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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28E584 it is the complementary color #D71A7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28E584. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28E584 shade: #2DE57F, #3EF792, #4FFFA5, #60FFB8 and #71FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28E584. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28E584 shade: #28E584, #17D371, #06C15E, #00AF4B and #009D38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28E584 shade: #29E484, #29E452, #33E429, #65E429 and #98E429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28E584 shade: #29E484, #29E4B7, #29DFE4, #29ADE4 and #297AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28E584 shade matches the following richer shades: #29E484 and #16F884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28E584 shade: #29E484, #3DD185, #50BD85, #63AA86 and #779786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28E584 shade: #33E429, #29E452, #29E484, #29E4B5 and #29E1E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28E584 shade: #14A75B, #19CB70, #29E484, #4EE999 and #73EDAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28E584 shade: #28E584, #2964E4 and #E43929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28E584 shade: #28E584, #8429E4 and #E48429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28E584 shade: #28E584, #2964E4, #E4298A and #E4A929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28E584 shade: #28E584, #292CE4, #E4298A and #E4E129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

Complementary color

CMYK 0 / 88 / 43 / 16

HEX #D71A7B

RGB 215 26 123

HSL 329.21, 0.78%, 0.47%

LAB 47.77, 72.84, -4.23

 

CMYK 80 / 0 / 45 / 10

HEX #2DE57F

RGB 45 229 127

HSL 146.74, 0.78%, 0.54%

LAB 80.81, -66.1, 37.41

 

CMYK 75 / 0 / 41 / 3

HEX #3EF792

RGB 62 247 146

HSL 147.24, 0.92%, 0.61%

LAB 86.81, -67.1, 35.83

 

CMYK 69 / 0 / 35 / 0

HEX #4FFFA5

RGB 79 255 165

HSL 149.32, 1%, 0.65%

LAB 89.81, -64.16, 30.4

 

CMYK 62 / 0 / 28 / 0

HEX #60FFB8

RGB 96 255 184

HSL 153.21, 1%, 0.69%

LAB 90.54, -57.65, 21.83

 

CMYK 56 / 0 / 20 / 0

HEX #71FFCB

RGB 113 255 203

HSL 158.03, 1%, 0.72%

LAB 91.39, -50.44, 13.36

 

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

CMYK 89 / 0 / 46 / 17

HEX #17D371

RGB 23 211 113

HSL 148.72, 0.8%, 0.46%

LAB 74.8, -64.22, 36.63

 

CMYK 97 / 0 / 51 / 24

HEX #06C15E

RGB 6 193 94

HSL 148.24, 0.94%, 0.39%

LAB 68.74, -62.2, 38.41

 

CMYK 100 / 0 / 57 / 31

HEX #00AF4B

RGB 0 175 75

HSL 145.71, 1%, 0.34%

LAB 62.65, -59.52, 40.25

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 82 / 0 / 64 / 11

HEX #29E452

RGB 41 228 82

HSL 133.16, 0.78%, 0.53%

LAB 79.94, -72.4, 57.06

 

CMYK 78 / 0 / 82 / 11

HEX #33E429

RGB 51 228 41

HSL 116.79, 0.78%, 0.53%

LAB 79.81, -74.42, 70.88

 

CMYK 56 / 0 / 82 / 11

HEX #65E429

RGB 101 228 41

HSL 100.75, 0.78%, 0.53%

LAB 80.97, -64.74, 72.36

 

CMYK 33 / 0 / 82 / 11

HEX #98E429

RGB 152 228 41

HSL 84.39, 0.78%, 0.53%

LAB 83.08, -49.01, 75.05

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 82 / 0 / 20 / 11

HEX #29E4B7

RGB 41 228 183

HSL 165.56, 0.78%, 0.53%

LAB 81.5, -54.5, 9.5

 

CMYK 82 / 2 / 0 / 11

HEX #29DFE4

RGB 41 223 228

HSL 181.6, 0.78%, 0.53%

LAB 81.21, -40.27, -14.79

 

CMYK 82 / 24 / 0 / 11

HEX #29ADE4

RGB 41 173 228

HSL 197.65, 0.78%, 0.53%

LAB 66.49, -15.65, -37.31

 

CMYK 82 / 46 / 0 / 11

HEX #297AE4

RGB 41 122 228

HSL 214.01, 0.78%, 0.53%

LAB 51.83, 14.06, -60.55

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 91 / 0 / 47 / 3

HEX #16F884

RGB 22 248 132

HSL 149.2, 0.94%, 0.53%

LAB 86.49, -73.22, 42.18

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 71 / 0 / 36 / 18

HEX #3DD185

RGB 61 209 133

HSL 149.19, 0.62%, 0.53%

LAB 75.01, -55.82, 26.79

 

