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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27609F it is the complementary color #D89F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27609F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27609F shade: #2C609A, #3D72AD, #4E84C0, #5F96D3 and #70A8E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27609F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27609F shade: #27609F, #164E8C, #053C79, #002A66 and #001853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27609F shade: #2660A0, #263FA0, #2E26A0, #4F26A0 and #7026A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27609F shade: #2660A0, #263FA0 and #2626A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27609F shade matches the following richer shades: #2660A0, #165FB0 and #065EC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27609F shade: #2660A0, #366190, #46627F, #57626F and #67635F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27609F shade: #26A09E, #2681A0, #2661A0, #2641A0 and #2C26A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27609F shade: #16385D, #1E4C7E, #2660A0, #2E74C1 and #4689D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27609F shade: #27609F, #7D26A0 and #91A026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27609F shade: #27609F, #A02661 and #61A026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27609F shade: #27609F, #7D26A0, #A06526 and #49A026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27609F shade: #27609F, #A0269E, #A06526 and #26A028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

Complementary color

CMYK 0 / 26 / 56 / 15

HEX #D89F60

RGB 216 159 96

HSL 31.5, 0.61%, 0.61%

LAB 69.64, 14.19, 40.86

 

CMYK 71 / 38 / 0 / 40

HEX #2C609A

RGB 44 96 154

HSL 211.64, 0.56%, 0.39%

LAB 39.97, 2.8, -36.69

 

CMYK 65 / 34 / 0 / 32

HEX #3D72AD

RGB 61 114 173

HSL 211.61, 0.48%, 0.46%

LAB 47.03, 1.39, -36.7

 

CMYK 59 / 31 / 0 / 25

HEX #4E84C0

RGB 78 132 192

HSL 211.58, 0.48%, 0.53%

LAB 53.95, 0.32, -36.72

 

CMYK 55 / 29 / 0 / 17

HEX #5F96D3

RGB 95 150 211

HSL 211.55, 0.57%, 0.6%

LAB 60.74, -0.53, -36.76

 

CMYK 51 / 27 / 0 / 10

HEX #70A8E6

RGB 112 168 230

HSL 211.53, 0.7%, 0.67%

LAB 67.4, -1.21, -36.82

 

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

CMYK 84 / 44 / 0 / 45

HEX #164E8C

RGB 22 78 140

HSL 211.53, 0.73%, 0.32%

LAB 32.95, 6.2, -39.45

 

CMYK 96 / 50 / 0 / 53

HEX #053C79

RGB 5 60 121

HSL 211.55, 0.92%, 0.25%

LAB 25.7, 9.22, -39.31

 

CMYK 100 / 59 / 0 / 60

HEX #002A66

RGB 0 42 102

HSL 215.29, 1%, 0.2%

LAB 18.43, 13.48, -38.88

 

CMYK 100 / 71 / 0 / 67

HEX #001853

RGB 0 24 83

HSL 222.65, 1%, 0.16%

LAB 11.12, 18.52, -38.15

 

CMYK 76 / 40 / 0 / 37

HEX #2660A0

RGB 38 96 160

HSL 211.48, 0.62%, 0.39%

LAB 40.11, 4.21, -40.06

 

CMYK 76 / 61 / 0 / 37

HEX #263FA0

RGB 38 63 160

HSL 227.7, 0.62%, 0.39%

LAB 30.65, 26.15, -55.31

 

CMYK 71 / 76 / 0 / 37

HEX #2E26A0

RGB 46 38 160

HSL 243.93, 0.62%, 0.39%

LAB 25.28, 42.71, -64.12

 

CMYK 51 / 76 / 0 / 37

HEX #4F26A0

RGB 79 38 160

HSL 260.16, 0.62%, 0.39%

LAB 28.34, 46.95, -58.96

 

CMYK 30 / 76 / 0 / 37

HEX #7026A0

RGB 112 38 160

HSL 276.39, 0.62%, 0.39%

LAB 32.63, 52.66, -51.78

 

CMYK 76 / 40 / 0 / 37

HEX #2660A0

RGB 38 96 160

HSL 211.48, 0.62%, 0.39%

LAB 40.11, 4.21, -40.06

 

CMYK 76 / 61 / 0 / 37

HEX #263FA0

RGB 38 63 160

HSL 227.7, 0.62%, 0.39%

LAB 30.65, 26.15, -55.31

 

CMYK 76 / 76 / 0 / 37

HEX #2626A0

RGB 38 38 160

HSL 240, 0.62%, 0.39%

LAB 24.75, 41.97, -65

 

CMYK 76 / 40 / 0 / 37

HEX #2660A0

RGB 38 96 160

HSL 211.48, 0.62%, 0.39%

LAB 40.11, 4.21, -40.06

 

CMYK 88 / 46 / 0 / 31

HEX #165FB0

RGB 22 95 176

HSL 211.56, 0.78%, 0.39%

LAB 40.39, 9.55, -49.1

 

CMYK 97 / 51 / 0 / 25

HEX #065EC0

RGB 6 94 192

HSL 211.61, 0.94%, 0.39%

LAB 40.98, 15.88, -57.53

 

