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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28EF56 it is the complementary color #D710A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28EF56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28EF56 shade: #2DEF51, #3EFF64, #4FFF77, #60FF8A and #71FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28EF56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28EF56 shade: #28EF56, #17DD43, #06CB30, #00B91D and #00A70A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28EF56 shade: #29EE57, #31EE29, #66EE29, #9BEE29 and #D0EE29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28EF56 shade: #29EE57, #29EE8C, #29EEC1, #29E7EE and #29B1EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28EF56 shade matches the following richer shades: #29EE57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28EF56 shade: #29EE57, #3CDC61, #4EC96B, #61B775 and #73A47F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28EF56 shade: #68EE29, #33EE29, #29EE54, #29EE88 and #29EEBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28EF56 shade: #0DB835, #10DE40, #29EE57, #4FF175 and #76F493

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28EF56 shade: #28EF56, #299CEE and #EE294D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28EF56 shade: #28EF56, #5429EE and #EE5429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28EF56 shade: #28EF56, #299CEE, #EE29C4 and #EE7B29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28EF56 shade: #28EF56, #2961EE, #EE29C4 and #EEB729

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

Complementary color

CMYK 0 / 93 / 21 / 16

HEX #D710A9

RGB 215 16 169

HSL 313.87, 0.86%, 0.45%

LAB 49.11, 79, -29.88

 

CMYK 81 / 0 / 66 / 6

HEX #2DEF51

RGB 45 239 81

HSL 131.13, 0.86%, 0.56%

LAB 83.38, -75.41, 61.26

 

CMYK 76 / 0 / 61 / 0

HEX #3EFF64

RGB 62 255 100

HSL 131.81, 1%, 0.62%

LAB 88.67, -76.32, 59.44

 

CMYK 69 / 0 / 53 / 0

HEX #4FFF77

RGB 79 255 119

HSL 133.64, 1%, 0.65%

LAB 89.16, -71.51, 51.75

 

CMYK 62 / 0 / 46 / 0

HEX #60FF8A

RGB 96 255 138

HSL 135.85, 1%, 0.69%

LAB 89.79, -65.78, 43.71

 

CMYK 56 / 0 / 38 / 0

HEX #71FF9D

RGB 113 255 157

HSL 138.59, 1%, 0.72%

LAB 90.54, -59.23, 35.5

 

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

CMYK 90 / 0 / 70 / 13

HEX #17DD43

RGB 23 221 67

HSL 133.33, 0.81%, 0.48%

LAB 77.46, -73.26, 60.26

 

CMYK 97 / 0 / 76 / 20

HEX #06CB30

RGB 6 203 48

HSL 132.79, 0.94%, 0.41%

LAB 71.53, -70.46, 60.89

 

CMYK 100 / 0 / 84 / 27

HEX #00B91D

RGB 0 185 29

HSL 129.41, 1%, 0.36%

LAB 65.58, -66.82, 60.73

 

CMYK 100 / 0 / 94 / 35

HEX #00A70A

RGB 0 167 10

HSL 123.59, 1%, 0.33%

LAB 59.58, -62.51, 59.2

 

CMYK 83 / 0 / 63 / 7

HEX #29EE57

RGB 41 238 87

HSL 134.01, 0.85%, 0.55%

LAB 83.08, -74.89, 58.49

 

CMYK 79 / 0 / 83 / 7

HEX #31EE29

RGB 49 238 41

HSL 117.56, 0.85%, 0.55%

LAB 82.89, -77.56, 73.67

 

CMYK 57 / 0 / 83 / 7

HEX #66EE29

RGB 102 238 41

HSL 101.42, 0.85%, 0.55%

LAB 84.04, -67.91, 75.13

 

CMYK 35 / 0 / 83 / 7

HEX #9BEE29

RGB 155 238 41

HSL 85.28, 0.85%, 0.55%

LAB 86.15, -52.05, 77.8

 

CMYK 13 / 0 / 83 / 7

HEX #D0EE29

RGB 208 238 41

HSL 69.14, 0.85%, 0.55%

LAB 89.26, -32.1, 81.72

 

CMYK 83 / 0 / 63 / 7

HEX #29EE57

RGB 41 238 87

HSL 134.01, 0.85%, 0.55%

LAB 83.08, -74.89, 58.49

 

CMYK 83 / 0 / 41 / 7

HEX #29EE8C

RGB 41 238 140

HSL 150.15, 0.85%, 0.55%

LAB 83.71, -67.29, 34.7

 

CMYK 83 / 0 / 19 / 7

HEX #29EEC1

RGB 41 238 193

HSL 166.29, 0.85%, 0.55%

LAB 84.73, -56.02, 8.86

 

CMYK 83 / 3 / 0 / 7

HEX #29E7EE

RGB 41 231 238

HSL 182.13, 0.85%, 0.55%

LAB 83.86, -40.95, -16.1

 

CMYK 83 / 26 / 0 / 7

HEX #29B1EE

RGB 41 177 238

HSL 198.58, 0.85%, 0.55%

LAB 68.09, -14.35, -40.29

 

CMYK 83 / 0 / 63 / 7

HEX #29EE57

RGB 41 238 87

HSL 134.01, 0.85%, 0.55%

LAB 83.08, -74.89, 58.49

 

