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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296852 it is the complementary color #D697AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296852 shade: #2E684D, #3F7A60, #508C73, #619E86 and #72B099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296852 shade: #296852, #18563F, #07442C, #003219 and #002006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296852 shade: #286650, #286640, #28662F, #326628 and #426628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296852 shade: #286650, #286661, #285A66, #284966 and #283966

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296852 shade matches the following richer shades: #286650, #1D7154, #117D57 and #06885B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296852 shade: #286650, #345A4D, #3F4E49, #4B4346 and #563742

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296852 shade: #28662F, #286640, #286650, #286660 and #285A66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296852 shade: #112B22, #1C4839, #286650, #348367 and #40A17F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296852 shade: #296852, #283166 and #663828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296852 shade: #296852, #502866 and #665028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296852 shade: #296852, #283166, #66283E and #665C28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296852 shade: #296852, #312866, #66283E and #5C6628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

Complementary color

CMYK 0 / 29 / 19 / 16

HEX #D697AD

RGB 214 151 173

HSL 339.05, 0.43%, 0.72%

LAB 69.07, 26.84, -1.97

 

CMYK 56 / 0 / 26 / 59

HEX #2E684D

RGB 46 104 77

HSL 152.07, 0.39%, 0.29%

LAB 39.61, -26.04, 9.55

 

CMYK 48 / 0 / 21 / 52

HEX #3F7A60

RGB 63 122 96

HSL 153.56, 0.32%, 0.36%

LAB 46.74, -25.87, 8.36

 

CMYK 43 / 0 / 18 / 45

HEX #508C73

RGB 80 140 115

HSL 155, 0.27%, 0.43%

LAB 53.71, -25.65, 7.3

 

CMYK 39 / 0 / 15 / 38

HEX #619E86

RGB 97 158 134

HSL 156.39, 0.24%, 0.5%

LAB 60.53, -25.41, 6.35

 

CMYK 35 / 0 / 13 / 31

HEX #72B099

RGB 114 176 153

HSL 157.74, 0.28%, 0.57%

LAB 67.22, -25.18, 5.48

 

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

CMYK 72 / 0 / 27 / 66

HEX #18563F

RGB 24 86 63

HSL 157.74, 0.56%, 0.22%

LAB 32.28, -25.86, 7.76

 

CMYK 90 / 0 / 35 / 73

HEX #07442C

RGB 7 68 44

HSL 156.39, 0.81%, 0.15%

LAB 24.83, -25.16, 9.41

 

CMYK 100 / 0 / 50 / 80

HEX #003219

RGB 0 50 25

HSL 150, 1%, 0.1%

LAB 17.23, -23.18, 11.54

 

CMYK 100 / 0 / 81 / 87

HEX #002006

RGB 0 32 6

HSL 131.25, 1%, 0.06%

LAB 9.37, -17.88, 11.22

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 61 / 0 / 37 / 60

HEX #286640

RGB 40 102 64

HSL 143.23, 0.44%, 0.28%

LAB 38.42, -29.55, 15.67

 

CMYK 61 / 0 / 54 / 60

HEX #28662F

RGB 40 102 47

HSL 126.77, 0.44%, 0.28%

LAB 38.13, -32.69, 25.07

 

CMYK 51 / 0 / 61 / 60

HEX #326628

RGB 50 102 40

HSL 110.32, 0.44%, 0.28%

LAB 38.44, -30.69, 29.29

 

CMYK 35 / 0 / 61 / 60

HEX #426628

RGB 66 102 40

HSL 94.84, 0.44%, 0.28%

LAB 39.27, -24.89, 30.47

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 61 / 0 / 5 / 60

HEX #286661

RGB 40 102 97

HSL 175.16, 0.44%, 0.28%

LAB 39.27, -21.1, -3.16

 

CMYK 61 / 12 / 0 / 60

HEX #285A66

RGB 40 90 102

HSL 191.61, 0.44%, 0.28%

LAB 35.44, -12.87, -11.98

 

CMYK 61 / 28 / 0 / 60

HEX #284966

RGB 40 73 102

HSL 208.06, 0.44%, 0.28%

LAB 29.85, -2.43, -20.59

 

CMYK 61 / 44 / 0 / 60

HEX #283966

RGB 40 57 102

HSL 223.55, 0.44%, 0.28%

LAB 24.75, 8.33, -28.61

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 74 / 0 / 26 / 56

HEX #1D7154

RGB 29 113 84

HSL 159.29, 0.59%, 0.28%

LAB 42.33, -32.17, 9.08

 

CMYK 86 / 0 / 30 / 51

HEX #117D57

RGB 17 125 87

HSL 158.89, 0.76%, 0.28%

LAB 46.28, -38.16, 12.8

 