CMYK 76 / 40 / 0 / 37

HEX #2660A0

RGB 38 96 160

HSL 211.48, 0.62%, 0.39%

LAB 40.11, 4.21, -40.06

 

CMYK 63 / 33 / 0 / 44

HEX #366190

RGB 54 97 144

HSL 211.33, 0.45%, 0.39%

LAB 40.16, 0.33, -30.36

 

CMYK 45 / 23 / 0 / 50

HEX #46627F

RGB 70 98 127

HSL 210.53, 0.29%, 0.39%

LAB 40.52, -2.03, -19.45

 

CMYK 22 / 12 / 0 / 56

HEX #57626F

RGB 87 98 111

HSL 212.5, 0.12%, 0.39%

LAB 41.07, -1.11, -8.76

 

CMYK 0 / 4 / 8 / 60

HEX #67635F

RGB 103 99 95

HSL 30, 0.04%, 0.39%

LAB 42.21, 0.79, 2.83

 

CMYK 76 / 0 / 1 / 37

HEX #26A09E

RGB 38 160 158

HSL 179.02, 0.62%, 0.39%

LAB 59.91, -32.09, -8.34

 

CMYK 76 / 19 / 0 / 37

HEX #2681A0

RGB 38 129 160

HSL 195.25, 0.62%, 0.39%

LAB 50.28, -15.5, -24.11

 

CMYK 76 / 39 / 0 / 37

HEX #2661A0

RGB 38 97 160

HSL 210.98, 0.62%, 0.39%

LAB 40.41, 3.57, -39.58

 

CMYK 76 / 59 / 0 / 37

HEX #2641A0

RGB 38 65 160

HSL 226.72, 0.62%, 0.39%

LAB 31.19, 24.8, -54.44

 

CMYK 73 / 76 / 0 / 37

HEX #2C26A0

RGB 44 38 160

HSL 242.95, 0.62%, 0.39%

LAB 25.14, 42.51, -64.35

 

CMYK 76 / 40 / 0 / 64

HEX #16385D

RGB 22 56 93

HSL 211.27, 0.62%, 0.23%

LAB 22.96, 1.83, -25.66

 

CMYK 76 / 40 / 0 / 51

HEX #1E4C7E

RGB 30 76 126

HSL 211.25, 0.62%, 0.31%

LAB 31.7, 2.85, -32.8

 

CMYK 76 / 40 / 0 / 37

HEX #2660A0

RGB 38 96 160

HSL 211.48, 0.62%, 0.39%

LAB 40.11, 4.21, -40.06

 

CMYK 76 / 40 / 0 / 24

HEX #2E74C1

RGB 46 116 193

HSL 211.43, 0.62%, 0.47%

LAB 48.16, 5.14, -46.53

 

CMYK 67 / 35 / 0 / 18

HEX #4689D2

RGB 70 137 210

HSL 211.29, 0.61%, 0.55%

LAB 55.93, 1.99, -43.82

 

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

CMYK 22 / 76 / 0 / 37

HEX #7D26A0

RGB 125 38 160

HSL 282.79, 0.62%, 0.39%

LAB 34.57, 55.18, -48.55

 

CMYK 9 / 0 / 76 / 37

HEX #91A026

RGB 145 160 38

HSL 67.38, 0.62%, 0.39%

LAB 62.76, -20.86, 57.31

 

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

CMYK 0 / 76 / 39 / 37

HEX #A02661

RGB 160 38 97

HSL 330.98, 0.62%, 0.39%

LAB 37.34, 53.71, -4.64

 

CMYK 39 / 0 / 76 / 37

HEX #61A026

RGB 97 160 38

HSL 90.98, 0.62%, 0.39%

LAB 59.73, -40.08, 53.36

 

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

CMYK 22 / 76 / 0 / 37

HEX #7D26A0

RGB 125 38 160

HSL 282.79, 0.62%, 0.39%

LAB 34.57, 55.18, -48.55

 

CMYK 0 / 37 / 76 / 37

HEX #A06526

RGB 160 101 38

HSL 30.98, 0.62%, 0.39%

LAB 48.16, 18.35, 43.74

 

CMYK 54 / 0 / 76 / 37

HEX #49A026

RGB 73 160 38

HSL 102.79, 0.62%, 0.39%

LAB 58.69, -47.8, 52

 

CMYK 75 / 40 / 0 / 38

HEX #27609F

RGB 39 96 159

HSL 211.5, 0.61%, 0.39%

LAB 40.08, 3.96, -39.51

 

CMYK 0 / 76 / 1 / 37

HEX #A0269E

RGB 160 38 158

HSL 300.98, 0.62%, 0.39%

LAB 40.13, 62.07, -38.12

 

CMYK 0 / 37 / 76 / 37

HEX #A06526

RGB 160 101 38

HSL 30.98, 0.62%, 0.39%

LAB 48.16, 18.35, 43.74

 

CMYK 76 / 0 / 75 / 37

HEX #26A028

RGB 38 160 40

HSL 120.98, 0.62%, 0.39%

LAB 57.76, -55.42, 50.04

 

Description

Color code: HEX #27609F | qconv.com Color code: HEX #27609F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 96 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 96 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 40 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 40% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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