CMYK 58 / 0 / 30 / 26

HEX #50BD85

RGB 80 189 133

HSL 149.17, 0.45%, 0.53%

LAB 69.32, -44.28, 19.15

 

CMYK 42 / 0 / 21 / 33

HEX #63AA86

RGB 99 170 134

HSL 149.58, 0.29%, 0.53%

LAB 64.26, -30.7, 11.67

 

CMYK 21 / 0 / 11 / 41

HEX #779786

RGB 119 151 134

HSL 148.13, 0.13%, 0.53%

LAB 59.69, -14.76, 5.3

 

CMYK 78 / 0 / 82 / 11

HEX #33E429

RGB 51 228 41

HSL 116.79, 0.78%, 0.53%

LAB 79.81, -74.42, 70.88

 

CMYK 82 / 0 / 64 / 11

HEX #29E452

RGB 41 228 82

HSL 133.16, 0.78%, 0.53%

LAB 79.94, -72.4, 57.06

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 82 / 0 / 21 / 11

HEX #29E4B5

RGB 41 228 181

HSL 164.92, 0.78%, 0.53%

LAB 81.45, -54.98, 10.49

 

CMYK 82 / 1 / 0 / 11

HEX #29E1E4

RGB 41 225 228

HSL 180.96, 0.78%, 0.53%

LAB 81.8, -41.17, -13.91

 

CMYK 88 / 0 / 46 / 35

HEX #14A75B

RGB 20 167 91

HSL 148.98, 0.79%, 0.37%

LAB 60.37, -53.15, 29.4

 

CMYK 88 / 0 / 45 / 20

HEX #19CB70

RGB 25 203 112

HSL 149.33, 0.78%, 0.45%

LAB 72.29, -61.56, 33.91

 

CMYK 82 / 0 / 42 / 11

HEX #29E484

RGB 41 228 132

HSL 149.2, 0.78%, 0.53%

LAB 80.53, -65.28, 34.54

 

CMYK 67 / 0 / 34 / 9

HEX #4EE999

RGB 78 233 153

HSL 149.03, 0.78%, 0.61%

LAB 83.02, -58.36, 27.32

 

CMYK 51 / 0 / 27 / 7

HEX #73EDAE

RGB 115 237 174

HSL 149.02, 0.77%, 0.69%

LAB 85.64, -48.42, 20.27

 

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

CMYK 82 / 56 / 0 / 11

HEX #2964E4

RGB 41 100 228

HSL 221.07, 0.78%, 0.53%

LAB 45.89, 28.01, -70.16

 

CMYK 0 / 75 / 82 / 11

HEX #E43929

RGB 228 57 41

HSL 5.13, 0.78%, 0.53%

LAB 51.36, 64.1, 49.14

 

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

CMYK 42 / 82 / 0 / 11

HEX #8429E4

RGB 132 41 228

HSL 269.2, 0.78%, 0.53%

LAB 41.36, 70.14, -77.3

 

CMYK 0 / 42 / 82 / 11

HEX #E48429

RGB 228 132 41

HSL 29.2, 0.78%, 0.53%

LAB 64.29, 30.64, 60.85

 

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

CMYK 82 / 56 / 0 / 11

HEX #2964E4

RGB 41 100 228

HSL 221.07, 0.78%, 0.53%

LAB 45.89, 28.01, -70.16

 

CMYK 0 / 82 / 39 / 11

HEX #E4298A

RGB 228 41 138

HSL 328.88, 0.78%, 0.53%

LAB 51.74, 74.33, -7.16

 

CMYK 0 / 26 / 82 / 11

HEX #E4A929

RGB 228 169 41

HSL 41.07, 0.78%, 0.53%

LAB 72.91, 10.98, 68.38

 

CMYK 83 / 0 / 42 / 10

HEX #28E584

RGB 40 229 132

HSL 149.21, 0.78%, 0.53%

LAB 80.83, -65.72, 34.93

 

CMYK 82 / 81 / 0 / 11

HEX #292CE4

RGB 41 44 228

HSL 239.04, 0.78%, 0.53%

LAB 33.72, 60.72, -90.19

 

CMYK 0 / 82 / 39 / 11

HEX #E4298A

RGB 228 41 138

HSL 328.88, 0.78%, 0.53%

LAB 51.74, 74.33, -7.16

 

CMYK 0 / 1 / 82 / 11

HEX #E4E129

RGB 228 225 41

HSL 59.04, 0.78%, 0.53%

LAB 87.24, -17.72, 80.6

 

Description

Color code: HEX #28E584 | qconv.com Color code: HEX #28E584 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 229 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 229 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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