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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29923C it is the complementary color #D66DC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29923C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29923C shade: #2E9237, #3FA44A, #50B65D, #61C870 and #72DA83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29923C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29923C shade: #29923C, #188029, #076E16, #005C03 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29923C shade: #29933C, #329329, #4F9329, #6B9329 and #889329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29923C shade: #29933C, #299359, #299375, #299392 and #297793

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29923C shade matches the following richer shades: #29933C, #1AA232 and #0AB129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29923C shade: #29933C, #388346, #487450, #576559 and #665663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29923C shade: #509329, #349329, #29933B, #299357 and #299373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29923C shade: #175222, #20732F, #29933C, #32B349 and #44CA5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29923C shade: #29923C, #296C93 and #932942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29923C shade: #29923C, #3B2993 and #933B29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29923C shade: #29923C, #296C93, #932981 and #935029

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29923C shade: #29923C, #294C93, #932981 and #936F29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

Complementary color

CMYK 0 / 49 / 9 / 16

HEX #D66DC3

RGB 214 109 195

HSL 310.86, 0.56%, 0.63%

LAB 60.93, 52.37, -26.63

 

CMYK 68 / 0 / 62 / 43

HEX #2E9237

RGB 46 146 55

HSL 125.4, 0.52%, 0.38%

LAB 53.4, -47.64, 39.12

 

CMYK 62 / 0 / 55 / 36

HEX #3FA44A

RGB 63 164 74

HSL 126.53, 0.44%, 0.45%

LAB 59.98, -48.23, 37.77

 

CMYK 56 / 0 / 49 / 29

HEX #50B65D

RGB 80 182 93

HSL 127.65, 0.41%, 0.51%

LAB 66.48, -48.48, 36.38

 

CMYK 52 / 0 / 44 / 22

HEX #61C870

RGB 97 200 112

HSL 128.74, 0.48%, 0.58%

LAB 72.9, -48.52, 35.01

 

CMYK 48 / 0 / 40 / 15

HEX #72DA83

RGB 114 218 131

HSL 129.81, 0.58%, 0.65%

LAB 79.25, -48.43, 33.71

 

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

CMYK 81 / 0 / 68 / 50

HEX #188029

RGB 24 128 41

HSL 129.81, 0.68%, 0.3%

LAB 46.7, -46.7, 37.96

 

CMYK 94 / 0 / 80 / 57

HEX #076E16

RGB 7 110 22

HSL 128.74, 0.88%, 0.23%

LAB 40.01, -44.46, 38.78

 

CMYK 100 / 0 / 97 / 64

HEX #005C03

RGB 0 92 3

HSL 121.96, 1%, 0.18%

LAB 33.27, -40.73, 38.51

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 72 / 0 / 59 / 42

HEX #29933C

RGB 41 147 60

HSL 130.75, 0.56%, 0.37%

LAB 53.67, -48.33, 37

 

CMYK 66 / 0 / 72 / 42

HEX #329329

RGB 50 147 41

HSL 114.91, 0.56%, 0.37%

LAB 53.71, -48.62, 45.61

 

CMYK 46 / 0 / 72 / 42

HEX #4F9329

RGB 79 147 41

HSL 98.49, 0.56%, 0.37%

LAB 54.75, -40.54, 47.01

 

CMYK 27 / 0 / 72 / 42

HEX #6B9329

RGB 107 147 41

HSL 82.64, 0.56%, 0.37%

LAB 56.24, -30.24, 49

 

CMYK 7 / 0 / 72 / 42

HEX #889329

RGB 136 147 41

HSL 66.23, 0.56%, 0.37%

LAB 58.28, -17.98, 51.71

 

CMYK 72 / 0 / 59 / 42

HEX #29933C

RGB 41 147 60

HSL 130.75, 0.56%, 0.37%

LAB 53.67, -48.33, 37

 

CMYK 72 / 0 / 39 / 42

HEX #299359

RGB 41 147 89

HSL 147.17, 0.56%, 0.37%

LAB 54.09, -43.5, 22.32

 

CMYK 72 / 0 / 20 / 42

HEX #299375

RGB 41 147 117

HSL 163.02, 0.56%, 0.37%

LAB 54.68, -37.14, 7.37

 

CMYK 72 / 0 / 1 / 42

HEX #299392

RGB 41 147 146

HSL 179.43, 0.56%, 0.37%

LAB 55.5, -29.05, -8.08

 

CMYK 72 / 19 / 0 / 42

HEX #297793

RGB 41 119 147

HSL 195.85, 0.56%, 0.37%

LAB 46.67, -14.01, -22.05

 

CMYK 72 / 0 / 59 / 42

HEX #29933C

RGB 41 147 60

HSL 130.75, 0.56%, 0.37%

LAB 53.67, -48.33, 37

 

CMYK 84 / 0 / 69 / 36

HEX #1AA232

RGB 26 162 50

HSL 130.59, 0.72%, 0.37%

LAB 58.31, -56.74, 46.66

 

CMYK 94 / 0 / 77 / 31

HEX #0AB129

RGB 10 177 41

HSL 131.14, 0.89%, 0.37%

LAB 63.07, -63.32, 54.88

 

