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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25E980 it is the complementary color #DA167F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25E980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25E980 shade: #2AE97B, #3BFB8E, #4CFFA1, #5DFFB4 and #6EFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25E980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25E980 shade: #25E980, #14D76D, #03C55A, #00B347 and #00A134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25E980 shade: #24E980, #24E94B, #33E924, #68E924 and #9DE924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25E980 shade: #24E980, #24E9B5, #24E8E9, #24B3E9 and #247EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25E980 shade matches the following richer shades: #24E980 and #11FC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25E980 shade: #24E980, #38D681, #4BC282, #5FAF84 and #729B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25E980 shade: #35E924, #24E948, #24E97D, #24E9B1 and #24E9E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25E980 shade: #10AA58, #14D06B, #24E980, #4AED95 and #6FF0AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25E980 shade: #25E980, #2469E9 and #E92E24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25E980 shade: #25E980, #7D24E9 and #E97D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25E980 shade: #25E980, #2469E9, #E92490 and #E9A424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25E980 shade: #25E980, #242EE9, #E92490 and #E9DF24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

Complementary color

CMYK 0 / 90 / 42 / 15

HEX #DA167F

RGB 218 22 127

HSL 327.86, 0.82%, 0.47%

LAB 48.27, 74.49, -5.86

 

CMYK 82 / 0 / 47 / 9

HEX #2AE97B

RGB 42 233 123

HSL 145.45, 0.81%, 0.54%

LAB 81.95, -68.4, 40.81

 

CMYK 76 / 0 / 43 / 2

HEX #3BFB8E

RGB 59 251 142

HSL 145.94, 0.96%, 0.61%

LAB 87.91, -69.53, 39.22

 

CMYK 70 / 0 / 37 / 0

HEX #4CFFA1

RGB 76 255 161

HSL 148.49, 1%, 0.65%

LAB 89.69, -65.35, 32.22

 

CMYK 64 / 0 / 29 / 0

HEX #5DFFB4

RGB 93 255 180

HSL 152.22, 1%, 0.68%

LAB 90.39, -58.98, 23.65

 

CMYK 57 / 0 / 22 / 0

HEX #6EFFC7

RGB 110 255 199

HSL 156.83, 1%, 0.72%

LAB 91.22, -51.89, 15.16

 

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

CMYK 91 / 0 / 49 / 16

HEX #14D76D

RGB 20 215 109

HSL 147.38, 0.83%, 0.46%

LAB 75.98, -66.37, 40.08

 

CMYK 98 / 0 / 54 / 23

HEX #03C55A

RGB 3 197 90

HSL 146.91, 0.97%, 0.39%

LAB 69.96, -64.22, 41.85

 

CMYK 100 / 0 / 60 / 30

HEX #00B347

RGB 0 179 71

HSL 143.8, 1%, 0.35%

LAB 63.91, -61.33, 43.62

 

CMYK 100 / 0 / 68 / 37

HEX #00A134

RGB 0 161 52

HSL 139.38, 1%, 0.32%

LAB 57.79, -58.05, 45.19

 

CMYK 85 / 0 / 45 / 9

HEX #24E980

RGB 36 233 128

HSL 148.02, 0.82%, 0.53%

LAB 81.95, -68.1, 38.36

 

CMYK 85 / 0 / 68 / 9

HEX #24E94B

RGB 36 233 75

HSL 131.88, 0.82%, 0.53%

LAB 81.38, -75.06, 61.41

 

CMYK 78 / 0 / 85 / 9

HEX #33E924

RGB 51 233 36

HSL 115.43, 0.82%, 0.53%

LAB 81.35, -76.1, 73.44

 

CMYK 55 / 0 / 85 / 9

HEX #68E924

RGB 104 233 36

HSL 99.29, 0.82%, 0.53%

LAB 82.57, -65.9, 74.97

 

CMYK 33 / 0 / 85 / 9

HEX #9DE924

RGB 157 233 36

HSL 83.15, 0.82%, 0.53%

LAB 84.78, -49.48, 77.76

 

CMYK 85 / 0 / 45 / 9

HEX #24E980

RGB 36 233 128

HSL 148.02, 0.82%, 0.53%

LAB 81.95, -68.1, 38.36

 

CMYK 85 / 0 / 22 / 9

HEX #24E9B5

RGB 36 233 181

HSL 164.16, 0.82%, 0.53%

LAB 82.91, -57.32, 12.55

 

CMYK 85 / 0 / 0 / 9

HEX #24E8E9

RGB 36 232 233

HSL 180.3, 0.82%, 0.53%

LAB 83.95, -43.18, -13.33

 

CMYK 85 / 23 / 0 / 9

HEX #24B3E9

RGB 36 179 233

HSL 196.45, 0.82%, 0.53%

LAB 68.39, -17.52, -37.1

 

CMYK 85 / 46 / 0 / 9

HEX #247EE9

RGB 36 126 233

HSL 212.59, 0.82%, 0.53%

LAB 53.15, 13.07, -61.23

 

CMYK 85 / 0 / 45 / 9

HEX #24E980

RGB 36 233 128

HSL 148.02, 0.82%, 0.53%

LAB 81.95, -68.1, 38.36

 

CMYK 93 / 0 / 50 / 1

HEX #11FC7E

RGB 17 252 126

HSL 147.83, 0.98%, 0.53%

LAB 87.6, -75.64, 46.43

 

