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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298D3D it is the complementary color #D672C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298D3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298D3D shade: #2E8D38, #3F9F4B, #50B15E, #61C371 and #72D584

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298D3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298D3D shade: #298D3D, #187B2A, #076917, #005704 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298D3D shade: #298E3D, #308E29, #4B8E29, #668E29 and #828E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298D3D shade: #298E3D, #298E58, #298E73, #298D8E and #29728E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298D3D shade matches the following richer shades: #298E3D, #1A9D34 and #0BAB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298D3D shade: #298E3D, #387F46, #47704F, #556158 and #645261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298D3D shade: #4A8E29, #308E29, #298E3D, #298E58 and #298E73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298D3D shade: #164E21, #206E2F, #298E3D, #32AE4B and #41C85C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298D3D shade: #298D3D, #29658E and #8E293D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298D3D shade: #298D3D, #3D298E and #8E3D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298D3D shade: #298D3D, #29658E, #8E297A and #8E5129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298D3D shade: #298D3D, #29478E, #8E297A and #8E6F29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

Complementary color

CMYK 0 / 47 / 9 / 16

HEX #D672C2

RGB 214 114 194

HSL 312, 0.55%, 0.64%

LAB 61.85, 49.72, -24.65

 

CMYK 67 / 0 / 60 / 45

HEX #2E8D38

RGB 46 141 56

HSL 126.32, 0.51%, 0.37%

LAB 51.74, -45.66, 36.73

 

CMYK 60 / 0 / 53 / 38

HEX #3F9F4B

RGB 63 159 75

HSL 127.5, 0.43%, 0.44%

LAB 58.38, -46.15, 35.33

 

CMYK 55 / 0 / 47 / 31

HEX #50B15E

RGB 80 177 94

HSL 128.66, 0.38%, 0.5%

LAB 64.93, -46.32, 33.92

 

CMYK 50 / 0 / 42 / 24

HEX #61C371

RGB 97 195 113

HSL 129.8, 0.45%, 0.57%

LAB 71.39, -46.3, 32.56

 

CMYK 46 / 0 / 38 / 16

HEX #72D584

RGB 114 213 132

HSL 130.91, 0.54%, 0.64%

LAB 77.78, -46.17, 31.27

 

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

CMYK 80 / 0 / 66 / 52

HEX #187B2A

RGB 24 123 42

HSL 130.91, 0.67%, 0.29%

LAB 44.98, -44.84, 35.59

 

CMYK 93 / 0 / 78 / 59

HEX #076917

RGB 7 105 23

HSL 129.8, 0.88%, 0.22%

LAB 38.22, -42.75, 36.62

 

CMYK 100 / 0 / 95 / 66

HEX #005704

RGB 0 87 4

HSL 122.76, 1%, 0.17%

LAB 31.41, -39.1, 36.6

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 66 / 0 / 71 / 44

HEX #308E29

RGB 48 142 41

HSL 115.84, 0.55%, 0.36%

LAB 51.99, -47.26, 43.79

 

CMYK 47 / 0 / 71 / 44

HEX #4B8E29

RGB 75 142 41

HSL 99.8, 0.55%, 0.36%

LAB 52.95, -39.76, 45.1

 

CMYK 28 / 0 / 71 / 44

HEX #668E29

RGB 102 142 41

HSL 83.76, 0.55%, 0.36%

LAB 54.38, -29.87, 47.01

 

CMYK 8 / 0 / 71 / 44

HEX #828E29

RGB 130 142 41

HSL 67.13, 0.55%, 0.36%

LAB 56.34, -18.03, 49.63

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 71 / 0 / 38 / 44

HEX #298E58

RGB 41 142 88

HSL 147.92, 0.55%, 0.36%

LAB 52.42, -41.68, 20.66

 

CMYK 71 / 0 / 19 / 44

HEX #298E73

RGB 41 142 115

HSL 163.96, 0.55%, 0.36%

LAB 53.01, -35.41, 6.13

 

CMYK 71 / 1 / 0 / 44

HEX #298D8E

RGB 41 141 142

HSL 180.59, 0.55%, 0.36%

LAB 53.46, -27.3, -8.81

 

CMYK 71 / 20 / 0 / 44

HEX #29728E

RGB 41 114 142

HSL 196.63, 0.55%, 0.36%

LAB 44.88, -12.9, -21.84

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 83 / 0 / 67 / 38

HEX #1A9D34

RGB 26 157 52

HSL 131.91, 0.72%, 0.36%

LAB 56.67, -54.92, 44.03

 

CMYK 94 / 0 / 75 / 33

HEX #0BAB2B

RGB 11 171 43

HSL 132, 0.88%, 0.36%

LAB 61.11, -61.34, 52.23

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 56 / 0 / 45 / 50

HEX #387F46

RGB 56 127 70

HSL 131.83, 0.39%, 0.36%

LAB 47.57, -35.45, 24.38

 

