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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2776B8 it is the complementary color #D88947. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2776B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2776B8 shade: #2C76B3, #3D88C6, #4E9AD9, #5FACEC and #70BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2776B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2776B8 shade: #2776B8, #1664A5, #055292, #00407F and #002E6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2776B8 shade: #2776B9, #274FB9, #2728B9, #4D27B9 and #7527B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2776B8 shade: #2776B9, #274FB9, #2728B9 and #2727B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2776B8 shade matches the following richer shades: #2776B9, #1578CB and #0279DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2776B8 shade: #2776B9, #3975A6, #4B7394, #5D7182 and #6F7070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2776B8 shade: #27B9AC, #279EB9, #2777B9, #2750B9 and #2729B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2776B8 shade: #184B75, #206097, #2776B9, #358BD4 and #579FDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2776B8 shade: #2776B8, #8627B9 and #B1B927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2776B8 shade: #2776B8, #B92777 and #77B927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2776B8 shade: #2776B8, #8627B9, #B96827 and #5AB927

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2776B8 shade: #2776B8, #B127B9, #B96827 and #2EB927

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

Complementary color

CMYK 0 / 37 / 67 / 15

HEX #D88947

RGB 216 137 71

HSL 27.31, 0.65%, 0.56%

LAB 64.12, 24.31, 47.01

 

CMYK 75 / 34 / 0 / 30

HEX #2C76B3

RGB 44 118 179

HSL 207.11, 0.61%, 0.44%

LAB 47.94, -1.53, -38.8

 

CMYK 69 / 31 / 0 / 22

HEX #3D88C6

RGB 61 136 198

HSL 207.15, 0.55%, 0.51%

LAB 54.74, -3.01, -38.94

 

CMYK 64 / 29 / 0 / 15

HEX #4E9AD9

RGB 78 154 217

HSL 207.19, 0.65%, 0.58%

LAB 61.43, -4.17, -39.07

 

CMYK 60 / 27 / 0 / 7

HEX #5FACEC

RGB 95 172 236

HSL 207.23, 0.79%, 0.65%

LAB 68.02, -5.09, -39.2

 

CMYK 56 / 25 / 0 / 0

HEX #70BEFF

RGB 112 190 255

HSL 207.27, 1%, 0.72%

LAB 74.5, -5.83, -39.33

 

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

CMYK 87 / 39 / 0 / 35

HEX #1664A5

RGB 22 100 165

HSL 207.27, 0.76%, 0.37%

LAB 41.22, 1.95, -41.29

 

CMYK 97 / 44 / 0 / 43

HEX #055292

RGB 5 82 146

HSL 207.23, 0.93%, 0.3%

LAB 34.28, 4.83, -41

 

CMYK 100 / 50 / 0 / 50

HEX #00407F

RGB 0 64 127

HSL 209.76, 1%, 0.25%

LAB 27.29, 8.69, -40.51

 

CMYK 100 / 57 / 0 / 58

HEX #002E6C

RGB 0 46 108

HSL 214.44, 1%, 0.21%

LAB 20.19, 13.22, -39.92

 

CMYK 79 / 36 / 0 / 27

HEX #2776B9

RGB 39 118 185

HSL 207.53, 0.65%, 0.44%

LAB 48.12, 0.1, -41.99

 

CMYK 79 / 57 / 0 / 27

HEX #274FB9

RGB 39 79 185

HSL 223.56, 0.65%, 0.44%

LAB 36.98, 25.17, -59.9

 

CMYK 79 / 78 / 0 / 27

HEX #2728B9

RGB 39 40 185

HSL 239.59, 0.65%, 0.44%

LAB 27.98, 49.19, -74.67

 

CMYK 58 / 79 / 0 / 27

HEX #4D27B9

RGB 77 39 185

HSL 255.62, 0.65%, 0.44%

LAB 30.72, 53.2, -70.07

 

CMYK 37 / 79 / 0 / 27

HEX #7527B9

RGB 117 39 185

HSL 272.05, 0.65%, 0.44%

LAB 35.47, 58.85, -62.08

 

CMYK 79 / 36 / 0 / 27

HEX #2776B9

RGB 39 118 185

HSL 207.53, 0.65%, 0.44%

LAB 48.12, 0.1, -41.99

 

CMYK 79 / 57 / 0 / 27

HEX #274FB9

RGB 39 79 185

HSL 223.56, 0.65%, 0.44%

LAB 36.98, 25.17, -59.9

 

CMYK 79 / 78 / 0 / 27

HEX #2728B9

RGB 39 40 185

HSL 239.59, 0.65%, 0.44%

LAB 27.98, 49.19, -74.67

 

CMYK 79 / 79 / 0 / 27

HEX #2727B9

RGB 39 39 185

HSL 240, 0.65%, 0.44%

LAB 27.81, 49.71, -74.97

 

CMYK 79 / 36 / 0 / 27

HEX #2776B9

RGB 39 118 185

HSL 207.53, 0.65%, 0.44%

LAB 48.12, 0.1, -41.99

 

CMYK 90 / 41 / 0 / 20

HEX #1578CB

RGB 21 120 203

HSL 207.36, 0.81%, 0.44%

LAB 49.38, 4.28, -50.34

 