CMYK 96 / 0 / 33 / 47

HEX #06885B

RGB 6 136 91

HSL 159.23, 0.92%, 0.28%

LAB 49.98, -42.46, 15.58

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 42 / 0 / 14 / 65

HEX #345A4D

RGB 52 90 77

HSL 159.47, 0.27%, 0.28%

LAB 35.16, -16.97, 3.27

 

CMYK 19 / 0 / 6 / 69

HEX #3F4E49

RGB 63 78 73

HSL 160, 0.11%, 0.28%

LAB 31.78, -7.1, 0.99

 

CMYK 0 / 11 / 7 / 71

HEX #4B4346

RGB 75 67 70

HSL 337.5, 0.06%, 0.28%

LAB 29.29, 4.02, -0.58

 

CMYK 0 / 36 / 23 / 66

HEX #563742

RGB 86 55 66

HSL 338.71, 0.22%, 0.28%

LAB 27.03, 15.66, -1.12

 

CMYK 61 / 0 / 54 / 60

HEX #28662F

RGB 40 102 47

HSL 126.77, 0.44%, 0.28%

LAB 38.13, -32.69, 25.07

 

CMYK 61 / 0 / 37 / 60

HEX #286640

RGB 40 102 64

HSL 143.23, 0.44%, 0.28%

LAB 38.42, -29.55, 15.67

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 61 / 0 / 6 / 60

HEX #286660

RGB 40 102 96

HSL 174.19, 0.44%, 0.28%

LAB 39.24, -21.4, -2.59

 

CMYK 61 / 12 / 0 / 60

HEX #285A66

RGB 40 90 102

HSL 191.61, 0.44%, 0.28%

LAB 35.44, -12.87, -11.98

 

CMYK 60 / 0 / 21 / 83

HEX #112B22

RGB 17 43 34

HSL 159.23, 0.43%, 0.12%

LAB 15.29, -12.78, 2.82

 

CMYK 61 / 0 / 21 / 72

HEX #1C4839

RGB 28 72 57

HSL 159.55, 0.44%, 0.2%

LAB 27.23, -19.45, 4.46

 

CMYK 61 / 0 / 22 / 60

HEX #286650

RGB 40 102 80

HSL 158.71, 0.44%, 0.28%

LAB 38.78, -25.81, 6.53

 

CMYK 60 / 0 / 21 / 49

HEX #348367

RGB 52 131 103

HSL 158.73, 0.43%, 0.36%

LAB 49.43, -31.31, 8.01

 

CMYK 60 / 0 / 21 / 37

HEX #40A17F

RGB 64 161 127

HSL 158.97, 0.43%, 0.44%

LAB 59.99, -36.79, 9.34

 

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

CMYK 61 / 52 / 0 / 60

HEX #283166

RGB 40 49 102

HSL 231.29, 0.44%, 0.28%

LAB 22.33, 13.94, -32.49

 

CMYK 0 / 45 / 61 / 60

HEX #663828

RGB 102 56 40

HSL 15.48, 0.44%, 0.28%

LAB 28.92, 18.69, 18.8

 

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

CMYK 22 / 61 / 0 / 60

HEX #502866

RGB 80 40 102

HSL 278.71, 0.44%, 0.28%

LAB 24.27, 30.55, -29.15

 

CMYK 0 / 22 / 61 / 60

HEX #665028

RGB 102 80 40

HSL 38.71, 0.44%, 0.28%

LAB 35.43, 3.92, 26.76

 

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

CMYK 61 / 52 / 0 / 60

HEX #283166

RGB 40 49 102

HSL 231.29, 0.44%, 0.28%

LAB 22.33, 13.94, -32.49

 

CMYK 0 / 61 / 39 / 60

HEX #66283E

RGB 102 40 62

HSL 338.71, 0.44%, 0.28%

LAB 25.83, 30.34, 0.09

 

CMYK 0 / 10 / 61 / 60

HEX #665C28

RGB 102 92 40

HSL 50.32, 0.44%, 0.28%

LAB 38.95, -3.3, 30.86

 

CMYK 61 / 0 / 21 / 59

HEX #296852

RGB 41 104 82

HSL 159.05, 0.43%, 0.28%

LAB 39.55, -26.05, 6.41

 

CMYK 52 / 61 / 0 / 60

HEX #312866

RGB 49 40 102

HSL 248.71, 0.44%, 0.28%

LAB 20.56, 22.28, -35.31

 

CMYK 0 / 61 / 39 / 60

HEX #66283E

RGB 102 40 62

HSL 338.71, 0.44%, 0.28%

LAB 25.83, 30.34, 0.09

 

CMYK 10 / 0 / 61 / 60

HEX #5C6628

RGB 92 102 40

HSL 69.68, 0.44%, 0.28%

LAB 41.11, -13.72, 33.06

 

Description

Color code: HEX #296852 | qconv.com Color code: HEX #296852 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 104 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 104 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 21 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 21% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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