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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #289971 it is the complementary color #D7668E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #289971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #289971 shade: #2D996C, #3EAB7F, #4FBD92, #60CFA5 and #71E1B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #289971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #289971 shade: #289971, #17875E, #06754B, #006338 and #005125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #289971 shade: #279A71, #279A52, #279A33, #3A9A27 and #599A27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #289971 shade: #279A71, #279A90, #27849A, #27669A and #27479A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #289971 shade matches the following richer shades: #279A71, #18A976 and #08B97A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #289971 shade: #279A71, #378A6D, #477A68, #566B63 and #665B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #289971 shade: #279A33, #279A51, #279A70, #279A8E and #27879A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #289971 shade: #165841, #1F7959, #279A71, #30BA89 and #45CF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #289971 shade: #289971, #273A9A and #9A4227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #289971 shade: #289971, #70279A and #9A7027

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #289971 shade: #289971, #273A9A, #9A2751 and #9A8727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #289971 shade: #289971, #36279A, #9A2751 and #8A9A27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

Complementary color

CMYK 0 / 53 / 34 / 16

HEX #D7668E

RGB 215 102 142

HSL 338.76, 0.59%, 0.62%

LAB 57.94, 48.51, -0.6

 

CMYK 71 / 0 / 29 / 40

HEX #2D996C

RGB 45 153 108

HSL 155, 0.55%, 0.39%

LAB 56.51, -41.26, 15.04

 

CMYK 64 / 0 / 26 / 33

HEX #3EAB7F

RGB 62 171 127

HSL 155.78, 0.47%, 0.46%

LAB 63.08, -41.59, 13.68

 

CMYK 58 / 0 / 23 / 26

HEX #4FBD92

RGB 79 189 146

HSL 156.55, 0.45%, 0.53%

LAB 69.56, -41.72, 12.46

 

CMYK 54 / 0 / 20 / 19

HEX #60CFA5

RGB 96 207 165

HSL 157.3, 0.54%, 0.59%

LAB 75.96, -41.71, 11.34

 

CMYK 50 / 0 / 18 / 12

HEX #71E1B8

RGB 113 225 184

HSL 158.04, 0.65%, 0.66%

LAB 82.28, -41.63, 10.31

 

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

CMYK 83 / 0 / 30 / 47

HEX #17875E

RGB 23 135 94

HSL 158.04, 0.71%, 0.31%

LAB 49.88, -40.02, 13.75

 

CMYK 95 / 0 / 36 / 54

HEX #06754B

RGB 6 117 75

HSL 157.3, 0.9%, 0.24%

LAB 43.17, -38.62, 15.5

 

CMYK 100 / 0 / 43 / 61

HEX #006338

RGB 0 99 56

HSL 153.94, 1%, 0.19%

LAB 36.38, -36.28, 17.54

 

CMYK 100 / 0 / 54 / 68

HEX #005125

RGB 0 81 37

HSL 147.41, 1%, 0.16%

LAB 29.46, -33.22, 19.77

 

CMYK 75 / 0 / 27 / 40

HEX #279A71

RGB 39 154 113

HSL 158.61, 0.6%, 0.38%

LAB 56.82, -41.44, 12.64

 

CMYK 75 / 0 / 47 / 40

HEX #279A52

RGB 39 154 82

HSL 142.43, 0.6%, 0.38%

LAB 56.24, -47.85, 28.9

 

CMYK 75 / 0 / 67 / 40

HEX #279A33

RGB 39 154 51

HSL 126.26, 0.6%, 0.38%

LAB 55.87, -52.23, 43.65

 

CMYK 62 / 0 / 75 / 40

HEX #3A9A27

RGB 58 154 39

HSL 110.09, 0.6%, 0.38%

LAB 56.24, -49.45, 49.04

 

CMYK 42 / 0 / 75 / 40

HEX #599A27

RGB 89 154 39

HSL 93.91, 0.6%, 0.38%

LAB 57.45, -40.26, 50.64

 

CMYK 75 / 0 / 27 / 40

HEX #279A71

RGB 39 154 113

HSL 158.61, 0.6%, 0.38%

LAB 56.82, -41.44, 12.64

 

CMYK 75 / 0 / 6 / 40

HEX #279A90

RGB 39 154 144

HSL 174.78, 0.6%, 0.38%

LAB 57.61, -33.25, -3.8

 

CMYK 75 / 14 / 0 / 40

HEX #27849A

RGB 39 132 154

HSL 191.48, 0.6%, 0.38%

LAB 51, -19.06, -19.51

 

CMYK 75 / 34 / 0 / 40

HEX #27669A

RGB 39 102 154

HSL 207.13, 0.6%, 0.38%

LAB 41.64, -1.71, -34.06

 

CMYK 75 / 54 / 0 / 40

HEX #27479A

RGB 39 71 154

HSL 223.3, 0.6%, 0.38%

LAB 32.42, 18.55, -48.81

 

CMYK 75 / 0 / 27 / 40

HEX #279A71

RGB 39 154 113

HSL 158.61, 0.6%, 0.38%

LAB 56.82, -41.44, 12.64

 

CMYK 86 / 0 / 30 / 34

HEX #18A976

RGB 24 169 118

HSL 158.9, 0.75%, 0.38%

LAB 61.55, -48.01, 16.41

 

