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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2972EA it is the complementary color #D68D15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2972EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2972EA shade: #2E72E5, #3F84F8, #5096FF, #61A8FF and #72BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2972EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2972EA shade: #2972EA, #1860D7, #074EC4, #003CB1 and #002A9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2972EA shade: #2972E9, #293EE9, #4829E9, #7C29E9 and #B029E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2972EA shade: #2972E9, #293EE9 and #2929E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2972EA shade matches the following richer shades: #2972E9 and #166DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2972EA shade: #2972E9, #3C76D6, #4F7BC3, #6280B0 and #75849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2972EA shade: #29D9E9, #29A6E9, #2973E9, #293FE9 and #4629E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2972EA shade: #114DAF, #155DD5, #2972E9, #4F8BED and #74A3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2972EA shade: #2972EA, #C629E9 and #C0E929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2972EA shade: #2972EA, #E92973 and #73E929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2972EA shade: #2972EA, #C629E9, #E9A029 and #4CE929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2972EA shade: #2972EA, #E929D3, #E9A029 and #29E93F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

Complementary color

CMYK 0 / 34 / 90 / 16

HEX #D68D15

RGB 214 141 21

HSL 37.31, 0.82%, 0.46%

LAB 64.48, 19.45, 66.27

 

CMYK 80 / 50 / 0 / 10

HEX #2E72E5

RGB 46 114 229

HSL 217.7, 0.78%, 0.54%

LAB 49.83, 19.91, -64.33

 

CMYK 75 / 47 / 0 / 3

HEX #3F84F8

RGB 63 132 248

HSL 217.62, 0.93%, 0.61%

LAB 56.42, 17.5, -64.26

 

CMYK 69 / 41 / 0 / 0

HEX #5096FF

RGB 80 150 255

HSL 216, 1%, 0.66%

LAB 62.29, 11.35, -58.68

 

CMYK 62 / 34 / 0 / 0

HEX #61A8FF

RGB 97 168 255

HSL 213.04, 1%, 0.69%

LAB 67.85, 3.61, -49.81

 

CMYK 55 / 27 / 0 / 0

HEX #72BAFF

RGB 114 186 255

HSL 209.36, 1%, 0.72%

LAB 73.49, -3.25, -40.9

 

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

CMYK 89 / 55 / 0 / 16

HEX #1860D7

RGB 24 96 215

HSL 217.38, 0.8%, 0.47%

LAB 43.46, 24.46, -66.75

 

CMYK 96 / 60 / 0 / 23

HEX #074EC4

RGB 7 78 196

HSL 217.46, 0.93%, 0.4%

LAB 36.89, 28.15, -66.51

 

CMYK 100 / 66 / 0 / 31

HEX #003CB1

RGB 0 60 177

HSL 219.66, 1%, 0.35%

LAB 30.41, 32.4, -65.94

 

CMYK 100 / 73 / 0 / 38

HEX #002A9E

RGB 0 42 158

HSL 224.05, 1%, 0.31%

LAB 24.08, 36.82, -64.94

 

CMYK 82 / 51 / 0 / 9

HEX #2972E9

RGB 41 114 233

HSL 217.19, 0.81%, 0.54%

LAB 49.96, 20.98, -66.36

 

CMYK 82 / 73 / 0 / 9

HEX #293EE9

RGB 41 62 233

HSL 233.44, 0.81%, 0.54%

LAB 37.48, 53.09, -86.8

 

CMYK 69 / 82 / 0 / 9

HEX #4829E9

RGB 72 41 233

HSL 249.69, 0.81%, 0.54%

LAB 35.69, 65.26, -89.72

 

CMYK 47 / 82 / 0 / 9

HEX #7C29E9

RGB 124 41 233

HSL 265.94, 0.81%, 0.54%

LAB 40.82, 70.28, -81.06

 

CMYK 24 / 82 / 0 / 9

HEX #B029E9

RGB 176 41 233

HSL 282.19, 0.81%, 0.54%

LAB 47.88, 77.52, -69.24

 

CMYK 82 / 51 / 0 / 9

HEX #2972E9

RGB 41 114 233

HSL 217.19, 0.81%, 0.54%

LAB 49.96, 20.98, -66.36

 

CMYK 82 / 73 / 0 / 9

HEX #293EE9

RGB 41 62 233

HSL 233.44, 0.81%, 0.54%

LAB 37.48, 53.09, -86.8

 

CMYK 82 / 82 / 0 / 9

HEX #2929E9

RGB 41 41 233

HSL 240, 0.81%, 0.54%

LAB 33.86, 63.54, -92.81

 

CMYK 82 / 51 / 0 / 9

HEX #2972E9

RGB 41 114 233

HSL 217.19, 0.81%, 0.54%

LAB 49.96, 20.98, -66.36

 

CMYK 91 / 57 / 0 / 1

HEX #166DFC

RGB 22 109 252

HSL 217.3, 0.97%, 0.54%

LAB 49.66, 30.22, -77.48

 

