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Color name
HEX #278A2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278A2A it is the complementary color #D875D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278A2A shade: #2C8A25, #3D9C38, #4EAE4B, #5FC05E and #70D271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278A2A shade: #278A2A, #167817, #056604, #005400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278A2A shade: #278B2A, #3F8B27, #5A8B27, #758B27 and #8B8627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278A2A shade: #278B2A, #278B45, #278B60, #278B7B and #27808B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278A2A shade matches the following richer shades: #278B2A, #18991C and #0AA80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278A2A shade: #278B2A, #357C37, #446E45, #525F52 and #615160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278A2A shade: #5A8B27, #408B27, #278B28, #278B43 and #278B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278A2A shade: #154A16, #1E6B20, #278B2A, #30AB34 and #3CC841

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278A2A shade: #278A2A, #27758B and #8B274D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278A2A shade: #278A2A, #28278B and #8B2827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278A2A shade: #278A2A, #27758B, #8B2789 and #8B3C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278A2A shade: #278A2A, #27578B, #8B2789 and #8B5A27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

Complementary color

CMYK 0 / 46 / 1 / 15

HEX #D875D5

RGB 216 117 213

HSL 301.82, 0.56%, 0.65%

LAB 63.45, 52.08, -32.87

 

CMYK 68 / 0 / 73 / 46

HEX #2C8A25

RGB 44 138 37

HSL 115.84, 0.58%, 0.34%

LAB 50.51, -47.05, 43.84

 

CMYK 61 / 0 / 64 / 39

HEX #3D9C38

RGB 61 156 56

HSL 117, 0.47%, 0.42%

LAB 57.13, -47.88, 42.98

 

CMYK 55 / 0 / 57 / 32

HEX #4EAE4B

RGB 78 174 75

HSL 118.18, 0.4%, 0.49%

LAB 63.67, -48.28, 41.8

 

CMYK 51 / 0 / 51 / 25

HEX #5FC05E

RGB 95 192 94

HSL 119.39, 0.44%, 0.56%

LAB 70.13, -48.41, 40.51

 

CMYK 47 / 0 / 46 / 18

HEX #70D271

RGB 112 210 113

HSL 120.61, 0.52%, 0.63%

LAB 76.52, -48.39, 39.22

 

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

CMYK 82 / 0 / 81 / 53

HEX #167817

RGB 22 120 23

HSL 120.61, 0.69%, 0.28%

LAB 43.75, -45.96, 42.15

 

CMYK 95 / 0 / 96 / 60

HEX #056604

RGB 5 102 4

HSL 119.39, 0.92%, 0.21%

LAB 37.01, -43.22, 41.39

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 55 / 0 / 72 / 45

HEX #3F8B27

RGB 63 139 39

HSL 105.6, 0.56%, 0.35%

LAB 51.46, -42.42, 44.21

 

CMYK 35 / 0 / 72 / 45

HEX #5A8B27

RGB 90 139 39

HSL 89.4, 0.56%, 0.35%

LAB 52.71, -33.29, 45.89

 

CMYK 16 / 0 / 72 / 45

HEX #758B27

RGB 117 139 39

HSL 73.2, 0.56%, 0.35%

LAB 54.44, -22.28, 48.2

 

CMYK 0 / 4 / 72 / 45

HEX #8B8627

RGB 139 134 39

HSL 57, 0.56%, 0.35%

LAB 54.75, -9.85, 49.1

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 72 / 0 / 50 / 45

HEX #278B45

RGB 39 139 69

HSL 138, 0.56%, 0.35%

LAB 51.07, -44.36, 29.25

 

CMYK 72 / 0 / 31 / 45

HEX #278B60

RGB 39 139 96

HSL 154.2, 0.56%, 0.35%

LAB 51.54, -39.05, 14.95

 

CMYK 72 / 0 / 12 / 45

HEX #278B7B

RGB 39 139 123

HSL 170.4, 0.56%, 0.35%

LAB 52.2, -32.18, 0.34

 

CMYK 72 / 8 / 0 / 45

HEX #27808B

RGB 39 128 139

HSL 186.6, 0.56%, 0.35%

LAB 49.17, -21.88, -13.52

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 84 / 0 / 82 / 40

HEX #18991C

RGB 24 153 28

HSL 121.86, 0.73%, 0.35%

LAB 55.13, -55.94, 51.42

 

CMYK 94 / 0 / 91 / 34

HEX #0AA80F

RGB 10 168 15

HSL 121.9, 0.89%, 0.35%

LAB 59.98, -62.12, 58.78

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 57 / 0 / 56 / 51

HEX #357C37

RGB 53 124 55

HSL 121.69, 0.4%, 0.35%

LAB 46.24, -37.34, 30.77

 

