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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #277B9F it is the complementary color #D88460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #277B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #277B9F shade: #2C7B9A, #3D8DAD, #4E9FC0, #5FB1D3 and #70C3E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #277B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #277B9F shade: #277B9F, #16698C, #055779, #004566 and #003353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #277B9F shade: #267BA0, #265AA0, #263AA0, #3426A0 and #5426A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #277B9F shade: #267BA0, #265AA0, #263AA0 and #2626A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #277B9F shade matches the following richer shades: #267BA0, #1682B0 and #0688C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #277B9F shade: #267BA0, #367590, #466E7F, #57686F and #67615F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #277B9F shade: #26A083, #269CA0, #267BA0, #265BA0 and #263BA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #277B9F shade: #16485D, #1E627E, #267BA0, #2E95C1 and #46A8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #277B9F shade: #277B9F, #6326A0 and #A09326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #277B9F shade: #277B9F, #A0267B and #7BA026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #277B9F shade: #277B9F, #6326A0, #A04B26 and #63A026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #277B9F shade: #277B9F, #8726A0, #A04B26 and #3FA026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

Complementary color

CMYK 0 / 39 / 56 / 15

HEX #D88460

RGB 216 132 96

HSL 18, 0.61%, 0.61%

LAB 63.3, 28.73, 32.98

 

CMYK 71 / 20 / 0 / 40

HEX #2C7B9A

RGB 44 123 154

HSL 196.91, 0.56%, 0.39%

LAB 48.3, -13.4, -23.64

 

CMYK 65 / 18 / 0 / 32

HEX #3D8DAD

RGB 61 141 173

HSL 197.14, 0.48%, 0.46%

LAB 55.13, -14.29, -24.07

 

CMYK 59 / 17 / 0 / 25

HEX #4E9FC0

RGB 78 159 192

HSL 197.37, 0.48%, 0.53%

LAB 61.85, -14.95, -24.47

 

CMYK 55 / 16 / 0 / 17

HEX #5FB1D3

RGB 95 177 211

HSL 197.59, 0.57%, 0.6%

LAB 68.45, -15.44, -24.83

 

CMYK 51 / 15 / 0 / 10

HEX #70C3E6

RGB 112 195 230

HSL 197.8, 0.7%, 0.67%

LAB 74.94, -15.81, -25.19

 

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

CMYK 84 / 25 / 0 / 45

HEX #16698C

RGB 22 105 140

HSL 197.8, 0.73%, 0.32%

LAB 41.48, -10.81, -25.96

 

CMYK 96 / 28 / 0 / 53

HEX #055779

RGB 5 87 121

HSL 197.59, 0.92%, 0.25%

LAB 34.46, -8.68, -25.38

 

CMYK 100 / 32 / 0 / 60

HEX #004566

RGB 0 69 102

HSL 199.41, 1%, 0.2%

LAB 27.34, -5.58, -24.61

 

CMYK 100 / 39 / 0 / 67

HEX #003353

RGB 0 51 83

HSL 203.13, 1%, 0.16%

LAB 20.01, -1.82, -23.78

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 76 / 44 / 0 / 37

HEX #265AA0

RGB 38 90 160

HSL 214.43, 0.62%, 0.39%

LAB 38.31, 8.09, -42.93

 

CMYK 76 / 64 / 0 / 37

HEX #263AA0

RGB 38 58 160

HSL 230.16, 0.62%, 0.39%

LAB 29.35, 29.48, -57.43

 

CMYK 68 / 76 / 0 / 37

HEX #3426A0

RGB 52 38 160

HSL 246.89, 0.62%, 0.39%

LAB 25.73, 43.34, -63.36

 

CMYK 48 / 76 / 0 / 37

HEX #5426A0

RGB 84 38 160

HSL 262.62, 0.62%, 0.39%

LAB 28.93, 47.74, -57.98

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 76 / 44 / 0 / 37

HEX #265AA0

RGB 38 90 160

HSL 214.43, 0.62%, 0.39%

LAB 38.31, 8.09, -42.93

 

CMYK 76 / 64 / 0 / 37

HEX #263AA0

RGB 38 58 160

HSL 230.16, 0.62%, 0.39%

LAB 29.35, 29.48, -57.43

 

CMYK 76 / 76 / 0 / 37

HEX #2626A0

RGB 38 38 160

HSL 240, 0.62%, 0.39%

LAB 24.75, 41.97, -65

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 88 / 26 / 0 / 31

HEX #1682B0

RGB 22 130 176

HSL 197.92, 0.78%, 0.39%

LAB 51, -11.87, -32.28

 

