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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274A76 it is the complementary color #D8B589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274A76 shade: #2C4A71, #3D5C84, #4E6E97, #5F80AA and #7092BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274A76 shade: #274A76, #163863, #052650, #00143D and #00022A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274A76 shade: #274A76, #273576, #2F2776, #442776 and #592776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274A76 shade: #274A76, #273576 and #272776

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274A76 shade matches the following richer shades: #274A76, #1A4983, #0D4790 and #01469C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274A76 shade: #274A76, #344C69, #414D5C, #4D4E50 and #5A5043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274A76 shade: #277576, #276076, #274B76, #273676 and #2E2776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274A76 shade: #122338, #1D3757, #274A76, #315D95 and #3C71B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274A76 shade: #274A76, #622776 and #6A7627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274A76 shade: #274A76, #76274B and #4B7627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274A76 shade: #274A76, #622776, #765327 and #3B7627

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274A76 shade: #274A76, #762772, #765327 and #27762B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

Complementary color

CMYK 0 / 16 / 37 / 15

HEX #D8B589

RGB 216 181 137

HSL 33.42, 0.5%, 0.69%

LAB 75.73, 6.5, 27.14

 

CMYK 61 / 35 / 0 / 56

HEX #2C4A71

RGB 44 74 113

HSL 213.91, 0.44%, 0.31%

LAB 30.94, 1.81, -25.83

 

CMYK 54 / 30 / 0 / 48

HEX #3D5C84

RGB 61 92 132

HSL 213.8, 0.37%, 0.38%

LAB 38.4, 0.91, -25.83

 

CMYK 48 / 27 / 0 / 41

HEX #4E6E97

RGB 78 110 151

HSL 213.7, 0.32%, 0.45%

LAB 45.64, 0.25, -25.88

 

CMYK 44 / 25 / 0 / 33

HEX #5F80AA

RGB 95 128 170

HSL 213.6, 0.31%, 0.52%

LAB 52.7, -0.25, -25.98

 

CMYK 41 / 23 / 0 / 26

HEX #7092BD

RGB 112 146 189

HSL 213.51, 0.37%, 0.59%

LAB 59.6, -0.66, -26.1

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 78 / 43 / 0 / 61

HEX #163863

RGB 22 56 99

HSL 213.51, 0.64%, 0.24%

LAB 23.34, 4.32, -28.98

 

CMYK 94 / 53 / 0 / 69

HEX #052650

RGB 5 38 80

HSL 213.6, 0.88%, 0.17%

LAB 15.48, 6.91, -29

 

CMYK 100 / 67 / 0 / 76

HEX #00143D

RGB 0 20 61

HSL 220.33, 1%, 0.12%

LAB 7.56, 11.28, -28.62

 

CMYK 100 / 95 / 0 / 84

HEX #00022A

RGB 0 2 42

HSL 237.14, 1%, 0.08%

LAB 1.9, 9.81, -23.67

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 67 / 55 / 0 / 54

HEX #273576

RGB 39 53 118

HSL 229.37, 0.5%, 0.31%

LAB 24.59, 17, -39.13

 

CMYK 60 / 67 / 0 / 54

HEX #2F2776

RGB 47 39 118

HSL 246.08, 0.5%, 0.31%

LAB 21.44, 28.02, -44.22

 

CMYK 42 / 67 / 0 / 54

HEX #442776

RGB 68 39 118

HSL 262.03, 0.5%, 0.31%

LAB 23.63, 32.37, -40.56

 

CMYK 25 / 67 / 0 / 54

HEX #592776

RGB 89 39 118

HSL 277.97, 0.5%, 0.31%

LAB 26.4, 37.42, -35.96

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 67 / 55 / 0 / 54

HEX #273576

RGB 39 53 118

HSL 229.37, 0.5%, 0.31%

LAB 24.59, 17, -39.13

 

CMYK 67 / 67 / 0 / 54

HEX #272776

RGB 39 39 118

HSL 240, 0.5%, 0.31%

LAB 20.79, 26.65, -45.31

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 80 / 44 / 0 / 49

HEX #1A4983

RGB 26 73 131

HSL 213.14, 0.67%, 0.31%

LAB 30.93, 6.33, -37.12

 

CMYK 91 / 51 / 0 / 44

HEX #0D4790

RGB 13 71 144

HSL 213.44, 0.83%, 0.31%

LAB 30.89, 11.89, -45.22

 

CMYK 99 / 55 / 0 / 39

HEX #01469C

RGB 1 70 156

HSL 213.29, 0.99%, 0.31%

LAB 31.32, 17.01, -51.85

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 50 / 28 / 0 / 59

HEX #344C69

RGB 52 76 105

HSL 212.83, 0.34%, 0.31%

LAB 31.62, -0.27, -19.68

 

