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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26EB77 it is the complementary color #D91488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26EB77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26EB77 shade: #2BEB72, #3CFD85, #4DFF98, #5EFFAB and #6FFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26EB77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26EB77 shade: #26EB77, #15D964, #04C751, #00B53E and #00A32B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26EB77 shade: #28EB78, #28EB43, #41EB28, #75EB28 and #AAEB28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26EB77 shade: #28EB78, #28EBAC, #28EBE1, #28C0EB and #288BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26EB77 shade matches the following richer shades: #28EB78 and #15FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26EB77 shade: #28EB78, #3BD87B, #4EC57F, #61B282 and #749F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26EB77 shade: #42EB28, #28EB42, #28EB76, #28EBAA and #28EBDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26EB77 shade: #10B052, #13D663, #28EB78, #4EEE90 and #73F2A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26EB77 shade: #26EB77, #2876EB and #EB2828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26EB77 shade: #26EB77, #7628EB and #EB7628

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26EB77 shade: #26EB77, #2876EB, #EB289D and #EB9D28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26EB77 shade: #26EB77, #283BEB, #EB289D and #EBD728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

Complementary color

CMYK 0 / 91 / 37 / 15

HEX #D91488

RGB 217 20 136

HSL 324.67, 0.83%, 0.46%

LAB 48.3, 75.37, -11.32

 

CMYK 82 / 0 / 51 / 8

HEX #2BEB72

RGB 43 235 114

HSL 142.19, 0.83%, 0.55%

LAB 82.46, -70.35, 45.76

 

CMYK 76 / 0 / 47 / 1

HEX #3CFD85

RGB 60 253 133

HSL 142.69, 0.98%, 0.61%

LAB 88.4, -71.54, 44.2

 

CMYK 70 / 0 / 40 / 0

HEX #4DFF98

RGB 77 255 152

HSL 145.28, 1%, 0.65%

LAB 89.56, -66.8, 36.52

 

CMYK 63 / 0 / 33 / 0

HEX #5EFFAB

RGB 94 255 171

HSL 148.7, 1%, 0.68%

LAB 90.25, -60.55, 28.02

 

CMYK 56 / 0 / 25 / 0

HEX #6FFFBE

RGB 111 255 190

HSL 152.92, 1%, 0.72%

LAB 91.06, -53.56, 19.56

 

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

CMYK 90 / 0 / 54 / 15

HEX #15D964

RGB 21 217 100

HSL 144.18, 0.82%, 0.47%

LAB 76.5, -68.32, 45.04

 

CMYK 98 / 0 / 59 / 22

HEX #04C751

RGB 4 199 81

HSL 143.69, 0.96%, 0.4%

LAB 70.5, -66.05, 46.7

 

CMYK 100 / 0 / 66 / 29

HEX #00B53E

RGB 0 181 62

HSL 140.55, 1%, 0.35%

LAB 64.48, -63.03, 48.26

 

CMYK 100 / 0 / 74 / 36

HEX #00A32B

RGB 0 163 43

HSL 135.83, 1%, 0.32%

LAB 58.39, -59.54, 49.44

 

CMYK 83 / 0 / 49 / 8

HEX #28EB78

RGB 40 235 120

HSL 144.62, 0.83%, 0.54%

LAB 82.5, -69.72, 42.95

 

CMYK 83 / 0 / 71 / 8

HEX #28EB43

RGB 40 235 67

HSL 128.31, 0.83%, 0.54%

LAB 81.99, -75.99, 65.01

 

CMYK 72 / 0 / 83 / 8

HEX #41EB28

RGB 65 235 40

HSL 112.31, 0.83%, 0.54%

LAB 82.21, -74.52, 73.39

 

CMYK 50 / 0 / 83 / 8

HEX #75EB28

RGB 117 235 40

HSL 96.31, 0.83%, 0.54%

LAB 83.63, -62.94, 75.19

 

CMYK 28 / 0 / 83 / 8

HEX #AAEB28

RGB 170 235 40

HSL 80, 0.83%, 0.54%

LAB 86.06, -45.48, 78.27

 

CMYK 83 / 0 / 49 / 8

HEX #28EB78

RGB 40 235 120

HSL 144.62, 0.83%, 0.54%

LAB 82.5, -69.72, 42.95

 

CMYK 83 / 0 / 27 / 8

HEX #28EBAC

RGB 40 235 172

HSL 160.62, 0.83%, 0.54%

LAB 83.36, -59.84, 17.89

 

CMYK 83 / 0 / 4 / 8

HEX #28EBE1

RGB 40 235 225

HSL 176.92, 0.83%, 0.54%

LAB 84.64, -46.49, -8.08

 

CMYK 83 / 18 / 0 / 8

HEX #28C0EB

RGB 40 192 235

HSL 193.23, 0.83%, 0.54%

LAB 72.33, -23.3, -32.07

 

CMYK 83 / 41 / 0 / 8

HEX #288BEB

RGB 40 139 235

HSL 209.54, 0.83%, 0.54%

LAB 56.99, 6.18, -56.18

 

CMYK 83 / 0 / 49 / 8

HEX #28EB78

RGB 40 235 120

HSL 144.62, 0.83%, 0.54%

LAB 82.5, -69.72, 42.95

 

