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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #291EAD it is the complementary color #D6E152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #291EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #291EAD shade: #2E1EA8, #3F30BB, #5042CE, #6154E1 and #7266F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #291EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #291EAD shade: #291EAD, #180C9A, #070087, #000074 and #000061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #291EAD shade: #291EAD, #501EAD, #761EAD, #9D1EAD and #AD1E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #291EAD shade: #291EAD and #1E1EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #291EAD shade matches the following richer shades: #291EAD and #1B0EBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #291EAD shade: #291EAD, #372F9C, #453F8C, #53507B and #61606B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #291EAD shade: #1E61AD, #1E3BAD, #281EAD, #4E1EAD and #741EAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #291EAD shade: #181267, #21188A, #291EAD, #3224D0 and #4D41DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #291EAD shade: #291EAD, #AD1E87 and #4EAD1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #291EAD shade: #291EAD, #AD281E and #1EAD28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #291EAD shade: #291EAD, #AD1E87, #A3AD1E and #1EAD44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #291EAD shade: #291EAD, #AD1E5C, #A3AD1E and #1EAD6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

Complementary color

CMYK 5 / 0 / 64 / 12

HEX #D6E152

RGB 214 225 82

HSL 64.62, 0.7%, 0.6%

LAB 86.38, -21.69, 66.16

 

CMYK 73 / 82 / 0 / 34

HEX #2E1EA8

RGB 46 30 168

HSL 246.96, 0.7%, 0.39%

LAB 24.75, 49.32, -69.83

 

CMYK 66 / 74 / 0 / 27

HEX #3F30BB

RGB 63 48 187

HSL 246.47, 0.59%, 0.46%

LAB 31.25, 47.7, -70.41

 

CMYK 61 / 68 / 0 / 19

HEX #5042CE

RGB 80 66 206

HSL 246, 0.59%, 0.53%

LAB 37.95, 45.81, -70.47

 

CMYK 57 / 63 / 0 / 12

HEX #6154E1

RGB 97 84 225

HSL 245.53, 0.7%, 0.61%

LAB 44.69, 43.97, -70.3

 

CMYK 53 / 58 / 0 / 4

HEX #7266F4

RGB 114 102 244

HSL 245.07, 0.87%, 0.68%

LAB 51.4, 42.27, -70.02

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 84 / 92 / 0 / 40

HEX #180C9A

RGB 24 12 154

HSL 245.07, 0.86%, 0.33%

LAB 19.18, 51.13, -70.59

 

CMYK 95 / 100 / 0 / 47

HEX #070087

RGB 7 0 135

HSL 243.11, 1%, 0.26%

LAB 14.37, 49.45, -66.81

 

CMYK 100 / 100 / 0 / 55

HEX #000074

RGB 0 0 116

HSL 240, 1%, 0.23%

LAB 11, 44.27, -60.29

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 54 / 83 / 0 / 32

HEX #501EAD

RGB 80 30 173

HSL 260.98, 0.7%, 0.4%

LAB 28.51, 54.1, -66.53

 

CMYK 32 / 83 / 0 / 32

HEX #761EAD

RGB 118 30 173

HSL 276.92, 0.7%, 0.4%

LAB 33.56, 59.44, -58.06

 

CMYK 9 / 83 / 0 / 32

HEX #9D1EAD

RGB 157 30 173

HSL 293.29, 0.7%, 0.4%

LAB 39.77, 66.19, -47.71

 

CMYK 0 / 83 / 13 / 32

HEX #AD1E97

RGB 173 30 151

HSL 309.23, 0.7%, 0.4%

LAB 41.29, 65.91, -31.91

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 83 / 83 / 0 / 32

HEX #1E1EAD

RGB 30 30 173

HSL 240, 0.7%, 0.4%

LAB 24.39, 49.87, -73.48

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 86 / 93 / 0 / 26

HEX #1B0EBD

RGB 27 14 189

HSL 244.46, 0.86%, 0.4%

LAB 24.39, 60.32, -83.04

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 65 / 70 / 0 / 39

HEX #372F9C

RGB 55 47 156

HSL 244.4, 0.54%, 0.4%

LAB 27.42, 37.24, -58.12

 

CMYK 51 / 55 / 0 / 45

HEX #453F8C

RGB 69 63 140

HSL 244.68, 0.38%, 0.4%

LAB 31.15, 24.39, -42.21

 

