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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29D7FE it is the complementary color #D62801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29D7FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29D7FE shade: #2ED7F9, #3FE9FF, #50FBFF, #61FFFF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29D7FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29D7FE shade: #29D7FE, #18C5EB, #07B3D8, #00A1C5 and #008FB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29D7FE shade: #29D7FD, #299DFD, #2964FD, #292BFD and #6129FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29D7FE shade: #29D7FD, #299DFD, #2964FD, #292BFD and #2929FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29D7FE shade matches the following richer shades: #29D7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29D7FE shade: #29D7FD, #3BCCEC, #4CC1DB, #5DB6C9 and #6FABB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29D7FE shade: #29FDB0, #29FDE8, #29DAFD, #29A2FD and #2969FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29D7FE shade: #01ADD4, #01CFFD, #29D7FD, #52DEFE and #7BE6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29D7FE shade: #29D7FE, #7729FD and #FDCC29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29D7FE shade: #29D7FE, #FD29DA and #DAFD29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29D7FE shade: #29D7FE, #7729FD, #FD4D29 and #B0FD29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29D7FE shade: #29D7FE, #B729FD, #FD4D29 and #70FD29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

Complementary color

CMYK 0 / 81 / 100 / 16

HEX #D62801

RGB 214 40 1

HSL 10.99, 0.99%, 0.42%

LAB 46.73, 64.25, 59.38

 

CMYK 82 / 14 / 0 / 2

HEX #2ED7F9

RGB 46 215 249

HSL 190.05, 0.94%, 0.58%

LAB 79.63, -29.76, -28.36

 

CMYK 75 / 9 / 0 / 0

HEX #3FE9FF

RGB 63 233 255

HSL 186.88, 1%, 0.62%

LAB 85.28, -34.98, -22.89

 

CMYK 69 / 2 / 0 / 0

HEX #50FBFF

RGB 80 251 255

HSL 181.37, 1%, 0.66%

LAB 90.74, -41.29, -14.62

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

CMYK 90 / 16 / 0 / 8

HEX #18C5EB

RGB 24 197 235

HSL 190.81, 0.84%, 0.51%

LAB 73.63, -26.79, -30.09

 

CMYK 97 / 17 / 0 / 15

HEX #07B3D8

RGB 7 179 216

HSL 190.62, 0.94%, 0.44%

LAB 67.46, -24.68, -29.25

 

CMYK 100 / 18 / 0 / 23

HEX #00A1C5

RGB 0 161 197

HSL 190.96, 1%, 0.39%

LAB 61.24, -22.15, -28.32

 

CMYK 100 / 20 / 0 / 30

HEX #008FB2

RGB 0 143 178

HSL 191.8, 1%, 0.35%

LAB 54.93, -19.34, -27.34

 

CMYK 84 / 15 / 0 / 1

HEX #29D7FD

RGB 41 215 253

HSL 190.75, 0.98%, 0.58%

LAB 79.71, -28.86, -30.36

 

CMYK 84 / 38 / 0 / 1

HEX #299DFD

RGB 41 157 253

HSL 207.17, 0.98%, 0.58%

LAB 63.08, 2.22, -56.39

 

CMYK 84 / 60 / 0 / 1

HEX #2964FD

RGB 41 100 253

HSL 223.3, 0.98%, 0.58%

LAB 47.85, 37.26, -80.97

 

CMYK 84 / 83 / 0 / 1

HEX #292BFD

RGB 41 43 253

HSL 239.43, 0.98%, 0.58%

LAB 36.54, 68.48, -99.65

 

CMYK 62 / 84 / 0 / 1

HEX #6129FD

RGB 97 41 253

HSL 255.85, 0.98%, 0.58%

LAB 39.95, 72.46, -93.88

 

CMYK 84 / 15 / 0 / 1

HEX #29D7FD

RGB 41 215 253

HSL 190.75, 0.98%, 0.58%

LAB 79.71, -28.86, -30.36

 

CMYK 84 / 38 / 0 / 1

HEX #299DFD

RGB 41 157 253

HSL 207.17, 0.98%, 0.58%

LAB 63.08, 2.22, -56.39

 

CMYK 84 / 60 / 0 / 1

HEX #2964FD

RGB 41 100 253

HSL 223.3, 0.98%, 0.58%

LAB 47.85, 37.26, -80.97

 

CMYK 84 / 83 / 0 / 1

HEX #292BFD

RGB 41 43 253

HSL 239.43, 0.98%, 0.58%

LAB 36.54, 68.48, -99.65

 

CMYK 84 / 84 / 0 / 1

HEX #2929FD

RGB 41 41 253

HSL 240, 0.98%, 0.58%

LAB 36.27, 69.28, -100.09

 

CMYK 84 / 15 / 0 / 1

HEX #29D7FD

RGB 41 215 253

HSL 190.75, 0.98%, 0.58%

LAB 79.71, -28.86, -30.36

 

CMYK 84 / 15 / 0 / 1

HEX #29D7FD

RGB 41 215 253

HSL 190.75, 0.98%, 0.58%

LAB 79.71, -28.86, -30.36

 