CMYK 92 / 0 / 54 / 0

HEX #15FE75

RGB 21 254 117

HSL 144.72, 0.99%, 0.54%

LAB 88.13, -77.39, 51.24

 

CMYK 83 / 0 / 49 / 8

HEX #28EB78

RGB 40 235 120

HSL 144.62, 0.83%, 0.54%

LAB 82.5, -69.72, 42.95

 

CMYK 73 / 0 / 43 / 15

HEX #3BD87B

RGB 59 216 123

HSL 144.46, 0.67%, 0.54%

LAB 76.96, -60.52, 34.48

 

CMYK 60 / 0 / 36 / 23

HEX #4EC57F

RGB 78 197 127

HSL 144.71, 0.51%, 0.54%

LAB 71.61, -49.2, 25.44

 

CMYK 46 / 0 / 27 / 30

HEX #61B282

RGB 97 178 130

HSL 144.44, 0.34%, 0.54%

LAB 66.52, -35.83, 17

 

CMYK 27 / 0 / 16 / 38

HEX #749F85

RGB 116 159 133

HSL 143.72, 0.18%, 0.54%

LAB 61.83, -20.17, 8.9

 

CMYK 72 / 0 / 83 / 8

HEX #42EB28

RGB 66 235 40

HSL 112, 0.83%, 0.54%

LAB 82.23, -74.36, 73.41

 

CMYK 83 / 0 / 72 / 8

HEX #28EB42

RGB 40 235 66

HSL 128, 0.83%, 0.54%

LAB 81.98, -76.07, 65.36

 

CMYK 83 / 0 / 50 / 8

HEX #28EB76

RGB 40 235 118

HSL 144, 0.83%, 0.54%

LAB 82.47, -70.03, 43.88

 

CMYK 83 / 0 / 28 / 8

HEX #28EBAA

RGB 40 235 170

HSL 160, 0.83%, 0.54%

LAB 83.32, -60.29, 18.87

 

CMYK 83 / 0 / 6 / 8

HEX #28EBDE

RGB 40 235 222

HSL 176, 0.83%, 0.54%

LAB 84.56, -47.32, -6.63

 

CMYK 91 / 0 / 53 / 31

HEX #10B052

RGB 16 176 82

HSL 144.75, 0.83%, 0.38%

LAB 63.15, -58.02, 37.47

 

CMYK 91 / 0 / 54 / 16

HEX #13D663

RGB 19 214 99

HSL 144.62, 0.84%, 0.46%

LAB 75.53, -67.62, 44.34

 

CMYK 83 / 0 / 49 / 8

HEX #28EB78

RGB 40 235 120

HSL 144.62, 0.83%, 0.54%

LAB 82.5, -69.72, 42.95

 

CMYK 67 / 0 / 39 / 7

HEX #4EEE90

RGB 78 238 144

HSL 144.75, 0.82%, 0.62%

LAB 84.37, -61.88, 33.68

 

CMYK 52 / 0 / 31 / 5

HEX #73F2A7

RGB 115 242 167

HSL 144.57, 0.83%, 0.7%

LAB 86.97, -51.84, 25.69

 

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

CMYK 83 / 50 / 0 / 8

HEX #2876EB

RGB 40 118 235

HSL 216, 0.83%, 0.54%

LAB 51.16, 19.13, -65.55

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

CMYK 50 / 83 / 0 / 8

HEX #7628EB

RGB 118 40 235

HSL 264, 0.83%, 0.54%

LAB 40.19, 70.38, -83.26

 

CMYK 0 / 50 / 83 / 8

HEX #EB7628

RGB 235 118 40

HSL 24, 0.83%, 0.54%

LAB 62.31, 40.6, 59.86

 

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

CMYK 83 / 50 / 0 / 8

HEX #2876EB

RGB 40 118 235

HSL 216, 0.83%, 0.54%

LAB 51.16, 19.13, -65.55

 

CMYK 0 / 83 / 33 / 8

HEX #EB289D

RGB 235 40 157

HSL 324, 0.83%, 0.54%

LAB 53.62, 78.05, -15.53

 

CMYK 0 / 33 / 83 / 8

HEX #EB9D28

RGB 235 157 40

HSL 36, 0.83%, 0.54%

LAB 70.82, 20.31, 67.2

 

CMYK 84 / 0 / 49 / 8

HEX #26EB77

RGB 38 235 119

HSL 144.67, 0.83%, 0.54%

LAB 82.47, -70.05, 43.38

 

CMYK 83 / 75 / 0 / 8

HEX #283BEB

RGB 40 59 235

HSL 234.15, 0.83%, 0.54%

LAB 37.07, 55.33, -88.61

 

CMYK 0 / 83 / 33 / 8

HEX #EB289D

RGB 235 40 157

HSL 324, 0.83%, 0.54%

LAB 53.62, 78.05, -15.53

 

CMYK 0 / 9 / 83 / 8

HEX #EBD728

RGB 235 215 40

HSL 53.85, 0.83%, 0.54%

LAB 85.21, -9.85, 79.36

 

Description

Color code: HEX #26EB77 | qconv.com Color code: HEX #26EB77 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 235 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 235 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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