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Color name
HEX #28EB8F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28EB8F it is the complementary color #D71470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28EB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28EB8F shade: #2DEB8A, #3EFD9D, #4FFFB0, #60FFC3 and #71FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28EB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28EB8F shade: #28EB8F, #17D97C, #06C769, #00B556 and #00A343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28EB8F shade: #28EB8F, #28EB5A, #2AEB28, #5FEB28 and #93EB28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28EB8F shade: #28EB8F, #28EBC3, #28DDEB, #28A9EB and #2874EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28EB8F shade matches the following richer shades: #28EB8F and #15FE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28EB8F shade: #28EB8F, #3BD88E, #4EC58D, #61B28B and #749F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28EB8F shade: #2BEB28, #28EB59, #28EB8C, #28EBC0 and #28E1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28EB8F shade: #10B064, #13D67A, #28EB8F, #4EEEA2 and #73F2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28EB8F shade: #28EB8F, #285FEB and #EB3F28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28EB8F shade: #28EB8F, #8C28EB and #EB8C28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28EB8F shade: #28EB8F, #285FEB, #EB2886 and #EBB328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28EB8F shade: #28EB8F, #2B28EB, #EB2886 and #E7EB28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

Complementary color

CMYK 0 / 91 / 48 / 16

HEX #D71470

RGB 215 20 112

HSL 331.69, 0.83%, 0.46%

LAB 47.13, 72.81, 1.58

 

CMYK 81 / 0 / 41 / 8

HEX #2DEB8A

RGB 45 235 138

HSL 149.37, 0.83%, 0.55%

LAB 82.81, -66.25, 34.53

 

CMYK 75 / 0 / 38 / 1

HEX #3EFD9D

RGB 62 253 157

HSL 149.84, 0.98%, 0.62%

LAB 88.78, -67.23, 32.97

 

CMYK 69 / 0 / 31 / 0

HEX #4FFFB0

RGB 79 255 176

HSL 153.07, 1%, 0.65%

LAB 90.01, -62.04, 25.11

 

CMYK 62 / 0 / 24 / 0

HEX #60FFC3

RGB 96 255 195

HSL 157.36, 1%, 0.69%

LAB 90.76, -55.36, 16.51

 

CMYK 56 / 0 / 16 / 0

HEX #71FFD6

RGB 113 255 214

HSL 162.68, 1%, 0.72%

LAB 91.63, -48.02, 8.04

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 89 / 0 / 43 / 15

HEX #17D97C

RGB 23 217 124

HSL 151.24, 0.81%, 0.47%

LAB 76.84, -64.32, 33.73

 

CMYK 97 / 0 / 47 / 22

HEX #06C769

RGB 6 199 105

HSL 150.78, 0.94%, 0.4%

LAB 70.81, -62.37, 35.53

 

CMYK 100 / 0 / 52 / 29

HEX #00B556

RGB 0 181 86

HSL 148.51, 1%, 0.35%

LAB 64.74, -59.8, 37.42

 

CMYK 100 / 0 / 59 / 36

HEX #00A343

RGB 0 163 67

HSL 144.66, 1%, 0.32%

LAB 58.6, -56.81, 39.3

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 83 / 0 / 62 / 8

HEX #28EB5A

RGB 40 235 90

HSL 135.38, 0.83%, 0.54%

LAB 82.17, -73.75, 56.21

 

CMYK 82 / 0 / 83 / 8

HEX #2AEB28

RGB 42 235 40

HSL 119.38, 0.83%, 0.54%

LAB 81.87, -77.52, 72.95

 

CMYK 60 / 0 / 83 / 8

HEX #5FEB28

RGB 95 235 40

HSL 103.08, 0.83%, 0.54%

LAB 82.91, -68.62, 74.28

 

CMYK 37 / 0 / 83 / 8

HEX #93EB28

RGB 147 235 40

HSL 87.08, 0.83%, 0.54%

LAB 84.88, -53.62, 76.77

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 83 / 0 / 17 / 8

HEX #28EBC3

RGB 40 235 195

HSL 167.69, 0.83%, 0.54%

LAB 83.87, -54.41, 6.58

 

CMYK 83 / 6 / 0 / 8

HEX #28DDEB

RGB 40 221 235

HSL 184.31, 0.83%, 0.54%

LAB 80.83, -37.35, -19.08

 

CMYK 83 / 28 / 0 / 8

HEX #28A9EB

RGB 40 169 235

HSL 200.31, 0.83%, 0.54%

LAB 65.61, -11.12, -42.53

 

CMYK 83 / 51 / 0 / 8

HEX #2874EB

RGB 40 116 235

HSL 216.62, 0.83%, 0.54%

LAB 50.62, 20.39, -66.43

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 92 / 0 / 43 / 0

HEX #15FE90

RGB 21 254 144

HSL 151.67, 0.99%, 0.54%

LAB 88.47, -73.19, 38.9

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 73 / 0 / 34 / 15

HEX #3BD88E

RGB 59 216 142

HSL 151.72, 0.67%, 0.54%

LAB 77.28, -56.99, 25.16

 