CMYK 82 / 51 / 0 / 9

HEX #2972E9

RGB 41 114 233

HSL 217.19, 0.81%, 0.54%

LAB 49.96, 20.98, -66.36

 

CMYK 72 / 45 / 0 / 16

HEX #3C76D6

RGB 60 118 214

HSL 217.4, 0.65%, 0.54%

LAB 50.42, 13.46, -54.88

 

CMYK 59 / 37 / 0 / 24

HEX #4F7BC3

RGB 79 123 195

HSL 217.24, 0.49%, 0.54%

LAB 51.57, 6.91, -42.18

 

CMYK 44 / 27 / 0 / 31

HEX #6280B0

RGB 98 128 176

HSL 216.92, 0.33%, 0.54%

LAB 53.13, 2.31, -28.75

 

CMYK 25 / 16 / 0 / 38

HEX #75849D

RGB 117 132 157

HSL 217.5, 0.17%, 0.54%

LAB 54.78, 0.37, -15.15

 

CMYK 82 / 7 / 0 / 9

HEX #29D9E9

RGB 41 217 233

HSL 185, 0.81%, 0.54%

LAB 79.6, -36.03, -19.87

 

CMYK 82 / 29 / 0 / 9

HEX #29A6E9

RGB 41 166 233

HSL 200.94, 0.81%, 0.54%

LAB 64.67, -10.09, -42.91

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 82 / 73 / 0 / 9

HEX #293FE9

RGB 41 63 233

HSL 233.13, 0.81%, 0.54%

LAB 37.68, 52.53, -86.47

 

CMYK 70 / 82 / 0 / 9

HEX #4629E9

RGB 70 41 233

HSL 249.06, 0.81%, 0.54%

LAB 35.54, 65.12, -89.96

 

CMYK 90 / 56 / 0 / 31

HEX #114DAF

RGB 17 77 175

HSL 217.22, 0.82%, 0.38%

LAB 35.05, 20.81, -57.16

 

CMYK 90 / 56 / 0 / 16

HEX #155DD5

RGB 21 93 213

HSL 217.5, 0.82%, 0.46%

LAB 42.45, 25.48, -67.25

 

CMYK 82 / 51 / 0 / 9

HEX #2972E9

RGB 41 114 233

HSL 217.19, 0.81%, 0.54%

LAB 49.96, 20.98, -66.36

 

CMYK 67 / 41 / 0 / 7

HEX #4F8BED

RGB 79 139 237

HSL 217.22, 0.81%, 0.62%

LAB 58.27, 11.56, -55.18

 

CMYK 52 / 32 / 0 / 5

HEX #74A3F1

RGB 116 163 241

HSL 217.44, 0.82%, 0.7%

LAB 66.72, 5.82, -43.9

 

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

CMYK 15 / 82 / 0 / 9

HEX #C629E9

RGB 198 41 233

HSL 289.06, 0.81%, 0.54%

LAB 51.24, 81.06, -63.64

 

CMYK 18 / 0 / 82 / 9

HEX #C0E929

RGB 192 233 41

HSL 72.81, 0.81%, 0.54%

LAB 86.82, -36.16, 79.21

 

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

CMYK 0 / 82 / 51 / 9

HEX #E92973

RGB 233 41 115

HSL 336.88, 0.81%, 0.54%

LAB 52, 73.57, 7.21

 

CMYK 51 / 0 / 82 / 9

HEX #73E929

RGB 115 233 41

HSL 96.88, 0.81%, 0.54%

LAB 82.96, -62.75, 74.33

 

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

CMYK 15 / 82 / 0 / 9

HEX #C629E9

RGB 198 41 233

HSL 289.06, 0.81%, 0.54%

LAB 51.24, 81.06, -63.64

 

CMYK 0 / 31 / 82 / 9

HEX #E9A029

RGB 233 160 41

HSL 37.19, 0.81%, 0.54%

LAB 71.3, 17.9, 67.2

 

CMYK 67 / 0 / 82 / 9

HEX #4CE929

RGB 76 233 41

HSL 109.06, 0.81%, 0.54%

LAB 81.82, -71.95, 72.88

 

CMYK 82 / 51 / 0 / 8

HEX #2972EA

RGB 41 114 234

HSL 217.31, 0.82%, 0.54%

LAB 50.03, 21.36, -66.81

 

CMYK 0 / 82 / 9 / 9

HEX #E929D3

RGB 233 41 211

HSL 306.88, 0.81%, 0.54%

LAB 55.7, 83.96, -43.7

 

CMYK 0 / 31 / 82 / 9

HEX #E9A029

RGB 233 160 41

HSL 37.19, 0.81%, 0.54%

LAB 71.3, 17.9, 67.2

 

CMYK 82 / 0 / 73 / 9

HEX #29E93F

RGB 41 233 63

HSL 126.88, 0.81%, 0.54%

LAB 81.35, -75.63, 65.76

 

Description

Color code: HEX #2972EA | qconv.com Color code: HEX #2972EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 114 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 114 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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