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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2728CD it is the complementary color #D8D732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2728CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2728CD shade: #2C28C8, #3D3ADB, #4E4CEE, #5F5EFF and #7070FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2728CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2728CD shade: #2728CD, #1616BA, #0504A7, #000094 and #000081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2728CD shade: #2728CD, #5327CD, #7F27CD, #AC27CD and #CD27C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2728CD shade: #2728CD and #2727CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2728CD shade matches the following richer shades: #2728CD and #1314E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2728CD shade: #2728CD, #3A3BB9, #4E4FA6, #626292 and #76767E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2728CD shade: #2782CD, #2756CD, #2729CD, #5027CD and #7D27CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2728CD shade: #191A88, #2021AA, #2728CD, #4243DB and #6566E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2728CD shade: #2728CD, #CD27AF and #6CCD27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2728CD shade: #2728CD, #CD2729 and #29CD27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2728CD shade: #2728CD, #CD27AF, #CDCA27 and #27CD45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2728CD shade: #2728CD, #CD277D, #CDCA27 and #27CD77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

Complementary color

CMYK 0 / 0 / 77 / 15

HEX #D8D732

RGB 216 215 50

HSL 59.64, 0.68%, 0.52%

LAB 83.67, -17.56, 74.75

 

CMYK 78 / 80 / 0 / 22

HEX #2C28C8

RGB 44 40 200

HSL 241.5, 0.67%, 0.47%

LAB 29.97, 54.23, -80.22

 

CMYK 72 / 74 / 0 / 14

HEX #3D3ADB

RGB 61 58 219

HSL 241.12, 0.69%, 0.54%

LAB 36.24, 52.19, -80.83

 

CMYK 67 / 68 / 0 / 7

HEX #4E4CEE

RGB 78 76 238

HSL 240.74, 0.83%, 0.62%

LAB 42.71, 49.99, -80.95

 

CMYK 63 / 63 / 0 / 0

HEX #5F5EFF

RGB 95 94 255

HSL 240.37, 1%, 0.68%

LAB 49.08, 47.24, -79.98

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 88 / 88 / 0 / 27

HEX #1616BA

RGB 22 22 186

HSL 240, 0.79%, 0.41%

LAB 24.61, 56.86, -80.91

 

CMYK 97 / 98 / 0 / 35

HEX #0504A7

RGB 5 4 167

HSL 240.37, 0.95%, 0.34%

LAB 19.68, 56.61, -77.74

 

CMYK 100 / 100 / 0 / 42

HEX #000094

RGB 0 0 148

HSL 240, 1%, 0.29%

LAB 16.2, 52.79, -71.9

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 60 / 81 / 0 / 20

HEX #5327CD

RGB 83 39 205

HSL 255.9, 0.68%, 0.48%

LAB 33.35, 59.37, -77.45

 

CMYK 38 / 81 / 0 / 20

HEX #7F27CD

RGB 127 39 205

HSL 271.81, 0.68%, 0.48%

LAB 38.5, 64.93, -68.79

 

CMYK 16 / 81 / 0 / 20

HEX #AC27CD

RGB 172 39 205

HSL 288.07, 0.68%, 0.48%

LAB 45.12, 72.21, -57.73

 

CMYK 0 / 81 / 6 / 20

HEX #CD27C1

RGB 205 39 193

HSL 304.34, 0.68%, 0.48%

LAB 49.83, 76.41, -42.93

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 81 / 81 / 0 / 20

HEX #2727CD

RGB 39 39 205

HSL 240, 0.68%, 0.48%

LAB 30.13, 55.97, -82.87

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 92 / 91 / 0 / 12

HEX #1314E1

RGB 19 20 225

HSL 239.71, 0.84%, 0.48%

LAB 29.6, 68.19, -95.35

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 69 / 68 / 0 / 27

HEX #3A3BB9

RGB 58 59 185

HSL 239.53, 0.52%, 0.48%

LAB 32.98, 40.15, -66.39

 

CMYK 53 / 52 / 0 / 35

HEX #4E4FA6

RGB 78 79 166

HSL 239.32, 0.36%, 0.48%

LAB 37.78, 24.62, -47.25

 

CMYK 33 / 33 / 0 / 43

HEX #626292

RGB 98 98 146

HSL 240, 0.2%, 0.48%

LAB 43.37, 11.83, -26.34

 

