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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29037B it is the complementary color #D6FC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29037B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29037B shade: #2E0376, #3F1589, #50279C, #6139AF and #724BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29037B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29037B shade: #29037B, #180068, #070055, #000042 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29037B shade: #29037C, #4A037C, #6A037C, #7C036D and #7C034C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29037B shade: #29037C, #08037C and #03037C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29037B shade matches the following richer shades: #29037C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29037B shade: #29037C, #2D0D71, #311767, #34225D and #382C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29037B shade: #031D7C, #09037C, #29037C, #49037C and #6A037C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29037B shade: #0E012B, #1C0254, #29037C, #3604A4 and #4405CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29037B shade: #29037B, #7C033D and #0D7C03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29037B shade: #29037B, #7C2903 and #037C29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29037B shade: #29037B, #7C033D, #557C03 and #037C41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29037B shade: #29037B, #7C0319, #557C03 and #037C66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

Complementary color

CMYK 15 / 0 / 48 / 1

HEX #D6FC84

RGB 214 252 132

HSL 79, 0.95%, 0.75%

LAB 94.13, -30.38, 53.1

 

CMYK 61 / 97 / 0 / 54

HEX #2E0376

RGB 46 3 118

HSL 262.43, 0.95%, 0.24%

LAB 15.24, 45.26, -54.42

 

CMYK 54 / 85 / 0 / 46

HEX #3F1589

RGB 63 21 137

HSL 261.72, 0.73%, 0.31%

LAB 21.58, 45.94, -55.96

 

CMYK 49 / 75 / 0 / 39

HEX #50279C

RGB 80 39 156

HSL 261.03, 0.6%, 0.38%

LAB 28.27, 45.51, -56.65

 

CMYK 45 / 67 / 0 / 31

HEX #6139AF

RGB 97 57 175

HSL 260.34, 0.51%, 0.45%

LAB 35.13, 44.5, -56.82

 

CMYK 41 / 61 / 0 / 24

HEX #724BC2

RGB 114 75 194

HSL 259.66, 0.49%, 0.53%

LAB 42.01, 43.31, -56.76

 

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

CMYK 77 / 100 / 0 / 59

HEX #180068

RGB 24 0 104

HSL 253.85, 1%, 0.2%

LAB 10.51, 41.53, -53.22

 

CMYK 92 / 100 / 0 / 67

HEX #070055

RGB 7 0 85

HSL 244.94, 1%, 0.17%

LAB 6.33, 35.2, -47.43

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 40 / 98 / 0 / 51

HEX #4A037C

RGB 74 3 124

HSL 275.21, 0.95%, 0.25%

LAB 19.95, 49.46, -50.37

 

CMYK 15 / 98 / 0 / 51

HEX #6A037C

RGB 106 3 124

HSL 291.07, 0.95%, 0.25%

LAB 25.52, 54.02, -41.05

 

CMYK 0 / 98 / 12 / 51

HEX #7C036D

RGB 124 3 109

HSL 307.44, 0.95%, 0.25%

LAB 27.99, 54.82, -27.3

 

CMYK 0 / 98 / 39 / 51

HEX #7C034C

RGB 124 3 76

HSL 323.8, 0.95%, 0.25%

LAB 26.37, 50.63, -8.09

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 94 / 98 / 0 / 51

HEX #08037C

RGB 8 3 124

HSL 242.48, 0.95%, 0.25%

LAB 13.06, 45.28, -62

 

CMYK 98 / 98 / 0 / 51

HEX #03037C

RGB 3 3 124

HSL 240, 0.95%, 0.25%

LAB 12.86, 45.19, -62.34

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 60 / 88 / 0 / 56

HEX #2D0D71

RGB 45 13 113

HSL 259.2, 0.79%, 0.25%

LAB 15.69, 40.29, -50.46

 

CMYK 52 / 78 / 0 / 60

HEX #311767

RGB 49 23 103

HSL 259.5, 0.63%, 0.25%

LAB 16.72, 33.17, -42.2

 

CMYK 44 / 63 / 0 / 64

HEX #34225D

RGB 52 34 93

HSL 258.31, 0.46%, 0.25%

LAB 18.65, 24.06, -32.45

 

