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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269069 it is the complementary color #D96F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #269069 shade: #2B9064, #3CA277, #4DB48A, #5EC69D and #6FD8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #269069 shade: #269069, #157E56, #046C43, #005A30 and #00481D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #269069 shade: #269169, #26914D, #269130, #399126 and #569126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #269069 shade: #269169, #269186, #267E91, #266291 and #264591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #269069 shade matches the following richer shades: #269169, #179F6D and #08AE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #269069 shade: #269169, #358265, #447362, #53645E and #61555A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #269069 shade: #26912F, #26914B, #269168, #269184 and #268191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #269069 shade: #154F3A, #1D7052, #269169, #2FB181 and #3ECB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #269069 shade: #269069, #263A91 and #913D26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #269069 shade: #269069, #682691 and #916826

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #269069 shade: #269069, #263A91, #91264F and #917D26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #269069 shade: #269069, #322691, #91264F and #849126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

Complementary color

CMYK 0 / 49 / 31 / 15

HEX #D96F96

RGB 217 111 150

HSL 337.92, 0.58%, 0.64%

LAB 60.18, 45.73, -1.94

 

CMYK 70 / 0 / 31 / 44

HEX #2B9064

RGB 43 144 100

HSL 153.86, 0.54%, 0.37%

LAB 53.36, -39.59, 15.2

 

CMYK 63 / 0 / 27 / 36

HEX #3CA277

RGB 60 162 119

HSL 154.71, 0.46%, 0.44%

LAB 60.01, -39.89, 13.82

 

CMYK 57 / 0 / 23 / 29

HEX #4DB48A

RGB 77 180 138

HSL 155.53, 0.41%, 0.5%

LAB 66.56, -39.98, 12.58

 

CMYK 53 / 0 / 21 / 22

HEX #5EC69D

RGB 94 198 157

HSL 156.35, 0.48%, 0.57%

LAB 73.02, -39.94, 11.46

 

CMYK 49 / 0 / 19 / 15

HEX #6FD8B0

RGB 111 216 176

HSL 157.14, 0.57%, 0.64%

LAB 79.4, -39.83, 10.43

 

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

CMYK 83 / 0 / 32 / 51

HEX #157E56

RGB 21 126 86

HSL 157.14, 0.71%, 0.29%

LAB 46.65, -38.41, 13.9

 

CMYK 96 / 0 / 38 / 58

HEX #046C43

RGB 4 108 67

HSL 156.35, 0.93%, 0.22%

LAB 39.84, -37.01, 15.69

 

CMYK 100 / 0 / 47 / 65

HEX #005A30

RGB 0 90 48

HSL 152, 1%, 0.18%

LAB 32.97, -34.47, 17.8

 

CMYK 100 / 0 / 60 / 72

HEX #00481D

RGB 0 72 29

HSL 144.17, 1%, 0.14%

LAB 25.93, -31.27, 20.06

 

CMYK 74 / 0 / 28 / 43

HEX #269169

RGB 38 145 105

HSL 157.57, 0.58%, 0.36%

LAB 53.69, -39.67, 12.8

 

CMYK 74 / 0 / 47 / 43

HEX #26914D

RGB 38 145 77

HSL 141.87, 0.58%, 0.36%

LAB 53.17, -45.47, 27.63

 

CMYK 74 / 0 / 67 / 43

HEX #269130

RGB 38 145 48

HSL 125.61, 0.58%, 0.36%

LAB 52.81, -49.61, 41.61

 

CMYK 61 / 0 / 74 / 43

HEX #399126

RGB 57 145 38

HSL 109.35, 0.58%, 0.36%

LAB 53.23, -46.46, 46.36

 

CMYK 41 / 0 / 74 / 43

HEX #569126

RGB 86 145 38

HSL 93.08, 0.58%, 0.36%

LAB 54.42, -37.51, 47.94

 

CMYK 74 / 0 / 28 / 43

HEX #269169

RGB 38 145 105

HSL 157.57, 0.58%, 0.36%

LAB 53.69, -39.67, 12.8

 

CMYK 74 / 0 / 8 / 43

HEX #269186

RGB 38 145 134

HSL 173.83, 0.58%, 0.36%

LAB 54.43, -32.02, -2.76

 

CMYK 74 / 13 / 0 / 43

HEX #267E91

RGB 38 126 145

HSL 190.65, 0.58%, 0.36%

LAB 48.73, -18.98, -17.71

 

CMYK 74 / 32 / 0 / 43

HEX #266291

RGB 38 98 145

HSL 206.36, 0.58%, 0.36%

LAB 39.9, -2.75, -31.41

 

CMYK 74 / 52 / 0 / 43

HEX #264591

RGB 38 69 145

HSL 222.62, 0.58%, 0.36%

LAB 31.14, 16.27, -45.38

 

CMYK 74 / 0 / 28 / 43

HEX #269169

RGB 38 145 105

HSL 157.57, 0.58%, 0.36%

LAB 53.69, -39.67, 12.8

 

CMYK 86 / 0 / 31 / 38

HEX #179F6D

RGB 23 159 109

HSL 157.94, 0.75%, 0.36%

LAB 58.12, -46.22, 16.64

 

