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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #289921 it is the complementary color #D766DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #289921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #289921 shade: #2D991C, #3EAB2F, #4FBD42, #60CF55 and #71E168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #289921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #289921 shade: #289921, #17870E, #067500, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #289921 shade: #279720, #479720, #679720, #879720 and #978720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #289921 shade: #279720, #209739, #209759, #209779 and #209597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #289921 shade matches the following richer shades: #279720, #19A611 and #0CB502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #289921 shade: #279720, #34882E, #41793D, #4E6A4C and #5B5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #289921 shade: #679720, #479720, #289720, #209737 and #209757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #289921 shade: #155311, #1E7518, #279720, #2FB927 and #3FD435

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #289921 shade: #289921, #208797 and #972057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #289921 shade: #289921, #202897 and #972028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #289921 shade: #289921, #208797, #8F2097 and #973020

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #289921 shade: #289921, #206397, #8F2097 and #975320

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

Complementary color

CMYK 3 / 54 / 0 / 13

HEX #D766DE

RGB 215 102 222

HSL 296.5, 0.65%, 0.64%

LAB 60.98, 60.65, -41.78

 

CMYK 71 / 0 / 82 / 40

HEX #2D991C

RGB 45 153 28

HSL 111.84, 0.69%, 0.35%

LAB 55.51, -52.71, 51.9

 

CMYK 64 / 0 / 73 / 33

HEX #3EAB2F

RGB 62 171 47

HSL 112.74, 0.57%, 0.43%

LAB 61.96, -53.97, 51.89

 

CMYK 58 / 0 / 65 / 26

HEX #4FBD42

RGB 79 189 66

HSL 113.66, 0.48%, 0.5%

LAB 68.35, -54.71, 51.18

 

CMYK 54 / 0 / 59 / 19

HEX #60CF55

RGB 96 207 85

HSL 114.59, 0.56%, 0.57%

LAB 74.68, -55.12, 50.15

 

CMYK 50 / 0 / 54 / 12

HEX #71E168

RGB 113 225 104

HSL 115.54, 0.67%, 0.65%

LAB 80.94, -55.29, 48.98

 

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

CMYK 83 / 0 / 90 / 47

HEX #17870E

RGB 23 135 14

HSL 115.54, 0.81%, 0.29%

LAB 48.94, -51.19, 49.46

 

CMYK 95 / 0 / 100 / 54

HEX #067500

RGB 6 117 0

HSL 116.92, 1%, 0.23%

LAB 42.4, -47.93, 46.85

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 74 / 0 / 79 / 41

HEX #279720

RGB 39 151 32

HSL 116.47, 0.65%, 0.36%

LAB 54.73, -52.9, 49.85

 

CMYK 53 / 0 / 79 / 41

HEX #479720

RGB 71 151 32

HSL 100.34, 0.65%, 0.36%

LAB 55.66, -45.3, 51.07

 

CMYK 32 / 0 / 79 / 41

HEX #679720

RGB 103 151 32

HSL 84.2, 0.65%, 0.36%

LAB 57.19, -34.21, 53.06

 

CMYK 11 / 0 / 79 / 41

HEX #879720

RGB 135 151 32

HSL 68.07, 0.65%, 0.36%

LAB 59.33, -20.91, 55.82

 

CMYK 0 / 11 / 79 / 41

HEX #978720

RGB 151 135 32

HSL 51.93, 0.65%, 0.36%

LAB 56.1, -5.24, 53.37

 

CMYK 74 / 0 / 79 / 41

HEX #279720

RGB 39 151 32

HSL 116.47, 0.65%, 0.36%

LAB 54.73, -52.9, 49.85

 

CMYK 79 / 0 / 62 / 41

HEX #209739

RGB 32 151 57

HSL 132.61, 0.65%, 0.36%

LAB 54.8, -51.57, 39.7

 

CMYK 79 / 0 / 41 / 41

HEX #209759

RGB 32 151 89

HSL 148.74, 0.65%, 0.36%

LAB 55.24, -46.41, 23.81

 

CMYK 79 / 0 / 20 / 41

HEX #209779

RGB 32 151 121

HSL 164.87, 0.65%, 0.36%

LAB 55.91, -39.07, 6.81

 

CMYK 79 / 1 / 0 / 41

HEX #209597

RGB 32 149 151

HSL 181.01, 0.65%, 0.36%

LAB 56.12, -29.56, -10.03

 

CMYK 74 / 0 / 79 / 41

HEX #279720

RGB 39 151 32

HSL 116.47, 0.65%, 0.36%

LAB 54.73, -52.9, 49.85

 

CMYK 85 / 0 / 90 / 35

HEX #19A611

RGB 25 166 17

HSL 116.78, 0.81%, 0.36%

LAB 59.45, -60.3, 58.01

 

CMYK 93 / 0 / 99 / 29

HEX #0CB502

RGB 12 181 2

HSL 116.65, 0.98%, 0.36%

LAB 64.27, -66.01, 64.13

 