CMYK 33 / 35 / 0 / 52

HEX #53507B

RGB 83 80 123

HSL 244.19, 0.21%, 0.4%

LAB 36, 12.01, -23.94

 

CMYK 9 / 10 / 0 / 58

HEX #61606B

RGB 97 96 107

HSL 245.45, 0.05%, 0.4%

LAB 41.17, 2.79, -6.09

 

CMYK 83 / 44 / 0 / 32

HEX #1E61AD

RGB 30 97 173

HSL 211.89, 0.7%, 0.4%

LAB 40.96, 7.73, -46.41

 

CMYK 83 / 66 / 0 / 32

HEX #1E3BAD

RGB 30 59 173

HSL 227.83, 0.7%, 0.4%

LAB 30.45, 32.97, -63.47

 

CMYK 77 / 83 / 0 / 32

HEX #281EAD

RGB 40 30 173

HSL 244.2, 0.7%, 0.4%

LAB 24.94, 50.42, -72.55

 

CMYK 55 / 83 / 0 / 32

HEX #4E1EAD

RGB 78 30 173

HSL 260.14, 0.7%, 0.4%

LAB 28.29, 53.86, -66.91

 

CMYK 33 / 83 / 0 / 32

HEX #741EAD

RGB 116 30 173

HSL 276.08, 0.7%, 0.4%

LAB 33.26, 59.12, -58.56

 

CMYK 77 / 83 / 0 / 60

HEX #181267

RGB 24 18 103

HSL 244.24, 0.7%, 0.24%

LAB 13.27, 32.58, -47.98

 

CMYK 76 / 83 / 0 / 46

HEX #21188A

RGB 33 24 138

HSL 244.74, 0.7%, 0.32%

LAB 19.27, 41.84, -60.49

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 76 / 83 / 0 / 18

HEX #3224D0

RGB 50 36 208

HSL 244.88, 0.7%, 0.48%

LAB 30.63, 58.81, -83.78

 

CMYK 65 / 71 / 0 / 13

HEX #4D41DD

RGB 77 65 221

HSL 244.62, 0.7%, 0.56%

LAB 38.86, 50.67, -77.61

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 0 / 83 / 22 / 32

HEX #AD1E87

RGB 173 30 135

HSL 315.94, 0.7%, 0.4%

LAB 40.51, 63.74, -23.36

 

CMYK 55 / 0 / 83 / 32

HEX #4EAD1E

RGB 78 173 30

HSL 99.86, 0.7%, 0.4%

LAB 63.01, -51.74, 58.62

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 0 / 77 / 83 / 32

HEX #AD281E

RGB 173 40 30

HSL 4.2, 0.7%, 0.4%

LAB 38.72, 52.48, 39.11

 

CMYK 83 / 0 / 77 / 32

HEX #1EAD28

RGB 30 173 40

HSL 124.2, 0.7%, 0.4%

LAB 61.93, -60.61, 54.15

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 0 / 83 / 22 / 32

HEX #AD1E87

RGB 173 30 135

HSL 315.94, 0.7%, 0.4%

LAB 40.51, 63.74, -23.36

 

CMYK 6 / 0 / 83 / 32

HEX #A3AD1E

RGB 163 173 30

HSL 64.2, 0.7%, 0.4%

LAB 67.85, -19.92, 64.74

 

CMYK 83 / 0 / 61 / 32

HEX #1EAD44

RGB 30 173 68

HSL 135.94, 0.7%, 0.4%

LAB 62.15, -57.81, 43.03

 

CMYK 76 / 83 / 0 / 32

HEX #291EAD

RGB 41 30 173

HSL 244.62, 0.7%, 0.4%

LAB 25.01, 50.49, -72.44

 

CMYK 0 / 83 / 47 / 32

HEX #AD1E5C

RGB 173 30 92

HSL 333.99, 0.7%, 0.4%

LAB 38.87, 59.02, 1.08

 

CMYK 6 / 0 / 83 / 32

HEX #A3AD1E

RGB 163 173 30

HSL 64.2, 0.7%, 0.4%

LAB 67.85, -19.92, 64.74

 

CMYK 83 / 0 / 36 / 32

HEX #1EAD6F

RGB 30 173 111

HSL 153.99, 0.7%, 0.4%

LAB 62.77, -50.55, 21.9

 

Description

Color code: HEX #291EAD | qconv.com Color code: HEX #291EAD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 30 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 30 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 83 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 83% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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