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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28710E it is the complementary color #D78EF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28710E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28710E shade: #2D7109, #3E831C, #4F952F, #60A742 and #71B955

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28710E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28710E shade: #28710E, #175F00, #064D00, #003B00 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28710E shade: #28710E, #42710E, #5D710E, #716A0E and #714F0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28710E shade: #28710E, #0E710E, #0E7129, #0E7144 and #0E715F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28710E shade matches the following richer shades: #28710E and #237B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28710E shade: #28710E, #2D6718, #315C22, #36522C and #3B4837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28710E shade: #5D710E, #43710E, #28710E, #0E710E and #0E7128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28710E shade: #0E2804, #1B4C09, #28710E, #359612 and #42BA17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28710E shade: #28710E, #0E716A and #710E50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28710E shade: #28710E, #0E2871 and #710E28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28710E shade: #28710E, #0E716A, #560E71 and #710E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28710E shade: #28710E, #0E5A71, #560E71 and #71250E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

Complementary color

CMYK 11 / 41 / 0 / 5

HEX #D78EF1

RGB 215 142 241

HSL 284.24, 0.78%, 0.75%

LAB 69.57, 44.18, -38.86

 

CMYK 60 / 0 / 92 / 56

HEX #2D7109

RGB 45 113 9

HSL 99.23, 0.85%, 0.24%

LAB 41.83, -39.3, 44.58

 

CMYK 53 / 0 / 79 / 49

HEX #3E831C

RGB 62 131 28

HSL 100.19, 0.65%, 0.31%

LAB 48.69, -40.34, 45.59

 

CMYK 47 / 0 / 68 / 42

HEX #4F952F

RGB 79 149 47

HSL 101.18, 0.52%, 0.38%

LAB 55.44, -40.87, 45.27

 

CMYK 43 / 0 / 60 / 35

HEX #60A742

RGB 96 167 66

HSL 102.18, 0.43%, 0.46%

LAB 62.1, -41.1, 44.39

 

CMYK 39 / 0 / 54 / 27

HEX #71B955

RGB 113 185 85

HSL 103.2, 0.42%, 0.53%

LAB 68.65, -41.15, 43.27

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 76 / 0 / 100 / 63

HEX #175F00

RGB 23 95 0

HSL 105.47, 1%, 0.19%

LAB 34.73, -38.54, 40.84

 

CMYK 92 / 0 / 100 / 70

HEX #064D00

RGB 6 77 0

HSL 115.32, 1%, 0.15%

LAB 27.7, -35.26, 35.05

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 42 / 0 / 88 / 56

HEX #42710E

RGB 66 113 14

HSL 88.48, 0.78%, 0.25%

LAB 42.76, -32.08, 44.54

 

CMYK 18 / 0 / 88 / 56

HEX #5D710E

RGB 93 113 14

HSL 72.12, 0.78%, 0.25%

LAB 44.47, -20.76, 46.7

 

CMYK 0 / 6 / 88 / 56

HEX #716A0E

RGB 113 106 14

HSL 55.76, 0.78%, 0.25%

LAB 44.02, -7.56, 46.98

 

CMYK 0 / 30 / 88 / 56

HEX #714F0E

RGB 113 79 14

HSL 39.39, 0.78%, 0.25%

LAB 36.24, 8.36, 40.4

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 0 / 88 / 56

HEX #0E710E

RGB 14 113 14

HSL 120, 0.78%, 0.25%

LAB 41.11, -45.28, 42.44

 

CMYK 88 / 0 / 64 / 56

HEX #0E7129

RGB 14 113 41

HSL 136.36, 0.78%, 0.25%

LAB 41.32, -42.73, 31.87

 

CMYK 88 / 0 / 40 / 56

HEX #0E7144

RGB 14 113 68

HSL 152.73, 0.78%, 0.25%

LAB 41.72, -37.93, 17.64

 

CMYK 88 / 0 / 16 / 56

HEX #0E715F

RGB 14 113 95

HSL 169.09, 0.78%, 0.25%

LAB 42.35, -31.02, 2.5

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 72 / 0 / 98 / 52

HEX #237B03

RGB 35 123 3

HSL 104, 0.95%, 0.25%

LAB 44.98, -45.65, 48.45

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 56 / 0 / 77 / 60

HEX #2D6718

RGB 45 103 24

HSL 104.05, 0.62%, 0.25%

LAB 38.42, -34.41, 36.71

 

