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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #297478 it is the complementary color #D68B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #297478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #297478 shade: #2E7473, #3F8686, #509899, #61AAAC and #72BCBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #297478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #297478 shade: #297478, #186265, #075052, #003E3F and #002C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #297478 shade: #297579, #295F79, #294A79, #293479 and #332979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #297478 shade: #297579, #295F79, #294A79, #293479 and #292979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #297478 shade matches the following richer shades: #297579, #1C8186, #0F8D93 and #0299A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #297478 shade: #297579, #36696C, #445D5F, #515151 and #5E4644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #297478 shade: #297952, #297968, #297579, #296079 and #294A79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #297478 shade: #143A3C, #1F575A, #297579, #349398 and #3EB0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #297478 shade: #297478, #3D2979 and #795D29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #297478 shade: #297478, #792975 and #757929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #297478 shade: #297478, #3D2979, #792D29 and #657929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #297478 shade: #297478, #552979, #792D29 and #4D7929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

Complementary color

CMYK 0 / 35 / 37 / 16

HEX #D68B87

RGB 214 139 135

HSL 3.04, 0.49%, 0.68%

LAB 65.37, 28.11, 14.01

 

CMYK 60 / 0 / 1 / 55

HEX #2E7473

RGB 46 116 115

HSL 179.14, 0.43%, 0.32%

LAB 44.67, -21.87, -6.02

 

CMYK 53 / 0 / 0 / 47

HEX #3F8686

RGB 63 134 134

HSL 180, 0.36%, 0.39%

LAB 51.64, -22.09, -6.81

 

CMYK 48 / 1 / 0 / 40

HEX #509899

RGB 80 152 153

HSL 180.82, 0.31%, 0.46%

LAB 58.47, -22.2, -7.52

 

CMYK 44 / 1 / 0 / 33

HEX #61AAAC

RGB 97 170 172

HSL 181.6, 0.31%, 0.53%

LAB 65.18, -22.23, -8.17

 

CMYK 40 / 2 / 0 / 25

HEX #72BCBF

RGB 114 188 191

HSL 182.34, 0.38%, 0.6%

LAB 71.76, -22.21, -8.77

 

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

CMYK 76 / 3 / 0 / 60

HEX #186265

RGB 24 98 101

HSL 182.34, 0.62%, 0.25%

LAB 37.61, -20.55, -8.14

 

CMYK 91 / 2 / 0 / 68

HEX #075052

RGB 7 80 82

HSL 181.6, 0.84%, 0.17%

LAB 30.38, -19.31, -7.09

 

CMYK 100 / 2 / 0 / 75

HEX #003E3F

RGB 0 62 63

HSL 180.95, 1%, 0.12%

LAB 23.01, -17.12, -5.76

 

CMYK 100 / 0 / 0 / 83

HEX #002C2C

RGB 0 44 44

HSL 180, 1%, 0.09%

LAB 15.4, -14.09, -4.14

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 66 / 21 / 0 / 53

HEX #295F79

RGB 41 95 121

HSL 199.5, 0.49%, 0.32%

LAB 37.91, -9.13, -19.95

 

CMYK 66 / 39 / 0 / 53

HEX #294A79

RGB 41 74 121

HSL 215.25, 0.49%, 0.32%

LAB 31.23, 4.14, -30.4

 

CMYK 66 / 57 / 0 / 53

HEX #293479

RGB 41 52 121

HSL 231.75, 0.49%, 0.32%

LAB 24.66, 19.21, -40.91

 

CMYK 58 / 66 / 0 / 53

HEX #332979

RGB 51 41 121

HSL 247.5, 0.49%, 0.32%

LAB 22.55, 28.51, -44.31

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 66 / 21 / 0 / 53

HEX #295F79

RGB 41 95 121

HSL 199.5, 0.49%, 0.32%

LAB 37.91, -9.13, -19.95

 

CMYK 66 / 39 / 0 / 53

HEX #294A79

RGB 41 74 121

HSL 215.25, 0.49%, 0.32%

LAB 31.23, 4.14, -30.4

 

CMYK 66 / 57 / 0 / 53

HEX #293479

RGB 41 52 121

HSL 231.75, 0.49%, 0.32%

LAB 24.66, 19.21, -40.91

 

CMYK 66 / 66 / 0 / 53

HEX #292979

RGB 41 41 121

HSL 240, 0.49%, 0.32%

LAB 21.72, 26.73, -45.7

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 79 / 4 / 0 / 47

HEX #1C8186

RGB 28 129 134

HSL 182.83, 0.65%, 0.32%

LAB 49.09, -25.4, -10.73

 

CMYK 90 / 4 / 0 / 42

HEX #0F8D93

RGB 15 141 147

HSL 182.73, 0.81%, 0.32%

LAB 53.23, -28.28, -12.09

 

