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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29C4EE it is the complementary color #D63B11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29C4EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29C4EE shade: #2EC4E9, #3FD6FC, #50E8FF, #61FAFF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29C4EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29C4EE shade: #29C4EE, #18B2DB, #07A0C8, #008EB5 and #007CA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29C4EE shade: #2AC4ED, #2A8FED, #2A5AED, #2F2AED and #632AED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29C4EE shade: #2AC4ED, #2A8FED, #2A5AED and #2A2AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29C4EE shade matches the following richer shades: #2AC4ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29C4EE shade: #2AC4ED, #3DB9DB, #4FAEC8, #62A4B6 and #7499A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29C4EE shade: #2AEDAC, #2AEDE0, #2AC6ED, #2A92ED and #2A5EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29C4EE shade: #0E93B7, #11B1DD, #2AC4ED, #50CEF0 and #77D9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29C4EE shade: #29C4EE, #782AED and #EDC62A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29C4EE shade: #29C4EE, #ED2AC6 and #C6ED2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29C4EE shade: #29C4EE, #782AED, #ED512A and #9FED2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29C4EE shade: #29C4EE, #B32AED, #ED512A and #65ED2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

Complementary color

CMYK 0 / 72 / 92 / 16

HEX #D63B11

RGB 214 59 17

HSL 12.79, 0.85%, 0.45%

LAB 48.84, 58.65, 56.09

 

CMYK 80 / 16 / 0 / 9

HEX #2EC4E9

RGB 46 196 233

HSL 191.87, 0.81%, 0.55%

LAB 73.51, -25.48, -29.16

 

CMYK 75 / 15 / 0 / 1

HEX #3FD6FC

RGB 63 214 252

HSL 192.06, 0.97%, 0.62%

LAB 79.72, -26.75, -29.79

 

CMYK 69 / 9 / 0 / 0

HEX #50E8FF

RGB 80 232 255

HSL 187.89, 1%, 0.66%

LAB 85.32, -32.52, -22.79

 

CMYK 62 / 2 / 0 / 0

HEX #61FAFF

RGB 97 250 255

HSL 181.9, 1%, 0.69%

LAB 90.84, -38.46, -14.43

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

CMYK 89 / 19 / 0 / 14

HEX #18B2DB

RGB 24 178 219

HSL 192.62, 0.8%, 0.48%

LAB 67.39, -22.51, -31

 

CMYK 97 / 20 / 0 / 22

HEX #07A0C8

RGB 7 160 200

HSL 192.44, 0.93%, 0.41%

LAB 61.1, -20.35, -30.22

 

CMYK 100 / 22 / 0 / 29

HEX #008EB5

RGB 0 142 181

HSL 192.93, 1%, 0.35%

LAB 54.74, -17.73, -29.33

 

CMYK 100 / 23 / 0 / 36

HEX #007CA2

RGB 0 124 162

HSL 194.07, 1%, 0.32%

LAB 48.29, -14.77, -28.4

 

CMYK 82 / 17 / 0 / 7

HEX #2AC4ED

RGB 42 196 237

HSL 192.62, 0.84%, 0.55%

LAB 73.6, -24.51, -31.19

 

CMYK 82 / 40 / 0 / 7

HEX #2A8FED

RGB 42 143 237

HSL 208.92, 0.84%, 0.55%

LAB 58.28, 4.69, -55.23

 

CMYK 82 / 62 / 0 / 7

HEX #2A5AED

RGB 42 90 237

HSL 225.23, 0.84%, 0.55%

LAB 44.12, 37.76, -78.13

 

CMYK 80 / 82 / 0 / 7

HEX #2F2AED

RGB 47 42 237

HSL 241.54, 0.84%, 0.55%

LAB 34.75, 64.53, -93.59

 

CMYK 58 / 82 / 0 / 7

HEX #632AED

RGB 99 42 237

HSL 257.54, 0.84%, 0.55%

LAB 38.59, 68.21, -87.11

 

CMYK 82 / 17 / 0 / 7

HEX #2AC4ED

RGB 42 196 237

HSL 192.62, 0.84%, 0.55%

LAB 73.6, -24.51, -31.19

 

CMYK 82 / 40 / 0 / 7

HEX #2A8FED

RGB 42 143 237

HSL 208.92, 0.84%, 0.55%

LAB 58.28, 4.69, -55.23

 

CMYK 82 / 62 / 0 / 7

HEX #2A5AED

RGB 42 90 237

HSL 225.23, 0.84%, 0.55%

LAB 44.12, 37.76, -78.13

 

CMYK 82 / 82 / 0 / 7

HEX #2A2AED

RGB 42 42 237

HSL 240, 0.84%, 0.55%

LAB 34.52, 64.32, -93.97

 

CMYK 82 / 17 / 0 / 7

HEX #2AC4ED

RGB 42 196 237

HSL 192.62, 0.84%, 0.55%

LAB 73.6, -24.51, -31.19

 

CMYK 82 / 17 / 0 / 7

HEX #2AC4ED

RGB 42 196 237

HSL 192.62, 0.84%, 0.55%

LAB 73.6, -24.51, -31.19

 

