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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #293136 it is the complementary color #D6CEC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #293136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #293136 shade: #2E3131, #3F4344, #505557, #61676A and #72797D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #293136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #293136 shade: #293136, #181F23 and #070D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #293136 shade: #293237, #292E37, #292A37, #2C2937 and #2F2937

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #293136 shade: #293237, #292E37, #292A37 and #292937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #293136 shade matches the following richer shades: #293237, #21333F, #193546, #12374E and #0A3956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #293136 shade: #293237, #31302F, #392E27, #412C1F and #492A17

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #293136 shade: #293735, #293537, #293237, #292E37 and #292A37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #293136 shade: #060708, #171C1F, #293237, #3B474E and #4D5C66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #293136 shade: #293136, #312937 and #373729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #293136 shade: #293136, #372932 and #323729

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #293136 shade: #293136, #312937, #372E29 and #2F3729

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #293136 shade: #293136, #352937, #372E29 and #2B3729

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

Complementary color

CMYK 0 / 4 / 6 / 16

HEX #D6CEC9

RGB 214 206 201

HSL 23.08, 0.14%, 0.81%

LAB 83.26, 1.89, 3.46

 

CMYK 6 / 0 / 0 / 81

HEX #2E3131

RGB 46 49 49

HSL 180, 0.03%, 0.19%

LAB 20.04, -1.31, -0.46

 

CMYK 7 / 1 / 0 / 73

HEX #3F4344

RGB 63 67 68

HSL 192, 0.04%, 0.26%

LAB 28.08, -1.42, -1.18

 

CMYK 8 / 2 / 0 / 66

HEX #505557

RGB 80 85 87

HSL 197.14, 0.04%, 0.33%

LAB 35.77, -1.53, -1.86

 

CMYK 8 / 3 / 0 / 58

HEX #61676A

RGB 97 103 106

HSL 200, 0.04%, 0.4%

LAB 43.19, -1.65, -2.49

 

CMYK 9 / 3 / 0 / 51

HEX #72797D

RGB 114 121 125

HSL 201.82, 0.05%, 0.47%

LAB 50.37, -1.76, -3.09

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 31 / 11 / 0 / 86

HEX #181F23

RGB 24 31 35

HSL 201.82, 0.19%, 0.12%

LAB 11.24, -1.98, -3.77

 

CMYK 56 / 19 / 0 / 94

HEX #070D10

RGB 7 13 16

HSL 200, 0.39%, 0.05%

LAB 3.35, -1.11, -2.02

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 25 / 16 / 0 / 78

HEX #292E37

RGB 41 46 55

HSL 218.57, 0.15%, 0.19%

LAB 18.81, 0.26, -6.48

 

CMYK 25 / 24 / 0 / 78

HEX #292A37

RGB 41 42 55

HSL 235.71, 0.15%, 0.19%

LAB 17.47, 3.05, -8.49

 

CMYK 20 / 25 / 0 / 78

HEX #2C2937

RGB 44 41 55

HSL 252.86, 0.15%, 0.19%

LAB 17.45, 4.95, -8.51

 

CMYK 15 / 25 / 0 / 78

HEX #2F2937

RGB 47 41 55

HSL 265.71, 0.15%, 0.19%

LAB 17.76, 6.17, -8

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 25 / 16 / 0 / 78

HEX #292E37

RGB 41 46 55

HSL 218.57, 0.15%, 0.19%

LAB 18.81, 0.26, -6.48

 

CMYK 25 / 24 / 0 / 78

HEX #292A37

RGB 41 42 55

HSL 235.71, 0.15%, 0.19%

LAB 17.47, 3.05, -8.49

 

CMYK 25 / 25 / 0 / 78

HEX #292937

RGB 41 41 55

HSL 240, 0.15%, 0.19%

LAB 17.15, 3.75, -8.99

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 48 / 19 / 0 / 75

HEX #21333F

RGB 33 51 63

HSL 204, 0.31%, 0.19%

LAB 20.24, -3.5, -9.84

 

CMYK 64 / 24 / 0 / 73

HEX #193546

RGB 25 53 70

HSL 202.67, 0.47%, 0.19%

LAB 20.81, -4.61, -13.75

 

CMYK 77 / 29 / 0 / 69

HEX #12374E

RGB 18 55 78

HSL 203, 0.63%, 0.19%

LAB 21.62, -4.3, -17.87

 

CMYK 88 / 34 / 0 / 66

HEX #0A3956

RGB 10 57 86

HSL 202.89, 0.79%, 0.19%

LAB 22.52, -3.46, -21.78

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 0 / 2 / 4 / 81

HEX #31302F

RGB 49 48 47

HSL 30, 0.02%, 0.19%

LAB 19.93, 0.21, 0.79

 

