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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #286CE0 it is the complementary color #D7931F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #286CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #286CE0 shade: #2D6CDB, #3E7EEE, #4F90FF, #60A2FF and #71B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #286CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #286CE0 shade: #286CE0, #175ACD, #0648BA, #0036A7 and #002494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #286CE0 shade: #286CE0, #283BE0, #4728E0, #7928E0 and #AB28E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #286CE0 shade: #286CE0, #283BE0 and #2828E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #286CE0 shade matches the following richer shades: #286CE0 and #1467F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #286CE0 shade: #286CE0, #3C71CC, #5076B8, #647CA4 and #788191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #286CE0 shade: #28D1E0, #28A0E0, #286FE0, #283EE0 and #4428E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #286CE0 shade: #16499F, #1B5AC3, #286CE0, #4C85E5 and #719DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #286CE0 shade: #286CE0, #BE28E0 and #B8E028

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #286CE0 shade: #286CE0, #E0286F and #6FE028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #286CE0 shade: #286CE0, #BE28E0, #E09A28 and #4AE028

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #286CE0 shade: #286CE0, #E028CA, #E09A28 and #28E03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

Complementary color

CMYK 0 / 32 / 86 / 16

HEX #D7931F

RGB 215 147 31

HSL 37.83, 0.75%, 0.48%

LAB 66.07, 16.86, 65.01

 

CMYK 79 / 51 / 0 / 14

HEX #2D6CDB

RGB 45 108 219

HSL 218.28, 0.71%, 0.52%

LAB 47.49, 19.86, -62.46

 

CMYK 74 / 47 / 0 / 7

HEX #3E7EEE

RGB 62 126 238

HSL 218.18, 0.84%, 0.59%

LAB 54.15, 17.46, -62.36

 

CMYK 69 / 44 / 0 / 0

HEX #4F90FF

RGB 79 144 255

HSL 217.84, 1%, 0.65%

LAB 60.63, 14.79, -61.32

 

CMYK 62 / 36 / 0 / 0

HEX #60A2FF

RGB 96 162 255

HSL 215.09, 1%, 0.69%

LAB 66.17, 6.88, -52.46

 

CMYK 56 / 29 / 0 / 0

HEX #71B4FF

RGB 113 180 255

HSL 211.69, 1%, 0.72%

LAB 71.81, -0.13, -43.54

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 89 / 56 / 0 / 20

HEX #175ACD

RGB 23 90 205

HSL 217.91, 0.8%, 0.45%

LAB 41.06, 24.43, -64.91

 

CMYK 97 / 61 / 0 / 27

HEX #0648BA

RGB 6 72 186

HSL 218, 0.94%, 0.38%

LAB 34.43, 28.15, -64.67

 

CMYK 100 / 68 / 0 / 35

HEX #0036A7

RGB 0 54 167

HSL 220.6, 1%, 0.33%

LAB 27.92, 32.46, -64.05

 

CMYK 100 / 76 / 0 / 42

HEX #002494

RGB 0 36 148

HSL 225.41, 1%, 0.29%

LAB 21.58, 36.84, -62.93

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 82 / 74 / 0 / 12

HEX #283BE0

RGB 40 59 224

HSL 233.8, 0.75%, 0.52%

LAB 35.91, 51.72, -84.27

 

CMYK 68 / 82 / 0 / 12

HEX #4728E0

RGB 71 40 224

HSL 250.11, 0.75%, 0.52%

LAB 34.48, 63.1, -86.59

 

CMYK 46 / 82 / 0 / 12

HEX #7928E0

RGB 121 40 224

HSL 266.41, 0.75%, 0.52%

LAB 39.52, 68.14, -78.09

 

CMYK 24 / 82 / 0 / 12

HEX #AB28E0

RGB 171 40 224

HSL 282.72, 0.75%, 0.52%

LAB 46.39, 75.29, -66.59

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 82 / 74 / 0 / 12

HEX #283BE0

RGB 40 59 224

HSL 233.8, 0.75%, 0.52%

LAB 35.91, 51.72, -84.27

 

CMYK 82 / 82 / 0 / 12

HEX #2828E0

RGB 40 40 224

HSL 240, 0.75%, 0.52%

LAB 32.59, 61.28, -89.77

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 92 / 58 / 0 / 4

HEX #1467F4

RGB 20 103 244

HSL 217.77, 0.91%, 0.52%

LAB 47.47, 30.92, -76.6

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 71 / 45 / 0 / 20

HEX #3C71CC

RGB 60 113 204

HSL 217.92, 0.59%, 0.52%

LAB 48.42, 12.95, -52.39

 

