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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29B7B6 it is the complementary color #D64849. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29B7B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29B7B6 shade: #2EB7B1, #3FC9C4, #50DBD7, #61EDEA and #72FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29B7B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29B7B6 shade: #29B7B6, #18A5A3, #079390, #00817D and #006F6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29B7B6 shade: #29B6B5, #29B68F, #29B669, #29B643 and #35B629

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29B7B6 shade: #29B6B5, #2991B6, #296BB6, #2945B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29B7B6 shade matches the following richer shades: #29B6B5, #17C9C7 and #05DBD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29B7B6 shade: #29B6B5, #3BA4A3, #4D9292, #5F8080 and #726E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29B7B6 shade: #29B669, #29B68E, #29B6B4, #2993B6 and #296DB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29B7B6 shade: #1A7373, #219594, #29B6B5, #37D1D0 and #59D9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29B7B6 shade: #29B7B6, #4329B6 and #B67B29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29B7B6 shade: #29B7B6, #B429B6 and #B6B429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29B7B6 shade: #29B7B6, #4329B6, #B6292B and #9CB629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29B7B6 shade: #29B7B6, #6D29B6, #B6292B and #72B629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

Complementary color

CMYK 0 / 66 / 66 / 16

HEX #D64849

RGB 214 72 73

HSL 359.58, 0.63%, 0.56%

LAB 51.17, 55.59, 30.65

 

CMYK 75 / 0 / 3 / 28

HEX #2EB7B1

RGB 46 183 177

HSL 177.37, 0.6%, 0.45%

LAB 67.74, -36.4, -7.29

 

CMYK 69 / 0 / 2 / 21

HEX #3FC9C4

RGB 63 201 196

HSL 177.83, 0.56%, 0.52%

LAB 74.07, -37.17, -8.24

 

CMYK 63 / 0 / 2 / 14

HEX #50DBD7

RGB 80 219 215

HSL 178.27, 0.66%, 0.59%

LAB 80.33, -37.73, -9.1

 

CMYK 59 / 0 / 1 / 7

HEX #61EDEA

RGB 97 237 234

HSL 178.71, 0.8%, 0.65%

LAB 86.53, -38.13, -9.9

 

CMYK 55 / 0 / 1 / 0

HEX #72FFFD

RGB 114 255 253

HSL 179.15, 1%, 0.72%

LAB 92.66, -38.42, -10.63

 

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

CMYK 85 / 0 / 1 / 35

HEX #18A5A3

RGB 24 165 163

HSL 179.15, 0.75%, 0.37%

LAB 61.44, -34.21, -8.91

 

CMYK 95 / 0 / 2 / 42

HEX #079390

RGB 7 147 144

HSL 178.71, 0.91%, 0.3%

LAB 55, -32.52, -7.72

 

CMYK 100 / 0 / 3 / 49

HEX #00817D

RGB 0 129 125

HSL 178.14, 1%, 0.25%

LAB 48.49, -30.29, -6.37

 

CMYK 100 / 0 / 5 / 56

HEX #006F6A

RGB 0 111 106

HSL 177.3, 1%, 0.22%

LAB 41.86, -27.69, -4.88

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B5

RGB 41 182 181

HSL 179.57, 0.63%, 0.44%

LAB 67.47, -35.3, -9.9

 

CMYK 77 / 0 / 21 / 29

HEX #29B68F

RGB 41 182 143

HSL 163.4, 0.63%, 0.44%

LAB 66.45, -45.63, 9.57

 

CMYK 77 / 0 / 42 / 29

HEX #29B669

RGB 41 182 105

HSL 147.23, 0.63%, 0.44%

LAB 65.71, -53.84, 29.02

 

CMYK 77 / 0 / 63 / 29

HEX #29B643

RGB 41 182 67

HSL 131.06, 0.63%, 0.44%

LAB 65.23, -59.53, 47.03

 

CMYK 71 / 0 / 77 / 29

HEX #35B629

RGB 53 182 41

HSL 114.89, 0.63%, 0.44%

LAB 65.26, -59.98, 57.21

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B5

RGB 41 182 181

HSL 179.57, 0.63%, 0.44%

LAB 67.47, -35.3, -9.9

 

CMYK 77 / 20 / 0 / 29

HEX #2991B6

RGB 41 145 182

HSL 195.74, 0.63%, 0.44%

LAB 56.19, -16.34, -27.63

 

CMYK 77 / 41 / 0 / 29

HEX #296BB6

RGB 41 107 182

HSL 211.91, 0.63%, 0.44%

LAB 44.75, 6.02, -45.61

 

CMYK 77 / 62 / 0 / 29

HEX #2945B6

RGB 41 69 182

HSL 228.09, 0.63%, 0.44%

LAB 34.2, 30.82, -62.66

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B5

RGB 41 182 181

HSL 179.57, 0.63%, 0.44%

LAB 67.47, -35.3, -9.9

 

CMYK 89 / 0 / 1 / 21

HEX #17C9C7

RGB 23 201 199

HSL 179.33, 0.79%, 0.44%

LAB 73.6, -40, -10.63

 

