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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29D55F it is the complementary color #D62AA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29D55F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29D55F shade: #2ED55A, #3FE76D, #50F980, #61FF93 and #72FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29D55F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29D55F shade: #29D55F, #18C34C, #07B139, #009F26 and #008D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29D55F shade: #28D65F, #28D630, #4FD628, #7ED628 and #ADD628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29D55F shade: #28D65F, #28D68E, #28D6BC, #28C0D6 and #2892D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29D55F shade matches the following richer shades: #28D65F and #14EA57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29D55F shade: #28D65F, #3DC166, #52AC6E, #669876 and #7B837D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29D55F shade: #51D628, #28D62E, #28D65C, #28D68B and #28D6B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29D55F shade: #1B9040, #22B34F, #28D65F, #4BDC79 and #6EE392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29D55F shade: #29D55F, #287FD6 and #D6283A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29D55F shade: #29D55F, #5C28D6 and #D65C28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29D55F shade: #29D55F, #287FD6, #D628A2 and #D67F28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29D55F shade: #29D55F, #284BD6, #D628A2 and #D6B328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

Complementary color

CMYK 0 / 80 / 25 / 16

HEX #D62AA0

RGB 214 42 160

HSL 318.84, 0.68%, 0.5%

LAB 50.09, 73.21, -23.05

 

CMYK 78 / 0 / 58 / 16

HEX #2ED55A

RGB 46 213 90

HSL 135.81, 0.67%, 0.51%

LAB 75.39, -66.21, 48.42

 

CMYK 73 / 0 / 53 / 9

HEX #3FE76D

RGB 63 231 109

HSL 136.43, 0.78%, 0.58%

LAB 81.46, -67.31, 46.96

 

CMYK 68 / 0 / 49 / 2

HEX #50F980

RGB 80 249 128

HSL 137.04, 0.93%, 0.65%

LAB 87.49, -68.05, 45.51

 

CMYK 62 / 0 / 42 / 0

HEX #61FF93

RGB 97 255 147

HSL 138.99, 1%, 0.69%

LAB 89.94, -64.19, 39.55

 

CMYK 55 / 0 / 35 / 0

HEX #72FFA6

RGB 114 255 166

HSL 142.13, 1%, 0.72%

LAB 90.71, -57.46, 31.25

 

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

CMYK 88 / 0 / 61 / 24

HEX #18C34C

RGB 24 195 76

HSL 138.25, 0.78%, 0.43%

LAB 69.29, -64.41, 47.59

 

CMYK 96 / 0 / 68 / 31

HEX #07B139

RGB 7 177 57

HSL 137.65, 0.92%, 0.36%

LAB 63.16, -62.03, 48.94

 

CMYK 100 / 0 / 76 / 38

HEX #009F26

RGB 0 159 38

HSL 134.34, 1%, 0.31%

LAB 57.01, -58.77, 49.88

 

CMYK 100 / 0 / 87 / 45

HEX #008D13

RGB 0 141 19

HSL 128.09, 1%, 0.28%

LAB 50.8, -54.74, 49.85

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 81 / 0 / 78 / 16

HEX #28D630

RGB 40 214 48

HSL 122.76, 0.69%, 0.5%

LAB 75.3, -71.24, 64.65

 

CMYK 63 / 0 / 81 / 16

HEX #4FD628

RGB 79 214 40

HSL 106.55, 0.69%, 0.5%

LAB 76.01, -65.29, 67.86

 

CMYK 41 / 0 / 81 / 16

HEX #7ED628

RGB 126 214 40

HSL 90.34, 0.69%, 0.5%

LAB 77.69, -52.28, 70

 

CMYK 19 / 0 / 81 / 16

HEX #ADD628

RGB 173 214 40

HSL 74.14, 0.69%, 0.5%

LAB 80.25, -35.07, 73.26

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 81 / 0 / 34 / 16

HEX #28D68E

RGB 40 214 142

HSL 155.17, 0.69%, 0.5%

LAB 76.37, -58.47, 23.89

 

CMYK 81 / 0 / 12 / 16

HEX #28D6BC

RGB 40 214 188

HSL 171.03, 0.69%, 0.5%

LAB 77.39, -47.59, 0.91

 

CMYK 81 / 10 / 0 / 16

HEX #28C0D6

RGB 40 192 214

HSL 187.59, 0.69%, 0.5%

LAB 71.56, -30.07, -21.85

 