CMYK 57 / 36 / 0 / 28

HEX #5076B8

RGB 80 118 184

HSL 218.08, 0.42%, 0.52%

LAB 49.64, 6.49, -38.9

 

CMYK 39 / 24 / 0 / 36

HEX #647CA4

RGB 100 124 164

HSL 217.5, 0.26%, 0.52%

LAB 51.62, 1.74, -24.15

 

CMYK 17 / 11 / 0 / 43

HEX #788191

RGB 120 129 145

HSL 218.4, 0.1%, 0.52%

LAB 53.75, 0.22, -9.73

 

CMYK 82 / 7 / 0 / 12

HEX #28D1E0

RGB 40 209 224

HSL 184.89, 0.75%, 0.52%

LAB 76.94, -35.1, -19.09

 

CMYK 82 / 29 / 0 / 12

HEX #28A0E0

RGB 40 160 224

HSL 200.87, 0.75%, 0.52%

LAB 62.49, -10.02, -41.37

 

CMYK 82 / 50 / 0 / 12

HEX #286FE0

RGB 40 111 224

HSL 216.85, 0.75%, 0.52%

LAB 48.51, 19.39, -63.64

 

CMYK 82 / 72 / 0 / 12

HEX #283EE0

RGB 40 62 224

HSL 232.83, 0.75%, 0.52%

LAB 36.51, 50.02, -83.27

 

CMYK 70 / 82 / 0 / 12

HEX #4428E0

RGB 68 40 224

HSL 249.13, 0.75%, 0.52%

LAB 34.25, 62.88, -86.97

 

CMYK 86 / 54 / 0 / 38

HEX #16499F

RGB 22 73 159

HSL 217.66, 0.76%, 0.35%

LAB 32.79, 17.37, -51.26

 

CMYK 86 / 54 / 0 / 24

HEX #1B5AC3

RGB 27 90 195

HSL 217.5, 0.76%, 0.44%

LAB 40.39, 20.75, -60.22

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 67 / 42 / 0 / 10

HEX #4C85E5

RGB 76 133 229

HSL 217.65, 0.75%, 0.6%

LAB 56.06, 11.94, -54.27

 

CMYK 52 / 33 / 0 / 8

HEX #719DEA

RGB 113 157 234

HSL 218.18, 0.74%, 0.68%

LAB 64.62, 6.47, -43.37

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 15 / 82 / 0 / 12

HEX #BE28E0

RGB 190 40 224

HSL 288.91, 0.75%, 0.52%

LAB 49.31, 78.4, -61.72

 

CMYK 18 / 0 / 82 / 12

HEX #B8E028

RGB 184 224 40

HSL 73.04, 0.75%, 0.52%

LAB 83.79, -35.27, 76.62

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 0 / 82 / 50 / 12

HEX #E0286F

RGB 224 40 111

HSL 336.85, 0.75%, 0.52%

LAB 50.11, 71.25, 6.71

 

CMYK 50 / 0 / 82 / 12

HEX #6FE028

RGB 111 224 40

HSL 96.85, 0.75%, 0.52%

LAB 80.09, -60.67, 71.94

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 15 / 82 / 0 / 12

HEX #BE28E0

RGB 190 40 224

HSL 288.91, 0.75%, 0.52%

LAB 49.31, 78.4, -61.72

 

CMYK 0 / 31 / 82 / 12

HEX #E09A28

RGB 224 154 40

HSL 37.17, 0.75%, 0.52%

LAB 68.83, 17.22, 64.99

 

CMYK 67 / 0 / 82 / 12

HEX #4AE028

RGB 74 224 40

HSL 108.91, 0.75%, 0.52%

LAB 79, -69.55, 70.54

 

CMYK 82 / 52 / 0 / 12

HEX #286CE0

RGB 40 108 224

HSL 217.83, 0.75%, 0.52%

LAB 47.7, 21.3, -64.96

 

CMYK 0 / 82 / 10 / 12

HEX #E028CA

RGB 224 40 202

HSL 307.17, 0.75%, 0.52%

LAB 53.63, 81.19, -41.91

 

CMYK 0 / 31 / 82 / 12

HEX #E09A28

RGB 224 154 40

HSL 37.17, 0.75%, 0.52%

LAB 68.83, 17.22, 64.99

 

CMYK 82 / 0 / 72 / 12

HEX #28E03E

RGB 40 224 62

HSL 127.17, 0.75%, 0.52%

LAB 78.53, -73.17, 63.23

 

Description

Color code: HEX #286CE0 | qconv.com Color code: HEX #286CE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 108 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 108 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 52 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 52% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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