CMYK 0 / 19 / 32 / 78

HEX #392E27

RGB 57 46 39

HSL 23.33, 0.19%, 0.19%

LAB 19.92, 3.7, 6.39

 

CMYK 0 / 32 / 52 / 75

HEX #412C1F

RGB 65 44 31

HSL 22.94, 0.35%, 0.19%

LAB 20.14, 7.8, 12.28

 

CMYK 0 / 42 / 68 / 71

HEX #492A17

RGB 73 42 23

HSL 22.8, 0.52%, 0.19%

LAB 20.57, 12.27, 18.32

 

CMYK 25 / 0 / 4 / 78

HEX #293735

RGB 41 55 53

HSL 171.43, 0.15%, 0.19%

LAB 21.8, -6.29, -0.65

 

CMYK 25 / 4 / 0 / 78

HEX #293537

RGB 41 53 55

HSL 188.57, 0.15%, 0.19%

LAB 21.18, -4.44, -2.92

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 25 / 16 / 0 / 78

HEX #292E37

RGB 41 46 55

HSL 218.57, 0.15%, 0.19%

LAB 18.81, 0.26, -6.48

 

CMYK 25 / 24 / 0 / 78

HEX #292A37

RGB 41 42 55

HSL 235.71, 0.15%, 0.19%

LAB 17.47, 3.05, -8.49

 

CMYK 25 / 13 / 0 / 97

HEX #060708

RGB 6 7 8

HSL 210, 0.14%, 0.03%

LAB 1.88, -0.12, -0.47

 

CMYK 26 / 10 / 0 / 88

HEX #171C1F

RGB 23 28 31

HSL 202.5, 0.15%, 0.11%

LAB 9.89, -1.45, -2.85

 

CMYK 25 / 9 / 0 / 78

HEX #293237

RGB 41 50 55

HSL 201.43, 0.15%, 0.19%

LAB 20.16, -2.45, -4.45

 

CMYK 24 / 9 / 0 / 69

HEX #3B474E

RGB 59 71 78

HSL 202.11, 0.14%, 0.27%

LAB 29.38, -3, -5.8

 

CMYK 25 / 10 / 0 / 60

HEX #4D5C66

RGB 77 92 102

HSL 204, 0.14%, 0.35%

LAB 38.18, -3.27, -7.64

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 11 / 25 / 0 / 78

HEX #312937

RGB 49 41 55

HSL 274.29, 0.15%, 0.19%

LAB 17.98, 7, -7.64

 

CMYK 0 / 0 / 25 / 78

HEX #373729

RGB 55 55 41

HSL 60, 0.15%, 0.19%

LAB 22.67, -2.88, 8.81

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 0 / 25 / 9 / 78

HEX #372932

RGB 55 41 50

HSL 321.43, 0.15%, 0.19%

LAB 18.49, 8.37, -3.33

 

CMYK 9 / 0 / 25 / 78

HEX #323729

RGB 50 55 41

HSL 81.43, 0.15%, 0.19%

LAB 22.2, -5.21, 8.08

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 11 / 25 / 0 / 78

HEX #312937

RGB 49 41 55

HSL 274.29, 0.15%, 0.19%

LAB 17.98, 7, -7.64

 

CMYK 0 / 16 / 25 / 78

HEX #372E29

RGB 55 46 41

HSL 21.43, 0.15%, 0.19%

LAB 19.75, 3.1, 4.73

 

CMYK 15 / 0 / 25 / 78

HEX #2F3729

RGB 47 55 41

HSL 94.29, 0.15%, 0.19%

LAB 21.93, -6.57, 7.68

 

CMYK 24 / 9 / 0 / 79

HEX #293136

RGB 41 49 54

HSL 203.08, 0.14%, 0.19%

LAB 19.78, -2.06, -4.32

 

CMYK 4 / 25 / 0 / 78

HEX #352937

RGB 53 41 55

HSL 291.43, 0.15%, 0.19%

LAB 18.45, 8.67, -6.9

 

CMYK 0 / 16 / 25 / 78

HEX #372E29

RGB 55 46 41

HSL 21.43, 0.15%, 0.19%

LAB 19.75, 3.1, 4.73

 

CMYK 22 / 0 / 25 / 78

HEX #2B3729

RGB 43 55 41

HSL 111.43, 0.15%, 0.19%

LAB 21.6, -8.34, 7.17

 

Description

Color code: HEX #293136 | qconv.com Color code: HEX #293136 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 49 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 49 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 9 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 9% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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