CMYK 81 / 32 / 0 / 16

HEX #2892D6

RGB 40 146 214

HSL 203.45, 0.69%, 0.5%

LAB 57.91, -5.68, -43.01

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 91 / 0 / 63 / 8

HEX #14EA57

RGB 20 234 87

HSL 138.79, 0.84%, 0.5%

LAB 81.67, -75.21, 56.86

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 68 / 0 / 47 / 24

HEX #3DC166

RGB 61 193 102

HSL 138.64, 0.52%, 0.5%

LAB 69.53, -55.34, 35.56

 

CMYK 52 / 0 / 36 / 33

HEX #52AC6E

RGB 82 172 110

HSL 138.67, 0.35%, 0.5%

LAB 63.69, -41.01, 23.9

 

CMYK 33 / 0 / 22 / 40

HEX #669876

RGB 102 152 118

HSL 139.2, 0.2%, 0.5%

LAB 58.59, -24.23, 12.65

 

CMYK 6 / 0 / 5 / 49

HEX #7B837D

RGB 123 131 125

HSL 135, 0.03%, 0.5%

LAB 53.95, -4.17, 2.21

 

CMYK 62 / 0 / 81 / 16

HEX #51D628

RGB 81 214 40

HSL 105.86, 0.69%, 0.5%

LAB 76.07, -64.85, 67.93

 

CMYK 81 / 0 / 79 / 16

HEX #28D62E

RGB 40 214 46

HSL 122.07, 0.69%, 0.5%

LAB 75.29, -71.37, 65.24

 

CMYK 81 / 0 / 57 / 16

HEX #28D65C

RGB 40 214 92

HSL 137.93, 0.69%, 0.5%

LAB 75.65, -66.95, 47.78

 

CMYK 81 / 0 / 35 / 16

HEX #28D68B

RGB 40 214 139

HSL 154.14, 0.69%, 0.5%

LAB 76.32, -59.08, 25.38

 

CMYK 81 / 0 / 14 / 16

HEX #28D6B9

RGB 40 214 185

HSL 170, 0.69%, 0.5%

LAB 77.31, -48.38, 2.4

 

CMYK 81 / 0 / 56 / 44

HEX #1B9040

RGB 27 144 64

HSL 138.97, 0.68%, 0.34%

LAB 52.45, -48.83, 33.5

 

CMYK 81 / 0 / 56 / 30

HEX #22B34F

RGB 34 179 79

HSL 138.62, 0.68%, 0.42%

LAB 64.28, -57.88, 40.34

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 66 / 0 / 45 / 14

HEX #4BDC79

RGB 75 220 121

HSL 139.03, 0.67%, 0.58%

LAB 78.5, -59.68, 37.53

 

CMYK 52 / 0 / 36 / 11

HEX #6EE392

RGB 110 227 146

HSL 138.46, 0.68%, 0.66%

LAB 82.02, -50.66, 29.71

 

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

CMYK 81 / 41 / 0 / 16

HEX #287FD6

RGB 40 127 214

HSL 210, 0.69%, 0.5%

LAB 52.38, 5.6, -51.78

 

CMYK 0 / 81 / 73 / 16

HEX #D6283A

RGB 214 40 58

HSL 353.79, 0.69%, 0.5%

LAB 47.13, 65.47, 34.59

 

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

CMYK 57 / 81 / 0 / 16

HEX #5C28D6

RGB 92 40 214

HSL 257.93, 0.69%, 0.5%

LAB 35.3, 62.31, -79.42

 

CMYK 0 / 57 / 81 / 16

HEX #D65C28

RGB 214 92 40

HSL 17.93, 0.69%, 0.5%

LAB 54.14, 45.31, 51.32

 

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

CMYK 81 / 41 / 0 / 16

HEX #287FD6

RGB 40 127 214

HSL 210, 0.69%, 0.5%

LAB 52.38, 5.6, -51.78

 

CMYK 0 / 81 / 24 / 16

HEX #D628A2

RGB 214 40 162

HSL 317.93, 0.69%, 0.5%

LAB 50, 73.92, -24.36

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 81 / 0 / 55 / 16

HEX #29D55F

RGB 41 213 95

HSL 138.84, 0.68%, 0.5%

LAB 75.38, -66.12, 46.08

 

CMYK 81 / 65 / 0 / 16

HEX #284BD6

RGB 40 75 214

HSL 227.93, 0.69%, 0.5%

LAB 38.44, 38.67, -74.36

 

CMYK 0 / 81 / 24 / 16

HEX #D628A2

RGB 214 40 162

HSL 317.93, 0.69%, 0.5%

LAB 50, 73.92, -24.36

 

CMYK 0 / 16 / 81 / 16

HEX #D6B328

RGB 214 179 40

HSL 47.93, 0.69%, 0.5%

LAB 73.99, -0.42, 69.05

 

Description

Color code: HEX #29D55F | qconv.com Color code: HEX #29D55F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 213 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 213 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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