CMYK 83 / 0 / 63 / 7

HEX #29EE57

RGB 41 238 87

HSL 134.01, 0.85%, 0.55%

LAB 83.08, -74.89, 58.49

 

CMYK 73 / 0 / 56 / 14

HEX #3CDC61

RGB 60 220 97

HSL 133.88, 0.7%, 0.55%

LAB 77.88, -65.69, 48.21

 

CMYK 61 / 0 / 47 / 21

HEX #4EC96B

RGB 78 201 107

HSL 134.15, 0.53%, 0.55%

LAB 72.53, -54.21, 36.93

 

CMYK 47 / 0 / 36 / 28

HEX #61B775

RGB 97 183 117

HSL 133.95, 0.37%, 0.55%

LAB 67.79, -40.5, 25.74

 

CMYK 30 / 0 / 23 / 36

HEX #73A47F

RGB 115 164 127

HSL 134.69, 0.21%, 0.55%

LAB 63.12, -24.22, 14.06

 

CMYK 56 / 0 / 83 / 7

HEX #68EE29

RGB 104 238 41

HSL 100.81, 0.85%, 0.55%

LAB 84.1, -67.41, 75.21

 

CMYK 79 / 0 / 83 / 7

HEX #33EE29

RGB 51 238 41

HSL 116.95, 0.85%, 0.55%

LAB 82.92, -77.32, 73.71

 

CMYK 83 / 0 / 65 / 7

HEX #29EE54

RGB 41 238 84

HSL 133.1, 0.85%, 0.55%

LAB 83.05, -75.21, 59.69

 

CMYK 83 / 0 / 43 / 7

HEX #29EE88

RGB 41 238 136

HSL 148.93, 0.85%, 0.55%

LAB 83.65, -67.99, 36.61

 

CMYK 83 / 0 / 21 / 7

HEX #29EEBD

RGB 41 238 189

HSL 165.08, 0.85%, 0.55%

LAB 84.64, -56.98, 10.82

 

CMYK 93 / 0 / 71 / 28

HEX #0DB835

RGB 13 184 53

HSL 134.04, 0.87%, 0.39%

LAB 65.45, -64.24, 52.98

 

CMYK 93 / 0 / 71 / 13

HEX #10DE40

RGB 16 222 64

HSL 133.98, 0.87%, 0.47%

LAB 77.71, -74.19, 61.62

 

CMYK 83 / 0 / 63 / 7

HEX #29EE57

RGB 41 238 87

HSL 134.01, 0.85%, 0.55%

LAB 83.08, -74.89, 58.49

 

CMYK 67 / 0 / 51 / 5

HEX #4FF175

RGB 79 241 117

HSL 134.07, 0.85%, 0.63%

LAB 84.92, -67.03, 47.52

 

CMYK 52 / 0 / 40 / 4

HEX #76F493

RGB 118 244 147

HSL 133.81, 0.85%, 0.71%

LAB 87.32, -55.39, 36.26

 

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

CMYK 83 / 34 / 0 / 7

HEX #299CEE

RGB 41 156 238

HSL 204.97, 0.85%, 0.55%

LAB 62.02, -2.65, -49.84

 

CMYK 0 / 83 / 68 / 7

HEX #EE294D

RGB 238 41 77

HSL 349.04, 0.85%, 0.55%

LAB 52.17, 72.52, 30.52

 

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

CMYK 65 / 83 / 0 / 7

HEX #5429EE

RGB 84 41 238

HSL 253.1, 0.85%, 0.55%

LAB 37.2, 67.52, -90.03

 

CMYK 0 / 65 / 83 / 7

HEX #EE5429

RGB 238 84 41

HSL 13.1, 0.85%, 0.55%

LAB 56.76, 57.38, 54.73

 

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

CMYK 83 / 34 / 0 / 7

HEX #299CEE

RGB 41 156 238

HSL 204.97, 0.85%, 0.55%

LAB 62.02, -2.65, -49.84

 

CMYK 0 / 83 / 18 / 7

HEX #EE29C4

RGB 238 41 196

HSL 312.79, 0.85%, 0.55%

LAB 55.84, 82.98, -34.83

 

CMYK 0 / 48 / 83 / 7

HEX #EE7B29

RGB 238 123 41

HSL 24.97, 0.85%, 0.55%

LAB 63.76, 39.29, 60.91

 

CMYK 83 / 0 / 64 / 6

HEX #28EF56

RGB 40 239 86

HSL 133.87, 0.86%, 0.55%

LAB 83.37, -75.39, 59.22

 

CMYK 83 / 59 / 0 / 7

HEX #2961EE

RGB 41 97 238

HSL 222.94, 0.85%, 0.55%

LAB 45.9, 33.64, -75.78

 

CMYK 0 / 83 / 18 / 7

HEX #EE29C4

RGB 238 41 196

HSL 312.79, 0.85%, 0.55%

LAB 55.84, 82.98, -34.83

 

CMYK 0 / 23 / 83 / 7

HEX #EEB729

RGB 238 183 41

HSL 43.25, 0.85%, 0.55%

LAB 77.4, 7.89, 72.64

 

Description

Color code: HEX #28EF56 | qconv.com Color code: HEX #28EF56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 239 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 239 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 64 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 64% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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