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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29974D it is the complementary color #D668B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29974D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29974D shade: #2E9748, #3FA95B, #50BB6E, #61CD81 and #72DF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29974D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29974D shade: #29974D, #18853A, #077327, #006114 and #004F01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29974D shade: #29984D, #299830, #419829, #5E9829 and #7C9829

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29974D shade: #29984D, #29986B, #299889, #298998 and #296B98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29974D shade matches the following richer shades: #29984D, #19A748 and #0AB742

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29974D shade: #29984D, #398853, #497858, #58695E and #685963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29974D shade: #419829, #29982F, #29984C, #29986A and #299887

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29974D shade: #17572C, #20773D, #29984D, #32B85E and #47CC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29974D shade: #29974D, #295F98 and #982932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29974D shade: #29974D, #4C2998 and #984C29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29974D shade: #29974D, #295F98, #982975 and #986229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29974D shade: #29974D, #293D98, #982975 and #988329

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

Complementary color

CMYK 0 / 51 / 17 / 16

HEX #D668B2

RGB 214 104 178

HSL 319.64, 0.57%, 0.62%

LAB 59.35, 52.13, -19.35

 

CMYK 70 / 0 / 52 / 41

HEX #2E9748

RGB 46 151 72

HSL 134.86, 0.53%, 0.39%

LAB 55.26, -47.16, 32.92

 

CMYK 63 / 0 / 46 / 34

HEX #3FA95B

RGB 63 169 91

HSL 135.85, 0.46%, 0.45%

LAB 61.82, -47.61, 31.4

 

CMYK 57 / 0 / 41 / 27

HEX #50BB6E

RGB 80 187 110

HSL 136.82, 0.44%, 0.52%

LAB 68.29, -47.78, 29.97

 

CMYK 53 / 0 / 37 / 20

HEX #61CD81

RGB 97 205 129

HSL 137.78, 0.52%, 0.59%

LAB 74.69, -47.76, 28.62

 

CMYK 49 / 0 / 34 / 13

HEX #72DF94

RGB 114 223 148

HSL 138.72, 0.63%, 0.66%

LAB 81.01, -47.65, 27.36

 

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

CMYK 82 / 0 / 56 / 48

HEX #18853A

RGB 24 133 58

HSL 138.72, 0.69%, 0.31%

LAB 48.6, -46.2, 31.9

 

CMYK 94 / 0 / 66 / 55

HEX #077327

RGB 7 115 39

HSL 137.78, 0.89%, 0.24%

LAB 41.93, -44.33, 33.52

 

CMYK 100 / 0 / 79 / 62

HEX #006114

RGB 0 97 20

HSL 132.37, 1%, 0.19%

LAB 35.2, -41.15, 34.73

 

CMYK 100 / 0 / 99 / 69

HEX #004F01

RGB 0 79 1

HSL 120.76, 1%, 0.15%

LAB 28.36, -36.78, 35.16

 

CMYK 73 / 0 / 49 / 40

HEX #29984D

RGB 41 152 77

HSL 139.46, 0.58%, 0.38%

LAB 55.55, -47.63, 30.66

 

CMYK 73 / 0 / 68 / 40

HEX #299830

RGB 41 152 48

HSL 123.78, 0.58%, 0.38%

LAB 55.22, -51.51, 44.24

 

CMYK 57 / 0 / 73 / 40

HEX #419829

RGB 65 152 41

HSL 107.03, 0.58%, 0.38%

LAB 55.83, -46.75, 47.93

 

CMYK 38 / 0 / 73 / 40

HEX #5E9829

RGB 94 152 41

HSL 91.35, 0.58%, 0.38%

LAB 57.07, -37.49, 49.6

 

CMYK 18 / 0 / 73 / 40

HEX #7C9829

RGB 124 152 41

HSL 75.14, 0.58%, 0.38%

LAB 58.88, -25.67, 52

 

CMYK 73 / 0 / 49 / 40

HEX #29984D

RGB 41 152 77

HSL 139.46, 0.58%, 0.38%

LAB 55.55, -47.63, 30.66

 

CMYK 73 / 0 / 30 / 40

HEX #29986B

RGB 41 152 107

HSL 155.68, 0.58%, 0.38%

LAB 56.08, -41.7, 14.99

 

CMYK 73 / 0 / 10 / 40

HEX #299889

RGB 41 152 137

HSL 171.89, 0.58%, 0.38%

LAB 56.82, -34.05, -0.97

 

CMYK 73 / 10 / 0 / 40

HEX #298998

RGB 41 137 152

HSL 188.11, 0.58%, 0.38%

LAB 52.54, -22.11, -15.99

 

CMYK 73 / 30 / 0 / 40

HEX #296B98

RGB 41 107 152

HSL 204.32, 0.58%, 0.38%

LAB 43.14, -5.22, -30.5

 

CMYK 73 / 0 / 49 / 40

HEX #29984D

RGB 41 152 77

HSL 139.46, 0.58%, 0.38%

LAB 55.55, -47.63, 30.66

 

CMYK 85 / 0 / 57 / 35

HEX #19A748

RGB 25 167 72

HSL 139.86, 0.74%, 0.38%

LAB 60.17, -55.8, 38.79

 

