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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273476 it is the complementary color #D8CB89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273476 shade: #2C3471, #3D4684, #4E5897, #5F6AAA and #707CBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273476 shade: #273476, #162263, #051050, #00003D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273476 shade: #273476, #2F2776, #452776, #5A2776 and #6F2776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273476 shade: #273476 and #272776

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273476 shade matches the following richer shades: #273476, #1A2B83, #0D2390 and #011A9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273476 shade: #273476, #343D69, #41455C, #4D4E50 and #5A5643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273476 shade: #275E76, #274976, #273476, #2F2776 and #442776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273476 shade: #121938, #1D2657, #273476, #314295 and #3C4FB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273476 shade: #273476, #762773 and #547627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273476 shade: #273476, #762734 and #347627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273476 shade: #273476, #762773, #766927 and #27762A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273476 shade: #273476, #76275C, #766927 and #277641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

Complementary color

CMYK 0 / 6 / 37 / 15

HEX #D8CB89

RGB 216 203 137

HSL 50.13, 0.5%, 0.69%

LAB 81.36, -5.04, 34.58

 

CMYK 61 / 54 / 0 / 56

HEX #2C3471

RGB 44 52 113

HSL 233.04, 0.44%, 0.31%

LAB 24.27, 16.81, -36.45

 

CMYK 54 / 47 / 0 / 48

HEX #3D4684

RGB 61 70 132

HSL 232.39, 0.37%, 0.38%

LAB 31.89, 15.21, -36.11

 

CMYK 48 / 42 / 0 / 41

HEX #4E5897

RGB 78 88 151

HSL 231.78, 0.32%, 0.45%

LAB 39.3, 13.98, -35.84

 

CMYK 44 / 38 / 0 / 33

HEX #5F6AAA

RGB 95 106 170

HSL 231.2, 0.31%, 0.52%

LAB 46.5, 13.01, -35.65

 

CMYK 41 / 34 / 0 / 26

HEX #707CBD

RGB 112 124 189

HSL 230.65, 0.37%, 0.59%

LAB 53.53, 12.22, -35.53

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 78 / 66 / 0 / 61

HEX #162263

RGB 22 34 99

HSL 230.65, 0.64%, 0.24%

LAB 16.58, 20.26, -39.89

 

CMYK 94 / 80 / 0 / 69

HEX #051050

RGB 5 16 80

HSL 231.2, 0.88%, 0.17%

LAB 8.84, 23.58, -39.84

 

CMYK 100 / 100 / 0 / 76

HEX #00003D

RGB 0 0 61

HSL 240, 1%, 0.12%

LAB 3.04, 21.39, -35.98

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 60 / 67 / 0 / 54

HEX #2F2776

RGB 47 39 118

HSL 246.08, 0.5%, 0.31%

LAB 21.44, 28.02, -44.22

 

CMYK 42 / 67 / 0 / 54

HEX #452776

RGB 69 39 118

HSL 262.78, 0.5%, 0.31%

LAB 23.75, 32.6, -40.36

 

CMYK 24 / 67 / 0 / 54

HEX #5A2776

RGB 90 39 118

HSL 278.73, 0.5%, 0.31%

LAB 26.54, 37.67, -35.72

 

CMYK 6 / 67 / 0 / 54

HEX #6F2776

RGB 111 39 118

HSL 294.68, 0.5%, 0.31%

LAB 29.76, 43.06, -30.4

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 67 / 67 / 0 / 54

HEX #272776

RGB 39 39 118

HSL 240, 0.5%, 0.31%

LAB 20.79, 26.65, -45.31

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 80 / 67 / 0 / 49

HEX #1A2B83

RGB 26 43 131

HSL 230.29, 0.67%, 0.31%

LAB 22.25, 27.17, -51.19

 

CMYK 91 / 76 / 0 / 44

HEX #0D2390

RGB 13 35 144

HSL 229.92, 0.83%, 0.31%

LAB 21.21, 36.46, -61.05

 

CMYK 99 / 83 / 0 / 39

HEX #011A9C

RGB 1 26 156

HSL 230.32, 0.99%, 0.31%

LAB 20.62, 45.4, -69.45

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 50 / 42 / 0 / 59

HEX #343D69

RGB 52 61 105

HSL 229.81, 0.34%, 0.31%

LAB 26.98, 9.69, -26.96

 

