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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278EC7 it is the complementary color #D87138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278EC7 shade: #2C8EC2, #3DA0D5, #4EB2E8, #5FC4FB and #70D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278EC7 shade: #278EC7, #167CB4, #056AA1, #00588E and #00467B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278EC7 shade: #278EC8, #2763C8, #2738C8, #4227C8 and #6D27C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278EC7 shade: #278EC8, #2763C8, #2738C8 and #2727C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278EC7 shade matches the following richer shades: #278EC8, #1494DB and #009AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278EC7 shade: #278EC8, #3A89B4, #4E83A1, #617E8D and #75787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278EC7 shade: #27C8AA, #27BAC8, #278FC8, #2765C8 and #273AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278EC7 shade: #195D83, #2076A5, #278EC8, #3FA2D9 and #62B3E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278EC7 shade: #278EC7, #7F27C8 and #C8C027

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278EC7 shade: #278EC7, #C8278F and #8FC827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278EC7 shade: #278EC7, #7F27C8, #C85F27 and #6FC827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278EC7 shade: #278EC7, #B027C8, #C85F27 and #3FC827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

Complementary color

CMYK 0 / 48 / 74 / 15

HEX #D87138

RGB 216 113 56

HSL 21.38, 0.67%, 0.53%

LAB 58.69, 36.23, 48.46

 

CMYK 77 / 27 / 0 / 24

HEX #2C8EC2

RGB 44 142 194

HSL 200.8, 0.63%, 0.47%

LAB 55.86, -10.15, -34.94

 

CMYK 71 / 25 / 0 / 16

HEX #3DA0D5

RGB 61 160 213

HSL 200.92, 0.64%, 0.54%

LAB 62.46, -11.5, -35.29

 

CMYK 66 / 23 / 0 / 9

HEX #4EB2E8

RGB 78 178 232

HSL 201.04, 0.77%, 0.61%

LAB 68.96, -12.56, -35.6

 

CMYK 62 / 22 / 0 / 2

HEX #5FC4FB

RGB 95 196 251

HSL 201.15, 0.95%, 0.68%

LAB 75.38, -13.41, -35.88

 

CMYK 56 / 16 / 0 / 0

HEX #70D6FF

RGB 112 214 255

HSL 197.2, 1%, 0.72%

LAB 81.16, -18.47, -29.06

 

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

CMYK 88 / 31 / 0 / 29

HEX #167CB4

RGB 22 124 180

HSL 201.27, 0.78%, 0.4%

LAB 49.35, -6.9, -37.18

 

CMYK 97 / 34 / 0 / 37

HEX #056AA1

RGB 5 106 161

HSL 201.15, 0.94%, 0.33%

LAB 42.63, -4.36, -36.69

 

CMYK 100 / 38 / 0 / 44

HEX #00588E

RGB 0 88 142

HSL 202.82, 1%, 0.28%

LAB 35.85, -1.04, -36.05

 

CMYK 100 / 43 / 0 / 52

HEX #00467B

RGB 0 70 123

HSL 205.85, 1%, 0.24%

LAB 28.93, 2.8, -35.38

 

CMYK 81 / 29 / 0 / 22

HEX #278EC8

RGB 39 142 200

HSL 201.61, 0.67%, 0.47%

LAB 56.04, -8.54, -38.08

 

CMYK 81 / 51 / 0 / 22

HEX #2763C8

RGB 39 99 200

HSL 217.64, 0.67%, 0.47%

LAB 43.54, 17.82, -57.98

 

CMYK 81 / 72 / 0 / 22

HEX #2738C8

RGB 39 56 200

HSL 233.66, 0.67%, 0.47%

LAB 32.77, 45.26, -75.6

 

CMYK 67 / 81 / 0 / 22

HEX #4227C8

RGB 66 39 200

HSL 250.06, 0.67%, 0.47%

LAB 31.3, 56.34, -77.97

 

CMYK 46 / 81 / 0 / 22

HEX #6D27C8

RGB 109 39 200

HSL 266.09, 0.67%, 0.47%

LAB 35.74, 61.21, -70.5

 

CMYK 81 / 29 / 0 / 22

HEX #278EC8

RGB 39 142 200

HSL 201.61, 0.67%, 0.47%

LAB 56.04, -8.54, -38.08

 

CMYK 81 / 51 / 0 / 22

HEX #2763C8

RGB 39 99 200

HSL 217.64, 0.67%, 0.47%

LAB 43.54, 17.82, -57.98

 

CMYK 81 / 72 / 0 / 22

HEX #2738C8

RGB 39 56 200

HSL 233.66, 0.67%, 0.47%

LAB 32.77, 45.26, -75.6

 

CMYK 81 / 81 / 0 / 22

HEX #2727C8

RGB 39 39 200

HSL 240, 0.67%, 0.47%

LAB 29.54, 54.43, -80.93

 

CMYK 81 / 29 / 0 / 22

HEX #278EC8

RGB 39 142 200

HSL 201.61, 0.67%, 0.47%

LAB 56.04, -8.54, -38.08

 

CMYK 91 / 32 / 0 / 14

HEX #1494DB

RGB 20 148 219

HSL 201.41, 0.83%, 0.47%

LAB 58.46, -6.38, -44.96

 

CMYK 100 / 35 / 0 / 7

HEX #009AEE

RGB 0 154 238

HSL 201.18, 1%, 0.47%

LAB 61.03, -3.4, -51.43

 