CMYK 99 / 5 / 0 / 37

HEX #0299A1

RGB 2 153 161

HSL 183.02, 0.98%, 0.32%

LAB 57.43, -30.19, -13.8

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 50 / 3 / 0 / 58

HEX #36696C

RGB 54 105 108

HSL 183.33, 0.33%, 0.32%

LAB 41.17, -16.18, -6.99

 

CMYK 28 / 2 / 0 / 63

HEX #445D5F

RGB 68 93 95

HSL 184.44, 0.17%, 0.32%

LAB 37.63, -8.78, -4.19

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 0 / 26 / 28 / 63

HEX #5E4644

RGB 94 70 68

HSL 4.62, 0.16%, 0.32%

LAB 32.21, 9.95, 5.19

 

CMYK 66 / 0 / 32 / 53

HEX #297952

RGB 41 121 82

HSL 150.75, 0.49%, 0.32%

LAB 45.3, -34.02, 14.43

 

CMYK 66 / 0 / 14 / 53

HEX #297968

RGB 41 121 104

HSL 167.25, 0.49%, 0.32%

LAB 45.83, -28.52, 2.23

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 66 / 21 / 0 / 53

HEX #296079

RGB 41 96 121

HSL 198.75, 0.49%, 0.32%

LAB 38.23, -9.73, -19.45

 

CMYK 66 / 39 / 0 / 53

HEX #294A79

RGB 41 74 121

HSL 215.25, 0.49%, 0.32%

LAB 31.23, 4.14, -30.4

 

CMYK 67 / 3 / 0 / 76

HEX #143A3C

RGB 20 58 60

HSL 183, 0.5%, 0.16%

LAB 21.95, -12.59, -5.29

 

CMYK 66 / 3 / 0 / 65

HEX #1F575A

RGB 31 87 90

HSL 183.05, 0.49%, 0.24%

LAB 33.66, -16.99, -7.19

 

CMYK 66 / 3 / 0 / 53

HEX #297579

RGB 41 117 121

HSL 183, 0.49%, 0.32%

LAB 45.05, -21.5, -9.07

 

CMYK 66 / 3 / 0 / 40

HEX #349398

RGB 52 147 152

HSL 183, 0.49%, 0.4%

LAB 55.95, -25.59, -10.81

 

CMYK 66 / 4 / 0 / 28

HEX #3EB0B7

RGB 62 176 183

HSL 183.47, 0.49%, 0.48%

LAB 66.13, -29.19, -12.98

 

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

CMYK 50 / 66 / 0 / 53

HEX #3D2979

RGB 61 41 121

HSL 255, 0.49%, 0.32%

LAB 23.53, 30.53, -42.67

 

CMYK 0 / 23 / 66 / 53

HEX #795D29

RGB 121 93 41

HSL 39, 0.49%, 0.32%

LAB 41.3, 5.23, 33.54

 

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

CMYK 0 / 66 / 3 / 53

HEX #792975

RGB 121 41 117

HSL 303, 0.49%, 0.32%

LAB 31.66, 44.63, -26.66

 

CMYK 3 / 0 / 66 / 53

HEX #757929

RGB 117 121 41

HSL 63, 0.49%, 0.32%

LAB 49.03, -12.68, 41.81

 

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

CMYK 50 / 66 / 0 / 53

HEX #3D2979

RGB 61 41 121

HSL 255, 0.49%, 0.32%

LAB 23.53, 30.53, -42.67

 

CMYK 0 / 63 / 66 / 53

HEX #792D29

RGB 121 45 41

HSL 3, 0.49%, 0.32%

LAB 29.67, 32.93, 19.78

 

CMYK 17 / 0 / 66 / 53

HEX #657929

RGB 101 121 41

HSL 75, 0.49%, 0.32%

LAB 47.75, -19.83, 40.07

 

CMYK 66 / 3 / 0 / 53

HEX #297478

RGB 41 116 120

HSL 183.04, 0.49%, 0.32%

LAB 44.69, -21.28, -9.01

 

CMYK 30 / 66 / 0 / 53

HEX #552979

RGB 85 41 121

HSL 273, 0.49%, 0.32%

LAB 26.44, 36.1, -37.82

 

CMYK 0 / 63 / 66 / 53

HEX #792D29

RGB 121 45 41

HSL 3, 0.49%, 0.32%

LAB 29.67, 32.93, 19.78

 

CMYK 36 / 0 / 66 / 53

HEX #4D7929

RGB 77 121 41

HSL 93, 0.49%, 0.32%

LAB 46.19, -29.71, 37.93

 

Description

Color code: HEX #297478 | qconv.com Color code: HEX #297478 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 116 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 116 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 3 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 3% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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