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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29477F it is the complementary color #D6B880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29477F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29477F shade: #2E477A, #3F598D, #506BA0, #617DB3 and #728FC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29477F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29477F shade: #29477F, #18356C, #072359, #001146 and #000033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29477F shade: #29477F, #29307F, #39297F, #50297F and #67297F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29477F shade: #29477F, #29307F and #29297F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29477F shade matches the following richer shades: #29477F, #1B438C, #0E3E9A and #003AA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29477F shade: #29477F, #364B71, #444F63, #525356 and #5F5748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29477F shade: #29757F, #295E7F, #29477F, #29307F and #38297F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29477F shade: #152440, #1F355F, #29477F, #33589E and #3D6ABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29477F shade: #29477F, #72297F and #697F29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29477F shade: #29477F, #7F2947 and #477F29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29477F shade: #29477F, #72297F, #7F6129 and #367F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29477F shade: #29477F, #7F2972, #7F6129 and #297F36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

Complementary color

CMYK 0 / 14 / 40 / 16

HEX #D6B880

RGB 214 184 128

HSL 39.07, 0.51%, 0.67%

LAB 76.15, 3.08, 32.42

 

CMYK 62 / 42 / 0 / 52

HEX #2E477A

RGB 46 71 122

HSL 220.26, 0.45%, 0.33%

LAB 30.62, 7.55, -31.97

 

CMYK 55 / 37 / 0 / 45

HEX #3F598D

RGB 63 89 141

HSL 220, 0.38%, 0.4%

LAB 38.07, 6.34, -31.82

 

CMYK 50 / 33 / 0 / 37

HEX #506BA0

RGB 80 107 160

HSL 219.75, 0.33%, 0.47%

LAB 45.3, 5.43, -31.73

 

CMYK 46 / 30 / 0 / 30

HEX #617DB3

RGB 97 125 179

HSL 219.51, 0.35%, 0.54%

LAB 52.36, 4.72, -31.69

 

CMYK 42 / 28 / 0 / 22

HEX #728FC6

RGB 114 143 198

HSL 219.29, 0.42%, 0.61%

LAB 59.25, 4.15, -31.71

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 78 / 51 / 0 / 58

HEX #18356C

RGB 24 53 108

HSL 219.29, 0.64%, 0.26%

LAB 23.08, 10.5, -35.21

 

CMYK 92 / 61 / 0 / 65

HEX #072359

RGB 7 35 89

HSL 219.51, 0.85%, 0.19%

LAB 15.32, 13.53, -35.32

 

CMYK 100 / 76 / 0 / 73

HEX #001146

RGB 0 17 70

HSL 225.43, 1%, 0.14%

LAB 7.62, 17.96, -34.92

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 68 / 62 / 0 / 50

HEX #29307F

RGB 41 48 127

HSL 235.12, 0.51%, 0.33%

LAB 24.06, 24.22, -45.69

 

CMYK 55 / 68 / 0 / 50

HEX #39297F

RGB 57 41 127

HSL 251.16, 0.51%, 0.33%

LAB 23.63, 31.64, -46.33

 

CMYK 37 / 68 / 0 / 50

HEX #50297F

RGB 80 41 127

HSL 267.21, 0.51%, 0.33%

LAB 26.23, 36.49, -42

 

CMYK 19 / 68 / 0 / 50

HEX #67297F

RGB 103 41 127

HSL 283.26, 0.51%, 0.33%

LAB 29.42, 41.98, -36.69

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 68 / 62 / 0 / 50

HEX #29307F

RGB 41 48 127

HSL 235.12, 0.51%, 0.33%

LAB 24.06, 24.22, -45.69

 

CMYK 68 / 68 / 0 / 50

HEX #29297F

RGB 41 41 127

HSL 240, 0.51%, 0.33%

LAB 22.27, 28.9, -48.62

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 81 / 52 / 0 / 45

HEX #1B438C

RGB 27 67 140

HSL 218.76, 0.68%, 0.33%

LAB 29.76, 14.23, -44.56

 

CMYK 91 / 60 / 0 / 40

HEX #0E3E9A

RGB 14 62 154

HSL 219.43, 0.83%, 0.33%

LAB 29.09, 22.35, -54.26

 

CMYK 100 / 65 / 0 / 35

HEX #003AA7

RGB 0 58 167

HSL 219.16, 1%, 0.33%

LAB 28.94, 29.77, -62.37

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 52 / 34 / 0 / 56

HEX #364B71

RGB 54 75 113

HSL 218.64, 0.35%, 0.33%

LAB 31.83, 3.61, -24.4

 