CMYK 97 / 29 / 0 / 25

HEX #0688C0

RGB 6 136 192

HSL 198.06, 0.94%, 0.39%

LAB 53.44, -10.11, -37.64

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 63 / 19 / 0 / 44

HEX #367590

RGB 54 117 144

HSL 198, 0.45%, 0.39%

LAB 46.34, -11.64, -20.75

 

CMYK 45 / 13 / 0 / 50

HEX #466E7F

RGB 70 110 127

HSL 197.89, 0.29%, 0.39%

LAB 44.21, -9.18, -13.81

 

CMYK 22 / 6 / 0 / 56

HEX #57686F

RGB 87 104 111

HSL 197.5, 0.12%, 0.39%

LAB 42.88, -4.69, -6.07

 

CMYK 0 / 6 / 8 / 60

HEX #67615F

RGB 103 97 95

HSL 15, 0.04%, 0.39%

LAB 41.63, 1.99, 1.99

 

CMYK 76 / 0 / 18 / 37

HEX #26A083

RGB 38 160 131

HSL 165.74, 0.62%, 0.39%

LAB 59.15, -39.66, 5.81

 

CMYK 76 / 2 / 0 / 37

HEX #269CA0

RGB 38 156 160

HSL 181.97, 0.62%, 0.39%

LAB 58.72, -29.55, -11.25

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 76 / 43 / 0 / 37

HEX #265BA0

RGB 38 91 160

HSL 213.93, 0.62%, 0.39%

LAB 38.61, 7.44, -42.46

 

CMYK 76 / 63 / 0 / 37

HEX #263BA0

RGB 38 59 160

HSL 229.67, 0.62%, 0.39%

LAB 29.61, 28.82, -57.01

 

CMYK 76 / 23 / 0 / 64

HEX #16485D

RGB 22 72 93

HSL 197.75, 0.62%, 0.23%

LAB 28.37, -8.71, -17.19

 

CMYK 76 / 22 / 0 / 51

HEX #1E627E

RGB 30 98 126

HSL 197.5, 0.62%, 0.31%

LAB 38.76, -10.95, -21.72

 

CMYK 76 / 23 / 0 / 37

HEX #267BA0

RGB 38 123 160

HSL 198.2, 0.62%, 0.39%

LAB 48.41, -12.13, -27.01

 

CMYK 76 / 23 / 0 / 24

HEX #2E95C1

RGB 46 149 193

HSL 197.96, 0.62%, 0.47%

LAB 57.97, -14.17, -31.1

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

CMYK 38 / 76 / 0 / 37

HEX #6326A0

RGB 99 38 160

HSL 270, 0.62%, 0.39%

LAB 30.82, 50.28, -54.8

 

CMYK 0 / 8 / 76 / 37

HEX #A09326

RGB 160 147 38

HSL 53.61, 0.62%, 0.39%

LAB 60.32, -7.41, 55.49

 

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

CMYK 0 / 76 / 23 / 37

HEX #A0267B

RGB 160 38 123

HSL 318.2, 0.62%, 0.39%

LAB 38.36, 56.85, -19.47

 

CMYK 23 / 0 / 76 / 37

HEX #7BA026

RGB 123 160 38

HSL 78.2, 0.62%, 0.39%

LAB 61.21, -30.12, 55.3

 

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

CMYK 38 / 76 / 0 / 37

HEX #6326A0

RGB 99 38 160

HSL 270, 0.62%, 0.39%

LAB 30.82, 50.28, -54.8

 

CMYK 0 / 53 / 76 / 37

HEX #A04B26

RGB 160 75 38

HSL 18.2, 0.62%, 0.39%

LAB 42.22, 32.74, 37.66

 

CMYK 38 / 0 / 76 / 37

HEX #63A026

RGB 99 160 38

HSL 90, 0.62%, 0.39%

LAB 59.83, -39.37, 53.49

 

CMYK 75 / 23 / 0 / 38

HEX #277B9F

RGB 39 123 159

HSL 198, 0.61%, 0.39%

LAB 48.39, -12.36, -26.45

 

CMYK 16 / 76 / 0 / 37

HEX #8726A0

RGB 135 38 160

HSL 287.7, 0.62%, 0.39%

LAB 36.13, 57.19, -45.96

 

CMYK 0 / 53 / 76 / 37

HEX #A04B26

RGB 160 75 38

HSL 18.2, 0.62%, 0.39%

LAB 42.22, 32.74, 37.66

 

CMYK 61 / 0 / 76 / 37

HEX #3FA026

RGB 63 160 38

HSL 107.7, 0.62%, 0.39%

LAB 58.36, -50.48, 51.55

 

Description

Color code: HEX #277B9F | qconv.com Color code: HEX #277B9F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 123 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 123 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 23 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 23% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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