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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28F4C3 it is the complementary color #D70B3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28F4C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28F4C3 shade: #2DF4BE, #3EFFD1, #4FFFE4, #60FFF7 and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28F4C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28F4C3 shade: #28F4C3, #17E2B0, #06D09D, #00BE8A and #00AC77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28F4C3 shade: #29F3C3, #29F38C, #29F356, #33F329 and #6AF329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28F4C3 shade: #29F3C3, #29EDF3, #29B7F3, #2980F3 and #294AF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28F4C3 shade matches the following richer shades: #29F3C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28F4C3 shade: #29F3C3, #3BE1B9, #4ECFB0, #60BDA6 and #72AB9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28F4C3 shade: #29F355, #29F38B, #29F3C1, #29F0F3 and #29BAF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28F4C3 shade: #0AC095, #0CE8B3, #29F3C3, #51F5CE and #78F7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28F4C3 shade: #28F4C3, #2933F3 and #F37029

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28F4C3 shade: #28F4C3, #C129F3 and #F3C129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28F4C3 shade: #28F4C3, #2933F3, #F3295C and #F3E929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28F4C3 shade: #28F4C3, #5C29F3, #F3295C and #C1F329

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

Complementary color

CMYK 0 / 95 / 72 / 16

HEX #D70B3C

RGB 215 11 60

HSL 345.59, 0.9%, 0.44%

LAB 45.65, 70.71, 31.71

 

CMYK 82 / 0 / 22 / 4

HEX #2DF4BE

RGB 45 244 190

HSL 163.72, 0.9%, 0.57%

LAB 86.49, -58.76, 12.95

 

CMYK 76 / 0 / 18 / 0

HEX #3EFFD1

RGB 62 255 209

HSL 165.7, 1%, 0.62%

LAB 90.39, -56.96, 8.69

 

CMYK 69 / 0 / 11 / 0

HEX #4FFFE4

RGB 79 255 228

HSL 170.8, 1%, 0.65%

LAB 91.14, -50.28, -0.02

 

CMYK 62 / 0 / 3 / 0

HEX #60FFF7

RGB 96 255 247

HSL 176.98, 1%, 0.69%

LAB 92.01, -42.99, -8.54

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

CMYK 90 / 0 / 22 / 11

HEX #17E2B0

RGB 23 226 176

HSL 165.22, 0.82%, 0.49%

LAB 80.58, -56.58, 11.85

 

CMYK 97 / 0 / 25 / 18

HEX #06D09D

RGB 6 208 157

HSL 164.85, 0.94%, 0.42%

LAB 74.56, -54.85, 13.42

 

CMYK 100 / 0 / 27 / 25

HEX #00BE8A

RGB 0 190 138

HSL 163.58, 1%, 0.37%

LAB 68.51, -52.67, 15.13

 

CMYK 100 / 0 / 31 / 33

HEX #00AC77

RGB 0 172 119

HSL 161.51, 1%, 0.34%

LAB 62.37, -50.23, 16.96

 

CMYK 83 / 0 / 20 / 5

HEX #29F3C3

RGB 41 243 195

HSL 165.74, 0.89%, 0.56%

LAB 86.26, -57.5, 10.01

 

CMYK 83 / 0 / 42 / 5

HEX #29F38C

RGB 41 243 140

HSL 149.41, 0.89%, 0.56%

LAB 85.23, -68.99, 36.69

 

CMYK 83 / 0 / 65 / 5

HEX #29F356

RGB 41 243 86

HSL 133.37, 0.89%, 0.56%

LAB 84.61, -76.5, 60.59

 

CMYK 79 / 0 / 83 / 5

HEX #33F329

RGB 51 243 41

HSL 117.03, 0.89%, 0.56%

LAB 84.47, -78.75, 75.1

 

CMYK 56 / 0 / 83 / 5

HEX #6AF329

RGB 106 243 41

HSL 100.69, 0.89%, 0.56%

LAB 85.67, -68.61, 76.63

 

CMYK 83 / 0 / 20 / 5

HEX #29F3C3

RGB 41 243 195

HSL 165.74, 0.89%, 0.56%

LAB 86.26, -57.5, 10.01

 

CMYK 83 / 2 / 0 / 5

HEX #29EDF3

RGB 41 237 243

HSL 181.78, 0.89%, 0.56%

LAB 85.76, -42.19, -15.88

 

CMYK 83 / 25 / 0 / 5

HEX #29B7F3

RGB 41 183 243

HSL 197.82, 0.89%, 0.56%

LAB 70.04, -15.85, -39.96

 

CMYK 83 / 47 / 0 / 5

HEX #2980F3

RGB 41 128 243

HSL 214.16, 0.89%, 0.56%

LAB 54.43, 15.98, -64.73

 

CMYK 83 / 70 / 0 / 5

HEX #294AF3

RGB 41 74 243

HSL 230.2, 0.89%, 0.56%

LAB 40.96, 49.58, -86.7

 

CMYK 83 / 0 / 20 / 5

HEX #29F3C3

RGB 41 243 195

HSL 165.74, 0.89%, 0.56%

LAB 86.26, -57.5, 10.01

 