CMYK 33 / 47 / 0 / 67

HEX #382C53

RGB 56 44 83

HSL 258.46, 0.31%, 0.25%

LAB 21.08, 15.42, -21.87

 

CMYK 98 / 77 / 0 / 51

HEX #031D7C

RGB 3 29 124

HSL 227.11, 0.95%, 0.25%

LAB 17.24, 32.28, -55.05

 

CMYK 93 / 98 / 0 / 51

HEX #09037C

RGB 9 3 124

HSL 242.98, 0.95%, 0.25%

LAB 13.1, 45.3, -61.93

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 41 / 98 / 0 / 51

HEX #49037C

RGB 73 3 124

HSL 274.71, 0.95%, 0.25%

LAB 19.79, 49.35, -50.64

 

CMYK 15 / 98 / 0 / 51

HEX #6A037C

RGB 106 3 124

HSL 291.07, 0.95%, 0.25%

LAB 25.52, 54.02, -41.05

 

CMYK 67 / 98 / 0 / 83

HEX #0E012B

RGB 14 1 43

HSL 258.57, 0.95%, 0.09%

LAB 2.61, 14.45, -23.26

 

CMYK 67 / 98 / 0 / 67

HEX #1C0254

RGB 28 2 84

HSL 259.02, 0.95%, 0.17%

LAB 8.4, 35.16, -43.27

 

CMYK 67 / 98 / 0 / 51

HEX #29037C

RGB 41 3 124

HSL 258.84, 0.95%, 0.25%

LAB 15.44, 46.48, -57.96

 

CMYK 67 / 98 / 0 / 36

HEX #3604A4

RGB 54 4 164

HSL 258.75, 0.95%, 0.33%

LAB 22.13, 57.17, -71.75

 

CMYK 67 / 98 / 0 / 20

HEX #4405CC

RGB 68 5 204

HSL 258.99, 0.95%, 0.41%

LAB 28.64, 67.43, -84.72

 

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

CMYK 0 / 98 / 51 / 51

HEX #7C033D

RGB 124 3 61

HSL 331.24, 0.95%, 0.25%

LAB 25.82, 49.19, 1.29

 

CMYK 90 / 0 / 98 / 51

HEX #0D7C03

RGB 13 124 3

HSL 115.04, 0.95%, 0.25%

LAB 44.95, -49.32, 48.27

 

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

CMYK 0 / 67 / 98 / 51

HEX #7C2903

RGB 124 41 3

HSL 18.84, 0.95%, 0.25%

LAB 29.1, 34.52, 39.59

 

CMYK 98 / 0 / 67 / 51

HEX #037C29

RGB 3 124 41

HSL 138.84, 0.95%, 0.25%

LAB 45.07, -47.41, 36.09

 

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

CMYK 0 / 98 / 51 / 51

HEX #7C033D

RGB 124 3 61

HSL 331.24, 0.95%, 0.25%

LAB 25.82, 49.19, 1.29

 

CMYK 31 / 0 / 98 / 51

HEX #557C03

RGB 85 124 3

HSL 79.34, 0.95%, 0.25%

LAB 47.43, -29.98, 51.31

 

CMYK 98 / 0 / 48 / 51

HEX #037C41

RGB 3 124 65

HSL 150.74, 0.95%, 0.25%

LAB 45.38, -43.65, 24.11

 

CMYK 67 / 98 / 0 / 52

HEX #29037B

RGB 41 3 123

HSL 259, 0.95%, 0.25%

LAB 15.31, 46.22, -57.54

 

CMYK 0 / 98 / 80 / 51

HEX #7C0319

RGB 124 3 25

HSL 349.09, 0.95%, 0.25%

LAB 25.02, 46.98, 24.73

 

CMYK 31 / 0 / 98 / 51

HEX #557C03

RGB 85 124 3

HSL 79.34, 0.95%, 0.25%

LAB 47.43, -29.98, 51.31

 

CMYK 98 / 0 / 18 / 51

HEX #037C66

RGB 3 124 102

HSL 169.09, 0.95%, 0.25%

LAB 46.17, -34.77, 3.82

 

Description

Color code: HEX #29037B | qconv.com Color code: HEX #29037B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 3 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 3 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 98 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 98% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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