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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #260E4D it is the complementary color #D9F1B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #260E4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #260E4D shade: #2B0E48, #3C205B, #4D326E, #5E4481 and #6F5694

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #260E4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #260E4D shade: #260E4D, #15003A, #040027, #000014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #260E4D shade: #260E4D, #370E4D, #480E4D, #4D0E41 and #4D0E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #260E4D shade: #260E4D, #150E4D and #0E0E4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #260E4D shade matches the following richer shades: #260E4D and #240654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #260E4D shade: #260E4D, #281546, #291D3E, #2B2437 and #2D2B2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #260E4D shade: #0E184D, #140E4D, #250E4D, #360E4D and #470E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #260E4D shade: #030107, #15072A, #260E4D, #371470 and #481B93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #260E4D shade: #260E4D, #4D0E29 and #104D0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #260E4D shade: #260E4D, #4D250E and #0E4D25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #260E4D shade: #260E4D, #4D0E29, #364D0E and #0E4D32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #260E4D shade: #260E4D, #4D0E16, #364D0E and #0E4D45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

Complementary color

CMYK 10 / 0 / 26 / 5

HEX #D9F1B2

RGB 217 241 178

HSL 82.86, 0.69%, 0.82%

LAB 92.08, -18.42, 27.89

 

CMYK 40 / 81 / 0 / 72

HEX #2B0E48

RGB 43 14 72

HSL 270, 0.67%, 0.17%

LAB 11.24, 27.67, -30.21

 

CMYK 34 / 65 / 0 / 64

HEX #3C205B

RGB 60 32 91

HSL 268.47, 0.48%, 0.24%

LAB 19.01, 26.82, -30.48

 

CMYK 30 / 55 / 0 / 57

HEX #4D326E

RGB 77 50 110

HSL 267, 0.38%, 0.31%

LAB 26.69, 25.72, -30.47

 

CMYK 27 / 47 / 0 / 49

HEX #5E4481

RGB 94 68 129

HSL 265.57, 0.31%, 0.39%

LAB 34.19, 24.69, -30.42

 

CMYK 25 / 42 / 0 / 42

HEX #6F5694

RGB 111 86 148

HSL 264.19, 0.26%, 0.46%

LAB 41.49, 23.77, -30.39

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 64 / 100 / 0 / 77

HEX #15003A

RGB 21 0 58

HSL 261.72, 1%, 0.11%

LAB 4.2, 25.1, -31.86

 

CMYK 90 / 100 / 0 / 85

HEX #040027

RGB 4 0 39

HSL 246.15, 1%, 0.08%

LAB 1.56, 10.34, -21.88

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 29 / 82 / 0 / 70

HEX #370E4D

RGB 55 14 77

HSL 279.05, 0.69%, 0.18%

LAB 13.6, 31.67, -29.76

 

CMYK 6 / 82 / 0 / 70

HEX #480E4D

RGB 72 14 77

HSL 295.24, 0.69%, 0.18%

LAB 16.64, 35.65, -24.72

 

CMYK 0 / 82 / 16 / 70

HEX #4D0E41

RGB 77 14 65

HSL 311.43, 0.69%, 0.18%

LAB 16.86, 34.73, -16

 

CMYK 0 / 82 / 38 / 70

HEX #4D0E30

RGB 77 14 48

HSL 327.62, 0.69%, 0.18%

LAB 16.03, 32.17, -5.22

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 73 / 82 / 0 / 70

HEX #150E4D

RGB 21 14 77

HSL 246.67, 0.69%, 0.18%

LAB 9.07, 25.36, -37.36

 

CMYK 82 / 82 / 0 / 70

HEX #0E0E4D

RGB 14 14 77

HSL 240, 0.69%, 0.18%

LAB 8.51, 24.54, -38.3

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 57 / 93 / 0 / 67

HEX #240654

RGB 36 6 84

HSL 263.08, 0.87%, 0.18%

LAB 10.15, 33.83, -40.33

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 43 / 70 / 0 / 73

HEX #281546

RGB 40 21 70

HSL 263.27, 0.54%, 0.18%

LAB 12.15, 22.19, -27.36

 

