88

 

CMYK 17 / 0 / 83 / 13

HEX #B8DD26

RGB 184 221 38

HSL 72.13, 0.73%, 0.51%

LAB 82.94, -33.96, 76.35

 

CMYK 83 / 0 / 60 / 13

HEX #26DD59

RGB 38 221 89

HSL 136.72, 0.73%, 0.51%

LAB 77.78, -69.74, 51.62

 

CMYK 83 / 0 / 38 / 13

HEX #26DD8A

RGB 38 221 138

HSL 152.79, 0.73%, 0.51%

LAB 78.44, -61.99, 28.74

 

CMYK 83 / 0 / 15 / 13

HEX #26DDBB

RGB 38 221 187

HSL 168.85, 0.73%, 0.51%

LAB 79.45, -50.92, 4.43

 

CMYK 83 / 7 / 0 / 13

HEX #26CDDD

RGB 38 205 221

HSL 185.25, 0.73%, 0.51%

LAB 75.63, -34.28, -19.45

 

CMYK 83 / 29 / 0 / 13

HEX #269CDD

RGB 38 156 221

HSL 201.31, 0.73%, 0.51%

LAB 61.14, -9.02, -41.82

 

CMYK 83 / 0 / 60 / 13

HEX #26DD59

RGB 38 221 89

HSL 136.72, 0.73%, 0.51%

LAB 77.78, -69.74, 51.62

 

CMYK 93 / 0 / 67 / 5

HEX #12F150

RGB 18 241 80

HSL 136.68, 0.89%, 0.51%

LAB 83.77, -78.07, 62

 

CMYK 83 / 0 / 60 / 13

HEX #26DD59

RGB 38 221 89

HSL 136.72, 0.73%, 0.51%

LAB 77.78, -69.74, 51.62

 

CMYK 71 / 0 / 51 / 21

HEX #3BC962

RGB 59 201 98

HSL 136.48, 0.57%, 0.51%

LAB 71.95, -59.19, 40.55

 

CMYK 56 / 0 / 41 / 29

HEX #4FB46B

RGB 79 180 107

HSL 136.63, 0.4%, 0.51%

LAB 66.03, -45.67, 28.57

 

CMYK 38 / 0 / 28 / 37

HEX #63A074

RGB 99 160 116

HSL 136.72, 0.24%, 0.51%

LAB 60.83, -29.52, 16.86

 

CMYK 15 / 0 / 11 / 45

HEX #778C7D

RGB 119 140 125

HSL 137.14, 0.08%, 0.51%

LAB 56.25, -10.64, 5.5

 

CMYK 61 / 0 / 83 / 13

HEX #57DD26

RGB 87 221 38

HSL 103.93, 0.73%, 0.51%

LAB 78.39, -65.91, 70.61

 

CMYK 83 / 0 / 83 / 13

HEX #26DD26

RGB 38 221 38

HSL 120, 0.73%, 0.51%

LAB 77.44, -74.05, 69.39

 

CMYK 83 / 0 / 61 / 13

HEX #26DD57

RGB 38 221 87

HSL 136.07, 0.73%, 0.51%

LAB 77.76, -69.98, 52.48

 

CMYK 83 / 0 / 38 / 13

HEX #26DD88

RGB 38 221 136

HSL 152.13, 0.73%, 0.51%

LAB 78.4, -62.38, 29.72

 

CMYK 83 / 0 / 17 / 13

HEX #26DDB8

RGB 38 221 184

HSL 167.87, 0.73%, 0.51%

LAB 79.38, -51.68, 5.92

 

CMYK 85 / 0 / 61 / 40

HEX #17993B

RGB 23 153 59

HSL 136.62, 0.74%, 0.35%

LAB 55.36, -53.09, 39.37

 

CMYK 85 / 0 / 61 / 26

HEX #1DBD49

RGB 29 189 73

HSL 136.5, 0.73%, 0.43%

LAB 67.38, -62.46, 46.76

 

CMYK 83 / 0 / 60 / 13

HEX #26DD59

RGB 38 221 89

HSL 136.72, 0.73%, 0.51%

LAB 77.78, -69.74, 51.62

 

CMYK 67 / 0 / 49 / 11

HEX #4AE274

RGB 74 226 116

HSL 136.58, 0.72%, 0.59%

LAB 80.24, -62.8, 42.18

 

CMYK 53 / 0 / 38 / 9

HEX #6EE890

RGB 110 232 144

HSL 136.72, 0.73%, 0.67%

LAB 83.46, -53.03, 32.65

 

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

CMYK 83 / 38 / 0 / 13

HEX #2688DD

RGB 38 136 221

HSL 207.87, 0.73%, 0.51%

LAB 55.32, 2.6, -51.03

 

CMYK 0 / 83 / 71 / 13

HEX #DD263F

RGB 221 38 63

HSL 351.8, 0.73%, 0.51%

LAB 48.41, 68.06, 33.48

 

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

CMYK 61 / 83 / 0 / 13

HEX #5726DD

RGB 87 38 221

HSL 256.07, 0.73%, 0.51%

LAB 35.27, 64.41, -83.51

 

CMYK 0 / 61 / 83 / 13

HEX #DD5726

RGB 221 87 38

HSL 16.07, 0.73%, 0.51%

LAB 54.37, 50.12, 52.84

 

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

CMYK 83 / 38 / 0 / 13

HEX #2688DD

RGB 38 136 221

HSL 207.87, 0.73%, 0.51%

LAB 55.32, 2.6, -51.03

 

CMYK 0 / 83 / 22 / 13

HEX #DD26AC

RGB 221 38 172

HSL 316.07, 0.73%, 0.51%

LAB 51.54, 77.09, -27.79

 

CMYK 0 / 44 / 83 / 13

HEX #DD7B26

RGB 221 123 38

HSL 27.87, 0.73%, 0.51%

LAB 61.38, 32.39, 59.03

 

CMYK 81 / 0 / 59 / 13

HEX #29DD5B

RGB 41 221 91

HSL 136.67, 0.73%, 0.51%

LAB 77.84, -69.2, 50.81

 

CMYK 83 / 63 / 0 / 13

HEX #2651DD

RGB 38 81 221

HSL 225.9, 0.73%, 0.51%

LAB 40.44, 37.29, -75.1

 

CMYK 0 / 83 / 22 / 13

HEX #DD26AC

RGB 221 38 172

HSL 316.07, 0.73%, 0.51%

LAB 51.54, 77.09, -27.79

 

CMYK 0 / 19 / 83 / 13

HEX #DDB226

RGB 221 178 38

HSL 45.9, 0.73%, 0.51%

LAB 74.41, 3.1, 70.26

 

Description

Color code: HEX #29DD5B | qconv.com Color code: HEX #29DD5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 221 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 221 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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