CMYK 72 / 0 / 59 / 42

HEX #29933C

RGB 41 147 60

HSL 130.75, 0.56%, 0.37%

LAB 53.67, -48.33, 37

 

CMYK 57 / 0 / 47 / 49

HEX #388346

RGB 56 131 70

HSL 131.2, 0.4%, 0.37%

LAB 48.9, -37.19, 26.08

 

CMYK 38 / 0 / 31 / 55

HEX #487450

RGB 72 116 80

HSL 130.91, 0.23%, 0.37%

LAB 44.87, -23.48, 15.22

 

CMYK 14 / 0 / 12 / 60

HEX #576559

RGB 87 101 89

HSL 128.57, 0.07%, 0.37%

LAB 41.3, -7.94, 5

 

CMYK 0 / 16 / 3 / 60

HEX #665663

RGB 102 86 99

HSL 311.25, 0.09%, 0.37%

LAB 38.52, 9.11, -5.05

 

CMYK 46 / 0 / 72 / 42

HEX #509329

RGB 80 147 41

HSL 97.92, 0.56%, 0.37%

LAB 54.8, -40.21, 47.07

 

CMYK 65 / 0 / 72 / 42

HEX #349329

RGB 52 147 41

HSL 113.77, 0.56%, 0.37%

LAB 53.77, -48.16, 45.69

 

CMYK 72 / 0 / 60 / 42

HEX #29933B

RGB 41 147 59

HSL 130.19, 0.56%, 0.37%

LAB 53.66, -48.46, 37.47

 

CMYK 72 / 0 / 41 / 42

HEX #299357

RGB 41 147 87

HSL 146.04, 0.56%, 0.37%

LAB 54.06, -43.9, 23.38

 

CMYK 72 / 0 / 22 / 42

HEX #299373

RGB 41 147 115

HSL 161.89, 0.56%, 0.37%

LAB 54.63, -37.64, 8.44

 

CMYK 72 / 0 / 59 / 68

HEX #175222

RGB 23 82 34

HSL 131.19, 0.56%, 0.21%

LAB 30.24, -30.46, 22.55

 

CMYK 72 / 0 / 59 / 55

HEX #20732F

RGB 32 115 47

HSL 130.84, 0.56%, 0.29%

LAB 42.42, -39.87, 30.2

 

CMYK 72 / 0 / 59 / 42

HEX #29933C

RGB 41 147 60

HSL 130.75, 0.56%, 0.37%

LAB 53.67, -48.33, 37

 

CMYK 72 / 0 / 59 / 30

HEX #32B349

RGB 50 179 73

HSL 130.7, 0.56%, 0.45%

LAB 64.48, -56.42, 43.5

 

CMYK 66 / 0 / 54 / 21

HEX #44CA5C

RGB 68 202 92

HSL 130.75, 0.56%, 0.53%

LAB 72.39, -58.78, 44.02

 

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

CMYK 72 / 27 / 0 / 42

HEX #296C93

RGB 41 108 147

HSL 202.08, 0.56%, 0.37%

LAB 43.22, -7.63, -27.41

 

CMYK 0 / 72 / 55 / 42

HEX #932942

RGB 147 41 66

HSL 345.85, 0.56%, 0.37%

LAB 34.36, 45.78, 10.7

 

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

CMYK 60 / 72 / 0 / 42

HEX #3B2993

RGB 59 41 147

HSL 250.19, 0.56%, 0.37%

LAB 25.63, 38.42, -55.53

 

CMYK 0 / 60 / 72 / 42

HEX #933B29

RGB 147 59 41

HSL 10.19, 0.56%, 0.37%

LAB 36.91, 35.96, 29.56

 

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

CMYK 72 / 27 / 0 / 42

HEX #296C93

RGB 41 108 147

HSL 202.08, 0.56%, 0.37%

LAB 43.22, -7.63, -27.41

 

CMYK 0 / 72 / 12 / 42

HEX #932981

RGB 147 41 129

HSL 310.19, 0.56%, 0.37%

LAB 36.69, 53.41, -25.96

 

CMYK 0 / 46 / 72 / 42

HEX #935029

RGB 147 80 41

HSL 22.08, 0.56%, 0.37%

LAB 41.38, 24.69, 34.57

 

CMYK 72 / 0 / 59 / 43

HEX #29923C

RGB 41 146 60

HSL 130.86, 0.56%, 0.37%

LAB 53.34, -47.97, 36.61

 

CMYK 72 / 48 / 0 / 42

HEX #294C93

RGB 41 76 147

HSL 220.19, 0.56%, 0.37%

LAB 33.45, 12.75, -42.88

 

CMYK 0 / 72 / 12 / 42

HEX #932981

RGB 147 41 129

HSL 310.19, 0.56%, 0.37%

LAB 36.69, 53.41, -25.96

 

CMYK 0 / 24 / 72 / 42

HEX #936F29

RGB 147 111 41

HSL 39.62, 0.56%, 0.37%

LAB 49.17, 6.85, 42.88

 

Description

Color code: HEX #29923C | qconv.com Color code: HEX #29923C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 146 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 146 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 59 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 59% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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