CMYK 81 / 29 / 0 / 22

HEX #278EC8

RGB 39 142 200

HSL 201.61, 0.67%, 0.47%

LAB 56.04, -8.54, -38.08

 

CMYK 68 / 24 / 0 / 29

HEX #3A89B4

RGB 58 137 180

HSL 201.15, 0.51%, 0.47%

LAB 54.12, -10.25, -29.66

 

CMYK 52 / 19 / 0 / 37

HEX #4E83A1

RGB 78 131 161

HSL 201.69, 0.35%, 0.47%

LAB 52.31, -8.98, -21.44

 

CMYK 31 / 11 / 0 / 45

HEX #617E8D

RGB 97 126 141

HSL 200.45, 0.18%, 0.47%

LAB 51.14, -6.57, -11.48

 

CMYK 4 / 2 / 0 / 52

HEX #75787A

RGB 117 120 122

HSL 204, 0.02%, 0.47%

LAB 50.24, -0.71, -1.49

 

CMYK 81 / 0 / 15 / 22

HEX #27C8AA

RGB 39 200 170

HSL 168.82, 0.67%, 0.47%

LAB 72.66, -46.51, 3.73

 

CMYK 81 / 7 / 0 / 22

HEX #27BAC8

RGB 39 186 200

HSL 185.22, 0.67%, 0.47%

LAB 69.27, -31.63, -17.67

 

CMYK 81 / 29 / 0 / 22

HEX #278FC8

RGB 39 143 200

HSL 201.24, 0.67%, 0.47%

LAB 56.33, -9.11, -37.61

 

CMYK 81 / 50 / 0 / 22

HEX #2765C8

RGB 39 101 200

HSL 216.89, 0.67%, 0.47%

LAB 44.1, 16.53, -57.08

 

CMYK 81 / 71 / 0 / 22

HEX #273AC8

RGB 39 58 200

HSL 232.92, 0.67%, 0.47%

LAB 33.19, 44.07, -74.89

 

CMYK 81 / 29 / 0 / 49

HEX #195D83

RGB 25 93 131

HSL 201.51, 0.68%, 0.31%

LAB 37.25, -6.71, -27.12

 

CMYK 81 / 28 / 0 / 35

HEX #2076A5

RGB 32 118 165

HSL 201.2, 0.68%, 0.39%

LAB 46.95, -8.12, -32.22

 

CMYK 81 / 29 / 0 / 22

HEX #278EC8

RGB 39 142 200

HSL 201.61, 0.67%, 0.47%

LAB 56.04, -8.54, -38.08

 

CMYK 71 / 25 / 0 / 15

HEX #3FA2D9

RGB 63 162 217

HSL 201.43, 0.67%, 0.55%

LAB 63.27, -10.99, -36.24

 

CMYK 56 / 20 / 0 / 12

HEX #62B3E0

RGB 98 179 224

HSL 201.43, 0.67%, 0.63%

LAB 69.63, -12.02, -30.14

 

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

CMYK 37 / 81 / 0 / 22

HEX #7F27C8

RGB 127 39 200

HSL 272.8, 0.67%, 0.47%

LAB 38.08, 63.81, -66.57

 

CMYK 0 / 4 / 81 / 22

HEX #C8C027

RGB 200 192 39

HSL 57.02, 0.67%, 0.47%

LAB 76.15, -13.24, 70.71

 

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

CMYK 0 / 81 / 29 / 22

HEX #C8278F

RGB 200 39 143

HSL 321.24, 0.67%, 0.47%

LAB 46.6, 68.73, -18.44

 

CMYK 29 / 0 / 81 / 22

HEX #8FC827

RGB 143 200 39

HSL 81.24, 0.67%, 0.47%

LAB 74.38, -40.47, 67.61

 

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

CMYK 37 / 81 / 0 / 22

HEX #7F27C8

RGB 127 39 200

HSL 272.8, 0.67%, 0.47%

LAB 38.08, 63.81, -66.57

 

CMYK 0 / 53 / 81 / 22

HEX #C85F27

RGB 200 95 39

HSL 20.87, 0.67%, 0.47%

LAB 52.52, 38.44, 49.47

 

CMYK 45 / 0 / 81 / 22

HEX #6FC827

RGB 111 200 39

HSL 93.17, 0.67%, 0.47%

LAB 72.78, -51.68, 65.57

 

CMYK 80 / 29 / 0 / 22

HEX #278EC7

RGB 39 142 199

HSL 201.38, 0.67%, 0.47%

LAB 55.99, -8.9, -37.59

 

CMYK 12 / 81 / 0 / 22

HEX #B027C8

RGB 176 39 200

HSL 291.06, 0.67%, 0.47%

LAB 45.43, 72.04, -54.31

 

CMYK 0 / 53 / 81 / 22

HEX #C85F27

RGB 200 95 39

HSL 20.87, 0.67%, 0.47%

LAB 52.52, 38.44, 49.47

 

CMYK 69 / 0 / 81 / 22

HEX #3FC827

RGB 63 200 39

HSL 111.06, 0.67%, 0.47%

LAB 71.22, -64.06, 63.56

 

Description

Color code: HEX #278EC7 | qconv.com Color code: HEX #278EC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 142 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 142 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 29 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 29% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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