CMYK 95 / 0 / 64 / 28

HEX #0AB742

RGB 10 183 66

HSL 139.42, 0.9%, 0.38%

LAB 65.22, -62.73, 47.37

 

CMYK 73 / 0 / 49 / 40

HEX #29984D

RGB 41 152 77

HSL 139.46, 0.58%, 0.38%

LAB 55.55, -47.63, 30.66

 

CMYK 58 / 0 / 39 / 47

HEX #398853

RGB 57 136 83

HSL 139.75, 0.41%, 0.38%

LAB 50.81, -36.76, 21.38

 

CMYK 39 / 0 / 27 / 53

HEX #497858

RGB 73 120 88

HSL 139.15, 0.24%, 0.38%

LAB 46.38, -23.58, 12.63

 

CMYK 16 / 0 / 10 / 59

HEX #58695E

RGB 88 105 94

HSL 141.18, 0.09%, 0.38%

LAB 42.74, -8.83, 4.05

 

CMYK 0 / 14 / 5 / 59

HEX #685963

RGB 104 89 99

HSL 320, 0.08%, 0.38%

LAB 39.56, 8.05, -3.48

 

CMYK 57 / 0 / 73 / 40

HEX #419829

RGB 65 152 41

HSL 107.03, 0.58%, 0.38%

LAB 55.83, -46.75, 47.93

 

CMYK 73 / 0 / 69 / 40

HEX #29982F

RGB 41 152 47

HSL 123.24, 0.58%, 0.38%

LAB 55.21, -51.62, 44.66

 

CMYK 73 / 0 / 50 / 40

HEX #29984C

RGB 41 152 76

HSL 138.92, 0.58%, 0.38%

LAB 55.53, -47.79, 31.17

 

CMYK 73 / 0 / 30 / 40

HEX #29986A

RGB 41 152 106

HSL 155.14, 0.58%, 0.38%

LAB 56.06, -41.93, 15.53

 

CMYK 73 / 0 / 11 / 40

HEX #299887

RGB 41 152 135

HSL 170.81, 0.58%, 0.38%

LAB 56.76, -34.61, 0.09

 

CMYK 74 / 0 / 49 / 66

HEX #17572C

RGB 23 87 44

HSL 139.69, 0.58%, 0.22%

LAB 32.21, -30.82, 19.26

 

CMYK 73 / 0 / 49 / 53

HEX #20773D

RGB 32 119 61

HSL 140, 0.58%, 0.3%

LAB 44, -39.18, 24.64

 

CMYK 73 / 0 / 49 / 40

HEX #29984D

RGB 41 152 77

HSL 139.46, 0.58%, 0.38%

LAB 55.55, -47.63, 30.66

 

CMYK 73 / 0 / 49 / 28

HEX #32B85E

RGB 50 184 94

HSL 139.7, 0.57%, 0.46%

LAB 66.34, -55.18, 35.53

 

CMYK 65 / 0 / 44 / 20

HEX #47CC73

RGB 71 204 115

HSL 139.85, 0.57%, 0.54%

LAB 73.39, -55.47, 33.96

 

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

CMYK 73 / 38 / 0 / 40

HEX #295F98

RGB 41 95 152

HSL 210.81, 0.58%, 0.38%

LAB 39.45, 2.22, -36.32

 

CMYK 0 / 73 / 67 / 40

HEX #982932

RGB 152 41 50

HSL 355.14, 0.58%, 0.38%

LAB 34.99, 46.27, 21.97

 

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

CMYK 50 / 73 / 0 / 40

HEX #4C2998

RGB 76 41 152

HSL 258.92, 0.58%, 0.38%

LAB 27.82, 42.7, -54.95

 

CMYK 0 / 50 / 73 / 40

HEX #984C29

RGB 152 76 41

HSL 18.92, 0.58%, 0.38%

LAB 41.22, 29.04, 34.62

 

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

CMYK 73 / 38 / 0 / 40

HEX #295F98

RGB 41 95 152

HSL 210.81, 0.58%, 0.38%

LAB 39.45, 2.22, -36.32

 

CMYK 0 / 73 / 23 / 40

HEX #982975

RGB 152 41 117

HSL 318.92, 0.58%, 0.38%

LAB 37.01, 52.94, -17.91

 

CMYK 0 / 36 / 73 / 40

HEX #986229

RGB 152 98 41

HSL 30.81, 0.58%, 0.38%

LAB 46.41, 16.63, 40.18

 

CMYK 73 / 0 / 49 / 41

HEX #29974D

RGB 41 151 77

HSL 139.64, 0.57%, 0.38%

LAB 55.22, -47.25, 30.25

 

CMYK 73 / 60 / 0 / 40

HEX #293D98

RGB 41 61 152

HSL 229.19, 0.58%, 0.38%

LAB 29.6, 24.82, -52.15

 

CMYK 0 / 73 / 23 / 40

HEX #982975

RGB 152 41 117

HSL 318.92, 0.58%, 0.38%

LAB 37.01, 52.94, -17.91

 

CMYK 0 / 14 / 73 / 40

HEX #988329

RGB 152 131 41

HSL 48.65, 0.58%, 0.38%

LAB 55.14, -2.16, 49.09

 

Description

Color code: HEX #29974D | qconv.com Color code: HEX #29974D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 151 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 151 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 49 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 49% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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