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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298777 it is the complementary color #D67888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298777 shade: #2E8772, #3F9985, #50AB98, #61BDAB and #72CFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298777 shade: #298777, #187564, #076351, #00513E and #003F2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298777 shade: #298878, #29885E, #298845, #29882B and #418829

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298777 shade: #298878, #297F88, #296588, #294C88 and #293288

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298777 shade matches the following richer shades: #298878, #1B9681 and #0DA58B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298777 shade: #298878, #387A6E, #466B65, #555D5B and #634E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298777 shade: #298844, #29885D, #298877, #298088 and #296788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298777 shade: #164940, #20685C, #298878, #33A894 and #40C4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298777 shade: #298777, #2B2988 and #885129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298777 shade: #298777, #772988 and #887729

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298777 shade: #298777, #2B2988, #88293B and #868829

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298777 shade: #298777, #472988, #88293B and #6A8829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

Complementary color

CMYK 0 / 44 / 36 / 16

HEX #D67888

RGB 214 120 136

HSL 349.79, 0.53%, 0.65%

LAB 61.23, 38.33, 7.59

 

CMYK 66 / 0 / 16 / 47

HEX #2E8772

RGB 46 135 114

HSL 165.84, 0.49%, 0.35%

LAB 50.83, -31.59, 3.59

 

CMYK 59 / 0 / 13 / 40

HEX #3F9985

RGB 63 153 133

HSL 166.67, 0.42%, 0.42%

LAB 57.59, -31.81, 2.5

 

CMYK 53 / 0 / 11 / 33

HEX #50AB98

RGB 80 171 152

HSL 167.47, 0.36%, 0.49%

LAB 64.24, -31.87, 1.53

 

CMYK 49 / 0 / 10 / 26

HEX #61BDAB

RGB 97 189 171

HSL 168.26, 0.41%, 0.56%

LAB 70.79, -31.85, 0.65

 

CMYK 45 / 0 / 8 / 19

HEX #72CFBE

RGB 114 207 190

HSL 169.03, 0.49%, 0.63%

LAB 77.23, -31.77, -0.16

 

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

CMYK 79 / 0 / 15 / 54

HEX #187564

RGB 24 117 100

HSL 169.03, 0.66%, 0.28%

LAB 44, -30.39, 1.9

 

CMYK 93 / 0 / 18 / 61

HEX #076351

RGB 7 99 81

HSL 168.26, 0.87%, 0.21%

LAB 37.05, -29.18, 3.34

 

CMYK 100 / 0 / 23 / 68

HEX #00513E

RGB 0 81 62

HSL 165.93, 1%, 0.16%

LAB 29.99, -27.09, 5.1

 

CMYK 100 / 0 / 32 / 75

HEX #003F2B

RGB 0 63 43

HSL 160.95, 1%, 0.12%

LAB 22.76, -24.27, 7.17

 

CMYK 70 / 0 / 12 / 47

HEX #298878

RGB 41 136 120

HSL 169.89, 0.54%, 0.35%

LAB 51.19, -31.29, 0.61

 

CMYK 70 / 0 / 31 / 47

HEX #29885E

RGB 41 136 94

HSL 153.47, 0.54%, 0.35%

LAB 50.56, -37.88, 14.74

 

CMYK 70 / 0 / 49 / 47

HEX #298845

RGB 41 136 69

HSL 137.68, 0.54%, 0.35%

LAB 50.11, -42.83, 28.06

 

CMYK 70 / 0 / 68 / 47

HEX #29882B

RGB 41 136 43

HSL 121.26, 0.54%, 0.35%

LAB 49.8, -46.38, 40.55

 

CMYK 52 / 0 / 70 / 47

HEX #418829

RGB 65 136 41

HSL 104.84, 0.54%, 0.35%

LAB 50.56, -40.43, 42.46

 

CMYK 70 / 0 / 12 / 47

HEX #298878

RGB 41 136 120

HSL 169.89, 0.54%, 0.35%

LAB 51.19, -31.29, 0.61

 

CMYK 70 / 7 / 0 / 47

HEX #297F88

RGB 41 127 136

HSL 185.68, 0.54%, 0.35%

LAB 48.79, -22.02, -12.32

 

CMYK 70 / 26 / 0 / 47

HEX #296588

RGB 41 101 136

HSL 202.11, 0.54%, 0.35%

LAB 40.5, -7.41, -25.04

 

CMYK 70 / 44 / 0 / 47

HEX #294C88

RGB 41 76 136

HSL 217.89, 0.54%, 0.35%

LAB 32.74, 8.51, -37.29

 

CMYK 70 / 63 / 0 / 47

HEX #293288

RGB 41 50 136

HSL 234.32, 0.54%, 0.35%

LAB 25.35, 26.22, -49.22

 

CMYK 70 / 0 / 12 / 47

HEX #298878

RGB 41 136 120

HSL 169.89, 0.54%, 0.35%

LAB 51.19, -31.29, 0.61

 

CMYK 82 / 0 / 14 / 41

HEX #1B9681

RGB 27 150 129

HSL 169.76, 0.69%, 0.35%

LAB 55.72, -37.01, 1.96

 