CMYK 96 / 0 / 34 / 27

HEX #08B97A

RGB 8 185 122

HSL 158.64, 0.92%, 0.38%

LAB 66.64, -54.11, 21.19

 

CMYK 75 / 0 / 27 / 40

HEX #279A71

RGB 39 154 113

HSL 158.61, 0.6%, 0.38%

LAB 56.82, -41.44, 12.64

 

CMYK 60 / 0 / 21 / 46

HEX #378A6D

RGB 55 138 109

HSL 159.04, 0.43%, 0.38%

LAB 51.94, -32.47, 8.12

 

CMYK 42 / 0 / 15 / 52

HEX #477A68

RGB 71 122 104

HSL 158.82, 0.26%, 0.38%

LAB 47.31, -21.67, 4.51

 

CMYK 20 / 0 / 7 / 58

HEX #566B63

RGB 86 107 99

HSL 157.14, 0.11%, 0.38%

LAB 43.35, -9.63, 1.89

 

CMYK 0 / 11 / 7 / 60

HEX #665B5F

RGB 102 91 95

HSL 338.18, 0.06%, 0.38%

LAB 39.8, 5.22, -0.68

 

CMYK 75 / 0 / 67 / 40

HEX #279A33

RGB 39 154 51

HSL 126.26, 0.6%, 0.38%

LAB 55.87, -52.23, 43.65

 

CMYK 75 / 0 / 47 / 40

HEX #279A51

RGB 39 154 81

HSL 141.91, 0.6%, 0.38%

LAB 56.22, -48.03, 29.41

 

CMYK 75 / 0 / 27 / 40

HEX #279A70

RGB 39 154 112

HSL 158.09, 0.6%, 0.38%

LAB 56.79, -41.68, 13.18

 

CMYK 75 / 0 / 8 / 40

HEX #279A8E

RGB 39 154 142

HSL 173.74, 0.6%, 0.38%

LAB 57.56, -33.83, -2.74

 

CMYK 75 / 12 / 0 / 40

HEX #27879A

RGB 39 135 154

HSL 189.91, 0.6%, 0.38%

LAB 51.94, -20.66, -18.07

 

CMYK 75 / 0 / 26 / 65

HEX #165841

RGB 22 88 65

HSL 159.09, 0.6%, 0.22%

LAB 32.99, -26.66, 7.51

 

CMYK 74 / 0 / 26 / 53

HEX #1F7959

RGB 31 121 89

HSL 158.67, 0.59%, 0.3%

LAB 45.2, -34.19, 10.17

 

CMYK 75 / 0 / 27 / 40

HEX #279A71

RGB 39 154 113

HSL 158.61, 0.6%, 0.38%

LAB 56.82, -41.44, 12.64

 

CMYK 74 / 0 / 26 / 27

HEX #30BA89

RGB 48 186 137

HSL 158.7, 0.59%, 0.46%

LAB 67.69, -47.83, 14.6

 

CMYK 67 / 0 / 24 / 19

HEX #45CF9E

RGB 69 207 158

HSL 158.7, 0.59%, 0.54%

LAB 75.05, -48.52, 13.68

 

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

CMYK 75 / 62 / 0 / 40

HEX #273A9A

RGB 39 58 154

HSL 230.09, 0.6%, 0.38%

LAB 28.88, 27.34, -54.56

 

CMYK 0 / 57 / 75 / 40

HEX #9A4227

RGB 154 66 39

HSL 14.09, 0.6%, 0.38%

LAB 39.43, 35.06, 33.85

 

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

CMYK 27 / 75 / 0 / 40

HEX #70279A

RGB 112 39 154

HSL 278.09, 0.6%, 0.38%

LAB 32.32, 50.91, -48.64

 

CMYK 0 / 27 / 75 / 40

HEX #9A7027

RGB 154 112 39

HSL 38.09, 0.6%, 0.38%

LAB 50.22, 9.39, 45.11

 

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

CMYK 75 / 62 / 0 / 40

HEX #273A9A

RGB 39 58 154

HSL 230.09, 0.6%, 0.38%

LAB 28.88, 27.34, -54.56

 

CMYK 0 / 75 / 47 / 40

HEX #9A2751

RGB 154 39 81

HSL 338.09, 0.6%, 0.38%

LAB 35.82, 50.03, 3.25

 

CMYK 0 / 12 / 75 / 40

HEX #9A8727

RGB 154 135 39

HSL 50.09, 0.6%, 0.38%

LAB 56.43, -3.56, 51.22

 

CMYK 74 / 0 / 26 / 40

HEX #289971

RGB 40 153 113

HSL 158.76, 0.59%, 0.38%

LAB 56.51, -40.87, 12.22

 

CMYK 65 / 75 / 0 / 40

HEX #36279A

RGB 54 39 154

HSL 247.83, 0.6%, 0.38%

LAB 25.47, 41.11, -60.11

 

CMYK 0 / 75 / 47 / 40

HEX #9A2751

RGB 154 39 81

HSL 338.09, 0.6%, 0.38%

LAB 35.82, 50.03, 3.25

 

CMYK 10 / 0 / 75 / 40

HEX #8A9A27

RGB 138 154 39

HSL 68.35, 0.6%, 0.38%

LAB 60.48, -20.8, 54.63

 

Description

Color code: HEX #289971 | qconv.com Color code: HEX #289971 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 153 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 153 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 26 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 26% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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