CMYK 47 / 0 / 63 / 64

HEX #315C22

RGB 49 92 34

HSL 104.48, 0.46%, 0.25%

LAB 34.85, -27.17, 28.25

 

CMYK 34 / 0 / 46 / 68

HEX #36522C

RGB 54 82 44

HSL 104.21, 0.3%, 0.25%

LAB 31.81, -18.81, 19.01

 

CMYK 18 / 0 / 24 / 72

HEX #3B4837

RGB 59 72 55

HSL 105.88, 0.13%, 0.25%

LAB 29.01, -9.04, 8.51

 

CMYK 18 / 0 / 88 / 56

HEX #5D710E

RGB 93 113 14

HSL 72.12, 0.78%, 0.25%

LAB 44.47, -20.76, 46.7

 

CMYK 41 / 0 / 88 / 56

HEX #43710E

RGB 67 113 14

HSL 87.88, 0.78%, 0.25%

LAB 42.82, -31.7, 44.61

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 0 / 88 / 56

HEX #0E710E

RGB 14 113 14

HSL 120, 0.78%, 0.25%

LAB 41.11, -45.28, 42.44

 

CMYK 88 / 0 / 65 / 56

HEX #0E7128

RGB 14 113 40

HSL 135.76, 0.78%, 0.25%

LAB 41.31, -42.86, 32.35

 

CMYK 65 / 0 / 90 / 84

HEX #0E2804

RGB 14 40 4

HSL 103.33, 0.82%, 0.09%

LAB 13.35, -18.36, 17.63

 

CMYK 64 / 0 / 88 / 70

HEX #1B4C09

RGB 27 76 9

HSL 103.88, 0.79%, 0.17%

LAB 27.9, -29.73, 31.91

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 65 / 0 / 88 / 41

HEX #359612

RGB 53 150 18

HSL 104.09, 0.79%, 0.33%

LAB 54.67, -50.46, 53.85

 

CMYK 65 / 0 / 88 / 27

HEX #42BA17

RGB 66 186 23

HSL 104.17, 0.78%, 0.41%

LAB 66.78, -59.6, 63.48

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 0 / 6 / 56

HEX #0E716A

RGB 14 113 106

HSL 175.76, 0.78%, 0.25%

LAB 42.68, -27.7, -3.65

 

CMYK 0 / 88 / 29 / 56

HEX #710E50

RGB 113 14 80

HSL 320, 0.78%, 0.25%

LAB 24.96, 46.28, -13.12

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 65 / 0 / 56

HEX #0E2871

RGB 14 40 113

HSL 224.24, 0.78%, 0.25%

LAB 19.24, 20.87, -44.69

 

CMYK 0 / 88 / 65 / 56

HEX #710E28

RGB 113 14 40

HSL 344.24, 0.78%, 0.25%

LAB 23.6, 42.34, 12.29

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 0 / 6 / 56

HEX #0E716A

RGB 14 113 106

HSL 175.76, 0.78%, 0.25%

LAB 42.68, -27.7, -3.65

 

CMYK 24 / 88 / 0 / 56

HEX #560E71

RGB 86 14 113

HSL 283.64, 0.78%, 0.25%

LAB 21.89, 46.02, -40.05

 

CMYK 0 / 88 / 82 / 56

HEX #710E14

RGB 113 14 20

HSL 356.36, 0.78%, 0.25%

LAB 23.25, 41.31, 25.3

 

CMYK 65 / 0 / 88 / 56

HEX #28710E

RGB 40 113 14

HSL 104.24, 0.78%, 0.25%

LAB 41.68, -40.44, 43.16

 

CMYK 88 / 20 / 0 / 56

HEX #0E5A71

RGB 14 90 113

HSL 193.94, 0.78%, 0.25%

LAB 35.2, -12.93, -19.26

 

CMYK 24 / 88 / 0 / 56

HEX #560E71

RGB 86 14 113

HSL 283.64, 0.78%, 0.25%

LAB 21.89, 46.02, -40.05

 

CMYK 0 / 67 / 88 / 56

HEX #71250E

RGB 113 37 14

HSL 13.94, 0.78%, 0.25%

LAB 26.35, 32.41, 31.74

 

Description

Color code: HEX #28710E | qconv.com Color code: HEX #28710E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 113 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 113 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 88 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 88% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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