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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275261 it is the complementary color #D8AD9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #275261 shade: #2C525C, #3D646F, #4E7682, #5F8895 and #709AA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #275261 shade: #275261, #16404E, #052E3B, #001C28 and #000A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #275261 shade: #275362, #274362, #273362, #2B2762 and #3B2762

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #275261 shade: #275362, #274362, #273362 and #272762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #275261 shade matches the following richer shades: #275362, #1C586D, #105D78 and #056383

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #275261 shade: #275362, #324D57, #3D484C, #484341 and #533D35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #275261 shade: #276251, #276261, #275362, #274362 and #273462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #275261 shade: #0F2127, #1B3A44, #275362, #336C7F and #3E849D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #275261 shade: #275261, #412762 and #625927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #275261 shade: #275261, #622753 and #536227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #275261 shade: #275261, #412762, #623627 and #476227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #275261 shade: #275261, #532762, #623627 and #366227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

Complementary color

CMYK 0 / 20 / 27 / 15

HEX #D8AD9E

RGB 216 173 158

HSL 15.52, 0.43%, 0.73%

LAB 74.16, 13.47, 13.65

 

CMYK 52 / 11 / 0 / 64

HEX #2C525C

RGB 44 82 92

HSL 192.5, 0.35%, 0.27%

LAB 32.57, -10.42, -10.03

 

CMYK 45 / 10 / 0 / 56

HEX #3D646F

RGB 61 100 111

HSL 193.2, 0.29%, 0.34%

LAB 40.01, -10.58, -10.54

 

CMYK 40 / 9 / 0 / 49

HEX #4E7682

RGB 78 118 130

HSL 193.85, 0.25%, 0.41%

LAB 47.22, -10.67, -11.01

 

CMYK 36 / 9 / 0 / 42

HEX #5F8895

RGB 95 136 149

HSL 194.44, 0.22%, 0.48%

LAB 54.25, -10.71, -11.46

 

CMYK 33 / 8 / 0 / 34

HEX #709AA8

RGB 112 154 168

HSL 195, 0.24%, 0.55%

LAB 61.12, -10.75, -11.91

 

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

CMYK 72 / 18 / 0 / 69

HEX #16404E

RGB 22 64 78

HSL 195, 0.56%, 0.2%

LAB 24.91, -9.38, -12.76

 

CMYK 92 / 22 / 0 / 77

HEX #052E3B

RGB 5 46 59

HSL 194.44, 0.84%, 0.13%

LAB 17, -8.25, -12.18

 

CMYK 100 / 30 / 0 / 84

HEX #001C28

RGB 0 28 40

HSL 198, 1%, 0.08%

LAB 8.85, -5.47, -11.25

 

CMYK 100 / 52 / 0 / 92

HEX #000A15

RGB 0 10 21

HSL 211.43, 1%, 0.04%

LAB 2.45, -0.57, -6.49

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 60 / 32 / 0 / 62

HEX #274362

RGB 39 67 98

HSL 211.53, 0.43%, 0.27%

LAB 27.65, -0.19, -21.47

 

CMYK 60 / 48 / 0 / 62

HEX #273362

RGB 39 51 98

HSL 227.8, 0.43%, 0.27%

LAB 22.59, 10.8, -29.47

 

CMYK 56 / 60 / 0 / 62

HEX #2B2762

RGB 43 39 98

HSL 244.07, 0.43%, 0.27%

LAB 19.42, 20.18, -34.55

 

CMYK 40 / 60 / 0 / 62

HEX #3B2762

RGB 59 39 98

HSL 260.34, 0.43%, 0.27%

LAB 21.07, 24.19, -31.81

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 60 / 32 / 0 / 62

HEX #274362

RGB 39 67 98

HSL 211.53, 0.43%, 0.27%

LAB 27.65, -0.19, -21.47

 

CMYK 60 / 48 / 0 / 62

HEX #273362

RGB 39 51 98

HSL 227.8, 0.43%, 0.27%

LAB 22.59, 10.8, -29.47

 

CMYK 60 / 60 / 0 / 62

HEX #272762

RGB 39 39 98

HSL 240, 0.43%, 0.27%

LAB 19.07, 19.29, -35.12

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 74 / 19 / 0 / 57

HEX #1C586D

RGB 28 88 109

HSL 195.56, 0.59%, 0.27%

LAB 34.66, -11.53, -17.58

 

CMYK 87 / 23 / 0 / 53

HEX #105D78

RGB 16 93 120

HSL 195.58, 0.76%, 0.27%

LAB 36.55, -11.86, -21.49

 

CMYK 96 / 24 / 0 / 49

HEX #056383

RGB 5 99 131

HSL 195.24, 0.93%, 0.27%

LAB 38.89, -11.94, -24.58

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 43 / 11 / 0 / 66

HEX #324D57

RGB 50 77 87

HSL 196.22, 0.27%, 0.27%

LAB 31.05, -7.22, -9.13

 