CMYK 92 / 0 / 16 / 35

HEX #0DA58B

RGB 13 165 139

HSL 169.74, 0.85%, 0.35%

LAB 60.66, -41.8, 3.44

 

CMYK 70 / 0 / 12 / 47

HEX #298878

RGB 41 136 120

HSL 169.89, 0.54%, 0.35%

LAB 51.19, -31.29, 0.61

 

CMYK 54 / 0 / 10 / 52

HEX #387A6E

RGB 56 122 110

HSL 169.09, 0.37%, 0.35%

LAB 46.82, -24.18, 0.17

 

CMYK 35 / 0 / 6 / 58

HEX #466B65

RGB 70 107 101

HSL 170.27, 0.21%, 0.35%

LAB 42.39, -14.62, -0.84

 

CMYK 9 / 0 / 2 / 64

HEX #555D5B

RGB 85 93 91

HSL 165, 0.04%, 0.35%

LAB 38.75, -3.56, 0.07

 

CMYK 0 / 21 / 17 / 61

HEX #634E52

RGB 99 78 82

HSL 348.57, 0.12%, 0.35%

LAB 35.42, 9.52, 0.99

 

CMYK 70 / 0 / 50 / 47

HEX #298844

RGB 41 136 68

HSL 137.05, 0.54%, 0.35%

LAB 50.09, -42.99, 28.57

 

CMYK 70 / 0 / 32 / 47

HEX #29885D

RGB 41 136 93

HSL 152.84, 0.54%, 0.35%

LAB 50.53, -38.1, 15.28

 

CMYK 70 / 0 / 13 / 47

HEX #298877

RGB 41 136 119

HSL 169.26, 0.54%, 0.35%

LAB 51.17, -31.57, 1.15

 

CMYK 70 / 6 / 0 / 47

HEX #298088

RGB 41 128 136

HSL 185.05, 0.54%, 0.35%

LAB 49.11, -22.54, -11.84

 

CMYK 70 / 24 / 0 / 47

HEX #296788

RGB 41 103 136

HSL 200.84, 0.54%, 0.35%

LAB 41.14, -8.6, -24.06

 

CMYK 70 / 0 / 12 / 71

HEX #164940

RGB 22 73 64

HSL 169.41, 0.54%, 0.19%

LAB 27.59, -19.37, 0.41

 

CMYK 69 / 0 / 12 / 59

HEX #20685C

RGB 32 104 92

HSL 170, 0.53%, 0.27%

LAB 39.55, -25.18, 0.28

 

CMYK 70 / 0 / 12 / 47

HEX #298878

RGB 41 136 120

HSL 169.89, 0.54%, 0.35%

LAB 51.19, -31.29, 0.61

 

CMYK 70 / 0 / 12 / 34

HEX #33A894

RGB 51 168 148

HSL 169.74, 0.53%, 0.43%

LAB 62.38, -36.95, 0.96

 

CMYK 67 / 0 / 11 / 23

HEX #40C4AE

RGB 64 196 174

HSL 170, 0.53%, 0.51%

LAB 71.98, -40.71, 0.63

 

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

CMYK 68 / 70 / 0 / 47

HEX #2B2988

RGB 43 41 136

HSL 241.26, 0.54%, 0.35%

LAB 23.26, 32.4, -52.64

 

CMYK 0 / 40 / 70 / 47

HEX #885129

RGB 136 81 41

HSL 25.26, 0.54%, 0.35%

LAB 40.05, 19.27, 32.66

 

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

CMYK 13 / 70 / 0 / 47

HEX #772988

RGB 119 41 136

HSL 289.26, 0.54%, 0.35%

LAB 32.45, 47.76, -37.32

 

CMYK 0 / 13 / 70 / 47

HEX #887729

RGB 136 119 41

HSL 49.26, 0.54%, 0.35%

LAB 50.2, -2.81, 43.58

 

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

CMYK 68 / 70 / 0 / 47

HEX #2B2988

RGB 43 41 136

HSL 241.26, 0.54%, 0.35%

LAB 23.26, 32.4, -52.64

 

CMYK 0 / 70 / 57 / 47

HEX #88293B

RGB 136 41 59

HSL 348.63, 0.54%, 0.35%

LAB 32.11, 41.59, 11.83

 

CMYK 1 / 0 / 70 / 47

HEX #868829

RGB 134 136 41

HSL 61.26, 0.54%, 0.35%

LAB 54.9, -13.08, 48.31

 

CMYK 70 / 0 / 12 / 47

HEX #298777

RGB 41 135 119

HSL 169.79, 0.53%, 0.35%

LAB 50.84, -31.1, 0.68

 

CMYK 48 / 70 / 0 / 47

HEX #472988

RGB 71 41 136

HSL 258.95, 0.54%, 0.35%

LAB 25.87, 37.13, -48.26

 

CMYK 0 / 70 / 57 / 47

HEX #88293B

RGB 136 41 59

HSL 348.63, 0.54%, 0.35%

LAB 32.11, 41.59, 11.83

 

CMYK 22 / 0 / 70 / 47

HEX #6A8829

RGB 106 136 41

HSL 78.95, 0.54%, 0.35%

LAB 52.77, -25.32, 45.44

 

Description

Color code: HEX #298777 | qconv.com Color code: HEX #298777 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 135 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 135 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 12 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 12% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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