CMYK 98 / 0 / 1 / 14

HEX #05DBD9

RGB 5 219 217

HSL 179.44, 0.96%, 0.44%

LAB 79.45, -43.32, -11.6

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B5

RGB 41 182 181

HSL 179.57, 0.63%, 0.44%

LAB 67.47, -35.3, -9.9

 

CMYK 64 / 0 / 1 / 36

HEX #3BA4A3

RGB 59 164 163

HSL 179.43, 0.47%, 0.44%

LAB 61.76, -29.63, -8.35

 

CMYK 47 / 0 / 0 / 43

HEX #4D9292

RGB 77 146 146

HSL 180, 0.31%, 0.44%

LAB 56.3, -21.72, -6.77

 

CMYK 26 / 0 / 0 / 50

HEX #5F8080

RGB 95 128 128

HSL 180, 0.15%, 0.44%

LAB 51.19, -11.61, -3.81

 

CMYK 0 / 4 / 4 / 55

HEX #726E6E

RGB 114 110 110

HSL 0, 0.02%, 0.44%

LAB 46.78, 1.55, 0.54

 

CMYK 77 / 0 / 42 / 29

HEX #29B669

RGB 41 182 105

HSL 147.23, 0.63%, 0.44%

LAB 65.71, -53.84, 29.02

 

CMYK 77 / 0 / 22 / 29

HEX #29B68E

RGB 41 182 142

HSL 162.98, 0.63%, 0.44%

LAB 66.43, -45.88, 10.08

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B4

RGB 41 182 180

HSL 179.15, 0.63%, 0.44%

LAB 67.44, -35.59, -9.4

 

CMYK 77 / 19 / 0 / 29

HEX #2993B6

RGB 41 147 182

HSL 194.89, 0.63%, 0.44%

LAB 56.8, -17.43, -26.68

 

CMYK 77 / 40 / 0 / 29

HEX #296DB6

RGB 41 109 182

HSL 211.06, 0.63%, 0.44%

LAB 45.34, 4.76, -44.67

 

CMYK 77 / 0 / 0 / 55

HEX #1A7373

RGB 26 115 115

HSL 180, 0.63%, 0.28%

LAB 43.83, -24.61, -7.34

 

CMYK 78 / 0 / 1 / 42

HEX #219594

RGB 33 149 148

HSL 179.48, 0.64%, 0.36%

LAB 56.04, -30.38, -8.42

 

CMYK 77 / 0 / 1 / 29

HEX #29B6B5

RGB 41 182 181

HSL 179.57, 0.63%, 0.44%

LAB 67.47, -35.3, -9.9

 

CMYK 74 / 0 / 0 / 18

HEX #37D1D0

RGB 55 209 208

HSL 179.61, 0.63%, 0.52%

LAB 76.66, -38.43, -10.88

 

CMYK 59 / 0 / 0 / 15

HEX #59D9D8

RGB 89 217 216

HSL 179.53, 0.63%, 0.6%

LAB 80.01, -35.06, -10.09

 

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

CMYK 63 / 77 / 0 / 29

HEX #4329B6

RGB 67 41 182

HSL 251.06, 0.63%, 0.44%

LAB 29.8, 50.23, -69.82

 

CMYK 0 / 32 / 77 / 29

HEX #B67B29

RGB 182 123 41

HSL 34.89, 0.63%, 0.44%

LAB 56.36, 15.88, 51.4

 

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

CMYK 1 / 77 / 0 / 29

HEX #B429B6

RGB 180 41 182

HSL 299.15, 0.63%, 0.44%

LAB 45.17, 69.24, -44.17

 

CMYK 0 / 1 / 77 / 29

HEX #B6B429

RGB 182 180 41

HSL 59.15, 0.63%, 0.44%

LAB 71.38, -14.85, 65.35

 

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

CMYK 63 / 77 / 0 / 29

HEX #4329B6

RGB 67 41 182

HSL 251.06, 0.63%, 0.44%

LAB 29.8, 50.23, -69.82

 

CMYK 0 / 77 / 76 / 29

HEX #B6292B

RGB 182 41 43

HSL 359.15, 0.63%, 0.44%

LAB 40.74, 55.37, 34.47

 

CMYK 14 / 0 / 77 / 29

HEX #9CB629

RGB 156 182 41

HSL 71.06, 0.63%, 0.44%

LAB 69.95, -26.92, 63.31

 

CMYK 78 / 0 / 1 / 28

HEX #29B7B6

RGB 41 183 182

HSL 179.58, 0.63%, 0.44%

LAB 67.81, -35.47, -9.95

 

CMYK 40 / 77 / 0 / 29

HEX #6D29B6

RGB 109 41 182

HSL 268.94, 0.63%, 0.44%

LAB 34.43, 56.07, -62.06

 

CMYK 0 / 77 / 76 / 29

HEX #B6292B

RGB 182 41 43

HSL 359.15, 0.63%, 0.44%

LAB 40.74, 55.37, 34.47

 

CMYK 37 / 0 / 77 / 29

HEX #72B629

RGB 114 182 41

HSL 88.94, 0.63%, 0.44%

LAB 67.42, -43.25, 60.03

 

Description

Color code: HEX #29B7B6 | qconv.com Color code: HEX #29B7B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 183 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 183 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 1 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 1% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

88% - Geekness Consultoría...
Link: http://www.geekness.com.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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