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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29A7A7 it is the complementary color #D65858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29A7A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29A7A7 shade: #2EA7A2, #3FB9B5, #50CBC8, #61DDDB and #72EFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29A7A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29A7A7 shade: #29A7A7, #189594, #078381, #00716E and #005F5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29A7A7 shade: #28A8A8, #28A885, #28A863, #28A841 and #32A828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29A7A7 shade: #28A8A8, #2885A8, #2863A8, #2841A8 and #2828A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29A7A7 shade matches the following richer shades: #28A8A8, #17B9B9 and #06CACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29A7A7 shade: #28A8A8, #399797, #4A8686, #5B7575 and #6C6464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29A7A7 shade: #28A864, #28A886, #28A8A8, #2886A8 and #2864A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29A7A7 shade: #186565, #208787, #28A8A8, #30C9C9 and #4FD4D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29A7A7 shade: #29A7A7, #4228A8 and #A87528

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29A7A7 shade: #29A7A7, #A828A8 and #A8A828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29A7A7 shade: #29A7A7, #4228A8, #A82828 and #8EA828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29A7A7 shade: #29A7A7, #6828A8, #A82828 and #68A828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

Complementary color

CMYK 0 / 59 / 59 / 16

HEX #D65858

RGB 214 88 88

HSL 0, 0.61%, 0.59%

LAB 54.01, 49.61, 25.52

 

CMYK 72 / 0 / 3 / 35

HEX #2EA7A2

RGB 46 167 162

HSL 177.52, 0.57%, 0.42%

LAB 62.36, -33.27, -6.93

 

CMYK 66 / 0 / 2 / 27

HEX #3FB9B5

RGB 63 185 181

HSL 178.03, 0.49%, 0.49%

LAB 68.82, -33.93, -7.86

 

CMYK 61 / 0 / 1 / 20

HEX #50CBC8

RGB 80 203 200

HSL 178.54, 0.54%, 0.55%

LAB 75.19, -34.39, -8.69

 

CMYK 56 / 0 / 1 / 13

HEX #61DDDB

RGB 97 221 219

HSL 179.03, 0.65%, 0.62%

LAB 81.49, -34.7, -9.46

 

CMYK 52 / 0 / 0 / 6

HEX #72EFEE

RGB 114 239 238

HSL 179.52, 0.8%, 0.69%

LAB 87.72, -34.91, -10.17

 

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

CMYK 84 / 0 / 1 / 42

HEX #189594

RGB 24 149 148

HSL 179.52, 0.72%, 0.34%

LAB 55.91, -31.22, -8.63

 

CMYK 95 / 0 / 2 / 49

HEX #078381

RGB 7 131 129

HSL 179.03, 0.9%, 0.27%

LAB 49.33, -29.6, -7.46

 

CMYK 100 / 0 / 3 / 56

HEX #00716E

RGB 0 113 110

HSL 178.41, 1%, 0.22%

LAB 42.67, -27.37, -6.1

 

CMYK 100 / 0 / 4 / 63

HEX #005F5B

RGB 0 95 91

HSL 177.47, 1%, 0.19%

LAB 35.87, -24.7, -4.58

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 76 / 0 / 21 / 34

HEX #28A885

RGB 40 168 133

HSL 163.59, 0.62%, 0.41%

LAB 61.78, -42.35, 8.45

 

CMYK 76 / 0 / 41 / 34

HEX #28A863

RGB 40 168 99

HSL 147.66, 0.62%, 0.41%

LAB 61.1, -49.88, 26.15

 

CMYK 76 / 0 / 61 / 34

HEX #28A841

RGB 40 168 65

HSL 131.72, 0.62%, 0.41%

LAB 60.64, -55.23, 42.71

 

CMYK 70 / 0 / 76 / 34

HEX #32A828

RGB 50 168 40

HSL 115.31, 0.62%, 0.41%

LAB 60.64, -55.99, 52.99

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 76 / 21 / 0 / 34

HEX #2885A8

RGB 40 133 168

HSL 196.41, 0.62%, 0.41%

LAB 51.9, -14.7, -26.24

 

CMYK 76 / 41 / 0 / 34

HEX #2863A8

RGB 40 99 168

HSL 212.34, 0.62%, 0.41%

LAB 41.54, 5.63, -42.53

 

CMYK 76 / 61 / 0 / 34

HEX #2841A8

RGB 40 65 168

HSL 228.28, 0.62%, 0.41%

LAB 31.94, 28.08, -58.02

 

CMYK 76 / 76 / 0 / 34

HEX #2828A8

RGB 40 40 168

HSL 240, 0.62%, 0.41%

LAB 26.15, 43.69, -67.54

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 88 / 0 / 0 / 27

HEX #17B9B9

RGB 23 185 185

HSL 180, 0.78%, 0.41%

LAB 68.3, -36.9, -10.9

 