CMYK 95 / 0 / 35 / 32

HEX #08AE71

RGB 8 174 113

HSL 157.95, 0.91%, 0.36%

LAB 62.94, -51.98, 21.02

 

CMYK 74 / 0 / 28 / 43

HEX #269169

RGB 38 145 105

HSL 157.57, 0.58%, 0.36%

LAB 53.69, -39.67, 12.8

 

CMYK 59 / 0 / 22 / 49

HEX #358265

RGB 53 130 101

HSL 157.4, 0.42%, 0.36%

LAB 49.08, -31.1, 8.69

 

CMYK 41 / 0 / 15 / 55

HEX #447362

RGB 68 115 98

HSL 158.3, 0.26%, 0.36%

LAB 44.76, -20.33, 4.39

 

CMYK 17 / 0 / 6 / 61

HEX #53645E

RGB 83 100 94

HSL 158.82, 0.09%, 0.36%

LAB 40.83, -7.8, 1.24

 

CMYK 0 / 12 / 7 / 62

HEX #61555A

RGB 97 85 90

HSL 335, 0.07%, 0.36%

LAB 37.44, 5.89, -1.1

 

CMYK 74 / 0 / 68 / 43

HEX #26912F

RGB 38 145 47

HSL 125.05, 0.58%, 0.36%

LAB 52.8, -49.72, 42.04

 

CMYK 74 / 0 / 48 / 43

HEX #26914B

RGB 38 145 75

HSL 140.75, 0.58%, 0.36%

LAB 53.14, -45.82, 28.66

 

CMYK 74 / 0 / 28 / 43

HEX #269168

RGB 38 145 104

HSL 157.01, 0.58%, 0.36%

LAB 53.67, -39.91, 13.34

 

CMYK 74 / 0 / 9 / 43

HEX #269184

RGB 38 145 132

HSL 172.71, 0.58%, 0.36%

LAB 54.37, -32.6, -1.69

 

CMYK 74 / 11 / 0 / 43

HEX #268191

RGB 38 129 145

HSL 188.97, 0.58%, 0.36%

LAB 49.69, -20.59, -16.26

 

CMYK 73 / 0 / 27 / 69

HEX #154F3A

RGB 21 79 58

HSL 158.28, 0.58%, 0.2%

LAB 29.56, -24.36, 7.08

 

CMYK 74 / 0 / 27 / 56

HEX #1D7052

RGB 29 112 82

HSL 158.31, 0.59%, 0.28%

LAB 41.94, -32.22, 9.73

 

CMYK 74 / 0 / 28 / 43

HEX #269169

RGB 38 145 105

HSL 157.57, 0.58%, 0.36%

LAB 53.69, -39.67, 12.8

 

CMYK 73 / 0 / 27 / 31

HEX #2FB181

RGB 47 177 129

HSL 157.85, 0.58%, 0.44%

LAB 64.67, -46.14, 14.75

 

CMYK 69 / 0 / 26 / 20

HEX #3ECB97

RGB 62 203 151

HSL 157.87, 0.58%, 0.52%

LAB 73.53, -49.56, 15.26

 

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

CMYK 74 / 60 / 0 / 43

HEX #263A91

RGB 38 58 145

HSL 228.79, 0.58%, 0.36%

LAB 28.07, 23.78, -50.37

 

CMYK 0 / 58 / 74 / 43

HEX #913D26

RGB 145 61 38

HSL 12.9, 0.58%, 0.36%

LAB 36.92, 34.01, 31.21

 

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

CMYK 28 / 74 / 0 / 43

HEX #682691

RGB 104 38 145

HSL 277.01, 0.58%, 0.36%

LAB 30.34, 47.67, -46.4

 

CMYK 0 / 28 / 74 / 43

HEX #916826

RGB 145 104 38

HSL 37.01, 0.58%, 0.36%

LAB 47.05, 9.8, 42.01

 

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

CMYK 74 / 60 / 0 / 43

HEX #263A91

RGB 38 58 145

HSL 228.79, 0.58%, 0.36%

LAB 28.07, 23.78, -50.37

 

CMYK 0 / 74 / 46 / 43

HEX #91264F

RGB 145 38 79

HSL 337.01, 0.58%, 0.36%

LAB 33.92, 47.5, 1.58

 

CMYK 0 / 14 / 74 / 43

HEX #917D26

RGB 145 125 38

HSL 48.79, 0.58%, 0.36%

LAB 52.76, -2.19, 47.74

 

CMYK 74 / 0 / 27 / 44

HEX #269069

RGB 38 144 105

HSL 157.92, 0.58%, 0.36%

LAB 53.36, -39.24, 12.34

 

CMYK 66 / 74 / 0 / 43

HEX #322691

RGB 50 38 145

HSL 246.73, 0.58%, 0.36%

LAB 24.03, 38.24, -56.96

 

CMYK 0 / 74 / 46 / 43

HEX #91264F

RGB 145 38 79

HSL 337.01, 0.58%, 0.36%

LAB 33.92, 47.5, 1.58

 

CMYK 9 / 0 / 74 / 43

HEX #849126

RGB 132 145 38

HSL 67.29, 0.58%, 0.36%

LAB 57.36, -18.87, 51.83

 

Description

Color code: HEX #269069 | qconv.com Color code: HEX #269069 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 144 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 144 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 27 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 27% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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