CMYK 60 / 0 / 28 / 23

HEX #4EC58D

RGB 78 197 141

HSL 151.76, 0.51%, 0.54%

LAB 71.88, -46.42, 18.37

 

CMYK 46 / 0 / 22 / 30

HEX #61B28B

RGB 97 178 139

HSL 151.11, 0.34%, 0.54%

LAB 66.71, -33.97, 12.35

 

CMYK 27 / 0 / 13 / 38

HEX #749F8A

RGB 116 159 138

HSL 150.7, 0.18%, 0.54%

LAB 61.95, -19.14, 6.27

 

CMYK 82 / 0 / 83 / 8

HEX #2BEB28

RGB 43 235 40

HSL 119.08, 0.83%, 0.54%

LAB 81.88, -77.41, 72.97

 

CMYK 83 / 0 / 62 / 8

HEX #28EB59

RGB 40 235 89

HSL 135.08, 0.83%, 0.54%

LAB 82.16, -73.86, 56.62

 

CMYK 83 / 0 / 40 / 8

HEX #28EB8C

RGB 40 235 140

HSL 150.77, 0.83%, 0.54%

LAB 82.79, -66.34, 33.49

 

CMYK 83 / 0 / 18 / 8

HEX #28EBC0

RGB 40 235 192

HSL 166.77, 0.83%, 0.54%

LAB 83.8, -55.15, 8.05

 

CMYK 83 / 4 / 0 / 8

HEX #28E1EB

RGB 40 225 235

HSL 183.08, 0.83%, 0.54%

LAB 82, -39.19, -17.32

 

CMYK 91 / 0 / 43 / 31

HEX #10B064

RGB 16 176 100

HSL 151.5, 0.83%, 0.38%

LAB 63.41, -54.94, 28.59

 

CMYK 91 / 0 / 43 / 16

HEX #13D67A

RGB 19 214 122

HSL 151.69, 0.84%, 0.46%

LAB 75.85, -63.88, 33.44

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 67 / 0 / 32 / 7

HEX #4EEEA2

RGB 78 238 162

HSL 151.5, 0.82%, 0.62%

LAB 84.68, -58.52, 24.96

 

CMYK 52 / 0 / 25 / 5

HEX #73F2B6

RGB 115 242 182

HSL 151.65, 0.83%, 0.7%

LAB 87.25, -48.93, 18.38

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 83 / 60 / 0 / 8

HEX #285FEB

RGB 40 95 235

HSL 223.08, 0.83%, 0.54%

LAB 45.13, 33.73, -75.35

 

CMYK 0 / 73 / 83 / 8

HEX #EB3F28

RGB 235 63 40

HSL 7.08, 0.83%, 0.54%

LAB 53.35, 64.24, 51.93

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 40 / 83 / 0 / 8

HEX #8C28EB

RGB 140 40 235

HSL 270.77, 0.83%, 0.54%

LAB 42.9, 73.05, -78.71

 

CMYK 0 / 40 / 83 / 8

HEX #EB8C28

RGB 235 140 40

HSL 30.77, 0.83%, 0.54%

LAB 66.95, 29.29, 63.88

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 83 / 60 / 0 / 8

HEX #285FEB

RGB 40 95 235

HSL 223.08, 0.83%, 0.54%

LAB 45.13, 33.73, -75.35

 

CMYK 0 / 83 / 43 / 8

HEX #EB2886

RGB 235 40 134

HSL 331.08, 0.83%, 0.54%

LAB 52.84, 75.84, -2.98

 

CMYK 0 / 24 / 83 / 8

HEX #EBB328

RGB 235 179 40

HSL 42.77, 0.83%, 0.54%

LAB 76.1, 8.68, 71.7

 

CMYK 83 / 0 / 39 / 8

HEX #28EB8F

RGB 40 235 143

HSL 151.69, 0.83%, 0.54%

LAB 82.83, -65.79, 32.04

 

CMYK 82 / 83 / 0 / 8

HEX #2B28EB

RGB 43 40 235

HSL 240.92, 0.83%, 0.54%

LAB 34.04, 64.62, -93.63

 

CMYK 0 / 83 / 43 / 8

HEX #EB2886

RGB 235 40 134

HSL 331.08, 0.83%, 0.54%

LAB 52.84, 75.84, -2.98

 

CMYK 2 / 0 / 83 / 8

HEX #E7EB28

RGB 231 235 40

HSL 61.23, 0.83%, 0.54%

LAB 90.12, -21.35, 83.33

 

Description

Color code: HEX #28EB8F | qconv.com Color code: HEX #28EB8F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 235 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 235 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 39% 8% C M Y K

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