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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298405 it is the complementary color #D67BFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298405. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298405 shade: #2E8400, #3F9613, #50A826, #61BA39 and #72CC4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298405. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298405 shade: #298405, #187200, #076000, #004E00 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298405 shade: #298404, #4B8404, #6E8404, #847904 and #845604

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298405 shade: #298404, #068404, #048425, #048448 and #04846A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298405 shade matches the following richer shades: #298404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298405 shade: #298404, #2D790F, #326E1B, #376326 and #3C5831

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298405 shade: #6F8404, #4D8404, #2B8404, #098404 and #048422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298405 shade: #103501, #1C5D03, #298404, #35AC06 and #41D407

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298405 shade: #298405, #048478 and #84045E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298405 shade: #298405, #042B84 and #84042B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298405 shade: #298405, #048478, #5E0484 and #840411

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298405 shade: #298405, #046B84, #5E0484 and #841E04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

Complementary color

CMYK 14 / 51 / 0 / 2

HEX #D67BFA

RGB 214 123 250

HSL 282.99, 0.93%, 0.73%

LAB 66.03, 55.54, -49.36

 

CMYK 65 / 0 / 100 / 48

HEX #2E8400

RGB 46 132 0

HSL 99.09, 1%, 0.26%

LAB 48.36, -46.39, 51.92

 

CMYK 58 / 0 / 87 / 41

HEX #3F9613

RGB 63 150 19

HSL 99.85, 0.78%, 0.33%

LAB 54.99, -47.87, 54.02

 

CMYK 52 / 0 / 77 / 34

HEX #50A826

RGB 80 168 38

HSL 100.62, 0.63%, 0.4%

LAB 61.53, -48.84, 54.84

 

CMYK 48 / 0 / 69 / 27

HEX #61BA39

RGB 97 186 57

HSL 101.4, 0.53%, 0.48%

LAB 67.99, -49.41, 54.65

 

CMYK 44 / 0 / 63 / 20

HEX #72CC4C

RGB 114 204 76

HSL 102.19, 0.56%, 0.55%

LAB 74.37, -49.72, 53.93

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 79 / 0 / 100 / 55

HEX #187200

RGB 24 114 0

HSL 107.37, 1%, 0.22%

LAB 41.58, -44.83, 46.3

 

CMYK 93 / 0 / 100 / 62

HEX #076000

RGB 7 96 0

HSL 115.63, 1%, 0.19%

LAB 34.82, -41.32, 40.79

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 69 / 0 / 97 / 48

HEX #298404

RGB 41 132 4

HSL 102.66, 0.94%, 0.27%

LAB 48.24, -47.42, 50.97

 

CMYK 43 / 0 / 97 / 48

HEX #4B8404

RGB 75 132 4

HSL 86.72, 0.94%, 0.27%

LAB 49.5, -37.4, 52.52

 

CMYK 17 / 0 / 97 / 48

HEX #6E8404

RGB 110 132 4

HSL 70.31, 0.94%, 0.27%

LAB 51.64, -23.14, 55.12

 

CMYK 0 / 8 / 97 / 48

HEX #847904

RGB 132 121 4

HSL 54.84, 0.94%, 0.27%

LAB 50.2, -7.14, 54.83

 

CMYK 0 / 35 / 97 / 48

HEX #845604

RGB 132 86 4

HSL 38.44, 0.94%, 0.27%

LAB 40.52, 13.08, 47.76

 

CMYK 69 / 0 / 97 / 48

HEX #298404

RGB 41 132 4

HSL 102.66, 0.94%, 0.27%

LAB 48.24, -47.42, 50.97

 

CMYK 95 / 0 / 97 / 48

HEX #068404

RGB 6 132 4

HSL 119.06, 0.94%, 0.27%

LAB 47.69, -52.26, 50.29

 

CMYK 97 / 0 / 72 / 48

HEX #048425

RGB 4 132 37

HSL 135.47, 0.94%, 0.27%

LAB 47.83, -50.36, 40.85

 

CMYK 97 / 0 / 45 / 48

HEX #048448

RGB 4 132 72

HSL 151.88, 0.94%, 0.27%

LAB 48.26, -45.16, 23.95

 

CMYK 97 / 0 / 20 / 48

HEX #04846A

RGB 4 132 106

HSL 167.81, 0.94%, 0.27%

LAB 48.97, -37.1, 5.49

 

CMYK 69 / 0 / 97 / 48

HEX #298404

RGB 41 132 4

HSL 102.66, 0.94%, 0.27%

LAB 48.24, -47.42, 50.97

 

CMYK 69 / 0 / 97 / 48

HEX #298404

RGB 41 132 4

HSL 102.66, 0.94%, 0.27%

LAB 48.24, -47.42, 50.97

 