CMYK 99 / 45 / 0 / 13

HEX #0279DD

RGB 2 121 221

HSL 207.4, 0.98%, 0.44%

LAB 50.58, 9.99, -58.65

 

CMYK 79 / 36 / 0 / 27

HEX #2776B9

RGB 39 118 185

HSL 207.53, 0.65%, 0.44%

LAB 48.12, 0.1, -41.99

 

CMYK 66 / 30 / 0 / 35

HEX #3975A6

RGB 57 117 166

HSL 206.97, 0.49%, 0.44%

LAB 47.42, -3.59, -32.01

 

CMYK 49 / 22 / 0 / 42

HEX #4B7394

RGB 75 115 148

HSL 207.12, 0.33%, 0.44%

LAB 46.84, -4.44, -22.27

 

CMYK 28 / 13 / 0 / 49

HEX #5D7182

RGB 93 113 130

HSL 207.57, 0.17%, 0.44%

LAB 46.64, -3.17, -11.79

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 79 / 0 / 7 / 27

HEX #27B9AC

RGB 39 185 172

HSL 174.66, 0.65%, 0.44%

LAB 68.1, -39.46, -4.01

 

CMYK 79 / 15 / 0 / 27

HEX #279EB9

RGB 39 158 185

HSL 191.1, 0.65%, 0.44%

LAB 60.24, -22.45, -23.09

 

CMYK 79 / 36 / 0 / 27

HEX #2777B9

RGB 39 119 185

HSL 207.12, 0.65%, 0.44%

LAB 48.42, -0.51, -41.52

 

CMYK 79 / 57 / 0 / 27

HEX #2750B9

RGB 39 80 185

HSL 223.15, 0.65%, 0.44%

LAB 37.25, 24.5, -59.46

 

CMYK 79 / 78 / 0 / 27

HEX #2729B9

RGB 39 41 185

HSL 239.18, 0.65%, 0.44%

LAB 28.17, 48.67, -74.37

 

CMYK 79 / 36 / 0 / 54

HEX #184B75

RGB 24 75 117

HSL 207.1, 0.66%, 0.28%

LAB 30.67, -0.92, -28.83

 

CMYK 79 / 36 / 0 / 41

HEX #206097

RGB 32 96 151

HSL 207.73, 0.65%, 0.36%

LAB 39.42, -0.02, -35.78

 

CMYK 79 / 36 / 0 / 27

HEX #2776B9

RGB 39 118 185

HSL 207.53, 0.65%, 0.44%

LAB 48.12, 0.1, -41.99

 

CMYK 75 / 34 / 0 / 17

HEX #358BD4

RGB 53 139 212

HSL 207.55, 0.65%, 0.52%

LAB 56.06, -0.93, -44.78

 

CMYK 60 / 27 / 0 / 14

HEX #579FDB

RGB 87 159 219

HSL 207.27, 0.65%, 0.6%

LAB 63.29, -4.72, -37.25

 

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

CMYK 28 / 79 / 0 / 27

HEX #8627B9

RGB 134 39 185

HSL 279.04, 0.65%, 0.44%

LAB 37.88, 61.7, -58.05

 

CMYK 4 / 0 / 79 / 27

HEX #B1B927

RGB 177 185 39

HSL 63.29, 0.65%, 0.44%

LAB 72.36, -19.6, 66.66

 

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

CMYK 0 / 79 / 36 / 27

HEX #B92777

RGB 185 39 119

HSL 327.12, 0.65%, 0.44%

LAB 42.91, 62.39, -9.63

 

CMYK 36 / 0 / 79 / 27

HEX #77B927

RGB 119 185 39

HSL 87.12, 0.65%, 0.44%

LAB 68.58, -42.84, 61.83

 

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

CMYK 28 / 79 / 0 / 27

HEX #8627B9

RGB 134 39 185

HSL 279.04, 0.65%, 0.44%

LAB 37.88, 61.7, -58.05

 

CMYK 0 / 44 / 79 / 27

HEX #B96827

RGB 185 104 39

HSL 26.71, 0.65%, 0.44%

LAB 52.24, 27.59, 48.44

 

CMYK 51 / 0 / 79 / 27

HEX #5AB927

RGB 90 185 39

HSL 99.04, 0.65%, 0.44%

LAB 67.29, -52.33, 60.16

 

CMYK 79 / 36 / 0 / 28

HEX #2776B8

RGB 39 118 184

HSL 207.31, 0.65%, 0.44%

LAB 48.07, -0.27, -41.49

 

CMYK 4 / 79 / 0 / 27

HEX #B127B9

RGB 177 39 185

HSL 296.71, 0.65%, 0.44%

LAB 44.66, 69.68, -46.78

 

CMYK 0 / 44 / 79 / 27

HEX #B96827

RGB 185 104 39

HSL 26.71, 0.65%, 0.44%

LAB 52.24, 27.59, 48.44

 

CMYK 75 / 0 / 79 / 27

HEX #2EB927

RGB 46 185 39

HSL 117.12, 0.65%, 0.44%

LAB 66.08, -62.25, 58.58

 

Description

Color code: HEX #2776B8 | qconv.com Color code: HEX #2776B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 118 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 118 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 36 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 36% 0% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Actividades. Bibliot...
Link: http://www.bne.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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