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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #263F37 it is the complementary color #D9C0C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #263F37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #263F37 shade: #2B3F32, #3C5145, #4D6358, #5E756B and #6F877E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #263F37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #263F37 shade: #263F37, #152D24, #041B11 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #263F37 shade: #263F37, #263F30, #263F29, #293F26 and #303F26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #263F37 shade: #263F37, #263F3E, #263A3F, #26333F and #262C3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #263F37 shade matches the following richer shades: #263F37, #1D483A, #15503D, #0D5840 and #056043

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #263F37 shade: #263F37, #2E3734, #362F31, #3F262E and #471E2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #263F37 shade: #263F29, #263F30, #263F37, #263F3E and #263A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #263F37 shade: #070C0A, #162521, #263F37, #35594E and #457364

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #263F37 shade: #263F37, #26293F and #3F2D26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #263F37 shade: #263F37, #37263F and #3F3726

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #263F37 shade: #263F37, #26293F, #3F262E and #3F3C26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #263F37 shade: #263F37, #2A263F, #3F262E and #3B3F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

Complementary color

CMYK 0 / 12 / 8 / 15

HEX #D9C0C8

RGB 217 192 200

HSL 340.8, 0.25%, 0.8%

LAB 79.97, 10.18, -0.78

 

CMYK 32 / 0 / 21 / 75

HEX #2B3F32

RGB 43 63 50

HSL 141, 0.19%, 0.21%

LAB 24.64, -11.23, 5.45

 

CMYK 26 / 0 / 15 / 68

HEX #3C5145

RGB 60 81 69

HSL 145.71, 0.15%, 0.28%

LAB 32.43, -10.98, 4.44

 

CMYK 22 / 0 / 11 / 61

HEX #4D6358

RGB 77 99 88

HSL 150, 0.13%, 0.35%

LAB 39.93, -10.79, 3.54

 

CMYK 20 / 0 / 9 / 54

HEX #5E756B

RGB 94 117 107

HSL 153.91, 0.11%, 0.41%

LAB 47.19, -10.65, 2.73

 

CMYK 18 / 0 / 7 / 47

HEX #6F877E

RGB 111 135 126

HSL 157.5, 0.1%, 0.48%

LAB 54.25, -10.54, 1.97

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 53 / 0 / 20 / 82

HEX #152D24

RGB 21 45 36

HSL 157.5, 0.36%, 0.13%

LAB 16.32, -12.09, 2.92

 

CMYK 85 / 0 / 37 / 89

HEX #041B11

RGB 4 27 17

HSL 153.91, 0.74%, 0.06%

LAB 7.68, -10.85, 3.72

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 0 / 24 / 75

HEX #263F30

RGB 38 63 48

HSL 144, 0.25%, 0.2%

LAB 24.26, -13.6, 6.19

 

CMYK 40 / 0 / 35 / 75

HEX #263F29

RGB 38 63 41

HSL 127.2, 0.25%, 0.2%

LAB 24.09, -15.18, 10.53

 

CMYK 35 / 0 / 40 / 75

HEX #293F26

RGB 41 63 38

HSL 112.8, 0.25%, 0.2%

LAB 24.21, -14.59, 12.66

 

CMYK 24 / 0 / 40 / 75

HEX #303F26

RGB 48 63 38

HSL 96, 0.25%, 0.2%

LAB 24.71, -11.61, 13.41

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 0 / 2 / 75

HEX #263F3E

RGB 38 63 62

HSL 177.6, 0.25%, 0.2%

LAB 24.69, -9.88, -2.45

 

CMYK 40 / 8 / 0 / 75

HEX #263A3F

RGB 38 58 63

HSL 192, 0.25%, 0.2%

LAB 22.99, -6.44, -5.65

 

CMYK 40 / 19 / 0 / 75

HEX #26333F

RGB 38 51 63

HSL 208.8, 0.25%, 0.2%

LAB 20.59, -1.83, -9.27

 

CMYK 40 / 30 / 0 / 75

HEX #262C3F

RGB 38 44 63

HSL 225.6, 0.25%, 0.2%

LAB 18.24, 3, -12.88

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 60 / 0 / 19 / 72

HEX #1D483A

RGB 29 72 58

HSL 160.47, 0.43%, 0.2%

LAB 27.3, -18.92, 3.92

 

CMYK 74 / 0 / 24 / 69

HEX #15503D

RGB 21 80 61

HSL 160.68, 0.58%, 0.2%

LAB 29.99, -24.04, 5.79

 

CMYK 85 / 0 / 27 / 65

HEX #0D5840

RGB 13 88 64

HSL 160.8, 0.74%, 0.2%

LAB 32.78, -28.29, 7.81

 

