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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25FC20 it is the complementary color #DA03DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25FC20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25FC20 shade: #2AFC1B, #3BFF2E, #4CFF41, #5DFF54 and #6EFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25FC20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25FC20 shade: #25FC20, #14EA0D, #03D800, #00C600 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25FC20 shade: #26FB21, #61FB21, #9CFB21, #D6FB21 and #FBE521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25FC20 shade: #26FB21, #21FB57, #21FB92, #21FBCD and #21EFFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25FC20 shade matches the following richer shades: #26FB21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25FC20 shade: #26FB21, #38E934, #49D746, #5AC558 and #6CB36A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25FC20 shade: #9DFB21, #63FB21, #29FB21, #21FB54 and #21FB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25FC20 shade: #07C803, #09F003, #26FB21, #4EFC4A and #76FC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25FC20 shade: #25FC20, #21D7FB and #FB2180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25FC20 shade: #25FC20, #2129FB and #FB2129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25FC20 shade: #25FC20, #21D7FB, #F421FB and #FB4621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25FC20 shade: #25FC20, #2196FB, #F421FB and #FB8721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

Complementary color

CMYK 2 / 99 / 0 / 13

HEX #DA03DF

RGB 218 3 223

HSL 298.64, 0.97%, 0.44%

LAB 52.17, 87.79, -56.3

 

CMYK 83 / 0 / 89 / 1

HEX #2AFC1B

RGB 42 252 27

HSL 116, 0.97%, 0.55%

LAB 87.09, -82.72, 80.05

 

CMYK 77 / 0 / 82 / 0

HEX #3BFF2E

RGB 59 255 46

HSL 116.27, 1%, 0.59%

LAB 88.28, -80.95, 77.42

 

CMYK 70 / 0 / 75 / 0

HEX #4CFF41

RGB 76 255 65

HSL 116.53, 1%, 0.63%

LAB 88.66, -77.37, 72.57

 

CMYK 64 / 0 / 67 / 0

HEX #5DFF54

RGB 93 255 84

HSL 116.84, 1%, 0.66%

LAB 89.15, -72.78, 66.56

 

CMYK 57 / 0 / 60 / 0

HEX #6EFF67

RGB 110 255 103

HSL 117.24, 1%, 0.7%

LAB 89.77, -67.27, 59.72

 

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

CMYK 91 / 0 / 94 / 8

HEX #14EA0D

RGB 20 234 13

HSL 118.1, 0.89%, 0.48%

LAB 81.3, -79.8, 76.92

 

CMYK 99 / 0 / 100 / 15

HEX #03D800

RGB 3 216 0

HSL 119.17, 1%, 0.42%

LAB 75.53, -75.92, 73.4

 

CMYK 100 / 0 / 100 / 22

HEX #00C600

RGB 0 198 0

HSL 120, 1%, 0.39%

LAB 69.75, -71.24, 68.75

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 85 / 0 / 87 / 2

HEX #26FB21

RGB 38 251 33

HSL 118.62, 0.96%, 0.56%

LAB 86.76, -82.61, 78.73

 

CMYK 61 / 0 / 87 / 2

HEX #61FB21

RGB 97 251 33

HSL 102.39, 0.96%, 0.56%

LAB 87.8, -73.64, 80.04

 

CMYK 38 / 0 / 87 / 2

HEX #9CFB21

RGB 156 251 33

HSL 86.15, 0.96%, 0.56%

LAB 89.94, -57.13, 82.71

 

CMYK 15 / 0 / 87 / 2

HEX #D6FB21

RGB 214 251 33

HSL 70.18, 0.96%, 0.56%

LAB 93.19, -35.84, 86.73

 

CMYK 0 / 9 / 87 / 2

HEX #FBE521

RGB 251 229 33

HSL 53.94, 0.96%, 0.56%

LAB 90.16, -10.24, 85.46

 

CMYK 85 / 0 / 87 / 2

HEX #26FB21

RGB 38 251 33

HSL 118.62, 0.96%, 0.56%

LAB 86.76, -82.61, 78.73

 

CMYK 87 / 0 / 65 / 2

HEX #21FB57

RGB 33 251 87

HSL 134.86, 0.96%, 0.56%

LAB 87, -79.39, 62.79

 

CMYK 87 / 0 / 42 / 2

HEX #21FB92

RGB 33 251 146

HSL 151.1, 0.96%, 0.56%

LAB 87.68, -71.21, 36.9

 

CMYK 87 / 0 / 18 / 2

HEX #21FBCD

RGB 33 251 205

HSL 167.34, 0.96%, 0.56%

LAB 88.79, -58.72, 8.43

 

CMYK 87 / 5 / 0 / 2

HEX #21EFFB

RGB 33 239 251

HSL 183.3, 0.96%, 0.56%

LAB 86.51, -41.21, -18.95

 

CMYK 85 / 0 / 87 / 2

HEX #26FB21

RGB 38 251 33

HSL 118.62, 0.96%, 0.56%

LAB 86.76, -82.61, 78.73

 

CMYK 85 / 0 / 87 / 2

HEX #26FB21

RGB 38 251 33

HSL 118.62, 0.96%, 0.56%

LAB 86.76, -82.61, 78.73

 

