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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298149 it is the complementary color #D67EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298149 shade: #2E8144, #3F9357, #50A56A, #61B77D and #72C990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298149 shade: #298149, #186F36, #075D23, #004B10 and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298149 shade: #287F48, #287F30, #377F28, #4F7F28 and #667F28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298149 shade: #287F48, #287F5F, #287F77, #28707F and #28597F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298149 shade matches the following richer shades: #287F48, #1A8D44 and #0D9B40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298149 shade: #287F48, #36724B, #43644F, #515753 and #5E4957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298149 shade: #387F28, #287F2F, #287F47, #287F5E and #287F75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298149 shade: #144124, #1E6036, #287F48, #329F59 and #3CBE6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298149 shade: #298149, #284F7F and #7F282C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298149 shade: #298149, #47287F and #7F4728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298149 shade: #298149, #284F7F, #7F2861 and #7F5828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298149 shade: #298149, #28357F, #7F2861 and #7F7228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

Complementary color

CMYK 0 / 41 / 15 / 16

HEX #D67EB6

RGB 214 126 182

HSL 321.82, 0.52%, 0.67%

LAB 63.83, 41.62, -14.84

 

CMYK 64 / 0 / 47 / 49

HEX #2E8144

RGB 46 129 68

HSL 135.9, 0.47%, 0.34%

LAB 47.88, -39.13, 25.8

 

CMYK 57 / 0 / 41 / 42

HEX #3F9357

RGB 63 147 87

HSL 137.14, 0.4%, 0.41%

LAB 54.67, -39.28, 24.3

 

CMYK 52 / 0 / 36 / 35

HEX #50A56A

RGB 80 165 106

HSL 138.35, 0.35%, 0.48%

LAB 61.36, -39.22, 22.92

 

CMYK 47 / 0 / 32 / 28

HEX #61B77D

RGB 97 183 125

HSL 139.53, 0.37%, 0.55%

LAB 67.94, -39.05, 21.66

 

CMYK 43 / 0 / 28 / 21

HEX #72C990

RGB 114 201 144

HSL 140.69, 0.45%, 0.62%

LAB 74.42, -38.83, 20.49

 

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

CMYK 78 / 0 / 51 / 56

HEX #186F36

RGB 24 111 54

HSL 140.69, 0.64%, 0.26%

LAB 40.94, -38.62, 24.61

 

CMYK 92 / 0 / 62 / 64

HEX #075D23

RGB 7 93 35

HSL 139.53, 0.86%, 0.2%

LAB 33.97, -37.17, 26.39

 

CMYK 100 / 0 / 79 / 71

HEX #004B10

RGB 0 75 16

HSL 132.8, 1%, 0.15%

LAB 26.93, -34.21, 27.95

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 69 / 0 / 43 / 50

HEX #287F48

RGB 40 127 72

HSL 142.07, 0.52%, 0.33%

LAB 47.1, -38.87, 22.56

 

CMYK 69 / 0 / 62 / 50

HEX #287F30

RGB 40 127 48

HSL 125.52, 0.52%, 0.33%

LAB 46.77, -42.67, 34.83

 

CMYK 57 / 0 / 69 / 50

HEX #377F28

RGB 55 127 40

HSL 109.66, 0.52%, 0.33%

LAB 47.16, -39.82, 39.14

 

CMYK 38 / 0 / 69 / 50

HEX #4F7F28

RGB 79 127 40

HSL 93.1, 0.52%, 0.33%

LAB 48.25, -31.84, 40.63

 

CMYK 20 / 0 / 69 / 50

HEX #667F28

RGB 102 127 40

HSL 77.24, 0.52%, 0.33%

LAB 49.69, -22.56, 42.58

 

CMYK 69 / 0 / 43 / 50

HEX #287F48

RGB 40 127 72

HSL 142.07, 0.52%, 0.33%

LAB 47.1, -38.87, 22.56

 

CMYK 69 / 0 / 25 / 50

HEX #287F5F

RGB 40 127 95

HSL 157.93, 0.52%, 0.33%

LAB 47.57, -33.86, 10

 

CMYK 69 / 0 / 6 / 50

HEX #287F77

RGB 40 127 119

HSL 174.48, 0.52%, 0.33%

LAB 48.21, -27.38, -3.18

 

CMYK 69 / 12 / 0 / 50

HEX #28707F

RGB 40 112 127

HSL 190.34, 0.52%, 0.33%

LAB 43.61, -17.04, -14.84

 

CMYK 69 / 30 / 0 / 50

HEX #28597F

RGB 40 89 127

HSL 206.21, 0.52%, 0.33%

LAB 36.23, -3.5, -26.24

 

CMYK 69 / 0 / 43 / 50

HEX #287F48

RGB 40 127 72

HSL 142.07, 0.52%, 0.33%

LAB 47.1, -38.87, 22.56

 

CMYK 82 / 0 / 52 / 45

HEX #1A8D44

RGB 26 141 68

HSL 141.91, 0.69%, 0.33%

LAB 51.48, -47.25, 30.24

 

CMYK 92 / 0 / 59 / 39

HEX #0D9B40

RGB 13 155 64

HSL 141.55, 0.85%, 0.33%

LAB 55.99, -53.91, 37.68

 