CMYK 75 / 14 / 0 / 7

HEX #3BCCEC

RGB 59 204 236

HSL 190.85, 0.82%, 0.58%

LAB 76.17, -27.24, -26.67

 

CMYK 65 / 12 / 0 / 14

HEX #4CC1DB

RGB 76 193 219

HSL 190.91, 0.67%, 0.58%

LAB 72.75, -24.74, -22.68

 

CMYK 54 / 9 / 0 / 21

HEX #5DB6C9

RGB 93 182 201

HSL 190.56, 0.5%, 0.58%

LAB 69.47, -21.35, -17.79

 

CMYK 40 / 7 / 0 / 28

HEX #6FABB8

RGB 111 171 184

HSL 190.68, 0.34%, 0.58%

LAB 66.49, -16.02, -12.81

 

CMYK 84 / 0 / 30 / 1

HEX #29FDB0

RGB 41 253 176

HSL 158.21, 0.98%, 0.58%

LAB 88.85, -65.53, 23.44

 

CMYK 84 / 0 / 8 / 1

HEX #29FDE8

RGB 41 253 232

HSL 174.06, 0.98%, 0.58%

LAB 90.11, -52.14, -3.66

 

CMYK 84 / 14 / 0 / 1

HEX #29DAFD

RGB 41 218 253

HSL 189.91, 0.98%, 0.58%

LAB 80.58, -30.32, -29.03

 

CMYK 84 / 36 / 0 / 1

HEX #29A2FD

RGB 41 162 253

HSL 205.75, 0.98%, 0.58%

LAB 64.49, -0.68, -54.14

 

CMYK 84 / 58 / 0 / 1

HEX #2969FD

RGB 41 105 253

HSL 221.89, 0.98%, 0.58%

LAB 49.09, 34.13, -78.95

 

CMYK 100 / 18 / 0 / 17

HEX #01ADD4

RGB 1 173 212

HSL 191.09, 0.99%, 0.42%

LAB 65.47, -23.14, -30.11

 

CMYK 100 / 18 / 0 / 1

HEX #01CFFD

RGB 1 207 253

HSL 190.95, 0.99%, 0.5%

LAB 77.12, -26.49, -34.38

 

CMYK 84 / 15 / 0 / 1

HEX #29D7FD

RGB 41 215 253

HSL 190.75, 0.98%, 0.58%

LAB 79.71, -28.86, -30.36

 

CMYK 68 / 13 / 0 / 0

HEX #52DEFE

RGB 82 222 254

HSL 191.16, 0.99%, 0.66%

LAB 82.48, -27.73, -26.58

 

CMYK 52 / 9 / 0 / 0

HEX #7BE6FE

RGB 123 230 254

HSL 190.99, 0.98%, 0.74%

LAB 85.99, -24.58, -21.14

 

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

CMYK 53 / 84 / 0 / 1

HEX #7729FD

RGB 119 41 253

HSL 262.08, 0.98%, 0.58%

LAB 42.15, 74.45, -90.16

 

CMYK 0 / 19 / 84 / 1

HEX #FDCC29

RGB 253 204 41

HSL 46.13, 0.98%, 0.58%

LAB 84.08, 3.4, 78.85

 

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

CMYK 0 / 84 / 14 / 1

HEX #FD29DA

RGB 253 41 218

HSL 309.91, 0.98%, 0.58%

LAB 59.46, 88.73, -41.51

 

CMYK 14 / 0 / 84 / 1

HEX #DAFD29

RGB 218 253 41

HSL 69.91, 0.98%, 0.58%

LAB 94.02, -34.98, 86.01

 

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

CMYK 53 / 84 / 0 / 1

HEX #7729FD

RGB 119 41 253

HSL 262.08, 0.98%, 0.58%

LAB 42.15, 74.45, -90.16

 

CMYK 0 / 70 / 84 / 1

HEX #FD4D29

RGB 253 77 41

HSL 10.19, 0.98%, 0.58%

LAB 58.37, 64.95, 57.14

 

CMYK 30 / 0 / 84 / 1

HEX #B0FD29

RGB 176 253 41

HSL 81.79, 0.98%, 0.58%

LAB 91.52, -50.81, 82.89

 

CMYK 84 / 15 / 0 / 0

HEX #29D7FE

RGB 41 215 254

HSL 190.99, 0.99%, 0.58%

LAB 79.74, -28.54, -30.84

 

CMYK 28 / 84 / 0 / 1

HEX #B729FD

RGB 183 41 253

HSL 280.19, 0.98%, 0.58%

LAB 50.39, 82.35, -76.34

 

CMYK 0 / 70 / 84 / 1

HEX #FD4D29

RGB 253 77 41

HSL 10.19, 0.98%, 0.58%

LAB 58.37, 64.95, 57.14

 

CMYK 56 / 0 / 84 / 1

HEX #70FD29

RGB 112 253 41

HSL 99.91, 0.98%, 0.58%

LAB 88.85, -70.49, 79.53

 

Description

Color code: HEX #29D7FE | qconv.com Color code: HEX #29D7FE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 215 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 215 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 15 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 15% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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