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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29A88C it is the complementary color #D65773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29A88C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29A88C shade: #2EA887, #3FBA9A, #50CCAD, #61DEC0 and #72F0D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29A88C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29A88C shade: #29A88C, #189679, #078466, #007253 and #006040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29A88C shade: #28A88C, #28A869, #28A847, #2CA828 and #4EA828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29A88C shade: #28A88C, #28A2A8, #287FA8, #285DA8 and #283AA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29A88C shade matches the following richer shades: #28A88C, #17B995 and #06CA9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29A88C shade: #28A88C, #399782, #4A8679, #5B756F and #6C6466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29A88C shade: #28A846, #28A868, #28A88A, #28A4A8 and #2882A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29A88C shade: #186554, #208770, #28A88C, #30C9A7 and #4FD4B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29A88C shade: #29A88C, #282DA8 and #A85728

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29A88C shade: #29A88C, #8A28A8 and #A88A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29A88C shade: #29A88C, #282DA8, #A82846 and #A8A428

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29A88C shade: #29A88C, #4A28A8, #A82846 and #86A828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

Complementary color

CMYK 0 / 59 / 46 / 16

HEX #D65773

RGB 214 87 115

HSL 346.77, 0.61%, 0.59%

LAB 54.4, 52.32, 10.14

 

CMYK 73 / 0 / 20 / 34

HEX #2EA887

RGB 46 168 135

HSL 163.77, 0.57%, 0.42%

LAB 61.94, -41.05, 7.58

 

CMYK 66 / 0 / 17 / 27

HEX #3FBA9A

RGB 63 186 154

HSL 164.39, 0.49%, 0.49%

LAB 68.39, -41.53, 6.36

 

CMYK 61 / 0 / 15 / 20

HEX #50CCAD

RGB 80 204 173

HSL 165, 0.55%, 0.56%

LAB 74.77, -41.8, 5.27

 

CMYK 56 / 0 / 14 / 13

HEX #61DEC0

RGB 97 222 192

HSL 165.6, 0.65%, 0.63%

LAB 81.07, -41.93, 4.27

 

CMYK 53 / 0 / 12 / 6

HEX #72F0D3

RGB 114 240 211

HSL 166.19, 0.81%, 0.69%

LAB 87.29, -41.98, 3.34

 

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

CMYK 84 / 0 / 19 / 41

HEX #189679

RGB 24 150 121

HSL 166.19, 0.72%, 0.34%

LAB 55.47, -39.46, 6.17

 

CMYK 95 / 0 / 23 / 48

HEX #078466

RGB 7 132 102

HSL 165.6, 0.9%, 0.27%

LAB 48.89, -38, 7.72

 

CMYK 100 / 0 / 27 / 55

HEX #007253

RGB 0 114 83

HSL 163.68, 1%, 0.22%

LAB 42.25, -35.85, 9.51

 

CMYK 100 / 0 / 33 / 62

HEX #006040

RGB 0 96 64

HSL 160, 1%, 0.19%

LAB 35.47, -33.17, 11.52

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 76 / 0 / 38 / 34

HEX #28A869

RGB 40 168 105

HSL 150.47, 0.62%, 0.41%

LAB 61.2, -48.7, 23.06

 

CMYK 76 / 0 / 58 / 34

HEX #28A847

RGB 40 168 71

HSL 134.53, 0.62%, 0.41%

LAB 60.7, -54.45, 39.96

 

CMYK 74 / 0 / 76 / 34

HEX #2CA828

RGB 44 168 40

HSL 118.13, 0.62%, 0.41%

LAB 60.51, -57.06, 52.83

 

CMYK 54 / 0 / 76 / 34

HEX #4EA828

RGB 78 168 40

HSL 102.19, 0.62%, 0.41%

LAB 61.46, -49.29, 54.08

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 76 / 4 / 0 / 34

HEX #28A2A8

RGB 40 162 168

HSL 182.81, 0.62%, 0.41%

LAB 60.89, -29.79, -12.52

 

CMYK 76 / 24 / 0 / 34

HEX #287FA8

RGB 40 127 168

HSL 199.22, 0.62%, 0.41%

LAB 50.05, -11.32, -29.12

 

CMYK 76 / 45 / 0 / 34

HEX #285DA8

RGB 40 93 168

HSL 215.16, 0.62%, 0.41%

LAB 39.76, 9.49, -45.37

 

CMYK 76 / 65 / 0 / 34

HEX #283AA8

RGB 40 58 168

HSL 231.56, 0.62%, 0.41%

LAB 30.17, 32.68, -60.92

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 88 / 0 / 19 / 27

HEX #17B995

RGB 23 185 149

HSL 166.67, 0.78%, 0.41%

LAB 67.31, -46.96, 7.47

 