CMYK 83 / 0 / 20 / 5

HEX #29F3C3

RGB 41 243 195

HSL 165.74, 0.89%, 0.56%

LAB 86.26, -57.5, 10.01

 

CMYK 74 / 0 / 18 / 12

HEX #3BE1B9

RGB 59 225 185

HSL 165.54, 0.73%, 0.56%

LAB 80.9, -50.98, 7.61

 

CMYK 62 / 0 / 15 / 19

HEX #4ECFB0

RGB 78 207 176

HSL 165.58, 0.57%, 0.56%

LAB 75.69, -42.75, 4.97

 

CMYK 49 / 0 / 12 / 26

HEX #60BDA6

RGB 96 189 166

HSL 165.16, 0.41%, 0.56%

LAB 70.62, -33.29, 3.14

 

CMYK 33 / 0 / 8 / 33

HEX #72AB9D

RGB 114 171 157

HSL 165.26, 0.25%, 0.56%

LAB 65.86, -21.77, 1.28

 

CMYK 83 / 0 / 65 / 5

HEX #29F355

RGB 41 243 85

HSL 133.07, 0.89%, 0.56%

LAB 84.6, -76.6, 60.99

 

CMYK 83 / 0 / 43 / 5

HEX #29F38B

RGB 41 243 139

HSL 149.11, 0.89%, 0.56%

LAB 85.22, -69.16, 37.16

 

CMYK 83 / 0 / 21 / 5

HEX #29F3C1

RGB 41 243 193

HSL 165.15, 0.89%, 0.56%

LAB 86.22, -57.98, 10.99

 

CMYK 83 / 1 / 0 / 5

HEX #29F0F3

RGB 41 240 243

HSL 180.89, 0.89%, 0.56%

LAB 86.63, -43.52, -14.57

 

CMYK 83 / 23 / 0 / 5

HEX #29BAF3

RGB 41 186 243

HSL 196.93, 0.89%, 0.56%

LAB 70.91, -17.44, -38.6

 

CMYK 95 / 0 / 22 / 25

HEX #0AC095

RGB 10 192 149

HSL 165.82, 0.9%, 0.4%

LAB 69.42, -50.43, 10.46

 

CMYK 95 / 0 / 23 / 9

HEX #0CE8B3

RGB 12 232 179

HSL 165.55, 0.9%, 0.48%

LAB 82.4, -58.59, 12.86

 

CMYK 83 / 0 / 20 / 5

HEX #29F3C3

RGB 41 243 195

HSL 165.74, 0.89%, 0.56%

LAB 86.26, -57.5, 10.01

 

CMYK 67 / 0 / 16 / 4

HEX #51F5CE

RGB 81 245 206

HSL 165.73, 0.89%, 0.64%

LAB 87.73, -51.21, 6.47

 

CMYK 51 / 0 / 12 / 3

HEX #78F7D9

RGB 120 247 217

HSL 165.83, 0.89%, 0.72%

LAB 89.64, -42.42, 3.64

 

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

CMYK 83 / 79 / 0 / 5

HEX #2933F3

RGB 41 51 243

HSL 237.03, 0.89%, 0.56%

LAB 36.57, 61.98, -93.96

 

CMYK 0 / 54 / 83 / 5

HEX #F37029

RGB 243 112 41

HSL 21.09, 0.89%, 0.56%

LAB 62.34, 46.63, 59.95

 

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

CMYK 21 / 83 / 0 / 5

HEX #C129F3

RGB 193 41 243

HSL 285.15, 0.89%, 0.56%

LAB 51.15, 82.01, -69.45

 

CMYK 0 / 21 / 83 / 5

HEX #F3C129

RGB 243 193 41

HSL 45.15, 0.89%, 0.56%

LAB 80.38, 4.82, 75.35

 

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

CMYK 83 / 79 / 0 / 5

HEX #2933F3

RGB 41 51 243

HSL 237.03, 0.89%, 0.56%

LAB 36.57, 61.98, -93.96

 

CMYK 0 / 83 / 62 / 5

HEX #F3295C

RGB 243 41 92

HSL 344.85, 0.89%, 0.56%

LAB 53.4, 74.58, 23.32

 

CMYK 0 / 4 / 83 / 5

HEX #F3E929

RGB 243 233 41

HSL 57.03, 0.89%, 0.56%

LAB 90.55, -15.38, 83.85

 

CMYK 84 / 0 / 20 / 4

HEX #28F4C3

RGB 40 244 195

HSL 165.59, 0.9%, 0.56%

LAB 86.55, -57.96, 10.42

 

CMYK 62 / 83 / 0 / 5

HEX #5C29F3

RGB 92 41 243

HSL 255.15, 0.89%, 0.56%

LAB 38.43, 69.48, -90.78

 

CMYK 0 / 83 / 62 / 5

HEX #F3295C

RGB 243 41 92

HSL 344.85, 0.89%, 0.56%

LAB 53.4, 74.58, 23.32

 

CMYK 21 / 0 / 83 / 5

HEX #C1F329

RGB 193 243 41

HSL 74.85, 0.89%, 0.56%

LAB 89.67, -40.24, 81.68

 

Description

Color code: HEX #28F4C3 | qconv.com Color code: HEX #28F4C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 244 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 244 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 20 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 20% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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