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Color name
HEX #28DC70

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28DC70 it is the complementary color #D7238F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28DC70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28DC70 shade: #2DDC6B, #3EEE7E, #4FFF91, #60FFA4 and #71FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28DC70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28DC70 shade: #28DC70, #17CA5D, #06B84A, #00A637 and #009424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28DC70 shade: #28DC70, #28DC3F, #41DC28, #71DC28 and #A2DC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28DC70 shade: #28DC70, #28DCA0, #28DCD1, #28B6DC and #2885DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28DC70 shade matches the following richer shades: #28DC70 and #13F06C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28DC70 shade: #28DC70, #3CC774, #50B378, #649F7C and #788B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28DC70 shade: #40DC28, #28DC40, #28DC70, #28DCA0 and #28DCD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28DC70 shade: #18984C, #1EBC5D, #28DC70, #4BE187 and #6FE79F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28DC70 shade: #28DC70, #2870DC and #DC2828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28DC70 shade: #28DC70, #7028DC and #DC7028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28DC70 shade: #28DC70, #2870DC, #DC2894 and #DC9428

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28DC70 shade: #28DC70, #283ADC, #DC2894 and #DCCA28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

Complementary color

CMYK 0 / 84 / 33 / 16

HEX #D7238F

RGB 215 35 143

HSL 324, 0.72%, 0.49%

LAB 49.05, 73.1, -14.45

 

CMYK 80 / 0 / 51 / 14

HEX #2DDC6B

RGB 45 220 107

HSL 141.26, 0.71%, 0.52%

LAB 77.76, -66.26, 43.31

 

CMYK 74 / 0 / 47 / 7

HEX #3EEE7E

RGB 62 238 126

HSL 141.82, 0.84%, 0.59%

LAB 83.8, -67.31, 41.76

 

CMYK 69 / 0 / 43 / 0

HEX #4FFF91

RGB 79 255 145

HSL 142.5, 1%, 0.65%

LAB 89.5, -67.67, 39.88

 

CMYK 62 / 0 / 36 / 0

HEX #60FFA4

RGB 96 255 164

HSL 145.66, 1%, 0.69%

LAB 90.18, -61.48, 31.45

 

CMYK 56 / 0 / 28 / 0

HEX #71FFB7

RGB 113 255 183

HSL 149.58, 1%, 0.72%

LAB 90.98, -54.53, 23.03

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 89 / 0 / 54 / 21

HEX #17CA5D

RGB 23 202 93

HSL 143.46, 0.8%, 0.44%

LAB 71.7, -64.42, 42.55

 

CMYK 97 / 0 / 60 / 28

HEX #06B84A

RGB 6 184 74

HSL 142.92, 0.94%, 0.37%

LAB 65.6, -62.23, 44.21

 

CMYK 100 / 0 / 67 / 35

HEX #00A637

RGB 0 166 55

HSL 139.88, 1%, 0.33%

LAB 59.48, -59.25, 45.76

 

CMYK 100 / 0 / 76 / 42

HEX #009424

RGB 0 148 36

HSL 134.59, 1%, 0.29%

LAB 53.28, -55.65, 46.86

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 0 / 71 / 14

HEX #28DC3F

RGB 40 220 63

HSL 127.67, 0.72%, 0.51%

LAB 77.28, -71.9, 61.6

 

CMYK 70 / 0 / 82 / 14

HEX #41DC28

RGB 65 220 40

HSL 111.67, 0.72%, 0.51%

LAB 77.56, -69.95, 69.16

 

CMYK 49 / 0 / 82 / 14

HEX #71DC28

RGB 113 220 40

HSL 95.67, 0.72%, 0.51%

LAB 78.95, -58.63, 70.95

 

CMYK 26 / 0 / 82 / 14

HEX #A2DC28

RGB 162 220 40

HSL 79.33, 0.72%, 0.51%

LAB 81.3, -42, 73.93

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 0 / 27 / 14

HEX #28DCA0

RGB 40 220 160

HSL 160, 0.72%, 0.51%

LAB 78.56, -56.85, 17.47

 

CMYK 82 / 0 / 5 / 14

HEX #28DCD1

RGB 40 220 209

HSL 176.33, 0.72%, 0.51%

LAB 79.75, -44.45, -6.85

 

CMYK 82 / 17 / 0 / 14

HEX #28B6DC

RGB 40 182 220

HSL 192.67, 0.72%, 0.51%

LAB 68.81, -23.15, -29.34

 