CMYK 29 / 25 / 0 / 64

HEX #41455C

RGB 65 69 92

HSL 231.11, 0.17%, 0.31%

LAB 29.79, 4.31, -14.15

 

CMYK 4 / 2 / 0 / 69

HEX #4D4E50

RGB 77 78 80

HSL 220, 0.02%, 0.31%

LAB 33.15, 0.04, -1.33

 

CMYK 0 / 4 / 26 / 65

HEX #5A5643

RGB 90 86 67

HSL 49.57, 0.15%, 0.31%

LAB 36.43, -1.9, 11.67

 

CMYK 67 / 20 / 0 / 54

HEX #275E76

RGB 39 94 118

HSL 198.23, 0.5%, 0.31%

LAB 37.38, -9.97, -18.92

 

CMYK 67 / 38 / 0 / 54

HEX #274976

RGB 39 73 118

HSL 214.18, 0.5%, 0.31%

LAB 30.65, 3.27, -29.44

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 60 / 67 / 0 / 54

HEX #2F2776

RGB 47 39 118

HSL 246.08, 0.5%, 0.31%

LAB 21.44, 28.02, -44.22

 

CMYK 42 / 67 / 0 / 54

HEX #442776

RGB 68 39 118

HSL 262.03, 0.5%, 0.31%

LAB 23.63, 32.37, -40.56

 

CMYK 68 / 55 / 0 / 78

HEX #121938

RGB 18 25 56

HSL 228.95, 0.51%, 0.15%

LAB 9.87, 8.39, -21.24

 

CMYK 67 / 56 / 0 / 66

HEX #1D2657

RGB 29 38 87

HSL 230.69, 0.5%, 0.23%

LAB 17.16, 13.68, -30.95

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 67 / 56 / 0 / 42

HEX #314295

RGB 49 66 149

HSL 229.8, 0.51%, 0.39%

LAB 31.16, 21.54, -47.78

 

CMYK 67 / 56 / 0 / 29

HEX #3C4FB4

RGB 60 79 180

HSL 230.5, 0.5%, 0.47%

LAB 37.57, 26.04, -55.95

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 0 / 67 / 3 / 54

HEX #762773

RGB 118 39 115

HSL 302.28, 0.5%, 0.31%

LAB 30.74, 44.34, -26.87

 

CMYK 29 / 0 / 67 / 54

HEX #547627

RGB 84 118 39

HSL 85.82, 0.5%, 0.31%

LAB 45.62, -25.68, 38.35

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 0 / 67 / 56 / 54

HEX #762734

RGB 118 39 52

HSL 350.13, 0.5%, 0.31%

LAB 28.25, 35.61, 10.62

 

CMYK 56 / 0 / 67 / 54

HEX #347627

RGB 52 118 39

HSL 110.13, 0.5%, 0.31%

LAB 43.99, -37.11, 36.11

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 0 / 67 / 3 / 54

HEX #762773

RGB 118 39 115

HSL 302.28, 0.5%, 0.31%

LAB 30.74, 44.34, -26.87

 

CMYK 0 / 11 / 67 / 54

HEX #766927

RGB 118 105 39

HSL 50.13, 0.5%, 0.31%

LAB 44.38, -3.37, 37.83

 

CMYK 67 / 0 / 64 / 54

HEX #27762A

RGB 39 118 42

HSL 122.28, 0.5%, 0.31%

LAB 43.59, -40.19, 34.11

 

CMYK 67 / 56 / 0 / 54

HEX #273476

RGB 39 52 118

HSL 230.13, 0.5%, 0.31%

LAB 24.31, 17.7, -39.59

 

CMYK 0 / 67 / 22 / 54

HEX #76275C

RGB 118 39 92

HSL 319.75, 0.5%, 0.31%

LAB 29.6, 40.49, -13.85

 

CMYK 0 / 11 / 67 / 54

HEX #766927

RGB 118 105 39

HSL 50.13, 0.5%, 0.31%

LAB 44.38, -3.37, 37.83

 

CMYK 67 / 0 / 45 / 54

HEX #277641

RGB 39 118 65

HSL 139.75, 0.5%, 0.31%

LAB 43.9, -36.64, 22.32

 

Description

Color code: HEX #273476 | qconv.com Color code: HEX #273476 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 52 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 52 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 56 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 56% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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