CMYK 76 / 0 / 78 / 9

HEX #38E934

RGB 56 233 52

HSL 118.67, 0.8%, 0.56%

LAB 81.49, -74.62, 69.47

 

CMYK 66 / 0 / 67 / 16

HEX #49D746

RGB 73 215 70

HSL 118.76, 0.64%, 0.56%

LAB 76.35, -64.76, 58.16

 

CMYK 54 / 0 / 55 / 23

HEX #5AC558

RGB 90 197 88

HSL 118.9, 0.48%, 0.56%

LAB 71.43, -52.5, 44.91

 

CMYK 40 / 0 / 41 / 30

HEX #6CB36A

RGB 108 179 106

HSL 118.36, 0.32%, 0.56%

LAB 66.88, -37.27, 30.42

 

CMYK 37 / 0 / 87 / 2

HEX #9DFB21

RGB 157 251 33

HSL 85.87, 0.96%, 0.56%

LAB 89.99, -56.8, 82.77

 

CMYK 61 / 0 / 87 / 2

HEX #63FB21

RGB 99 251 33

HSL 101.83, 0.96%, 0.56%

LAB 87.85, -73.2, 80.11

 

CMYK 84 / 0 / 87 / 2

HEX #29FB21

RGB 41 251 33

HSL 117.8, 0.96%, 0.56%

LAB 86.79, -82.34, 78.77

 

CMYK 87 / 0 / 67 / 2

HEX #21FB54

RGB 33 251 84

HSL 134.04, 0.96%, 0.56%

LAB 86.98, -79.69, 63.94

 

CMYK 87 / 0 / 43 / 2

HEX #21FB8E

RGB 33 251 142

HSL 150, 0.96%, 0.56%

LAB 87.62, -71.91, 38.78

 

CMYK 97 / 0 / 99 / 22

HEX #07C803

RGB 7 200 3

HSL 118.78, 0.97%, 0.4%

LAB 70.43, -71.43, 68.99

 

CMYK 96 / 0 / 99 / 6

HEX #09F003

RGB 9 240 3

HSL 118.48, 0.98%, 0.48%

LAB 83.12, -81.99, 79.24

 

CMYK 85 / 0 / 87 / 2

HEX #26FB21

RGB 38 251 33

HSL 118.62, 0.96%, 0.56%

LAB 86.76, -82.61, 78.73

 

CMYK 69 / 0 / 71 / 1

HEX #4EFC4A

RGB 78 252 74

HSL 118.65, 0.97%, 0.64%

LAB 87.84, -75.45, 68.75

 

CMYK 53 / 0 / 54 / 1

HEX #76FC73

RGB 118 252 115

HSL 118.69, 0.96%, 0.72%

LAB 89.26, -62.91, 53.92

 

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

CMYK 87 / 14 / 0 / 2

HEX #21D7FB

RGB 33 215 251

HSL 189.91, 0.96%, 0.56%

LAB 79.55, -29.99, -29.55

 

CMYK 0 / 87 / 49 / 2

HEX #FB2180

RGB 251 33 128

HSL 333.85, 0.96%, 0.56%

LAB 55.23, 80.41, 4.47

 

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

CMYK 87 / 84 / 0 / 2

HEX #2129FB

RGB 33 41 251

HSL 237.8, 0.96%, 0.56%

LAB 35.74, 68.47, -99.86

 

CMYK 0 / 87 / 84 / 2

HEX #FB2129

RGB 251 33 41

HSL 357.8, 0.96%, 0.56%

LAB 53.77, 76.23, 52.98

 

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

CMYK 87 / 14 / 0 / 2

HEX #21D7FB

RGB 33 215 251

HSL 189.91, 0.96%, 0.56%

LAB 79.55, -29.99, -29.55

 

CMYK 3 / 87 / 0 / 2

HEX #F421FB

RGB 244 33 251

HSL 298.07, 0.96%, 0.56%

LAB 59.24, 93.02, -60.46

 

CMYK 0 / 72 / 87 / 2

HEX #FB4621

RGB 251 70 33

HSL 10.18, 0.96%, 0.56%

LAB 57.07, 66.61, 59.3

 

CMYK 85 / 0 / 87 / 1

HEX #25FC20

RGB 37 252 32

HSL 118.64, 0.97%, 0.56%

LAB 87.05, -83, 79.17

 

CMYK 87 / 40 / 0 / 2

HEX #2196FB

RGB 33 150 251

HSL 207.8, 0.96%, 0.56%

LAB 60.87, 5.06, -58.81

 

CMYK 3 / 87 / 0 / 2

HEX #F421FB

RGB 244 33 251

HSL 298.07, 0.96%, 0.56%

LAB 59.24, 93.02, -60.46

 

CMYK 0 / 46 / 87 / 2

HEX #FB8721

RGB 251 135 33

HSL 28.07, 0.96%, 0.56%

LAB 67.98, 38.17, 67.87

 

Description

Color code: HEX #25FC20 | qconv.com Color code: HEX #25FC20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 252 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 252 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 87 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 87% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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