CMYK 69 / 0 / 43 / 50

HEX #287F48

RGB 40 127 72

HSL 142.07, 0.52%, 0.33%

LAB 47.1, -38.87, 22.56

 

CMYK 53 / 0 / 34 / 55

HEX #36724B

RGB 54 114 75

HSL 141, 0.36%, 0.33%

LAB 43.25, -29.13, 15.8

 

CMYK 33 / 0 / 21 / 61

HEX #43644F

RGB 67 100 79

HSL 141.82, 0.2%, 0.33%

LAB 39.36, -16.96, 8.14

 

CMYK 7 / 0 / 5 / 66

HEX #515753

RGB 81 87 83

HSL 140, 0.04%, 0.33%

LAB 36.35, -3.25, 1.5

 

CMYK 0 / 22 / 7 / 63

HEX #5E4957

RGB 94 73 87

HSL 320, 0.13%, 0.33%

LAB 33.63, 11.57, -4.87

 

CMYK 56 / 0 / 69 / 50

HEX #387F28

RGB 56 127 40

HSL 108.97, 0.52%, 0.33%

LAB 47.2, -39.54, 39.19

 

CMYK 69 / 0 / 63 / 50

HEX #287F2F

RGB 40 127 47

HSL 124.83, 0.52%, 0.33%

LAB 46.76, -42.8, 35.3

 

CMYK 69 / 0 / 44 / 50

HEX #287F47

RGB 40 127 71

HSL 141.38, 0.52%, 0.33%

LAB 47.09, -39.05, 23.09

 

CMYK 69 / 0 / 26 / 50

HEX #287F5E

RGB 40 127 94

HSL 157.24, 0.52%, 0.33%

LAB 47.54, -34.1, 10.55

 

CMYK 69 / 0 / 8 / 50

HEX #287F75

RGB 40 127 117

HSL 173.1, 0.52%, 0.33%

LAB 48.15, -27.97, -2.09

 

CMYK 69 / 0 / 45 / 75

HEX #144124

RGB 20 65 36

HSL 141.33, 0.53%, 0.17%

LAB 23.86, -23.16, 13.27

 

CMYK 69 / 0 / 44 / 62

HEX #1E6036

RGB 30 96 54

HSL 141.82, 0.52%, 0.25%

LAB 35.81, -31.28, 18.06

 

CMYK 69 / 0 / 43 / 50

HEX #287F48

RGB 40 127 72

HSL 142.07, 0.52%, 0.33%

LAB 47.1, -38.87, 22.56

 

CMYK 69 / 0 / 44 / 38

HEX #329F59

RGB 50 159 89

HSL 141.47, 0.52%, 0.41%

LAB 58.22, -46.65, 27.78

 

CMYK 68 / 0 / 44 / 25

HEX #3CBE6B

RGB 60 190 107

HSL 141.69, 0.52%, 0.49%

LAB 68.64, -53.57, 31.87

 

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

CMYK 69 / 38 / 0 / 50

HEX #284F7F

RGB 40 79 127

HSL 213.1, 0.52%, 0.33%

LAB 33.08, 2.91, -31.19

 

CMYK 0 / 69 / 65 / 50

HEX #7F282C

RGB 127 40 44

HSL 357.24, 0.52%, 0.33%

LAB 29.94, 37.76, 18.42

 

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

CMYK 44 / 69 / 0 / 50

HEX #47287F

RGB 71 40 127

HSL 261.38, 0.52%, 0.33%

LAB 24.92, 35.07, -44.17

 

CMYK 0 / 44 / 69 / 50

HEX #7F4728

RGB 127 71 40

HSL 21.38, 0.52%, 0.33%

LAB 36.31, 21.01, 28.62

 

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

CMYK 69 / 38 / 0 / 50

HEX #284F7F

RGB 40 79 127

HSL 213.1, 0.52%, 0.33%

LAB 33.08, 2.91, -31.19

 

CMYK 0 / 69 / 24 / 50

HEX #7F2861

RGB 127 40 97

HSL 320.69, 0.52%, 0.33%

LAB 31.56, 43.5, -13.95

 

CMYK 0 / 31 / 69 / 50

HEX #7F5828

RGB 127 88 40

HSL 33.1, 0.52%, 0.33%

LAB 40.65, 10.95, 33.53

 

CMYK 68 / 0 / 43 / 49

HEX #298149

RGB 41 129 73

HSL 141.82, 0.52%, 0.33%

LAB 47.82, -39.3, 22.94

 

CMYK 69 / 58 / 0 / 50

HEX #28357F

RGB 40 53 127

HSL 231.03, 0.52%, 0.33%

LAB 25.35, 20.62, -43.59

 

CMYK 0 / 69 / 24 / 50

HEX #7F2861

RGB 127 40 97

HSL 320.69, 0.52%, 0.33%

LAB 31.56, 43.5, -13.95

 

CMYK 0 / 10 / 69 / 50

HEX #7F7228

RGB 127 114 40

HSL 51.03, 0.52%, 0.33%

LAB 47.88, -4.23, 41.34

 

Description

Color code: HEX #298149 | qconv.com Color code: HEX #298149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 129 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 129 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 43 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 43% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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