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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29D5AF it is the complementary color #D62A50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29D5AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29D5AF shade: #2ED5AA, #3FE7BD, #50F9D0, #61FFE3 and #72FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29D5AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29D5AF shade: #29D5AF, #18C39C, #07B189, #009F76 and #008D63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29D5AF shade: #28D6AF, #28D681, #28D652, #2ED628 and #5CD628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29D5AF shade: #28D6AF, #28CDD6, #289FD6, #2870D6 and #2841D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29D5AF shade matches the following richer shades: #28D6AF and #14EABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29D5AF shade: #28D6AF, #3DC1A4, #52AC98, #66988D and #7B8381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29D5AF shade: #28D651, #28D67F, #28D6AD, #28D0D6 and #28A2D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29D5AF shade: #1B9076, #22B393, #28D6AF, #4BDCBC and #6EE3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29D5AF shade: #29D5AF, #282ED6 and #D66828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29D5AF shade: #29D5AF, #AD28D6 and #D6AD28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29D5AF shade: #29D5AF, #282ED6, #D62851 and #D6D028

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29D5AF shade: #29D5AF, #5728D6, #D62851 and #A7D628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

Complementary color

CMYK 0 / 80 / 63 / 16

HEX #D62A50

RGB 214 42 80

HSL 346.74, 0.68%, 0.5%

LAB 47.66, 66.05, 22.01

 

CMYK 78 / 0 / 20 / 16

HEX #2ED5AA

RGB 46 213 170

HSL 164.55, 0.67%, 0.51%

LAB 76.72, -51.19, 9.59

 

CMYK 73 / 0 / 18 / 9

HEX #3FE7BD

RGB 63 231 189

HSL 165, 0.78%, 0.58%

LAB 82.85, -51.98, 8.32

 

CMYK 68 / 0 / 16 / 2

HEX #50F9D0

RGB 80 249 208

HSL 165.44, 0.93%, 0.65%

LAB 88.93, -52.53, 7.15

 

CMYK 62 / 0 / 11 / 0

HEX #61FFE3

RGB 97 255 227

HSL 169.37, 1%, 0.69%

LAB 91.51, -47.87, 1.09

 

CMYK 55 / 0 / 4 / 0

HEX #72FFF6

RGB 114 255 246

HSL 176.17, 1%, 0.72%

LAB 92.46, -40.2, -7.29

 

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

CMYK 88 / 0 / 20 / 24

HEX #18C39C

RGB 24 195 156

HSL 166.32, 0.78%, 0.43%

LAB 70.61, -49.2, 8.37

 

CMYK 96 / 0 / 23 / 31

HEX #07B189

RGB 7 177 137

HSL 165.88, 0.92%, 0.36%

LAB 64.4, -47.55, 9.91

 

CMYK 100 / 0 / 26 / 38

HEX #009F76

RGB 0 159 118

HSL 164.53, 1%, 0.31%

LAB 58.14, -45.4, 11.62

 

CMYK 100 / 0 / 30 / 45

HEX #008D63

RGB 0 141 99

HSL 162.13, 1%, 0.28%

LAB 51.78, -42.89, 13.49

 

CMYK 81 / 0 / 18 / 16

HEX #28D6AF

RGB 40 214 175

HSL 166.55, 0.69%, 0.5%

LAB 77.06, -50.93, 7.4

 

CMYK 81 / 0 / 40 / 16

HEX #28D681

RGB 40 214 129

HSL 150.69, 0.69%, 0.5%

LAB 76.15, -61.03, 30.31

 

CMYK 81 / 0 / 62 / 16

HEX #28D652

RGB 40 214 82

HSL 134.48, 0.69%, 0.5%

LAB 75.55, -68.18, 52.13

 

CMYK 79 / 0 / 81 / 16

HEX #2ED628

RGB 46 214 40

HSL 117.93, 0.69%, 0.5%

LAB 75.34, -71, 67

 

CMYK 57 / 0 / 81 / 16

HEX #5CD628

RGB 92 214 40

HSL 102.07, 0.69%, 0.5%

LAB 76.39, -62.23, 68.34

 

CMYK 81 / 0 / 18 / 16

HEX #28D6AF

RGB 40 214 175

HSL 166.55, 0.69%, 0.5%

LAB 77.06, -50.93, 7.4

 

CMYK 81 / 4 / 0 / 16

HEX #28CDD6

RGB 40 205 214

HSL 183.1, 0.69%, 0.5%

LAB 75.43, -36.25, -15.98

 

CMYK 81 / 26 / 0 / 16

HEX #289FD6

RGB 40 159 214

HSL 198.97, 0.69%, 0.5%

LAB 61.74, -12.99, -36.99

 

CMYK 81 / 48 / 0 / 16

HEX #2870D6

RGB 40 112 214

HSL 215.17, 0.69%, 0.5%

LAB 48.13, 14.95, -58.6

 

CMYK 81 / 70 / 0 / 16

HEX #2841D6

RGB 40 65 214

HSL 231.38, 0.69%, 0.5%

LAB 36.15, 44.83, -78.13

 

CMYK 81 / 0 / 18 / 16

HEX #28D6AF

RGB 40 214 175

HSL 166.55, 0.69%, 0.5%

LAB 77.06, -50.93, 7.4

 