CMYK 34 / 53 / 0 / 76

HEX #291D3E

RGB 41 29 62

HSL 261.82, 0.36%, 0.18%

LAB 13.81, 14.48, -19.09

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 4 / 9 / 0 / 82

HEX #2D2B2F

RGB 45 43 47

HSL 270, 0.04%, 0.18%

LAB 17.88, 1.86, -2.27

 

CMYK 82 / 69 / 0 / 70

HEX #0E184D

RGB 14 24 77

HSL 230.48, 0.69%, 0.18%

LAB 11.15, 17.4, -33.95

 

CMYK 74 / 82 / 0 / 70

HEX #140E4D

RGB 20 14 77

HSL 245.71, 0.69%, 0.18%

LAB 8.98, 25.23, -37.51

 

CMYK 52 / 82 / 0 / 70

HEX #250E4D

RGB 37 14 77

HSL 261.9, 0.69%, 0.18%

LAB 10.87, 27.94, -34.33

 

CMYK 30 / 82 / 0 / 70

HEX #360E4D

RGB 54 14 77

HSL 278.1, 0.69%, 0.18%

LAB 13.44, 31.45, -30.04

 

CMYK 8 / 82 / 0 / 70

HEX #470E4D

RGB 71 14 77

HSL 294.29, 0.69%, 0.18%

LAB 16.45, 35.41, -25.03

 

CMYK 57 / 86 / 0 / 97

HEX #030107

RGB 3 1 7

HSL 260, 0.75%, 0.02%

LAB 0.51, 1.36, -2.09

 

CMYK 50 / 83 / 0 / 84

HEX #15072A

RGB 21 7 42

HSL 264, 0.71%, 0.1%

LAB 4.32, 14.27, -19.77

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 51 / 82 / 0 / 56

HEX #371470

RGB 55 20 112

HSL 262.83, 0.7%, 0.26%

LAB 17.84, 38.32, -46.22

 

CMYK 51 / 82 / 0 / 42

HEX #481B93

RGB 72 27 147

HSL 262.5, 0.69%, 0.34%

LAB 24.54, 47.37, -57.27

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 0 / 82 / 47 / 70

HEX #4D0E29

RGB 77 14 41

HSL 334.29, 0.69%, 0.18%

LAB 15.76, 31.31, -0.56

 

CMYK 79 / 0 / 82 / 70

HEX #104D0E

RGB 16 77 14

HSL 118.1, 0.69%, 0.18%

LAB 27.98, -32.49, 29.97

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 0 / 52 / 82 / 70

HEX #4D250E

RGB 77 37 14

HSL 21.9, 0.69%, 0.18%

LAB 19.77, 16.8, 22.92

 

CMYK 82 / 0 / 52 / 70

HEX #0E4D25

RGB 14 77 37

HSL 141.9, 0.69%, 0.18%

LAB 28.21, -29.62, 18.25

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 0 / 82 / 47 / 70

HEX #4D0E29

RGB 77 14 41

HSL 334.29, 0.69%, 0.18%

LAB 15.76, 31.31, -0.56

 

CMYK 30 / 0 / 82 / 70

HEX #364D0E

RGB 54 77 14

HSL 81.9, 0.69%, 0.18%

LAB 29.72, -19.55, 32.28

 

CMYK 82 / 0 / 35 / 70

HEX #0E4D32

RGB 14 77 50

HSL 154.29, 0.69%, 0.18%

LAB 28.46, -26.73, 10.59

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 0 / 82 / 71 / 70

HEX #4D0E16

RGB 77 14 22

HSL 352.38, 0.69%, 0.18%

LAB 15.22, 29.56, 12.54

 

CMYK 30 / 0 / 82 / 70

HEX #364D0E

RGB 54 77 14

HSL 81.9, 0.69%, 0.18%

LAB 29.72, -19.55, 32.28

 

CMYK 82 / 0 / 10 / 70

HEX #0E4D45

RGB 14 77 69

HSL 172.38, 0.69%, 0.18%

LAB 28.98, -21.29, -0.81

 

Description

Color code: HEX #260E4D | qconv.com Color code: HEX #260E4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 14 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 14 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 82 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 82% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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