CMYK 63 / 0 / 88 / 53

HEX #2D790F

RGB 45 121 15

HSL 103.02, 0.78%, 0.27%

LAB 44.61, -42.09, 45.59

 

CMYK 55 / 0 / 75 / 57

HEX #326E1B

RGB 50 110 27

HSL 103.37, 0.61%, 0.27%

LAB 41.07, -35.53, 38.25

 

CMYK 44 / 0 / 62 / 61

HEX #376326

RGB 55 99 38

HSL 103.28, 0.45%, 0.27%

LAB 37.62, -27.83, 29.45

 

CMYK 32 / 0 / 44 / 65

HEX #3C5831

RGB 60 88 49

HSL 103.08, 0.28%, 0.27%

LAB 34.32, -18.83, 19.34

 

CMYK 16 / 0 / 97 / 48

HEX #6F8404

RGB 111 132 4

HSL 69.84, 0.94%, 0.27%

LAB 51.71, -22.7, 55.2

 

CMYK 42 / 0 / 97 / 48

HEX #4D8404

RGB 77 132 4

HSL 85.78, 0.94%, 0.27%

LAB 49.6, -36.67, 52.64

 

CMYK 67 / 0 / 97 / 48

HEX #2B8404

RGB 43 132 4

HSL 101.72, 0.94%, 0.27%

LAB 48.29, -46.97, 51.03

 

CMYK 93 / 0 / 97 / 48

HEX #098404

RGB 9 132 4

HSL 117.66, 0.94%, 0.27%

LAB 47.71, -52.03, 50.32

 

CMYK 97 / 0 / 74 / 48

HEX #048422

RGB 4 132 34

HSL 134.06, 0.94%, 0.27%

LAB 47.81, -50.65, 42.05

 

CMYK 70 / 0 / 98 / 79

HEX #103501

RGB 16 53 1

HSL 102.69, 0.96%, 0.11%

LAB 18.62, -24.03, 25.48

 

CMYK 70 / 0 / 97 / 64

HEX #1C5D03

RGB 28 93 3

HSL 103.33, 0.94%, 0.19%

LAB 34.15, -36.52, 39.46

 

CMYK 69 / 0 / 97 / 48

HEX #298404

RGB 41 132 4

HSL 102.66, 0.94%, 0.27%

LAB 48.24, -47.42, 50.97

 

CMYK 69 / 0 / 97 / 33

HEX #35AC06

RGB 53 172 6

HSL 103.01, 0.93%, 0.35%

LAB 61.89, -58.21, 61.92

 

CMYK 69 / 0 / 97 / 17

HEX #41D407

RGB 65 212 7

HSL 103.02, 0.94%, 0.43%

LAB 74.97, -68.52, 72.55

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 97 / 0 / 9 / 48

HEX #048478

RGB 4 132 120

HSL 174.38, 0.94%, 0.27%

LAB 49.36, -33.04, -2.14

 

CMYK 0 / 97 / 29 / 48

HEX #84045E

RGB 132 4 94

HSL 317.81, 0.94%, 0.27%

LAB 28.9, 54.32, -16.01

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 97 / 67 / 0 / 48

HEX #042B84

RGB 4 43 132

HSL 221.72, 0.94%, 0.27%

LAB 21.65, 26.04, -52.84

 

CMYK 0 / 97 / 67 / 48

HEX #84042B

RGB 132 4 43

HSL 341.72, 0.94%, 0.27%

LAB 27.2, 49.78, 15.77

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 97 / 0 / 9 / 48

HEX #048478

RGB 4 132 120

HSL 174.38, 0.94%, 0.27%

LAB 49.36, -33.04, -2.14

 

CMYK 29 / 97 / 0 / 48

HEX #5E0484

RGB 94 4 132

HSL 282.19, 0.94%, 0.27%

LAB 24.1, 53.54, -48.5

 

CMYK 0 / 97 / 87 / 48

HEX #840411

RGB 132 4 17

HSL 353.91, 0.94%, 0.27%

LAB 26.83, 48.74, 32.06

 

CMYK 69 / 0 / 96 / 48

HEX #298405

RGB 41 132 5

HSL 102.99, 0.93%, 0.27%

LAB 48.24, -47.39, 50.78

 

CMYK 97 / 19 / 0 / 48

HEX #046B84

RGB 4 107 132

HSL 191.72, 0.94%, 0.27%

LAB 41.54, -16.21, -21.07

 

CMYK 29 / 97 / 0 / 48

HEX #5E0484

RGB 94 4 132

HSL 282.19, 0.94%, 0.27%

LAB 24.1, 53.54, -48.5

 

CMYK 0 / 77 / 97 / 48

HEX #841E04

RGB 132 30 4

HSL 12.19, 0.94%, 0.27%

LAB 29.01, 42.04, 39.79

 

Description

Color code: HEX #298405 | qconv.com Color code: HEX #298405 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 132 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 132 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 96 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 96% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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