CMYK 20 / 5 / 0 / 70

HEX #3D484C

RGB 61 72 76

HSL 196, 0.11%, 0.27%

LAB 29.78, -3.41, -3.88

HEX #3D484C

CMYK 0 / 7 / 10 / 72

HEX #484341

RGB 72 67 65

HSL 17.14, 0.05%, 0.27%

LAB 28.83, 1.7, 1.97

HEX #484341

CMYK 0 / 27 / 36 / 67

HEX #533D35

RGB 83 61 53

HSL 16, 0.22%, 0.27%

LAB 27.94, 8.36, 8.68

HEX #533D35

CMYK 60 / 0 / 17 / 62

HEX #276251

RGB 39 98 81

HSL 162.71, 0.43%, 0.27%

LAB 37.41, -23.78, 3.96

 

CMYK 60 / 0 / 1 / 62

HEX #276261

RGB 39 98 97

HSL 178.98, 0.43%, 0.27%

LAB 37.9, -19.17, -5.2

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 60 / 32 / 0 / 62

HEX #274362

RGB 39 67 98

HSL 211.53, 0.43%, 0.27%

LAB 27.65, -0.19, -21.47

 

CMYK 60 / 47 / 0 / 62

HEX #273462

RGB 39 52 98

HSL 226.78, 0.43%, 0.27%

LAB 22.89, 10.09, -28.99

 

CMYK 62 / 15 / 0 / 85

HEX #0F2127

RGB 15 33 39

HSL 195, 0.44%, 0.11%

LAB 11.52, -5.3, -6.34

 

CMYK 60 / 15 / 0 / 73

HEX #1B3A44

RGB 27 58 68

HSL 194.63, 0.43%, 0.19%

LAB 22.57, -8.09, -9.69

 

CMYK 60 / 15 / 0 / 62

HEX #275362

RGB 39 83 98

HSL 195.25, 0.43%, 0.27%

LAB 32.92, -10.29, -13.32

 

CMYK 60 / 15 / 0 / 50

HEX #336C7F

RGB 51 108 127

HSL 195, 0.43%, 0.35%

LAB 42.7, -12.68, -16.19

 

CMYK 61 / 16 / 0 / 38

HEX #3E849D

RGB 62 132 157

HSL 195.79, 0.43%, 0.43%

LAB 51.79, -14.29, -19.98

 

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

CMYK 34 / 60 / 0 / 62

HEX #412762

RGB 65 39 98

HSL 266.44, 0.43%, 0.27%

LAB 21.79, 25.84, -30.61

 

CMYK 0 / 9 / 60 / 62

HEX #625927

RGB 98 89 39

HSL 50.85, 0.43%, 0.27%

LAB 37.64, -3.52, 29.78

 

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

CMYK 0 / 60 / 15 / 62

HEX #622753

RGB 98 39 83

HSL 315.25, 0.43%, 0.27%

LAB 25.78, 32.68, -14.11

 

CMYK 15 / 0 / 60 / 62

HEX #536227

RGB 83 98 39

HSL 75.25, 0.43%, 0.27%

LAB 39.11, -15.69, 31.11

 

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

CMYK 34 / 60 / 0 / 62

HEX #412762

RGB 65 39 98

HSL 266.44, 0.43%, 0.27%

LAB 21.79, 25.84, -30.61

 

CMYK 0 / 45 / 60 / 62

HEX #623627

RGB 98 54 39

HSL 15.25, 0.43%, 0.27%

LAB 27.8, 18, 17.89

 

CMYK 28 / 0 / 60 / 62

HEX #476227

RGB 71 98 39

HSL 87.46, 0.43%, 0.27%

LAB 38.24, -20.93, 29.88

 

CMYK 60 / 15 / 0 / 62

HEX #275261

RGB 39 82 97

HSL 195.52, 0.43%, 0.27%

LAB 32.54, -10.03, -13.26

 

CMYK 15 / 60 / 0 / 62

HEX #532762

RGB 83 39 98

HSL 284.75, 0.43%, 0.27%

LAB 24.23, 31.03, -26.57

 

CMYK 0 / 45 / 60 / 62

HEX #623627

RGB 98 54 39

HSL 15.25, 0.43%, 0.27%

LAB 27.8, 18, 17.89

 

CMYK 45 / 0 / 60 / 62

HEX #366227

RGB 54 98 39

HSL 104.75, 0.43%, 0.27%

LAB 37.24, -27.6, 28.47

 

Description

Color code: HEX #275261 | qconv.com Color code: HEX #275261 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 82 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 82 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 15 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 15% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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