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Color name
HEX #275C0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275C0A it is the complementary color #D8A3F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275C0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #275C0A shade: #2C5C05, #3D6E18, #4E802B, #5F923E and #70A451

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275C0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #275C0A shade: #275C0A, #164A00, #053800, #002600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #275C0A shade: #275B0A, #3D5B0A, #535B0A, #5B4E0A and #5B380A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #275C0A shade: #275B0A, #115B0A, #0A5B19, #0A5B2F and #0A5B45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #275C0A shade matches the following richer shades: #275B0A and #246401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #275C0A shade: #275B0A, #295312, #2B4B1A, #2E4322 and #303A2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #275C0A shade: #535B0A, #3D5B0A, #285B0A, #125B0A and #0A5B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #275C0A shade: #071101, #173606, #275B0A, #36800E and #46A612

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #275C0A shade: #275C0A, #0A5B4E and #5B0A48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #275C0A shade: #275C0A, #0A285B and #5B0A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #275C0A shade: #275C0A, #0A5B4E, #3D0A5B and #5B0A17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #275C0A shade: #275C0A, #0A505B, #3D0A5B and #5B150A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

Complementary color

CMYK 12 / 33 / 0 / 4

HEX #D8A3F5

RGB 216 163 245

HSL 278.78, 0.8%, 0.8%

LAB 74.44, 34.04, -33.48

 

CMYK 52 / 0 / 95 / 64

HEX #2C5C05

RGB 44 92 5

HSL 93.1, 0.9%, 0.19%

LAB 34.4, -31.23, 39.28

 

CMYK 45 / 0 / 78 / 57

HEX #3D6E18

RGB 61 110 24

HSL 94.19, 0.64%, 0.26%

LAB 41.55, -32.03, 40.07

 

CMYK 39 / 0 / 66 / 50

HEX #4E802B

RGB 78 128 43

HSL 95.29, 0.5%, 0.34%

LAB 48.55, -32.4, 39.6

 

CMYK 35 / 0 / 58 / 43

HEX #5F923E

RGB 95 146 62

HSL 96.43, 0.4%, 0.41%

LAB 55.42, -32.53, 38.59

 

CMYK 32 / 0 / 51 / 36

HEX #70A451

RGB 112 164 81

HSL 97.59, 0.34%, 0.48%

LAB 62.16, -32.51, 37.4

 

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

CMYK 70 / 0 / 100 / 71

HEX #164A00

RGB 22 74 0

HSL 102.16, 1%, 0.15%

LAB 26.93, -30.99, 34.53

 

CMYK 91 / 0 / 100 / 78

HEX #053800

RGB 5 56 0

HSL 114.64, 1%, 0.11%

LAB 19.48, -28.15, 26.8

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 57 / 0 / 89 / 64

HEX #275B0A

RGB 39 91 10

HSL 98.52, 0.8%, 0.2%

LAB 33.85, -32.22, 37.22

 

CMYK 33 / 0 / 89 / 64

HEX #3D5B0A

RGB 61 91 10

HSL 82.22, 0.8%, 0.2%

LAB 35, -23.86, 38.68

 

CMYK 9 / 0 / 89 / 64

HEX #535B0A

RGB 83 91 10

HSL 65.93, 0.8%, 0.2%

LAB 36.64, -13.74, 40.74

 

CMYK 0 / 14 / 89 / 64

HEX #5B4E0A

RGB 91 78 10

HSL 50.37, 0.8%, 0.2%

LAB 33.34, -2.16, 38.23

 

CMYK 0 / 38 / 89 / 64

HEX #5B380A

RGB 91 56 10

HSL 34.07, 0.8%, 0.2%

LAB 26.95, 11.55, 32.7

 

CMYK 57 / 0 / 89 / 64

HEX #275B0A

RGB 39 91 10

HSL 98.52, 0.8%, 0.2%

LAB 33.85, -32.22, 37.22

 

CMYK 81 / 0 / 89 / 64

HEX #115B0A

RGB 17 91 10

HSL 114.81, 0.8%, 0.2%

LAB 33.19, -37.7, 36.37

 

CMYK 89 / 0 / 73 / 64

HEX #0A5B19

RGB 10 91 25

HSL 131.11, 0.8%, 0.2%

LAB 33.17, -37.43, 30.5

 

CMYK 89 / 0 / 48 / 64

HEX #0A5B2F

RGB 10 91 47

HSL 147.41, 0.8%, 0.2%

LAB 33.46, -33.94, 19.04

 

CMYK 89 / 0 / 24 / 64

HEX #0A5B45

RGB 10 91 69

HSL 163.7, 0.8%, 0.2%

LAB 33.93, -28.63, 6.32

 

CMYK 57 / 0 / 89 / 64

HEX #275B0A

RGB 39 91 10

HSL 98.52, 0.8%, 0.2%

LAB 33.85, -32.22, 37.22

 

CMYK 64 / 0 / 99 / 61

HEX #246401

RGB 36 100 1

HSL 98.79, 0.98%, 0.2%

LAB 36.91, -37.17, 42.43

 