CMYK 97 / 0 / 21 / 21

HEX #06CA9F

RGB 6 202 159

HSL 166.84, 0.94%, 0.41%

LAB 72.75, -52.02, 9.78

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 62 / 0 / 14 / 41

HEX #399782

RGB 57 151 130

HSL 166.6, 0.45%, 0.41%

LAB 56.7, -32.84, 2.9

 

CMYK 45 / 0 / 10 / 47

HEX #4A8679

RGB 74 134 121

HSL 167, 0.29%, 0.41%

LAB 51.71, -22.85, 0.92

 

CMYK 22 / 0 / 5 / 54

HEX #5B756F

RGB 91 117 111

HSL 166.15, 0.13%, 0.41%

LAB 47.1, -10.81, 0.19

 

CMYK 0 / 7 / 6 / 58

HEX #6C6466

RGB 108 100 102

HSL 345, 0.04%, 0.41%

LAB 43.16, 3.56, 0.01

 

CMYK 76 / 0 / 58 / 34

HEX #28A846

RGB 40 168 70

HSL 134.06, 0.62%, 0.41%

LAB 60.69, -54.59, 40.43

 

CMYK 76 / 0 / 38 / 34

HEX #28A868

RGB 40 168 104

HSL 150, 0.62%, 0.41%

LAB 61.18, -48.9, 23.58

 

CMYK 76 / 0 / 18 / 34

HEX #28A88A

RGB 40 168 138

HSL 165.94, 0.62%, 0.41%

LAB 61.9, -41.08, 5.84

 

CMYK 76 / 2 / 0 / 34

HEX #28A4A8

RGB 40 164 168

HSL 181.88, 0.62%, 0.41%

LAB 61.51, -30.76, -11.59

 

CMYK 76 / 23 / 0 / 34

HEX #2882A8

RGB 40 130 168

HSL 197.81, 0.62%, 0.41%

LAB 50.97, -13.02, -27.68

 

CMYK 76 / 0 / 17 / 60

HEX #186554

RGB 24 101 84

HSL 166.75, 0.62%, 0.25%

LAB 38.1, -27.34, 3.05

 

CMYK 76 / 0 / 17 / 47

HEX #208770

RGB 32 135 112

HSL 166.6, 0.62%, 0.33%

LAB 50.46, -34.35, 4.18

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 76 / 0 / 17 / 21

HEX #30C9A7

RGB 48 201 167

HSL 166.67, 0.61%, 0.49%

LAB 73.02, -46.78, 5.9

 

CMYK 63 / 0 / 14 / 17

HEX #4FD4B7

RGB 79 212 183

HSL 166.92, 0.61%, 0.57%

LAB 77.38, -43.05, 3.67

 

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

CMYK 76 / 73 / 0 / 34

HEX #282DA8

RGB 40 45 168

HSL 237.66, 0.62%, 0.41%

LAB 27.17, 40.8, -65.85

 

CMYK 0 / 48 / 76 / 34

HEX #A85728

RGB 168 87 40

HSL 22.03, 0.62%, 0.41%

LAB 46.03, 29.7, 40.98

 

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

CMYK 18 / 76 / 0 / 34

HEX #8A28A8

RGB 138 40 168

HSL 285.94, 0.62%, 0.41%

LAB 37.39, 58.65, -48.72

 

CMYK 0 / 18 / 76 / 34

HEX #A88A28

RGB 168 138 40

HSL 45.94, 0.62%, 0.41%

LAB 58.65, 1.2, 53.45

 

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

CMYK 76 / 73 / 0 / 34

HEX #282DA8

RGB 40 45 168

HSL 237.66, 0.62%, 0.41%

LAB 27.17, 40.8, -65.85

 

CMYK 0 / 76 / 58 / 34

HEX #A82846

RGB 168 40 70

HSL 345.94, 0.62%, 0.41%

LAB 38.35, 52.94, 14.24

 

CMYK 0 / 2 / 76 / 34

HEX #A8A428

RGB 168 164 40

HSL 58.13, 0.62%, 0.41%

LAB 65.77, -12.76, 60.12

 

CMYK 76 / 0 / 17 / 34

HEX #29A88C

RGB 41 168 140

HSL 166.77, 0.61%, 0.41%

LAB 61.97, -40.43, 4.82

 

CMYK 56 / 76 / 0 / 34

HEX #4A28A8

RGB 74 40 168

HSL 255.94, 0.62%, 0.41%

LAB 28.9, 47.51, -62.9

 

CMYK 0 / 76 / 58 / 34

HEX #A82846

RGB 168 40 70

HSL 345.94, 0.62%, 0.41%

LAB 38.35, 52.94, 14.24

 

CMYK 20 / 0 / 76 / 34

HEX #86A828

RGB 134 168 40

HSL 75.94, 0.62%, 0.41%

LAB 64.34, -29.33, 57.86

 

Description

Color code: HEX #29A88C | qconv.com Color code: HEX #29A88C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 168 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 168 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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