CMYK 74 / 0 / 79 / 41

HEX #279720

RGB 39 151 32

HSL 116.47, 0.65%, 0.36%

LAB 54.73, -52.9, 49.85

 

CMYK 62 / 0 / 66 / 47

HEX #34882E

RGB 52 136 46

HSL 116, 0.49%, 0.36%

LAB 50.14, -43.56, 39.67

 

CMYK 46 / 0 / 50 / 53

HEX #41793D

RGB 65 121 61

HSL 116, 0.33%, 0.36%

LAB 45.82, -31.53, 27.17

 

CMYK 26 / 0 / 28 / 58

HEX #4E6A4C

RGB 78 106 76

HSL 116, 0.16%, 0.36%

LAB 41.92, -16.81, 13.61

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 32 / 0 / 79 / 41

HEX #679720

RGB 103 151 32

HSL 84.2, 0.65%, 0.36%

LAB 57.19, -34.21, 53.06

 

CMYK 53 / 0 / 79 / 41

HEX #479720

RGB 71 151 32

HSL 100.34, 0.65%, 0.36%

LAB 55.66, -45.3, 51.07

 

CMYK 74 / 0 / 79 / 41

HEX #289720

RGB 40 151 32

HSL 115.97, 0.65%, 0.36%

LAB 54.75, -52.72, 49.88

 

CMYK 79 / 0 / 64 / 41

HEX #209737

RGB 32 151 55

HSL 131.6, 0.65%, 0.36%

LAB 54.78, -51.82, 40.61

 

CMYK 79 / 0 / 42 / 41

HEX #209757

RGB 32 151 87

HSL 147.73, 0.65%, 0.36%

LAB 55.2, -46.8, 24.85

 

CMYK 75 / 0 / 80 / 67

HEX #155311

RGB 21 83 17

HSL 116.36, 0.66%, 0.2%

LAB 30.37, -33.45, 31.18

 

CMYK 74 / 0 / 79 / 54

HEX #1E7518

RGB 30 117 24

HSL 116.13, 0.66%, 0.28%

LAB 42.86, -43.51, 40.99

 

CMYK 74 / 0 / 79 / 41

HEX #279720

RGB 39 151 32

HSL 116.47, 0.65%, 0.36%

LAB 54.73, -52.9, 49.85

 

CMYK 75 / 0 / 79 / 27

HEX #2FB927

RGB 47 185 39

HSL 116.71, 0.65%, 0.44%

LAB 66.1, -62.09, 58.6

 

CMYK 70 / 0 / 75 / 17

HEX #3FD435

RGB 63 212 53

HSL 116.23, 0.65%, 0.52%

LAB 75.08, -67.02, 62.97

 

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

CMYK 79 / 11 / 0 / 41

HEX #208797

RGB 32 135 151

HSL 188.07, 0.65%, 0.36%

LAB 51.69, -22.49, -16.72

 

CMYK 0 / 79 / 42 / 41

HEX #972057

RGB 151 32 87

HSL 332.27, 0.65%, 0.36%

LAB 34.6, 52.09, -2.47

 

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

CMYK 79 / 74 / 0 / 41

HEX #202897

RGB 32 40 151

HSL 235.97, 0.65%, 0.36%

LAB 23.87, 37.15, -60.97

 

CMYK 0 / 79 / 74 / 41

HEX #972028

RGB 151 32 40

HSL 355.97, 0.65%, 0.36%

LAB 33.49, 48.6, 26.39

 

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

CMYK 79 / 11 / 0 / 41

HEX #208797

RGB 32 135 151

HSL 188.07, 0.65%, 0.36%

LAB 51.69, -22.49, -16.72

 

CMYK 5 / 79 / 0 / 41

HEX #8F2097

RGB 143 32 151

HSL 295.97, 0.65%, 0.36%

LAB 36.19, 59.11, -40.33

 

CMYK 0 / 68 / 79 / 41

HEX #973020

RGB 151 48 32

HSL 8.07, 0.65%, 0.36%

LAB 35.59, 42.18, 33.48

 

CMYK 74 / 0 / 78 / 40

HEX #289921

RGB 40 153 33

HSL 116.5, 0.65%, 0.36%

LAB 55.42, -53.32, 50.2

 

CMYK 79 / 34 / 0 / 41

HEX #206397

RGB 32 99 151

HSL 206.22, 0.65%, 0.36%

LAB 40.35, -1.9, -34.31

 

CMYK 5 / 79 / 0 / 41

HEX #8F2097

RGB 143 32 151

HSL 295.97, 0.65%, 0.36%

LAB 36.19, 59.11, -40.33

 

CMYK 0 / 45 / 79 / 41

HEX #975320

RGB 151 83 32

HSL 25.71, 0.65%, 0.36%

LAB 42.57, 24.3, 40.56

 

Description

Color code: HEX #289921 | qconv.com Color code: HEX #289921 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 153 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 153 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 78 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 78% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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