CMYK 97 / 0 / 0 / 21

HEX #06CACA

RGB 6 202 202

HSL 180, 0.94%, 0.41%

LAB 73.9, -40.17, -11.82

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 62 / 0 / 0 / 41

HEX #399797

RGB 57 151 151

HSL 180, 0.45%, 0.41%

LAB 57.31, -27.05, -8.2

 

CMYK 45 / 0 / 0 / 47

HEX #4A8686

RGB 74 134 134

HSL 180, 0.29%, 0.41%

LAB 52.09, -19.44, -6.09

 

CMYK 22 / 0 / 0 / 54

HEX #5B7575

RGB 91 117 117

HSL 180, 0.13%, 0.41%

LAB 47.28, -9.4, -3.12

 

CMYK 0 / 7 / 7 / 58

HEX #6C6464

RGB 108 100 100

HSL 0, 0.04%, 0.41%

LAB 43.1, 3.16, 1.13

 

CMYK 76 / 0 / 40 / 34

HEX #28A864

RGB 40 168 100

HSL 148.13, 0.62%, 0.41%

LAB 61.11, -49.69, 25.64

 

CMYK 76 / 0 / 20 / 34

HEX #28A886

RGB 40 168 134

HSL 164.06, 0.62%, 0.41%

LAB 61.81, -42.1, 7.93

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 76 / 20 / 0 / 34

HEX #2886A8

RGB 40 134 168

HSL 195.94, 0.62%, 0.41%

LAB 52.21, -15.25, -25.76

 

CMYK 76 / 40 / 0 / 34

HEX #2864A8

RGB 40 100 168

HSL 211.88, 0.62%, 0.41%

LAB 41.83, 4.99, -42.05

 

CMYK 76 / 0 / 0 / 60

HEX #186565

RGB 24 101 101

HSL 180, 0.62%, 0.25%

LAB 38.62, -22.14, -6.62

 

CMYK 76 / 0 / 0 / 47

HEX #208787

RGB 32 135 135

HSL 180, 0.62%, 0.33%

LAB 51.13, -27.64, -8.24

 

CMYK 76 / 0 / 0 / 34

HEX #28A8A8

RGB 40 168 168

HSL 180, 0.62%, 0.41%

LAB 62.75, -32.68, -9.74

 

CMYK 76 / 0 / 0 / 21

HEX #30C9C9

RGB 48 201 201

HSL 180, 0.61%, 0.49%

LAB 73.95, -37.53, -11.17

 

CMYK 63 / 0 / 0 / 17

HEX #4FD4D4

RGB 79 212 212

HSL 180, 0.61%, 0.57%

LAB 78.17, -35.47, -10.72

 

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

CMYK 61 / 76 / 0 / 34

HEX #4228A8

RGB 66 40 168

HSL 252.19, 0.62%, 0.41%

LAB 28.12, 46.44, -64.21

 

CMYK 0 / 30 / 76 / 34

HEX #A87528

RGB 168 117 40

HSL 36.09, 0.62%, 0.41%

LAB 53.17, 12.95, 48.15

 

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

CMYK 0 / 76 / 0 / 34

HEX #A828A8

RGB 168 40 168

HSL 300, 0.62%, 0.41%

LAB 42.26, 64.79, -40.64

 

CMYK 0 / 0 / 76 / 34

HEX #A8A828

RGB 168 168 40

HSL 60, 0.62%, 0.41%

LAB 66.89, -14.83, 61.14

 

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

CMYK 61 / 76 / 0 / 34

HEX #4228A8

RGB 66 40 168

HSL 252.19, 0.62%, 0.41%

LAB 28.12, 46.44, -64.21

 

CMYK 0 / 76 / 76 / 34

HEX #A82828

RGB 168 40 40

HSL 0, 0.62%, 0.41%

LAB 37.83, 51.26, 32.24

 

CMYK 15 / 0 / 76 / 34

HEX #8EA828

RGB 142 168 40

HSL 72.19, 0.62%, 0.41%

LAB 64.89, -26.01, 58.57

 

CMYK 75 / 0 / 0 / 35

HEX #29A7A7

RGB 41 167 167

HSL 180, 0.61%, 0.41%

LAB 62.42, -32.39, -9.66

 

CMYK 38 / 76 / 0 / 34

HEX #6828A8

RGB 104 40 168

HSL 270, 0.62%, 0.41%

LAB 32.45, 52.26, -56.95

 

CMYK 0 / 76 / 76 / 34

HEX #A82828

RGB 168 40 40

HSL 0, 0.62%, 0.41%

LAB 37.83, 51.26, 32.24

 

CMYK 38 / 0 / 76 / 34

HEX #68A828

RGB 104 168 40

HSL 90, 0.62%, 0.41%

LAB 62.59, -40.9, 55.57

 

Description

Color code: HEX #29A7A7 | qconv.com Color code: HEX #29A7A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 167 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 167 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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