CMYK 91 / 0 / 20 / 8

HEX #14EABB

RGB 20 234 187

HSL 166.82, 0.84%, 0.5%

LAB 83.22, -57.15, 9.83

 

CMYK 81 / 0 / 18 / 16

HEX #28D6AF

RGB 40 214 175

HSL 166.55, 0.69%, 0.5%

LAB 77.06, -50.93, 7.4

 

CMYK 68 / 0 / 15 / 24

HEX #3DC1A4

RGB 61 193 164

HSL 166.82, 0.52%, 0.5%

LAB 70.74, -42.4, 4.28

 

CMYK 52 / 0 / 12 / 33

HEX #52AC98

RGB 82 172 152

HSL 166.67, 0.35%, 0.5%

LAB 64.62, -31.9, 2.09

 

CMYK 33 / 0 / 7 / 40

HEX #66988D

RGB 102 152 141

HSL 166.8, 0.2%, 0.5%

LAB 59.16, -19.25, 0.45

 

CMYK 6 / 0 / 2 / 49

HEX #7B8381

RGB 123 131 129

HSL 165, 0.03%, 0.5%

LAB 54.06, -3.36, 0.05

 

CMYK 81 / 0 / 62 / 16

HEX #28D651

RGB 40 214 81

HSL 134.14, 0.69%, 0.5%

LAB 75.54, -68.3, 52.55

 

CMYK 81 / 0 / 41 / 16

HEX #28D67F

RGB 40 214 127

HSL 150, 0.69%, 0.5%

LAB 76.12, -61.41, 31.29

 

CMYK 81 / 0 / 19 / 16

HEX #28D6AD

RGB 40 214 173

HSL 165.86, 0.69%, 0.5%

LAB 77.02, -51.43, 8.4

 

CMYK 81 / 3 / 0 / 16

HEX #28D0D6

RGB 40 208 214

HSL 182.07, 0.69%, 0.5%

LAB 76.33, -37.64, -14.64

 

CMYK 81 / 24 / 0 / 16

HEX #28A2D6

RGB 40 162 214

HSL 197.93, 0.69%, 0.5%

LAB 62.63, -14.63, -35.6

 

CMYK 81 / 0 / 18 / 44

HEX #1B9076

RGB 27 144 118

HSL 166.67, 0.68%, 0.34%

LAB 53.48, -37.35, 5.04

 

CMYK 81 / 0 / 18 / 30

HEX #22B393

RGB 34 179 147

HSL 166.76, 0.68%, 0.42%

LAB 65.5, -44.1, 6

 

CMYK 81 / 0 / 18 / 16

HEX #28D6AF

RGB 40 214 175

HSL 166.55, 0.69%, 0.5%

LAB 77.06, -50.93, 7.4

 

CMYK 66 / 0 / 15 / 14

HEX #4BDCBC

RGB 75 220 188

HSL 166.76, 0.67%, 0.58%

LAB 79.79, -45.94, 4.47

 

CMYK 52 / 0 / 11 / 11

HEX #6EE3C9

RGB 110 227 201

HSL 166.67, 0.68%, 0.66%

LAB 83.16, -39.35, 2.59

 

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

CMYK 81 / 79 / 0 / 16

HEX #282ED6

RGB 40 46 214

HSL 237.93, 0.69%, 0.5%

LAB 32.39, 55.41, -84.35

 

CMYK 0 / 51 / 81 / 16

HEX #D66828

RGB 214 104 40

HSL 22.07, 0.69%, 0.5%

LAB 56.44, 39.43, 53.44

 

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

CMYK 19 / 81 / 0 / 16

HEX #AD28D6

RGB 173 40 214

HSL 285.86, 0.69%, 0.5%

LAB 45.98, 73.75, -61.51

 

CMYK 0 / 19 / 81 / 16

HEX #D6AD28

RGB 214 173 40

HSL 45.86, 0.69%, 0.5%

LAB 72.45, 2.75, 67.72

 

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

CMYK 81 / 79 / 0 / 16

HEX #282ED6

RGB 40 46 214

HSL 237.93, 0.69%, 0.5%

LAB 32.39, 55.41, -84.35

 

CMYK 0 / 81 / 62 / 16

HEX #D62851

RGB 214 40 81

HSL 345.86, 0.69%, 0.5%

LAB 47.51, 66.61, 21.19

 

CMYK 0 / 3 / 81 / 16

HEX #D6D028

RGB 214 208 40

HSL 57.93, 0.69%, 0.5%

LAB 81.6, -15.26, 75.6

 

CMYK 81 / 0 / 18 / 16

HEX #29D5AF

RGB 41 213 175

HSL 166.74, 0.68%, 0.5%

LAB 76.77, -50.44, 6.98

 

CMYK 59 / 81 / 0 / 16

HEX #5728D6

RGB 87 40 214

HSL 256.21, 0.69%, 0.5%

LAB 34.8, 61.79, -80.25

 

CMYK 0 / 81 / 62 / 16

HEX #D62851

RGB 214 40 81

HSL 345.86, 0.69%, 0.5%

LAB 47.51, 66.61, 21.19

 

CMYK 22 / 0 / 81 / 16

HEX #A7D628

RGB 167 214 40

HSL 76.21, 0.69%, 0.5%

LAB 79.88, -37.42, 72.79

 

Description

Color code: HEX #29D5AF | qconv.com Color code: HEX #29D5AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 213 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 213 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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