CMYK 85 / 0 / 45 / 9

HEX #24E980

RGB 36 233 128

HSL 148.02, 0.82%, 0.53%

LAB 81.95, -68.1, 38.36

 

CMYK 74 / 0 / 40 / 16

HEX #38D681

RGB 56 214 129

HSL 147.72, 0.66%, 0.53%

LAB 76.39, -59.15, 30.67

 

CMYK 61 / 0 / 33 / 24

HEX #4BC282

RGB 75 194 130

HSL 147.73, 0.49%, 0.53%

LAB 70.66, -48.02, 22.55

 

CMYK 46 / 0 / 25 / 31

HEX #5FAF84

RGB 95 175 132

HSL 147.75, 0.33%, 0.53%

LAB 65.56, -34.59, 14.56

 

CMYK 26 / 0 / 14 / 39

HEX #729B85

RGB 114 155 133

HSL 147.8, 0.17%, 0.53%

LAB 60.53, -18.76, 7.03

 

CMYK 77 / 0 / 85 / 9

HEX #35E924

RGB 53 233 36

HSL 114.82, 0.82%, 0.53%

LAB 81.38, -75.85, 73.47

 

CMYK 85 / 0 / 69 / 9

HEX #24E948

RGB 36 233 72

HSL 130.96, 0.82%, 0.53%

LAB 81.36, -75.34, 62.52

 

CMYK 85 / 0 / 46 / 9

HEX #24E97D

RGB 36 233 125

HSL 147.11, 0.82%, 0.53%

LAB 81.91, -68.6, 39.78

 

CMYK 85 / 0 / 24 / 9

HEX #24E9B1

RGB 36 233 177

HSL 162.94, 0.82%, 0.53%

LAB 82.82, -58.25, 14.52

 

CMYK 85 / 0 / 1 / 9

HEX #24E9E6

RGB 36 233 230

HSL 179.09, 0.82%, 0.53%

LAB 84.16, -44.48, -11.44

 

CMYK 91 / 0 / 48 / 33

HEX #10AA58

RGB 16 170 88

HSL 148.05, 0.83%, 0.36%

LAB 61.28, -55.01, 32.1

 

CMYK 90 / 0 / 49 / 18

HEX #14D06B

RGB 20 208 107

HSL 147.77, 0.82%, 0.45%

LAB 73.75, -64.4, 38.27

 

CMYK 85 / 0 / 45 / 9

HEX #24E980

RGB 36 233 128

HSL 148.02, 0.82%, 0.53%

LAB 81.95, -68.1, 38.36

 

CMYK 69 / 0 / 37 / 7

HEX #4AED95

RGB 74 237 149

HSL 147.61, 0.82%, 0.61%

LAB 84.07, -61.27, 30.74

 

CMYK 54 / 0 / 29 / 6

HEX #6FF0AB

RGB 111 240 171

HSL 147.91, 0.81%, 0.69%

LAB 86.33, -51.17, 22.74

 

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

CMYK 85 / 55 / 0 / 9

HEX #2469E9

RGB 36 105 233

HSL 218.98, 0.82%, 0.53%

LAB 47.45, 26.32, -70.46

 

CMYK 0 / 80 / 85 / 9

HEX #E92E24

RGB 233 46 36

HSL 3.05, 0.82%, 0.53%

LAB 51.16, 68.57, 51.75

 

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

CMYK 46 / 85 / 0 / 9

HEX #7D24E9

RGB 125 36 233

HSL 267.11, 0.82%, 0.53%

LAB 40.42, 71.95, -81.73

 

CMYK 0 / 46 / 85 / 9

HEX #E97D24

RGB 233 125 36

HSL 27.11, 0.82%, 0.53%

LAB 63.44, 36.16, 62.18

 

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

CMYK 85 / 55 / 0 / 9

HEX #2469E9

RGB 36 105 233

HSL 218.98, 0.82%, 0.53%

LAB 47.45, 26.32, -70.46

 

CMYK 0 / 85 / 38 / 9

HEX #E92490

RGB 233 36 144

HSL 327.11, 0.82%, 0.53%

LAB 52.51, 77.11, -9.51

 

CMYK 0 / 30 / 85 / 9

HEX #E9A424

RGB 233 164 36

HSL 38.98, 0.82%, 0.53%

LAB 72.23, 15.64, 69.5

 

CMYK 84 / 0 / 45 / 9

HEX #25E980

RGB 37 233 128

HSL 147.86, 0.82%, 0.53%

LAB 81.96, -68.02, 38.38

 

CMYK 85 / 80 / 0 / 9

HEX #242EE9

RGB 36 46 233

HSL 236.95, 0.82%, 0.53%

LAB 34.42, 61.1, -91.88

 

CMYK 0 / 85 / 38 / 9

HEX #E92490

RGB 233 36 144

HSL 327.11, 0.82%, 0.53%

LAB 52.51, 77.11, -9.51

 

CMYK 0 / 4 / 85 / 9

HEX #E9DF24

RGB 233 223 36

HSL 56.95, 0.82%, 0.53%

LAB 87.11, -14.77, 81.76

 

Description

Color code: HEX #25E980 | qconv.com Color code: HEX #25E980 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 233 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 233 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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