CMYK 72 / 16 / 0 / 14

HEX #3DB9DB

RGB 61 185 219

HSL 192.91, 0.69%, 0.55%

LAB 70.04, -22.81, -26.87

 

CMYK 61 / 13 / 0 / 22

HEX #4FAEC8

RGB 79 174 200

HSL 192.89, 0.52%, 0.55%

LAB 66.6, -20.26, -21.64

 

CMYK 46 / 10 / 0 / 29

HEX #62A4B6

RGB 98 164 182

HSL 192.86, 0.37%, 0.55%

LAB 63.77, -16.16, -15.85

 

CMYK 29 / 6 / 0 / 36

HEX #7499A3

RGB 116 153 163

HSL 192.77, 0.2%, 0.55%

LAB 60.9, -10.26, -9.38

 

CMYK 82 / 0 / 27 / 7

HEX #2AEDAC

RGB 42 237 172

HSL 160, 0.84%, 0.55%

LAB 83.99, -60.43, 18.76

 

CMYK 82 / 0 / 5 / 7

HEX #2AEDE0

RGB 42 237 224

HSL 176, 0.84%, 0.55%

LAB 85.22, -47.49, -6.69

 

CMYK 82 / 16 / 0 / 7

HEX #2AC6ED

RGB 42 198 237

HSL 192, 0.84%, 0.55%

LAB 74.19, -25.52, -30.29

 

CMYK 82 / 38 / 0 / 7

HEX #2A92ED

RGB 42 146 237

HSL 208, 0.84%, 0.55%

LAB 59.13, 2.9, -53.88

 

CMYK 82 / 60 / 0 / 7

HEX #2A5EED

RGB 42 94 237

HSL 224, 0.84%, 0.55%

LAB 45.1, 35.24, -76.53

 

CMYK 92 / 20 / 0 / 28

HEX #0E93B7

RGB 14 147 183

HSL 192.78, 0.86%, 0.39%

LAB 56.47, -19.17, -27.8

 

CMYK 92 / 20 / 0 / 13

HEX #11B1DD

RGB 17 177 221

HSL 192.94, 0.86%, 0.47%

LAB 67.11, -21.63, -32.52

 

CMYK 82 / 17 / 0 / 7

HEX #2AC4ED

RGB 42 196 237

HSL 192.62, 0.84%, 0.55%

LAB 73.6, -24.51, -31.19

 

CMYK 67 / 14 / 0 / 6

HEX #50CEF0

RGB 80 206 240

HSL 192.75, 0.84%, 0.63%

LAB 77.36, -24.31, -26.96

 

CMYK 51 / 11 / 0 / 5

HEX #77D9F3

RGB 119 217 243

HSL 192.58, 0.84%, 0.71%

LAB 81.85, -21.94, -21.61

 

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

CMYK 49 / 82 / 0 / 7

HEX #782AED

RGB 120 42 237

HSL 264, 0.84%, 0.55%

LAB 40.84, 70.42, -83.32

 

CMYK 0 / 16 / 82 / 7

HEX #EDC62A

RGB 237 198 42

HSL 48, 0.84%, 0.55%

LAB 81.05, -0.31, 75.42

 

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

CMYK 0 / 82 / 16 / 7

HEX #ED2AC6

RGB 237 42 198

HSL 312, 0.84%, 0.55%

LAB 55.82, 82.82, -36.01

 

CMYK 16 / 0 / 82 / 7

HEX #C6ED2A

RGB 198 237 42

HSL 72, 0.84%, 0.55%

LAB 88.32, -35.58, 80.42

 

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

CMYK 49 / 82 / 0 / 7

HEX #782AED

RGB 120 42 237

HSL 264, 0.84%, 0.55%

LAB 40.84, 70.42, -83.32

 

CMYK 0 / 66 / 82 / 7

HEX #ED512A

RGB 237 81 42

HSL 12, 0.84%, 0.55%

LAB 56.14, 58.3, 53.66

 

CMYK 33 / 0 / 82 / 7

HEX #9FED2A

RGB 159 237 42

HSL 84, 0.84%, 0.55%

LAB 86.06, -50.21, 77.57

 

CMYK 83 / 18 / 0 / 7

HEX #29C4EE

RGB 41 196 238

HSL 192.79, 0.85%, 0.55%

LAB 73.63, -24.26, -31.69

 

CMYK 24 / 82 / 0 / 7

HEX #B32AED

RGB 179 42 237

HSL 282.15, 0.84%, 0.55%

LAB 48.7, 78.48, -70.14

 

CMYK 0 / 66 / 82 / 7

HEX #ED512A

RGB 237 81 42

HSL 12, 0.84%, 0.55%

LAB 56.14, 58.3, 53.66

 

CMYK 57 / 0 / 82 / 7

HEX #65ED2A

RGB 101 237 42

HSL 101.85, 0.84%, 0.55%

LAB 83.71, -67.77, 74.58

 

Description

Color code: HEX #29C4EE | qconv.com Color code: HEX #29C4EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 196 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 196 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 18 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 18% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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