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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29C58C it is the complementary color #D63A73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29C58C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29C58C shade: #2EC587, #3FD79A, #50E9AD, #61FBC0 and #72FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29C58C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29C58C shade: #29C58C, #18B379, #07A166, #008F53 and #007D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29C58C shade: #28C68D, #28C662, #28C637, #44C628 and #6EC628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29C58C shade: #28C68D, #28C6B7, #28ABC6, #2880C6 and #2856C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29C58C shade matches the following richer shades: #28C68D, #15DA92 and #01ED97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29C58C shade: #28C68D, #3CB387, #4FA082, #628C7D and #767978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29C58C shade: #28C638, #28C662, #28C68C, #28C6B7 and #28ACC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29C58C shade: #1A825C, #21A474, #28C68D, #40D8A0 and #63DFB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29C58C shade: #29C58C, #2843C6 and #C64D28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29C58C shade: #29C58C, #8C28C6 and #C68C28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29C58C shade: #29C58C, #2843C6, #C62862 and #C6AC28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29C58C shade: #29C58C, #3D28C6, #C62862 and #B1C628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

Complementary color

CMYK 0 / 73 / 46 / 16

HEX #D63A73

RGB 214 58 115

HSL 338.08, 0.66%, 0.53%

LAB 50.17, 63.85, 4.12

 

CMYK 77 / 0 / 31 / 23

HEX #2EC587

RGB 46 197 135

HSL 155.36, 0.62%, 0.48%

LAB 71.05, -52.88, 20.33

 

CMYK 71 / 0 / 28 / 16

HEX #3FD79A

RGB 63 215 154

HSL 155.92, 0.66%, 0.55%

LAB 77.28, -53.55, 18.89

 

CMYK 66 / 0 / 26 / 9

HEX #50E9AD

RGB 80 233 173

HSL 156.47, 0.78%, 0.61%

LAB 83.44, -53.97, 17.58

 

CMYK 61 / 0 / 24 / 2

HEX #61FBC0

RGB 97 251 192

HSL 157.01, 0.95%, 0.68%

LAB 89.55, -54.21, 16.37

 

CMYK 55 / 0 / 17 / 0

HEX #72FFD3

RGB 114 255 211

HSL 161.28, 1%, 0.72%

LAB 91.6, -48.49, 9.54

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 87 / 0 / 32 / 30

HEX #18B379

RGB 24 179 121

HSL 157.55, 0.76%, 0.4%

LAB 64.82, -51.2, 19.26

 

CMYK 96 / 0 / 37 / 37

HEX #07A166

RGB 7 161 102

HSL 157.01, 0.92%, 0.33%

LAB 58.5, -49.55, 21.01

 

CMYK 100 / 0 / 42 / 44

HEX #008F53

RGB 0 143 83

HSL 154.83, 1%, 0.28%

LAB 52.14, -47.25, 22.96

 

CMYK 100 / 0 / 49 / 51

HEX #007D40

RGB 0 125 64

HSL 150.72, 1%, 0.25%

LAB 45.69, -44.42, 25.04

 

CMYK 80 / 0 / 29 / 22

HEX #28C68D

RGB 40 198 141

HSL 158.35, 0.66%, 0.47%

LAB 71.39, -52.63, 17.58

 

CMYK 80 / 0 / 51 / 22

HEX #28C662

RGB 40 198 98

HSL 142.03, 0.66%, 0.47%

LAB 70.68, -60.8, 38.91

 

CMYK 80 / 0 / 72 / 22

HEX #28C637

RGB 40 198 55

HSL 125.7, 0.66%, 0.47%

LAB 70.26, -65.93, 57.28

 

CMYK 66 / 0 / 80 / 22

HEX #44C628

RGB 68 198 40

HSL 109.37, 0.66%, 0.47%

LAB 70.71, -62.36, 62.84

 

CMYK 44 / 0 / 80 / 22

HEX #6EC628

RGB 110 198 40

HSL 93.42, 0.66%, 0.47%

LAB 72.13, -51.17, 64.67

 

CMYK 80 / 0 / 29 / 22

HEX #28C68D

RGB 40 198 141

HSL 158.35, 0.66%, 0.47%

LAB 71.39, -52.63, 17.58

 

CMYK 80 / 0 / 8 / 22

HEX #28C6B7

RGB 40 198 183

HSL 174.3, 0.66%, 0.47%

LAB 72.4, -42.06, -3.7

 

CMYK 80 / 14 / 0 / 22

HEX #28ABC6

RGB 40 171 198

HSL 190.25, 0.66%, 0.47%

LAB 64.69, -24.76, -23.54

 

CMYK 80 / 35 / 0 / 22

HEX #2880C6

RGB 40 128 198

HSL 206.58, 0.66%, 0.47%

LAB 51.8, -0.98, -43.62

 

CMYK 80 / 57 / 0 / 22

HEX #2856C6

RGB 40 86 198

HSL 222.53, 0.66%, 0.47%

LAB 39.89, 25.63, -62.75

 

CMYK 80 / 0 / 29 / 22

HEX #28C68D

RGB 40 198 141

HSL 158.35, 0.66%, 0.47%

LAB 71.39, -52.63, 17.58

 