CMYK 31 / 20 / 0 / 61

HEX #444F63

RGB 68 79 99

HSL 218.71, 0.19%, 0.33%

LAB 33.4, 0.89, -13.07

 

CMYK 5 / 3 / 0 / 66

HEX #525356

RGB 82 83 86

HSL 225, 0.02%, 0.33%

LAB 35.31, 0.26, -1.89

 

CMYK 0 / 8 / 24 / 63

HEX #5F5748

RGB 95 87 72

HSL 39.13, 0.14%, 0.33%

LAB 37.33, 0.51, 9.9

 

CMYK 68 / 8 / 0 / 50

HEX #29757F

RGB 41 117 127

HSL 186.98, 0.51%, 0.33%

LAB 45.26, -19.59, -12.34

 

CMYK 68 / 26 / 0 / 50

HEX #295E7F

RGB 41 94 127

HSL 203.02, 0.51%, 0.33%

LAB 37.86, -6.4, -23.69

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 68 / 62 / 0 / 50

HEX #29307F

RGB 41 48 127

HSL 235.12, 0.51%, 0.33%

LAB 24.06, 24.22, -45.69

 

CMYK 56 / 68 / 0 / 50

HEX #38297F

RGB 56 41 127

HSL 250.47, 0.51%, 0.33%

LAB 23.54, 31.45, -46.49

 

CMYK 67 / 44 / 0 / 75

HEX #152440

RGB 21 36 64

HSL 219.07, 0.51%, 0.17%

LAB 14.35, 4.05, -19.75

 

CMYK 67 / 44 / 0 / 63

HEX #1F355F

RGB 31 53 95

HSL 219.38, 0.51%, 0.25%

LAB 22.53, 6.45, -27.64

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 68 / 44 / 0 / 38

HEX #33589E

RGB 51 88 158

HSL 219.25, 0.51%, 0.41%

LAB 38.11, 10.61, -42.02

 

CMYK 68 / 44 / 0 / 26

HEX #3D6ABD

RGB 61 106 189

HSL 218.91, 0.51%, 0.49%

LAB 45.6, 12.07, -48.28

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 10 / 68 / 0 / 50

HEX #72297F

RGB 114 41 127

HSL 290.93, 0.51%, 0.33%

LAB 31.1, 44.72, -33.9

 

CMYK 17 / 0 / 68 / 50

HEX #697F29

RGB 105 127 41

HSL 75.35, 0.51%, 0.33%

LAB 49.91, -21.2, 42.45

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 0 / 68 / 44 / 50

HEX #7F2947

RGB 127 41 71

HSL 339.07, 0.51%, 0.33%

LAB 30.77, 39.72, 1.82

 

CMYK 44 / 0 / 68 / 50

HEX #477F29

RGB 71 127 41

HSL 99.07, 0.51%, 0.33%

LAB 47.85, -34.64, 39.64

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 10 / 68 / 0 / 50

HEX #72297F

RGB 114 41 127

HSL 290.93, 0.51%, 0.33%

LAB 31.1, 44.72, -33.9

 

CMYK 0 / 24 / 68 / 50

HEX #7F6129

RGB 127 97 41

HSL 39.07, 0.51%, 0.33%

LAB 43.1, 5.69, 35.72

 

CMYK 57 / 0 / 68 / 50

HEX #367F29

RGB 54 127 41

HSL 110.93, 0.51%, 0.33%

LAB 47.14, -40.01, 38.65

 

CMYK 68 / 44 / 0 / 50

HEX #29477F

RGB 41 71 127

HSL 219.07, 0.51%, 0.33%

LAB 30.66, 8.43, -35.04

 

CMYK 0 / 68 / 10 / 50

HEX #7F2972

RGB 127 41 114

HSL 309.07, 0.51%, 0.33%

LAB 32.51, 45.74, -23.35

 

CMYK 0 / 24 / 68 / 50

HEX #7F6129

RGB 127 97 41

HSL 39.07, 0.51%, 0.33%

LAB 43.1, 5.69, 35.72

 

CMYK 68 / 0 / 57 / 50

HEX #297F36

RGB 41 127 54

HSL 129.07, 0.51%, 0.33%

LAB 46.86, -41.65, 31.95

 

Description

Color code: HEX #29477F | qconv.com Color code: HEX #29477F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 71 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 71 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 44 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 44% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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