CMYK 29 / 16 / 0 / 64

HEX #414D5C

RGB 65 77 92

HSL 213.33, 0.17%, 0.31%

LAB 32.27, -0.83, -10.38

 

CMYK 4 / 2 / 0 / 69

HEX #4D4E50

RGB 77 78 80

HSL 220, 0.02%, 0.31%

LAB 33.15, 0.04, -1.33

 

CMYK 0 / 11 / 26 / 65

HEX #5A5043

RGB 90 80 67

HSL 33.91, 0.15%, 0.31%

LAB 34.63, 1.77, 9.18

 

CMYK 67 / 1 / 0 / 54

HEX #277576

RGB 39 117 118

HSL 180.76, 0.5%, 0.31%

LAB 44.89, -22.78, -7.52

 

CMYK 67 / 19 / 0 / 54

HEX #276076

RGB 39 96 118

HSL 196.71, 0.5%, 0.31%

LAB 38.03, -11.15, -17.92

 

CMYK 67 / 36 / 0 / 54

HEX #274B76

RGB 39 75 118

HSL 212.66, 0.5%, 0.31%

LAB 31.28, 1.95, -28.44

 

CMYK 67 / 54 / 0 / 54

HEX #273676

RGB 39 54 118

HSL 228.61, 0.5%, 0.31%

LAB 24.88, 16.3, -38.66

 

CMYK 61 / 67 / 0 / 54

HEX #2E2776

RGB 46 39 118

HSL 245.32, 0.5%, 0.31%

LAB 21.36, 27.84, -44.36

 

CMYK 68 / 38 / 0 / 78

HEX #122338

RGB 18 35 56

HSL 213.16, 0.51%, 0.15%

LAB 13.33, 0.77, -15.76

 

CMYK 67 / 37 / 0 / 66

HEX #1D3757

RGB 29 55 87

HSL 213.1, 0.5%, 0.23%

LAB 22.59, 1.47, -22.29

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 67 / 38 / 0 / 42

HEX #315D95

RGB 49 93 149

HSL 213.6, 0.51%, 0.39%

LAB 38.99, 3.7, -35.24

 

CMYK 67 / 37 / 0 / 29

HEX #3C71B4

RGB 60 113 180

HSL 213.5, 0.5%, 0.47%

LAB 47.06, 4.3, -40.73

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 17 / 67 / 0 / 54

HEX #622776

RGB 98 39 118

HSL 284.81, 0.5%, 0.31%

LAB 27.73, 39.7, -33.76

 

CMYK 10 / 0 / 67 / 54

HEX #6A7627

RGB 106 118 39

HSL 69.11, 0.5%, 0.31%

LAB 47.19, -16.18, 40.5

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 0 / 67 / 36 / 54

HEX #76274B

RGB 118 39 75

HSL 332.66, 0.5%, 0.31%

LAB 28.93, 38.11, -3.71

 

CMYK 36 / 0 / 67 / 54

HEX #4B7627

RGB 75 118 39

HSL 92.66, 0.5%, 0.31%

LAB 45.08, -29.25, 37.61

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 17 / 67 / 0 / 54

HEX #622776

RGB 98 39 118

HSL 284.81, 0.5%, 0.31%

LAB 27.73, 39.7, -33.76

 

CMYK 0 / 30 / 67 / 54

HEX #765327

RGB 118 83 39

HSL 33.42, 0.5%, 0.31%

LAB 38.17, 9.65, 30.99

 

CMYK 50 / 0 / 67 / 54

HEX #3B7627

RGB 59 118 39

HSL 104.81, 0.5%, 0.31%

LAB 44.28, -34.94, 36.5

 

CMYK 67 / 37 / 0 / 54

HEX #274A76

RGB 39 74 118

HSL 213.42, 0.5%, 0.31%

LAB 30.97, 2.61, -28.94

 

CMYK 0 / 67 / 3 / 54

HEX #762772

RGB 118 39 114

HSL 303.04, 0.5%, 0.31%

LAB 30.68, 44.16, -26.33

 

CMYK 0 / 30 / 67 / 54

HEX #765327

RGB 118 83 39

HSL 33.42, 0.5%, 0.31%

LAB 38.17, 9.65, 30.99

 

CMYK 67 / 0 / 64 / 54

HEX #27762B

RGB 39 118 43

HSL 123.04, 0.5%, 0.31%

LAB 43.6, -40.07, 33.64

 

Description

Color code: HEX #274A76 | qconv.com Color code: HEX #274A76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 74 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 74 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 37 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 37% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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