CMYK 57 / 0 / 89 / 64

HEX #275B0A

RGB 39 91 10

HSL 98.52, 0.8%, 0.2%

LAB 33.85, -32.22, 37.22

 

CMYK 51 / 0 / 78 / 67

HEX #295312

RGB 41 83 18

HSL 98.77, 0.64%, 0.2%

LAB 31.12, -27.5, 31.76

 

CMYK 43 / 0 / 65 / 71

HEX #2B4B1A

RGB 43 75 26

HSL 99.18, 0.49%, 0.2%

LAB 28.43, -22.09, 25.03

 

CMYK 31 / 0 / 49 / 74

HEX #2E4322

RGB 46 67 34

HSL 98.18, 0.33%, 0.2%

LAB 25.89, -15.47, 17.41

 

CMYK 17 / 0 / 26 / 77

HEX #303A2B

RGB 48 58 43

HSL 100, 0.15%, 0.2%

LAB 23.1, -7.61, 7.97

 

CMYK 9 / 0 / 89 / 64

HEX #535B0A

RGB 83 91 10

HSL 65.93, 0.8%, 0.2%

LAB 36.64, -13.74, 40.74

 

CMYK 33 / 0 / 89 / 64

HEX #3D5B0A

RGB 61 91 10

HSL 82.22, 0.8%, 0.2%

LAB 35, -23.86, 38.68

 

CMYK 56 / 0 / 89 / 64

HEX #285B0A

RGB 40 91 10

HSL 97.78, 0.8%, 0.2%

LAB 33.89, -31.9, 37.27

 

CMYK 80 / 0 / 89 / 64

HEX #125B0A

RGB 18 91 10

HSL 114.07, 0.8%, 0.2%

LAB 33.21, -37.52, 36.4

 

CMYK 89 / 0 / 75 / 64

HEX #0A5B17

RGB 10 91 23

HSL 129.63, 0.8%, 0.2%

LAB 33.15, -37.65, 31.39

 

CMYK 59 / 0 / 94 / 93

HEX #071101

RGB 7 17 1

HSL 97.5, 0.89%, 0.04%

LAB 4.05, -5.43, 5.55

 

CMYK 57 / 0 / 89 / 79

HEX #173606

RGB 23 54 6

HSL 98.75, 0.8%, 0.12%

LAB 19.36, -21.54, 24.39

 

CMYK 57 / 0 / 89 / 64

HEX #275B0A

RGB 39 91 10

HSL 98.52, 0.8%, 0.2%

LAB 33.85, -32.22, 37.22

 

CMYK 58 / 0 / 89 / 50

HEX #36800E

RGB 54 128 14

HSL 98.95, 0.8%, 0.28%

LAB 47.31, -42.31, 48.33

 

CMYK 58 / 0 / 89 / 35

HEX #46A612

RGB 70 166 18

HSL 98.92, 0.8%, 0.36%

LAB 60.44, -51.87, 59.06

 

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

CMYK 89 / 0 / 14 / 64

HEX #0A5B4E

RGB 10 91 78

HSL 170.37, 0.8%, 0.2%

LAB 34.18, -25.99, 1.07

 

CMYK 0 / 89 / 21 / 64

HEX #5B0A48

RGB 91 10 72

HSL 314.07, 0.8%, 0.2%

LAB 19.68, 40.7, -16.24

 

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

CMYK 89 / 56 / 0 / 64

HEX #0A285B

RGB 10 40 91

HSL 217.78, 0.8%, 0.2%

LAB 17.17, 10.95, -33.66

 

CMYK 0 / 89 / 56 / 64

HEX #5B0A28

RGB 91 10 40

HSL 337.78, 0.8%, 0.2%

LAB 18.34, 36.87, 4.28

 

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

CMYK 89 / 0 / 14 / 64

HEX #0A5B4E

RGB 10 91 78

HSL 170.37, 0.8%, 0.2%

LAB 34.18, -25.99, 1.07

 

CMYK 33 / 89 / 0 / 64

HEX #3D0A5B

RGB 61 10 91

HSL 277.78, 0.8%, 0.2%

LAB 15.3, 37.86, -36.48

 

CMYK 0 / 89 / 75 / 64

HEX #5B0A17

RGB 91 10 23

HSL 350.37, 0.8%, 0.2%

LAB 17.93, 35.65, 15.9

 

CMYK 58 / 0 / 89 / 64

HEX #275C0A

RGB 39 92 10

HSL 98.78, 0.8%, 0.2%

LAB 34.21, -32.64, 37.54

 

CMYK 89 / 12 / 0 / 64

HEX #0A505B

RGB 10 80 91

HSL 188.15, 0.8%, 0.2%

LAB 30.78, -15.76, -12.23

 

CMYK 33 / 89 / 0 / 64

HEX #3D0A5B

RGB 61 10 91

HSL 277.78, 0.8%, 0.2%

LAB 15.3, 37.86, -36.48

 

CMYK 0 / 77 / 89 / 64

HEX #5B150A

RGB 91 21 10

HSL 8.15, 0.8%, 0.2%

LAB 19.15, 31.19, 24.72

 

Description

Color code: HEX #275C0A | qconv.com Color code: HEX #275C0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 92 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 92 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 89 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 89% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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