CMYK 82 / 40 / 0 / 14

HEX #2885DC

RGB 40 133 220

HSL 209, 0.72%, 0.51%

LAB 54.44, 4.2, -51.87

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 92 / 0 / 55 / 6

HEX #13F06C

RGB 19 240 108

HSL 144.16, 0.88%, 0.51%

LAB 83.73, -74.45, 50.04

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 70 / 0 / 42 / 22

HEX #3CC774

RGB 60 199 116

HSL 144.17, 0.55%, 0.51%

LAB 71.6, -55.37, 31.08

 

CMYK 55 / 0 / 33 / 30

HEX #50B378

RGB 80 179 120

HSL 144.24, 0.39%, 0.51%

LAB 65.98, -42.62, 21.59

 

CMYK 37 / 0 / 22 / 38

HEX #649F7C

RGB 100 159 124

HSL 144.41, 0.24%, 0.51%

LAB 60.75, -27.14, 12.29

 

CMYK 14 / 0 / 8 / 45

HEX #788B80

RGB 120 139 128

HSL 145.26, 0.08%, 0.51%

LAB 56.1, -9.13, 3.58

 

CMYK 71 / 0 / 82 / 14

HEX #40DC28

RGB 64 220 40

HSL 112, 0.72%, 0.51%

LAB 77.54, -70.13, 69.13

 

CMYK 82 / 0 / 71 / 14

HEX #28DC40

RGB 40 220 64

HSL 128, 0.72%, 0.51%

LAB 77.29, -71.82, 61.24

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 0 / 27 / 14

HEX #28DCA0

RGB 40 220 160

HSL 160, 0.72%, 0.51%

LAB 78.56, -56.85, 17.47

 

CMYK 82 / 0 / 5 / 14

HEX #28DCD0

RGB 40 220 208

HSL 176, 0.72%, 0.51%

LAB 79.72, -44.73, -6.35

 

CMYK 84 / 0 / 50 / 40

HEX #18984C

RGB 24 152 76

HSL 144.38, 0.73%, 0.35%

LAB 55.25, -50.09, 30.75

 

CMYK 84 / 0 / 51 / 26

HEX #1EBC5D

RGB 30 188 93

HSL 143.92, 0.72%, 0.43%

LAB 67.3, -59.23, 37.16

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 67 / 0 / 40 / 12

HEX #4BE187

RGB 75 225 135

HSL 144, 0.71%, 0.59%

LAB 80.23, -59.17, 32.75

 

CMYK 52 / 0 / 31 / 9

HEX #6FE79F

RGB 111 231 159

HSL 144, 0.71%, 0.67%

LAB 83.46, -49.73, 24.99

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 49 / 0 / 14

HEX #2870DC

RGB 40 112 220

HSL 216, 0.72%, 0.51%

LAB 48.52, 17.24, -61.37

 

CMYK 0 / 82 / 82 / 14

HEX #DC2828

RGB 220 40 40

HSL 0, 0.72%, 0.51%

LAB 48.12, 66.53, 46.05

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 49 / 82 / 0 / 14

HEX #7028DC

RGB 112 40 220

HSL 264, 0.72%, 0.51%

LAB 38.07, 66.09, -78.22

 

CMYK 0 / 49 / 82 / 14

HEX #DC7028

RGB 220 112 40

HSL 24, 0.72%, 0.51%

LAB 58.93, 37.74, 56.04

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 49 / 0 / 14

HEX #2870DC

RGB 40 112 220

HSL 216, 0.72%, 0.51%

LAB 48.52, 17.24, -61.37

 

CMYK 0 / 82 / 33 / 14

HEX #DC2894

RGB 220 40 148

HSL 324, 0.72%, 0.51%

LAB 50.54, 73.69, -15.11

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 82 / 0 / 49 / 14

HEX #28DC70

RGB 40 220 112

HSL 144, 0.72%, 0.51%

LAB 77.76, -66.02, 40.89

 

CMYK 82 / 74 / 0 / 14

HEX #283ADC

RGB 40 58 220

HSL 234, 0.72%, 0.51%

LAB 35.29, 50.95, -83

 

CMYK 0 / 82 / 33 / 14

HEX #DC2894

RGB 220 40 148

HSL 324, 0.72%, 0.51%

LAB 50.54, 73.69, -15.11

 

CMYK 0 / 8 / 82 / 14

HEX #DCCA28

RGB 220 202 40

HSL 54, 0.72%, 0.51%

LAB 80.52, -9.69, 74.88

 

Description

Color code: HEX #28DC70 | qconv.com Color code: HEX #28DC70 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 220 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 220 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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