CMYK 37 / 0 / 29 / 56

HEX #47704F

RGB 71 112 79

HSL 131.71, 0.22%, 0.36%

LAB 43.5, -21.96, 13.92

 

CMYK 12 / 0 / 9 / 62

HEX #556158

RGB 85 97 88

HSL 135, 0.07%, 0.36%

LAB 39.89, -6.59, 3.57

 

CMYK 0 / 18 / 3 / 61

HEX #645261

RGB 100 82 97

HSL 310, 0.1%, 0.36%

LAB 37.13, 10.38, -5.9

 

CMYK 48 / 0 / 71 / 44

HEX #4A8E29

RGB 74 142 41

HSL 100.4, 0.55%, 0.36%

LAB 52.91, -40.08, 45.04

 

CMYK 66 / 0 / 71 / 44

HEX #308E29

RGB 48 142 41

HSL 115.84, 0.55%, 0.36%

LAB 51.99, -47.26, 43.79

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 71 / 0 / 38 / 44

HEX #298E58

RGB 41 142 88

HSL 147.92, 0.55%, 0.36%

LAB 52.42, -41.68, 20.66

 

CMYK 71 / 0 / 19 / 44

HEX #298E73

RGB 41 142 115

HSL 163.96, 0.55%, 0.36%

LAB 53.01, -35.41, 6.13

 

CMYK 72 / 0 / 58 / 69

HEX #164E21

RGB 22 78 33

HSL 131.79, 0.56%, 0.2%

LAB 28.72, -29.15, 21.27

 

CMYK 71 / 0 / 57 / 57

HEX #206E2F

RGB 32 110 47

HSL 131.54, 0.55%, 0.28%

LAB 40.68, -37.91, 28.12

 

CMYK 71 / 0 / 57 / 44

HEX #298E3D

RGB 41 142 61

HSL 131.88, 0.55%, 0.36%

LAB 52.01, -46.36, 34.54

 

CMYK 71 / 0 / 57 / 32

HEX #32AE4B

RGB 50 174 75

HSL 132.1, 0.55%, 0.44%

LAB 62.89, -54.41, 40.68

 

CMYK 68 / 0 / 54 / 22

HEX #41C85C

RGB 65 200 92

HSL 132, 0.55%, 0.52%

LAB 71.69, -58.63, 43.17

 

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

CMYK 71 / 29 / 0 / 44

HEX #29658E

RGB 41 101 142

HSL 204.36, 0.55%, 0.36%

LAB 40.79, -5.23, -28.21

 

CMYK 0 / 71 / 57 / 44

HEX #8E293D

RGB 142 41 61

HSL 348.12, 0.55%, 0.36%

LAB 33.29, 43.75, 12.33

 

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

CMYK 57 / 71 / 0 / 44

HEX #3D298E

RGB 61 41 142

HSL 251.88, 0.55%, 0.36%

LAB 25.35, 37.16, -52.88

 

CMYK 0 / 57 / 71 / 44

HEX #8E3D29

RGB 142 61 41

HSL 11.88, 0.55%, 0.36%

LAB 36.46, 32.98, 28.82

 

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

CMYK 71 / 29 / 0 / 44

HEX #29658E

RGB 41 101 142

HSL 204.36, 0.55%, 0.36%

LAB 40.79, -5.23, -28.21

 

CMYK 0 / 71 / 14 / 44

HEX #8E297A

RGB 142 41 122

HSL 311.88, 0.55%, 0.36%

LAB 35.48, 51.04, -23.56

 

CMYK 0 / 43 / 71 / 44

HEX #8E5129

RGB 142 81 41

HSL 23.76, 0.55%, 0.36%

LAB 40.89, 21.94, 33.83

 

CMYK 71 / 0 / 57 / 45

HEX #298D3D

RGB 41 141 61

HSL 132, 0.55%, 0.36%

LAB 51.68, -45.98, 34.14

 

CMYK 71 / 50 / 0 / 44

HEX #29478E

RGB 41 71 142

HSL 222.18, 0.55%, 0.36%

LAB 31.65, 14.2, -42.72

 

CMYK 0 / 71 / 14 / 44

HEX #8E297A

RGB 142 41 122

HSL 311.88, 0.55%, 0.36%

LAB 35.48, 51.04, -23.56

 

CMYK 0 / 22 / 71 / 44

HEX #8E6F29

RGB 142 111 41

HSL 41.58, 0.55%, 0.36%

LAB 48.61, 4.54, 42.12

 

Description

Color code: HEX #298D3D | qconv.com Color code: HEX #298D3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 141 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 141 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 57 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 57% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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