CMYK 38 / 0 / 37 / 57

HEX #446E45

RGB 68 110 69

HSL 121.43, 0.24%, 0.35%

LAB 42.48, -23.87, 18.38

 

CMYK 14 / 0 / 14 / 63

HEX #525F52

RGB 82 95 82

HSL 120, 0.07%, 0.35%

LAB 38.88, -7.84, 5.76

 

CMYK 0 / 16 / 1 / 62

HEX #615160

RGB 97 81 96

HSL 303.75, 0.09%, 0.35%

LAB 36.5, 9.62, -6.24

 

CMYK 35 / 0 / 72 / 45

HEX #5A8B27

RGB 90 139 39

HSL 89.4, 0.56%, 0.35%

LAB 52.71, -33.29, 45.89

 

CMYK 54 / 0 / 72 / 45

HEX #408B27

RGB 64 139 39

HSL 105, 0.56%, 0.35%

LAB 51.5, -42.12, 44.26

 

CMYK 72 / 0 / 71 / 45

HEX #278B28

RGB 39 139 40

HSL 120.6, 0.56%, 0.35%

LAB 50.75, -48.15, 42.83

 

CMYK 72 / 0 / 52 / 45

HEX #278B43

RGB 39 139 67

HSL 136.8, 0.56%, 0.35%

LAB 51.04, -44.69, 30.27

 

CMYK 72 / 0 / 32 / 45

HEX #278B5E

RGB 39 139 94

HSL 153, 0.56%, 0.35%

LAB 51.5, -39.5, 16.03

 

CMYK 72 / 0 / 70 / 71

HEX #154A16

RGB 21 74 22

HSL 121.13, 0.56%, 0.19%

LAB 27.06, -29.31, 25.32

 

CMYK 72 / 0 / 70 / 58

HEX #1E6B20

RGB 30 107 32

HSL 121.56, 0.56%, 0.27%

LAB 39.4, -39.13, 34.12

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 72 / 0 / 70 / 33

HEX #30AB34

RGB 48 171 52

HSL 121.95, 0.56%, 0.43%

LAB 61.66, -56.36, 49.52

 

CMYK 70 / 0 / 68 / 22

HEX #3CC841

RGB 60 200 65

HSL 122.14, 0.56%, 0.51%

LAB 71.32, -62.67, 54.67

 

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

CMYK 72 / 16 / 0 / 45

HEX #27758B

RGB 39 117 139

HSL 193.2, 0.56%, 0.35%

LAB 45.66, -15.93, -18.87

 

CMYK 0 / 72 / 45 / 45

HEX #8B274D

RGB 139 39 77

HSL 337.2, 0.56%, 0.35%

LAB 32.87, 45.07, 1.21

 

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

CMYK 71 / 72 / 0 / 45

HEX #28278B

RGB 40 39 139

HSL 240.6, 0.56%, 0.35%

LAB 22.88, 34.33, -55.14

 

CMYK 0 / 71 / 72 / 45

HEX #8B2827

RGB 139 40 39

HSL 0.6, 0.56%, 0.35%

LAB 32.15, 41.68, 24.85

 

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

CMYK 72 / 16 / 0 / 45

HEX #27758B

RGB 39 117 139

HSL 193.2, 0.56%, 0.35%

LAB 45.66, -15.93, -18.87

 

CMYK 0 / 72 / 1 / 45

HEX #8B2789

RGB 139 39 137

HSL 301.2, 0.56%, 0.35%

LAB 35.49, 53.49, -32.9

 

CMYK 0 / 57 / 72 / 45

HEX #8B3C27

RGB 139 60 39

HSL 12.6, 0.56%, 0.35%

LAB 35.73, 32.18, 29.01

 

CMYK 72 / 0 / 70 / 46

HEX #278A2A

RGB 39 138 42

HSL 121.82, 0.56%, 0.35%

LAB 50.42, -47.6, 41.64

 

CMYK 72 / 37 / 0 / 45

HEX #27578B

RGB 39 87 139

HSL 211.2, 0.56%, 0.35%

LAB 36.2, 2.1, -33.63

 

CMYK 0 / 72 / 1 / 45

HEX #8B2789

RGB 139 39 137

HSL 301.2, 0.56%, 0.35%

LAB 35.49, 53.49, -32.9

 

CMYK 0 / 35 / 72 / 45

HEX #8B5A27

RGB 139 90 39

HSL 30.6, 0.56%, 0.35%

LAB 42.68, 15.25, 36.72

 

Description

Color code: HEX #278A2A | qconv.com Color code: HEX #278A2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 138 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 138 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 70 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 70% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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