CMYK 95 / 0 / 30 / 62

HEX #056043

RGB 5 96 67

HSL 160.88, 0.9%, 0.2%

LAB 35.6, -31.9, 9.88

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 16 / 0 / 5 / 78

HEX #2E3734

RGB 46 55 52

HSL 160, 0.09%, 0.2%

LAB 22.16, -4.53, 0.6

 

CMYK 0 / 13 / 9 / 79

HEX #362F31

RGB 54 47 49

HSL 342.86, 0.07%, 0.2%

LAB 20.2, 3.58, -0.13

 

CMYK 0 / 40 / 27 / 75

HEX #3F262E

RGB 63 38 46

HSL 340.8, 0.25%, 0.2%

LAB 18.54, 13.17, -0.34

 

CMYK 0 / 58 / 39 / 72

HEX #471E2B

RGB 71 30 43

HSL 340.98, 0.41%, 0.2%

LAB 17.66, 21.26, 0.64

 

CMYK 40 / 0 / 35 / 75

HEX #263F29

RGB 38 63 41

HSL 127.2, 0.25%, 0.2%

LAB 24.09, -15.18, 10.53

 

CMYK 40 / 0 / 24 / 75

HEX #263F30

RGB 38 63 48

HSL 144, 0.25%, 0.2%

LAB 24.26, -13.6, 6.19

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 0 / 2 / 75

HEX #263F3E

RGB 38 63 62

HSL 177.6, 0.25%, 0.2%

LAB 24.69, -9.88, -2.45

 

CMYK 40 / 8 / 0 / 75

HEX #263A3F

RGB 38 58 63

HSL 192, 0.25%, 0.2%

LAB 22.99, -6.44, -5.65

 

CMYK 42 / 0 / 17 / 95

HEX #070C0A

RGB 7 12 10

HSL 156, 0.26%, 0.04%

LAB 2.98, -1.63, 0.33

 

CMYK 41 / 0 / 11 / 85

HEX #162521

RGB 22 37 33

HSL 164, 0.25%, 0.12%

LAB 13.25, -7.53, 0.63

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 0 / 12 / 65

HEX #35594E

RGB 53 89 78

HSL 161.67, 0.25%, 0.28%

LAB 34.91, -15.84, 2.29

 

CMYK 40 / 0 / 13 / 55

HEX #457364

RGB 69 115 100

HSL 160.43, 0.25%, 0.36%

LAB 44.87, -19.55, 3.35

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 35 / 0 / 75

HEX #26293F

RGB 38 41 63

HSL 232.8, 0.25%, 0.2%

LAB 17.26, 5.13, -14.4

 

CMYK 0 / 29 / 40 / 75

HEX #3F2D26

RGB 63 45 38

HSL 16.8, 0.25%, 0.2%

LAB 20.34, 7.12, 7.76

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 13 / 40 / 0 / 75

HEX #37263F

RGB 55 38 63

HSL 280.8, 0.25%, 0.2%

LAB 18.18, 13.56, -12.84

 

CMYK 0 / 13 / 40 / 75

HEX #3F3726

RGB 63 55 38

HSL 40.8, 0.25%, 0.2%

LAB 23.44, 0.48, 11.97

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 40 / 35 / 0 / 75

HEX #26293F

RGB 38 41 63

HSL 232.8, 0.25%, 0.2%

LAB 17.26, 5.13, -14.4

 

CMYK 0 / 40 / 27 / 75

HEX #3F262E

RGB 63 38 46

HSL 340.8, 0.25%, 0.2%

LAB 18.54, 13.17, -0.34

 

CMYK 0 / 5 / 40 / 75

HEX #3F3C26

RGB 63 60 38

HSL 52.8, 0.25%, 0.2%

LAB 25.04, -2.75, 14.09

 

CMYK 40 / 0 / 13 / 75

HEX #263F37

RGB 38 63 55

HSL 160.8, 0.25%, 0.2%

LAB 24.46, -11.83, 1.85

 

CMYK 33 / 40 / 0 / 75

HEX #2A263F

RGB 42 38 63

HSL 249.6, 0.25%, 0.2%

LAB 16.69, 8.7, -15.27

 

CMYK 0 / 40 / 27 / 75

HEX #3F262E

RGB 63 38 46

HSL 340.8, 0.25%, 0.2%

LAB 18.54, 13.17, -0.34

 

CMYK 6 / 0 / 40 / 75

HEX #3B3F26

RGB 59 63 38

HSL 69.6, 0.25%, 0.2%

LAB 25.64, -6.56, 14.8

 

Description

Color code: HEX #263F37 | qconv.com Color code: HEX #263F37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 63 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 63 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 13 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 13% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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