CMYK 6 / 6 / 0 / 51

HEX #76767E

RGB 118 118 126

HSL 240, 0.03%, 0.48%

LAB 49.88, 1.66, -4.38

 

CMYK 81 / 37 / 0 / 20

HEX #2782CD

RGB 39 130 205

HSL 207.11, 0.68%, 0.48%

LAB 52.73, 0.32, -46.12

 

CMYK 81 / 58 / 0 / 20

HEX #2756CD

RGB 39 86 205

HSL 223.01, 0.68%, 0.48%

LAB 40.4, 28.19, -65.97

 

CMYK 81 / 80 / 0 / 20

HEX #2729CD

RGB 39 41 205

HSL 239.28, 0.68%, 0.48%

LAB 30.46, 55.02, -82.33

 

CMYK 61 / 81 / 0 / 20

HEX #5027CD

RGB 80 39 205

HSL 254.82, 0.68%, 0.48%

LAB 33.06, 59.06, -77.94

 

CMYK 39 / 81 / 0 / 20

HEX #7D27CD

RGB 125 39 205

HSL 271.08, 0.68%, 0.48%

LAB 38.23, 64.64, -69.24

 

CMYK 82 / 81 / 0 / 47

HEX #191A88

RGB 25 26 136

HSL 239.46, 0.69%, 0.32%

LAB 18.9, 39.56, -59.87

 

CMYK 81 / 81 / 0 / 33

HEX #2021AA

RGB 32 33 170

HSL 239.57, 0.68%, 0.4%

LAB 24.63, 47.54, -71.27

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 70 / 69 / 0 / 14

HEX #4243DB

RGB 66 67 219

HSL 239.61, 0.68%, 0.56%

LAB 38.35, 47.66, -77.33

 

CMYK 55 / 55 / 0 / 12

HEX #6566E1

RGB 101 102 225

HSL 239.52, 0.67%, 0.64%

LAB 49.14, 33.98, -63.06

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 0 / 81 / 15 / 20

HEX #CD27AF

RGB 205 39 175

HSL 310.84, 0.68%, 0.48%

LAB 48.92, 73.87, -33.86

 

CMYK 47 / 0 / 81 / 20

HEX #6CCD27

RGB 108 205 39

HSL 95.06, 0.68%, 0.48%

LAB 74.19, -54.54, 66.81

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 0 / 81 / 80 / 20

HEX #CD2729

RGB 205 39 41

HSL 359.28, 0.68%, 0.48%

LAB 45.07, 62.61, 41.53

 

CMYK 80 / 0 / 81 / 20

HEX #29CD27

RGB 41 205 39

HSL 119.28, 0.68%, 0.48%

LAB 72.42, -69.02, 64.53

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 0 / 81 / 15 / 20

HEX #CD27AF

RGB 205 39 175

HSL 310.84, 0.68%, 0.48%

LAB 48.92, 73.87, -33.86

 

CMYK 0 / 1 / 81 / 20

HEX #CDCA27

RGB 205 202 39

HSL 58.92, 0.68%, 0.48%

LAB 79.25, -16.13, 73.55

 

CMYK 81 / 0 / 66 / 20

HEX #27CD45

RGB 39 205 69

HSL 130.84, 0.68%, 0.48%

LAB 72.58, -66.9, 54.31

 

CMYK 81 / 80 / 0 / 20

HEX #2728CD

RGB 39 40 205

HSL 239.64, 0.68%, 0.48%

LAB 30.3, 55.5, -82.6

 

CMYK 0 / 81 / 39 / 20

HEX #CD277D

RGB 205 39 125

HSL 328.92, 0.68%, 0.48%

LAB 46.86, 67.99, -7.02

 

CMYK 0 / 1 / 81 / 20

HEX #CDCA27

RGB 205 202 39

HSL 58.92, 0.68%, 0.48%

LAB 79.25, -16.13, 73.55

 

CMYK 81 / 0 / 42 / 20

HEX #27CD77

RGB 39 205 119

HSL 148.92, 0.68%, 0.48%

LAB 73.17, -59.79, 31.52

 

Description

Color code: HEX #2728CD | qconv.com Color code: HEX #2728CD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 40 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 40 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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