CMYK 90 / 0 / 33 / 15

HEX #15DA92

RGB 21 218 146

HSL 158.07, 0.82%, 0.47%

LAB 77.51, -60.47, 23.32

 

CMYK 100 / 0 / 36 / 7

HEX #01ED97

RGB 1 237 151

HSL 158.14, 0.99%, 0.47%

LAB 83.34, -66.83, 28.63

 

CMYK 80 / 0 / 29 / 22

HEX #28C68D

RGB 40 198 141

HSL 158.35, 0.66%, 0.47%

LAB 71.39, -52.63, 17.58

 

CMYK 66 / 0 / 25 / 30

HEX #3CB387

RGB 60 179 135

HSL 157.82, 0.5%, 0.47%

LAB 65.71, -43.55, 12.96

 

CMYK 51 / 0 / 19 / 37

HEX #4FA082

RGB 79 160 130

HSL 157.78, 0.34%, 0.47%

LAB 60.26, -32.19, 8.11

 

CMYK 30 / 0 / 11 / 45

HEX #628C7D

RGB 98 140 125

HSL 158.57, 0.18%, 0.47%

LAB 54.9, -17.85, 3.38

 

CMYK 2 / 0 / 1 / 53

HEX #767978

RGB 118 121 120

HSL 160, 0.01%, 0.47%

LAB 50.55, -1.33, 0.15

 

CMYK 80 / 0 / 72 / 22

HEX #28C638

RGB 40 198 56

HSL 126.08, 0.66%, 0.47%

LAB 70.26, -65.84, 56.92

 

CMYK 80 / 0 / 51 / 22

HEX #28C662

RGB 40 198 98

HSL 142.03, 0.66%, 0.47%

LAB 70.68, -60.8, 38.91

 

CMYK 80 / 0 / 29 / 22

HEX #28C68C

RGB 40 198 140

HSL 157.97, 0.66%, 0.47%

LAB 71.37, -52.86, 18.09

 

CMYK 80 / 0 / 8 / 22

HEX #28C6B7

RGB 40 198 183

HSL 174.3, 0.66%, 0.47%

LAB 72.4, -42.06, -3.7

 

CMYK 80 / 13 / 0 / 22

HEX #28ACC6

RGB 40 172 198

HSL 189.87, 0.66%, 0.47%

LAB 64.99, -25.26, -23.08

 

CMYK 80 / 0 / 29 / 49

HEX #1A825C

RGB 26 130 92

HSL 158.08, 0.67%, 0.31%

LAB 48.21, -38.06, 12.59

 

CMYK 80 / 0 / 29 / 36

HEX #21A474

RGB 33 164 116

HSL 158.02, 0.66%, 0.39%

LAB 60.01, -45.62, 15.4

 

CMYK 80 / 0 / 29 / 22

HEX #28C68D

RGB 40 198 141

HSL 158.35, 0.66%, 0.47%

LAB 71.39, -52.63, 17.58

 

CMYK 70 / 0 / 26 / 15

HEX #40D8A0

RGB 64 216 160

HSL 157.89, 0.66%, 0.55%

LAB 77.72, -52.49, 16.35

 

CMYK 56 / 0 / 21 / 13

HEX #63DFB1

RGB 99 223 177

HSL 157.74, 0.66%, 0.63%

LAB 81.07, -45.39, 12.22

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 80 / 66 / 0 / 22

HEX #2843C6

RGB 40 67 198

HSL 229.75, 0.66%, 0.47%

LAB 35.09, 37.9, -70.6

 

CMYK 0 / 61 / 80 / 22

HEX #C64D28

RGB 198 77 40

HSL 14.05, 0.66%, 0.47%

LAB 48.84, 46.43, 45.36

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 29 / 80 / 0 / 22

HEX #8C28C6

RGB 140 40 198

HSL 277.97, 0.66%, 0.47%

LAB 39.87, 65.11, -62.41

 

CMYK 0 / 29 / 80 / 22

HEX #C68C28

RGB 198 140 40

HSL 37.97, 0.66%, 0.47%

LAB 62.44, 13.51, 58.16

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 80 / 66 / 0 / 22

HEX #2843C6

RGB 40 67 198

HSL 229.75, 0.66%, 0.47%

LAB 35.09, 37.9, -70.6

 

CMYK 0 / 80 / 51 / 22

HEX #C62862

RGB 198 40 98

HSL 337.97, 0.66%, 0.47%

LAB 44.81, 63.51, 6.48

 

CMYK 0 / 13 / 80 / 22

HEX #C6AC28

RGB 198 172 40

HSL 50.13, 0.66%, 0.47%

LAB 70.64, -3.73, 65.53

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 69 / 80 / 0 / 22

HEX #3D28C6

RGB 61 40 198

HSL 247.97, 0.66%, 0.47%

LAB 30.85, 54.87, -77.56

 

CMYK 0 / 80 / 51 / 22

HEX #C62862

RGB 198 40 98

HSL 337.97, 0.66%, 0.47%

LAB 44.81, 63.51, 6.48

 

CMYK 11 / 0 / 80 / 22

HEX #B1C628

RGB 177 198 40

HSL 67.97, 0.66%, 0.47%

LAB 76, -25.94, 69.62

 

Description

Color code: HEX #29C58C | qconv.com Color code: HEX #29C58C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 197 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 197 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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